Created by CoreyHodgkinson
Last edited December 29, 2025


Muhammad Akram Ghanimat Kunjahi (died c. 1713 CE) was a Punjabi[1] poet of Persian language and Sufi in the Mughal Empire.

Biography[edit | edit source]

Little is known about his life with certainty, except that he descended from a family of muftis originating from the village of Kunjah, in Gujrat District.[2] He was a disciple of Sayyid Muhammad Salih, himself a favourite disciple of Naushah Ganj Bakhsh, a well known saint associated with Qādiriyya Sufi order.[3] He is reported to have travelled to Kashmir, Kabul and Delhi.[4] The date of death of Kunjahi is not known: but since he praises Farrukhsiyar (enthroned 1713) in his Golzār-e moḥabbat and his death is mentioned in his nephew Moḥammad Māh Ṣedāqat-e Konjāhī's Ṯawāqeb al-manāqeb (written 1714), he probably died towards the end of 1713.[5] He is buried in his native village of Kunjah.[6]

Works[edit | edit source]

Kunjahi wrote in Persian using the sabk-i hindī style, characterized by a fondness for the ghazal form and an interest in realistic and sometimes erotic themes. His works reflected complex imagery, themes, and syntax.[7] Notable works of Kunjahi include a Dīvan consisting of 233 ghazals and 12 robāʿīs; Golzār-e moḥabbat, a mathnawi of 591 lines and the Nayrang-i ʿishḳ ('Talisman of Love'), a sentimental and romantic mathnawī of 1500 lines set in Punjab during Kunjahi's time.[5][7]

Nayrang-i ʿishḳ was written in 1685, and was highly esteemed in India.[2] The poem starts with the formal praise to the land of Punjab where the story is set. It then tells the tale of love between prince Aziz and a dancer named Shahid.[2] The poem was translated into several languages in the subsequent centuries. Notable translations include that of Abd al-Hamid Mohmand (in Pashto),[8] Bhagwant Rai Rāhat (in Urdu) and Mian Muhammad Bakhsh (in Punjabi).[9]

Legacy[edit | edit source]

In popular local memory, Kunjahi was remembered as a miracle worker associated with improving mental faculties, curing insanity, and aiding aspiring poets.[10] His tomb was revered for its alleged powers, and it became a site for interring other poets, including Shareef Kunjahi.[11] The Bazm-i-Ghanimat literary organization in Pakistan was named after him.[12]

Editions[edit | edit source]

  • Dīwān, ed. Ghulām Rabbānī ʿAzīz (Lahore 1958)
  • Nayrang-i ʿishk, ed. Ghulām Rabbānī ʿAzīz (Lahore: Panjabi Adabi Akademi, 1962)

References[edit | edit source]

  1. Bausani (1974), p. 106, as reproduced in Chaghatai (2014), pp. 12–36.
  2. 2.0 2.1 2.2 Naficy (1965), p. 1006.
  3. Shackle (1999), p. 445.
  4. Bausani (1974), p. 107; Shackle (1999), p. 446
  5. 5.0 5.1 Naushahi (2000).
  6. Chaghatai (2014), p. 14.
  7. 7.0 7.1 Chaghatai (2014), p. 19.
  8. Shackle (1999), pp. 457–459.
  9. Shackle (1999), pp. 459–462.
  10. Shackle (1999), p. 435.
  11. "Sharif Kunjahi laid to rest". Dawn. 22 January 2007. Retrieved 4 April 2025.
  12. Arif, Iftikhar; Khwaja, Waqas (2010). Modern Poetry of Pakistan. Dalkey Archive Press. p. 288. ISBN 978-1-56478-605-0.

Sources[edit | edit source]