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{{short description|1998 Indian film}} | |||
{{Use dmy dates|date=October 2015}} | {{Use dmy dates|date=October 2015}} | ||
{{Use Indian English|date=October 2015}} | {{Use Indian English|date=October 2015}} | ||
{{Infobox film | {{Infobox film | ||
| name = Chinthavishtayaya Shyamala | | name = Chinthavishtayaya Shyamala | ||
| caption = Poster | | caption = Poster | ||
| image = Chinthavishtayaya Shyamala.jpg | | image = Chinthavishtayaya Shyamala.jpg | ||
| | | director = [[Sreenivasan]] | ||
| starring = [[Sangita Madhavan Nair|Sangita]]<!-- At the end credits Sangita is credited first--><br> | | producer = C. Karunakaran | ||
| writer = Sreenivasan | |||
| starring = [[Sangita Madhavan Nair|Sangita]]<!-- At the end credits Sangita is credited first--><br>Sreenivasan | |||
| music | | music = [[Johnson (composer)|Johnson]] | ||
| editing = [[A. | | editing = [[A. Sreekar Prasad]] | ||
| cinematography = [[S. Kumar (cinematographer)|S. Kumar]] | | cinematography = [[S. Kumar (cinematographer)|S. Kumar]] | ||
| | | studio = Carlton Films | ||
| | | distributor = Filimothsav | ||
| released = {{Film date|1998|10|15|df=y}} | | released = {{Film date|1998|10|15|df=y}} | ||
| runtime = 158 minutes | | runtime = 158 minutes | ||
| country = India | | country = India | ||
| language = Malayalam | | language = Malayalam | ||
}} | }} | ||
'''''Chinthavishtayaya Shyamala ''''' ( | '''''Chinthavishtayaya Shyamala''''' ({{Translation|Pensive Shyamala}}) is a 1998 Indian [[Malayalam]]-language [[comedy-drama]] film written and directed by [[Sreenivasan]]. Its stars [[Sangita Madhavan Nair|Sangita]]<!-- At the end credits Sangita is credited first--> and himself, with [[Thilakan]], [[Innocent (Actor)|Innocent]], [[Nedumudi Venu]], [[Sudheesh]], [[Siddique (actor)|Siddique]], and [[Mamukkoya]] in supporting roles. The plot follows a lazy negligent father and husband who embraces faith as a means of escape, further abandoning his responsibilities to his family. | ||
''Chinthavishtayaya Shyamala'' is often considered as one of the classic family dramas in Malayalam.<ref>{{cite news|title='Chinthavishtayaya Shyamala' and Sreenivasan to come together again for a social satire|url=http://timesofindia.indiatimes.com/entertainment/malayalam/movies/news/Chinthavishtayaya-Shyamala-and-Sreenivasan-to-come-together-again-for-a-social-satire/movie-review/40504470.cms|work=[[The Times of India]]|date=21 August 2014}}</ref> It won the [[National Film Award for Best Film on Other Social Issues]], the [[Kerala State Film Award for Best Actress]] (for Sangita), and two [[Filmfare Awards South]]. The film was remade in Telugu as ''[[Aavide Syamala]]'' (1999) and Tamil as ''[[Chidambarathil Oru Appasamy]]'' (2005). | |||
==Plot== | ==Plot== | ||
Vijayan | Vijayan is a village school teacher who believes that his degree in economics will make him succeed in business ventures. Frequently taking long leaves from his job, he pursues these ventures, all of which fail. He lives with his wife, Shyamala, and their two daughters. | ||
During one such venture, Vijayan attempts to produce a short advertising film at the encouragement of a friend. The attempt fails due to his lack of experience, and he abandons the project. His father, Karunan Mash, grows concerned about Vijayan’s neglect of his teaching job and its impact on the family. Shyamala, who is less educated, supports Vijayan’s actions, believing their difficulties to be temporary. Karunan ''mash'' and Vijayan's father-in-law, Achuthan Nair, suggest that Vijayan undertake the annual pilgrimage to the [[Sabarimala]] temple in the hope that it will lead to a change in his outlook. Vijayan eventually agrees and observes the customary 41-day period of fasting and abstinence. | |||
After returning from Sabarimala, Vijayan adopts a highly religious lifestyle, including vegetarianism, prayer, and renunciation stating that many people have turned to spiritualism after making all the riches in life.He defends his actions saying if spirituality is the ultimate goal anyways then why go through the trouble of slogging and making money. The bills rack up and the lack of money takes a toll on Shyamala who is unable to pay for groceries and kids fees. He later leaves his family to live in an [[ashram]]. His presence there creates difficulties, and the ashram residents eventually learn that he has a family and his faith is merely a mean for escapism. He is advised by the head of the ashram to take responsibility for his life rather than withdraw from it. Vijayan then leaves the ashram and returns home. | |||
During Vijayan’s absence, Shyamala begins working as a tailor with a tailoring unit operating out of their house . She becomes the primary provider for the family making progress in all aspects slowly and steadily. She supports the household independently and encourages her sister to complete her education and seek employment. When Vijayan attempts to rejoin the family, Shyamala is cold and indifferent towards him. Vijayan faces same hostile attitude from his in laws and even Karunan mash who goes to the extent of threatening to burn him alive if he ever steps into his house again. He also berates Vijayan's lack of responsibilities and taunts him saying its his irresponsibility that made Shyamala stand on her feet and be independent and thus her indifference towards him. Vijayan now having realised his mistakes starts correcting them one by one. He rejoins his school job and rekindles his friendship with his old friends whom he had abandoned. All of no avail, as despite his efforts at reconciliation, Shyamala initially asks him to leave them alone. When Vijayan conducts another drama to prevent leaving from home with the help of his kids Shyamala confronts him about his past actions and questions his commitment. She even asks if Vijayan has ever thought how she and his kids lived after he left them. Vijayan subsequently reflects on his actions and decides to resume his teaching career and new life as a responsible man. | |||
The film concludes with Vijayan reuniting with his wife and children, as [[Communist]] party leaders, who are also undertaking the Sabarimala pilgrimage, walk along the same road and cross paths with the family. | |||
==Cast== | ==Cast== | ||
| Line 34: | Line 39: | ||
* [[Sangita Madhavan Nair|Sangita]] as Shyamala | * [[Sangita Madhavan Nair|Sangita]] as Shyamala | ||
* [[Sreenivasan]] as Vijayan | * [[Sreenivasan]] as Vijayan | ||
* [[Thilakan]] as Karunan | * [[Thilakan]] as Karunan master | ||
* [[Innocent (actor)|Innocent]] as Achuthan Nair | * [[Innocent (actor)|Innocent]] as Achuthan Nair | ||
* | * [[Nedumudi Venu]] as School headmaster | ||
* [[Sudheesh]] as Suku | * [[Sudheesh]] as Suku | ||
* [[ | * [[Siddique (actor)|Siddique]] as Johnnykutty | ||
* [[Mamukkoya]] as Usman | * [[Mamukkoya]] as Usman | ||
* [[ | * [[Augustine (actor)|Augustine]] as Barber Chandhran | ||
* | * Kamala Devi as Rathnavali | ||
* Kripa as Divya | * Kripa as Divya | ||
* [[Shafna]] as Kavya | * [[Shafna]] as Kavya | ||
* | * Unni Mannanur as Swamiji | ||
{{colend}} | {{colend}} | ||
== | ==Production== | ||
The title was inspired by [[Kumaran Asan]]'s poem ''Chinthavishtayaaya Sita'', which imagines the musings of [[Sita]] in the final chapter of the epic ''[[Ramayana]]''.{{citation needed|date=December 2025}} | |||
For the role of Shyamala, Sreenivasan initially considered casting [[Seetha (actress)|Seetha]], but this did not materialize.<ref>{{cite web |title=സമ്മാനങ്ങൾ തന്ന് സ്നേഹിച്ച പാർത്ഥിപനും കുടുംബവും {{!}} parthipan, sreenivasan |url=https://www.youtube.com/watch?v=YZsBBYH6ud8 |publisher=[[Kairali TV]] |access-date=24 December 2025 |date=23 December 2025}}</ref> Later, [[Mohanlal]] suggested Sangita for the role.<ref>{{cite news|title=Mohanlal suggested Sangeetha for Shyamala: Sreenivasan|url=http://timesofindia.indiatimes.com/entertainment/malayalam/movies/news/Mohanlal-suggested-Sangeetha-for-Shyamala-Sreenivasan/articleshow/45349180.cms|work=[[The Hindu]]|date=2 December 2014}}</ref> | |||
| [[ | |||
== Soundtrack == | == Soundtrack == | ||
The film's soundtrack contains | The film's soundtrack contains two songs, all composed by [[Johnson (composer)|Johnson]] and lyrics by [[Gireesh Puthenchery]] and [[Yusufali Kechery]]. | ||
{| class="wikitable" style="font-size:95%;" | {| class="wikitable" style="font-size:95%;" | ||
| Line 91: | Line 71: | ||
| [[M. G. Sreekumar]], Chorus | | [[M. G. Sreekumar]], Chorus | ||
|} | |} | ||
==Release== | |||
===Reception=== | |||
The film received critical acclaim.<ref name="rediff1998"/> | |||
===Box office=== | |||
The film became a commercial success, becoming one of the highest-grossing Malayalam films of the year.<ref name="rediff1998">{{cite web |last=Warrier |first=Shobha |date=7 December 1998 |title=All is not lost... |url=http://www.rediff.com/entertai/1998/dec/07malaya.htm |work=[[Rediff.com]]}}</ref> | |||
==Awards== | |||
The film won the [[National Film Award for Best Film on Other Social Issues]] in 1999. It won the [[Kerala State Film Award for Best Popular Film]] in 1998. | |||
{| class="wikitable" | |||
! Award Category | |||
! Award | |||
! Artist | |||
|- | |||
|- bgcolor=#edf3fe | |||
| [[National Film Awards]] || [[National Film Award for Best Film on Other Social Issues|Best Film on Other Social Issues]] || C. Karunakaran | |||
|- | |||
| [[Kerala State Film Awards]] || [[Kerala State Film Award for Best Film with Popular Appeal and Aesthetic Value|Best Film with Popular Appeal and Aesthetic Value]] <br />[[Kerala State Film Award for Best Actress|Best Actress]]||C. Karunakaran<br />Sangita | |||
|- | |||
| [[Filmfare Awards South]] || [[Filmfare Award for Best Film – Malayalam|Best Film (Malayalam)]]<br />[[Filmfare Award for Best Director – Malayalam|Best Director (Malayalam)]]<ref>{{Cite web |title=46th Filmfare Awards South Winners |url=https://archive.org/download/46thFilmfareAwardsSouthWinners/46th%20Filmfare%20Awards%20south%20winners.jpg |access-date=2020-10-21}}</ref>||C. Karunakaran<br />Sreenivasan | |||
|- | |||
| [[Asianet Film Awards]] || [[Asianet Film Awards#Best Film|Best Film]]<br /> [[Asianet Film Awards#Best Director|Best Director]] | |||
|} | |||
==Remakes== | |||
It was remade in Telugu as ''[[Aavide Syamala]]'' (1999) by [[Kodi Ramakrishna]].<ref>{{Cite web |date=June 29, 2013 |title=Aavide Shyamala {{!}} Full Length Telugu Movie |url=https://www.youtube.com/watch?v=ifz4dmGYGDY |website=[[YouTube]]}}</ref> This film was later remade into Tamil as ''[[Chidambarathil Oru Appasamy]]'' in 2005 directed by [[Thangar Bachan]] who also starred in lead role. It was also remade in Hindi as ''SRK'' with [[Vinay Pathak]] but it remains unreleased.{{citation needed|date=December 2025}} | |||
==References== | ==References== | ||
| Line 99: | Line 106: | ||
{{National Film Award for Best Film on Other Social Issues}} | {{National Film Award for Best Film on Other Social Issues}} | ||
{{Filmfare Award for Best Film – Malayalam}} | |||
[[Category:1998 films]] | [[Category:1998 films]] | ||
[[Category: | [[Category:1998 Malayalam-language films]] | ||
[[Category:Films with screenplays by Sreenivasan]] | [[Category:Films with screenplays by Sreenivasan]] | ||
[[Category:Films scored by Johnson]] | [[Category:Films scored by Johnson]] | ||
[[Category:Malayalam films remade in other languages]] | [[Category:Malayalam films remade in other languages]] | ||
[[Category:Best Film on Other Social Issues National Film Award winners]] | [[Category:Best Film on Other Social Issues National Film Award winners]] | ||
[[Category:Films shot in Thrissur]] | [[Category:Films shot in Thrissur]] | ||
Latest revision as of 02:47, 4 March 2026
| Chinthavishtayaya Shyamala | |
|---|---|
 Poster | |
| Directed by | Sreenivasan |
| Produced by | C. Karunakaran |
| Written by | Sreenivasan |
| Starring | Sangita Sreenivasan |
| Music by | Johnson |
| Cinematography | S. Kumar |
| Edited by | A. Sreekar Prasad |
Production company | Carlton Films |
| Distributed by | Filimothsav |
Release date |
|
Running time | 158 minutes |
| Country | India |
| Language | Malayalam |
Chinthavishtayaya Shyamala (transl. Pensive Shyamala) is a 1998 Indian Malayalam-language comedy-drama film written and directed by Sreenivasan. Its stars Sangita and himself, with Thilakan, Innocent, Nedumudi Venu, Sudheesh, Siddique, and Mamukkoya in supporting roles. The plot follows a lazy negligent father and husband who embraces faith as a means of escape, further abandoning his responsibilities to his family.
Chinthavishtayaya Shyamala is often considered as one of the classic family dramas in Malayalam.[1] It won the National Film Award for Best Film on Other Social Issues, the Kerala State Film Award for Best Actress (for Sangita), and two Filmfare Awards South. The film was remade in Telugu as Aavide Syamala (1999) and Tamil as Chidambarathil Oru Appasamy (2005).
Plot[edit | edit source]
Vijayan is a village school teacher who believes that his degree in economics will make him succeed in business ventures. Frequently taking long leaves from his job, he pursues these ventures, all of which fail. He lives with his wife, Shyamala, and their two daughters.
During one such venture, Vijayan attempts to produce a short advertising film at the encouragement of a friend. The attempt fails due to his lack of experience, and he abandons the project. His father, Karunan Mash, grows concerned about Vijayan’s neglect of his teaching job and its impact on the family. Shyamala, who is less educated, supports Vijayan’s actions, believing their difficulties to be temporary. Karunan mash and Vijayan's father-in-law, Achuthan Nair, suggest that Vijayan undertake the annual pilgrimage to the Sabarimala temple in the hope that it will lead to a change in his outlook. Vijayan eventually agrees and observes the customary 41-day period of fasting and abstinence.
After returning from Sabarimala, Vijayan adopts a highly religious lifestyle, including vegetarianism, prayer, and renunciation stating that many people have turned to spiritualism after making all the riches in life.He defends his actions saying if spirituality is the ultimate goal anyways then why go through the trouble of slogging and making money. The bills rack up and the lack of money takes a toll on Shyamala who is unable to pay for groceries and kids fees. He later leaves his family to live in an ashram. His presence there creates difficulties, and the ashram residents eventually learn that he has a family and his faith is merely a mean for escapism. He is advised by the head of the ashram to take responsibility for his life rather than withdraw from it. Vijayan then leaves the ashram and returns home.
During Vijayan’s absence, Shyamala begins working as a tailor with a tailoring unit operating out of their house . She becomes the primary provider for the family making progress in all aspects slowly and steadily. She supports the household independently and encourages her sister to complete her education and seek employment. When Vijayan attempts to rejoin the family, Shyamala is cold and indifferent towards him. Vijayan faces same hostile attitude from his in laws and even Karunan mash who goes to the extent of threatening to burn him alive if he ever steps into his house again. He also berates Vijayan's lack of responsibilities and taunts him saying its his irresponsibility that made Shyamala stand on her feet and be independent and thus her indifference towards him. Vijayan now having realised his mistakes starts correcting them one by one. He rejoins his school job and rekindles his friendship with his old friends whom he had abandoned. All of no avail, as despite his efforts at reconciliation, Shyamala initially asks him to leave them alone. When Vijayan conducts another drama to prevent leaving from home with the help of his kids Shyamala confronts him about his past actions and questions his commitment. She even asks if Vijayan has ever thought how she and his kids lived after he left them. Vijayan subsequently reflects on his actions and decides to resume his teaching career and new life as a responsible man.
The film concludes with Vijayan reuniting with his wife and children, as Communist party leaders, who are also undertaking the Sabarimala pilgrimage, walk along the same road and cross paths with the family.
Cast[edit | edit source]
- Sangita as Shyamala
- Sreenivasan as Vijayan
- Thilakan as Karunan master
- Innocent as Achuthan Nair
- Nedumudi Venu as School headmaster
- Sudheesh as Suku
- Siddique as Johnnykutty
- Mamukkoya as Usman
- Augustine as Barber Chandhran
- Kamala Devi as Rathnavali
- Kripa as Divya
- Shafna as Kavya
- Unni Mannanur as Swamiji
Production[edit | edit source]
The title was inspired by Kumaran Asan's poem Chinthavishtayaaya Sita, which imagines the musings of Sita in the final chapter of the epic Ramayana.[citation needed]
For the role of Shyamala, Sreenivasan initially considered casting Seetha, but this did not materialize.[2] Later, Mohanlal suggested Sangita for the role.[3]
Soundtrack[edit | edit source]
The film's soundtrack contains two songs, all composed by Johnson and lyrics by Gireesh Puthenchery and Yusufali Kechery.
| # | Title | Singer(s) |
|---|---|---|
| 1 | "Aarodum Mindaathe" | K. J. Yesudas |
| 2 | "Machakathammaye" | M. G. Sreekumar, Chorus |
Release[edit | edit source]
Reception[edit | edit source]
The film received critical acclaim.[4]
Box office[edit | edit source]
The film became a commercial success, becoming one of the highest-grossing Malayalam films of the year.[4]
Awards[edit | edit source]
The film won the National Film Award for Best Film on Other Social Issues in 1999. It won the Kerala State Film Award for Best Popular Film in 1998.
| Award Category | Award | Artist |
|---|---|---|
| National Film Awards | Best Film on Other Social Issues | C. Karunakaran |
| Kerala State Film Awards | Best Film with Popular Appeal and Aesthetic Value Best Actress |
C. Karunakaran Sangita |
| Filmfare Awards South | Best Film (Malayalam) Best Director (Malayalam)[5] |
C. Karunakaran Sreenivasan |
| Asianet Film Awards | Best Film Best Director |
Remakes[edit | edit source]
It was remade in Telugu as Aavide Syamala (1999) by Kodi Ramakrishna.[6] This film was later remade into Tamil as Chidambarathil Oru Appasamy in 2005 directed by Thangar Bachan who also starred in lead role. It was also remade in Hindi as SRK with Vinay Pathak but it remains unreleased.[citation needed]
References[edit | edit source]
- ↑ "'Chinthavishtayaya Shyamala' and Sreenivasan to come together again for a social satire". The Times of India. 21 August 2014.
- ↑ "സമ്മാനങ്ങൾ തന്ന് സ്നേഹിച്ച പാർത്ഥിപനും കുടുംബവും | parthipan, sreenivasan". Kairali TV. 23 December 2025. Retrieved 24 December 2025.
- ↑ "Mohanlal suggested Sangeetha for Shyamala: Sreenivasan". The Hindu. 2 December 2014.
- ↑ 4.0 4.1 Warrier, Shobha (7 December 1998). "All is not lost..." Rediff.com.
- ↑ "46th Filmfare Awards South Winners". Retrieved 21 October 2020.
- ↑ "Aavide Shyamala | Full Length Telugu Movie". YouTube. 29 June 2013.
