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Ganda (caste)
The Ganda or Gandawa are a indigenous community from the eastern Indian states of Odisha and Chhattisgarh.Demographic of Ganda. They mainly live in western Odisha and adjoining parts of Chhattisgarh, especially in Bolangir and Bargarh districts. They are divided into various endogamous divisions such as Odia, Laria, Kandria/Kandharia, Kabria and Saharia Ganda, which are further divided into a number of totemistic exogamous clans (
bansa (IAST: bansa)
) like
bagh,sika, nag, (IAST: bagh,sika, nag,)
and
podha (IAST: podha)
. They practise adult marriage and are mainly monogamous. Marriages are mainly arranged through negotiation, while mutual consent is also respected. junior levirate, junior sororate, remarriage of widows, widowers, and divorcees are permitted. They follow the puberty function and have birth pollution. Pre-delivery and post natal rituals such as
chatti (IAST: chatti)
, naming ceremony, and tonsure are also performed. They practise both cremation and burial to dispose of their dead. Their traditional occupations are as weavers and village watchmen and they also served as village headmen. They also play drums during special occasions.[1][2] Their principle deity is
Dulha Deo (IAST: Dulha Deo)
.[2]
Ganda Baja[edit | edit source]
The Gandas are best known for their special music known as Ganda Baja (IAST: Ganda Baja)
, which is essential for village functions throughout western Odisha. The music uses drums (
dhol (IAST: dhol)
,
nissan (IAST: nissan)
,
tasa (IAST: tasa)
or
timkiri (IAST: timkiri)
), pipes (
mohuri (IAST: mohuri)
) and cymbals (
kastal (IAST: kastal)
). Previously Gandas would be patronized by important rajas or
zamindars (IAST: zamindars)
and would be essential parts of their festivities, while today they are patronized by members of other castes to play at their festivals.The music of the Gandas is considered important to communicate with local
gramadevatas (IAST: gramadevatas)
. On every Monday in Bora Sambar, a region of Bargarh, the priest performs the
boil (IAST: boil)
ritual, where the goddess possesses the priest and puts him into a trance. During this time, the Gandas play their instruments to
sulo par (IAST: sulo par)
, 16 rhythms, representing the 16 goddesses. It is said only the
Ganda Baja (IAST: Ganda Baja)
instruments allow this
boil (IAST: boil)
to occur, and the playing of the instruments by the Gandas helps the goddess focus her
shakti (IAST: shakti)
on the priest, who could lose control due to the sheer strength of her power. During this ritual, the priest can heal people who are suffering ailments such as barrenness due to the
shakti (IAST: shakti)
he channels, thanks to the Ganda orchestra.[3] when mahinda ( budhist monk) son of King Ashoka went to Sri Lanka, he took Ganda baja and gandas with him. Both traditional baja are similar as per buddhist scripture.
References[edit | edit source]
- ↑ "Ganda". www.scstrti.in. Retrieved 2020-12-26.
- ↑ 2.0 2.1 Russell, R. V. "The Tribes and Castes of the Central Provinces of India—Volume III". www.gutenberg.org. Retrieved 2020-12-26.
- ↑ Guzy, Lidia. Marginalized Music: A case study from Western Orissa/India. ISBN 978-1-351-55461-9. OCLC 999615545.
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