m robot: Update article (please report if you notice any mistake or error in this edit) |
corrected references for consistency |
||
| Line 1: | Line 1: | ||
{{Short description|Unpitched percussion instrument}} | |||
{{more citations needed|date=July 2020}} | {{more citations needed|date=July 2020}} | ||
{{Use dmy dates|date=July 2020}} | {{Use dmy dates|date=July 2020}} | ||
{{Use Indian English|date=July 2020}} | {{Use Indian English|date=July 2020}} | ||
[[File:maddale.jpg|right|thumb|Yakshagana Maddale.]] | [[File:maddale.jpg|right|thumb|Yakshagana Maddale.]] | ||
The '''Maddale''' ({{ | The '''Maddale''' ({{langx|kn|ಮದ್ದಲೆ}}), also known as '''Mrudanga''' (ಮೃದಂಗ) in [[Uttara Kannada|North Canara]], is a [[percussion instrument]] from [[Karnataka]], [[India]]. It serves as the primary rhythmic accompaniment in a [[Yakshagana]] ensemble, along with [[Chande]]. The maddale produces a perfectly harmonic tonic (shruti swara) when struck anywhere on its surface. This is in contrast to other instruments such as the [[Mridangam|Mrudangam]], [[Pakhavaj|Pakawaj]], or [[Tabla]], which cannot produce the tonic (shruti) on all parts of their surfaces. Its drum head is similar to that of the tabla and its body is similar to that of the pakhavaj. | ||
The traditional Maddale was 30 cm long and had an 8-inch drum head on the right side that produced a louder sound. Nowadays, a 6-6.5 inch wide right side Maddale is typically used, while a few using a 7-inch wide one. The left bass side is about one inch bigger than the right. The Maddale is available in more than three variants.<ref>''Dr. Shivarama Karantha, Yakshagana Bayalaata'', Harsha Publications, 1963, Puttur, South Canara.</ref> The Maddale used in Yakshagana looks similar to the mridangam, but differs significantly in structure, acoustics, playing techniques, and rhythm system ([[Yakshagana Tala]]).<ref>''Prof. Sridhara Uppura, Yakshagana and Nataka'', Diganta Sahitya Publications, 1998, Managalore.</ref> | |||
Its body is constructed from [[jackfruit]] tree wood among other woods such as kakke, baine, and hunaalu. | |||
==History== | ==History== | ||
Maddale belongs to mridangam family | The Maddale belongs to the mridangam family and shares a similar history. Over time, the Maddale evolved to be made of different kinds of wood for higher octaves. | ||
It evolved with the development of Yakshagana and Yakshaganic fingering and hand techniques. The use of palm produces a sound that is somewhat a mixture of pakhawaj and mridangam. | |||
== | ==Construction== | ||
[[File: | [[File:Karne paste on a drumhead.jpg|right|thumb|Yakshagana Maddale Bala Muchchige.]] | ||
[[File:maddalebona.jpg|right|thumb|Yakshagana Maddale left drum head (bass). Left side is slightly larger]] | [[File:maddalebona.jpg|right|thumb|Yakshagana Maddale left drum head (bass). Left side is slightly larger]] | ||
The maddale is a double-sided drum whose body is usually made using a hollowed piece of [[jackfruit]] wood about | The maddale is a double-sided drum whose body is usually made using a hollowed piece of [[jackfruit]] wood about .5 cm thick (thinner than mrudangam). This body is called ''goodu'' (or housing). The two open ends of the drum are covered with goat skin leather and laced to each other with leather straps around the circumference of the drum. These straps are stretched to tightly hold the drum heads, allowing them to resonate when struck. The drum head on the left is slightly larger (bass side) (.9 inches). One side produces [[Bass (sound)|bass]], the other [[Clef#Treble clef|treble]]. The drum head is known as ''muchchige''. | ||
The bass drum head is known as the ''eda muchchige'' and the | The bass drum head is known as the ''eda muchchige'' and the other head is known as the ''bala muchchige''. The higher drum head is similar to tabla drum head but creates a major tonal difference. The maddale produces tonic when playing on the rim and on ink. The higher drum head has a circular disk in the centre called ''karne'' (the ink) causing it to produce harmonic tones. The base drum is smeared with a [[tuning paste]] made from ash and rice called ''bona'', before performances to dampen the tone and to produce bass sound. | ||
== Methods of use== | == Methods of use== | ||
Maddale is tuned to the tonic of the Yakshagana singer before the performance (lower shadja). A wooden peg is sometimes used to tighten the | [[File:Kalamandalam sreejith.jpg|thumb|A maddale player]] | ||
Maddale is tuned to the tonic of the Yakshagana singer before the performance (lower shadja). A wooden peg is sometimes used to tighten the straps. The two major strokes are ''gumpu'' and c''hapu''. Chapu involves playing on the rim and is used for tuning. Gumpu involves playing on the ink to produce a more resonating sound. The Kapala stroke is a cross finger stroke above the ink. It is a unique stroke that produces a harmonic mix of gumpu and chapu (Kapala is more musical than chapu of mrudangam). | |||
==See also== | ==See also== | ||
Latest revision as of 17:11, 12 November 2025
 | This article needs additional citations for verification. (July 2020) |
The Maddale (Script error: The function "langx" does not exist.), also known as Mrudanga (ಮೃದಂಗ) in North Canara, is a percussion instrument from Karnataka, India. It serves as the primary rhythmic accompaniment in a Yakshagana ensemble, along with Chande. The maddale produces a perfectly harmonic tonic (shruti swara) when struck anywhere on its surface. This is in contrast to other instruments such as the Mrudangam, Pakawaj, or Tabla, which cannot produce the tonic (shruti) on all parts of their surfaces. Its drum head is similar to that of the tabla and its body is similar to that of the pakhavaj.
The traditional Maddale was 30 cm long and had an 8-inch drum head on the right side that produced a louder sound. Nowadays, a 6-6.5 inch wide right side Maddale is typically used, while a few using a 7-inch wide one. The left bass side is about one inch bigger than the right. The Maddale is available in more than three variants.[1] The Maddale used in Yakshagana looks similar to the mridangam, but differs significantly in structure, acoustics, playing techniques, and rhythm system (Yakshagana Tala).[2]
Its body is constructed from jackfruit tree wood among other woods such as kakke, baine, and hunaalu.
History[edit | edit source]
The Maddale belongs to the mridangam family and shares a similar history. Over time, the Maddale evolved to be made of different kinds of wood for higher octaves.
It evolved with the development of Yakshagana and Yakshaganic fingering and hand techniques. The use of palm produces a sound that is somewhat a mixture of pakhawaj and mridangam.
Construction[edit | edit source]
The maddale is a double-sided drum whose body is usually made using a hollowed piece of jackfruit wood about .5 cm thick (thinner than mrudangam). This body is called goodu (or housing). The two open ends of the drum are covered with goat skin leather and laced to each other with leather straps around the circumference of the drum. These straps are stretched to tightly hold the drum heads, allowing them to resonate when struck. The drum head on the left is slightly larger (bass side) (.9 inches). One side produces bass, the other treble. The drum head is known as muchchige.
The bass drum head is known as the eda muchchige and the other head is known as the bala muchchige. The higher drum head is similar to tabla drum head but creates a major tonal difference. The maddale produces tonic when playing on the rim and on ink. The higher drum head has a circular disk in the centre called karne (the ink) causing it to produce harmonic tones. The base drum is smeared with a tuning paste made from ash and rice called bona, before performances to dampen the tone and to produce bass sound.
Methods of use[edit | edit source]
Maddale is tuned to the tonic of the Yakshagana singer before the performance (lower shadja). A wooden peg is sometimes used to tighten the straps. The two major strokes are gumpu and chapu. Chapu involves playing on the rim and is used for tuning. Gumpu involves playing on the ink to produce a more resonating sound. The Kapala stroke is a cross finger stroke above the ink. It is a unique stroke that produces a harmonic mix of gumpu and chapu (Kapala is more musical than chapu of mrudangam).
