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{{Short description|Type of dance}}
{{Use dmy dates|date=August 2020}}
{{Use dmy dates|date=August 2020}}
{{Use Indian English|date=August 2020}}
{{Use Indian English|date=August 2020}}
{{see also|Karaga (festival)}}{{Refimprove|date=December 2010}}{{Expand Tamil|date=August 2019}}[[File:A video on Tamil Karakattam.ogv|thumb|Karakattam]]
{{see also|Karaga (festival)}}
'''''Karakaattam''''' ({{lang-ta|கரகாட்டம்}} or "''karakam'' ({{lang|ta|கரகம்}} 'water pot') dance") is an ancient folk dance of [[Tamil Nadu]] performed in praise of the rain goddess [[Mariamman]]. The ancient [[Tamil language|Tamil]] epic says that this type of dance derived from [[Bharatanatyam|Bharatham]] and a  mixture of multiple forms of Tamil dance forms like ''Bharatanatyam'' postures and ''[[Mudra|mudras]]''. The offering of this dance is to the goddess to bless rain. The dance accompanies songs like folk [[Carnatic music|Carnatic]] (''Amrithavarshini'').<ref>{{Cite web |url=http://www.tamilselvi.com/Karagam.htm |title=Archived copy |access-date=2010-12-12 |archive-url=https://web.archive.org/web/20110106090629/http://www.tamilselvi.com/Karagam.htm |archive-date=2011-01-06 |url-status=dead }}</ref>
{{Infobox dance
| name        = Karakattam
| image      = Dancers,Karakattam,Tamil Nadu357.jpeg
| alt        =
| caption    = Dancers performing karakattam
| native_name =
| etymology  = Combination of the [[Tamil language|Tamil]] words ''karakram'' (water pot), and ''attam'' (dance)
| genre      = [[Dance forms of Tamil Nadu|Tamil folk dance]]
| signature  =
| instruments =
| inventor    =
| year        =
| origin      = [[Tamil Nadu]], India
}}
'''Karakattam''' is an ancient folk dance of [[Tamil Nadu]] usually dedicated to goddess [[Mariamman]]. As per [[Tamil literature]], the dance form originated from a mix of [[Bharatanatyam|Bharatham]] and other folk dance forms. It was often performed in festivals and fairs, and used as a means to pray for rain. Different variations of the dance form exists, including Karagam Puja performed in the [[Caribbean]].  


The performers balance a pot on their head. Traditionally, this dance is categorized into two types:
== Description ==
Karakattam is an ancient folk dance of [[Tamil Nadu]] which involves balancing clay or metal pot(s) on the head while making movements with the body.<ref>{{cite book|title=Ritual, State, and History in South Asia|first=J. C.|last=Heesterman|year=1992|page=465|isbn=978-9-004-09467-3|publisher=E.J. Brill}}</ref> It is derived from the combination of the [[Tamil language|Tamil]] words ''karakram'' (water pot), and ''attam'' (dance).<ref name="Sing">{{cite web|url=https://www.roots.gov.sg/ich-landing/ich/Craft-and-Practices-related-to-Karagam|title=Craft and Practices related to Karagam|work=[[Government of Singapore]]|access-date=1 June 2025}}</ref> This dance is usually associated with the worship of [[Mariamman]] and played in festivals and fairs, and to pray for rain.<ref name="Shah">{{cite book|title=Indian Etiquette:A Glimpse Into India's Culture|first=Niraalee|last=Shah|year=2021|isbn=978-1-63886-554-4|publisher=[[Notion Press]]|url=https://books.google.com/books?id=7YdUEAAAQBAJ|access-date=16 July 2024|archive-date=16 July 2024|archive-url=https://web.archive.org/web/20240716150207/https://books.google.com/books?id=7YdUEAAAQBAJ|url-status=live}}</ref> As per [[Tamil literature]], the dance form originated from a mix of [[Bharatanatyam|Bharatham]] and other folk dance forms.<ref>{{cite web|url=http://www.tamilselvi.com/Karagam.htm|title=Tamil Nadu Dances - Karagam, Traditional Dance in Tamil Nadu|access-date=12 December 2010|archive-url=https://web.archive.org/web/20110106090629/http://www.tamilselvi.com/Karagam.htm |archive-date=6 January 2011|url-status=dead}}</ref>


'''''Aatta Karakam''''' symbolizes joy and happiness. It is mainly performed as entertainment.
== Performance ==
The dancers balance pots on the head while making various movements with the hands and body.<ref>{{cite book|title=Ethical Life in South Asia|year=2010|isbn=978-0-253-35528-7|publisher=[[Indiana University Press]]|page=105}}</ref> The pots may be empty or sometimes filled with water and are decorated with colorful flowers and leaves mostly [[Azadirachta indica|neem]], which is of medicinal and religious importance to the Tamils.<ref>{{cite book|title=Social History of the Tamils, 1707-1947|first=Pā|last=Cupramaṇiyan̲|year=1996|isbn=978-8-124-60045-0|publisher= University of Michigan|page=374}}</ref><ref>{{cite book|title=Glorious Bharat|first=Ananth|last=Prabhu|year=2020|page=74}}</ref> The performer may sometimes carry multiple pots layered on top of one another.<ref name="Karak">{{cite web|url=https://www.thenewsminute.com/features/karakattam-folk-art-languishing-web-morality-47443|title=Karakattam: A folk art languishing in the web of morality|publisher=News minute|date=1 August 2016|access-date=1 December 2023|archive-date=6 August 2024|archive-url=https://web.archive.org/web/20240806050401/https://www.thenewsminute.com/features/karakattam-folk-art-languishing-web-morality-47443|url-status=live}}</ref> The art form was traditionally practiced by women, who wore saris. Men wearing make-up may join them sometimes as a part of the story line.<ref name="Karak"/> In the 21st century, the dance has been subjected to significant changes. It has sometimes obtained a reputation for vulgarity with women wearing short [[skirts]], showing of their midriff and bright make-up.<ref name="Karak"/>


'''''Sakthi Karakam''''' is performed only in temples as a spiritual offering.<ref>{{cite web |url=http://tamilnadu.com/arts/karakattam.html |title=Karakattam Tamilnadu|publisher=Tamilnadu.com|date=10 January 2013}}</ref>
== Variations ==
{{Refimprove|section|date=December 2010}}
Different variations of the dance form exist. Sakthi Karakam is performed only in temples as a spiritual offering.<ref>{{cite web|url=http://tamilnadu.com/arts/karakattam.html|title=Karakattam Tamilnadu|work=Tamilnadu.com|date=10 January 2013|access-date=21 February 2013|archive-date=22 November 2021|archive-url=https://web.archive.org/web/20211122214811/https://tamilnadu.com/arts/karakattam.html|url-status=dead}}</ref> Aatta Karakam symbolizes joy and happiness, and is mainly performed as entertainment.<ref name="Sing"/><ref name="Hist">{{cite web|url=https://historified.in/2025/01/07/karagam-the-water-pot-balancing-dance-of-tamil-nadu/|title=Karagam: The Water-Pot Balancing Dance of Tamil Nadu|date=7 January 2025|access-date=1 June 2025|work=Historified}}</ref>


''Karakkatam'' invokes rain through a classical Tamil dance. The most common song employs ''Amrithavarshini Ragam'' (''Ragamalika''). Tamils believed that [[Mother nature|mother nature]] gives bountiful rain and protects the harvest.
In [[Caribbean Shaktism]], a tradition found among the [[Indo-Caribbeans]] of Tamil origin, Karakattam is known as Karagam Puja or Kalasa Puja. The tradition was brought by the [[Girmityas]], indentured servants from the [[Indian subcontinent]]. The practice takes place over three consecutive days and done as a dedication to the gods [[Kamakshi]] and [[Meenakshi]]. The festival also involves honouring other gods such as a puja for Mariamman before the procession, a river procession where offerings on a board are thrown into water as a tribute to [[Ganga (goddess)|Ganga Amman]], and [[Kateri Amman|Kaateri Maa]].<ref name="Hist"/>


==Attire==
The pujaris (priests) enter a trance state and honour the village gods [[Karuppu Sami|Sangili Karuppu]] and [[Madurai Veeran]] through processions with various stunts such as whipping, putting hot camphor inside the mouth, and walking on hot coals before running to a pool made of milk. Other stunts can include piercing of the tongues and cheeks, dancing on sharpened machetes, and animal sacrifices are also made.<ref name="Sing"/> The [[Kalasha|lotas]] are kept in the temple and consecrated accordingly, before being built with a [[coconut]], several layers of neem and [[oleander|oleander flowers]]. Three participants enter the Sami Aduthal stage and then two of them carry the Karagams (usually these two participants being boys before hitting puberty or women), and the other one receives the god Madurai Veeran and is dressed with a garland of oleander flowers and carries a staff topped with neem leaves.<ref name="Sing"/><ref>{{cite web|url=http://kalidevimandir.com/history/|title=History|work=Kali Devi Mandir|access-date=1 June 2024}}</ref>


''Karakattam'' is traditionally performed in a ''saree.'' However, attire can vary as the main property is to have a ''karakam'' (Pot) on the head of the dancer. Common attire includes sarees or kurtha, colored towels and a pot.
== In popular culture ==
 
Various Tamil films such as ''[[Karakattakkaran]]'' (1989), which featured a song "Maanguyilae Poonguyile" based on the dance form, and ''[[Padai Veetu Amman]]'' (2001) and [[Sri Bannari Amman]] (2002) showcase karakattam.<ref name="Hist"/><ref>{{Cite book |last=Sundararaman |title=Raga Chintamani: A Guide to Carnatic Ragas Through Tamil Film Music |publisher=Pichhamal Chintamani |year=2007 |edition=2nd |oclc=295034757 |orig-date=2005|page=142}}</ref>
The current ''karakattam'' fashion appears to have been corrupted, probably due to lack of support with Bharatanatyam purists dismissing the art as non-traditional and low class, as it has been reduced to more of a night glamour art, with young girls in skimpy clothing preferred as the performers and the audience having drunkards who come only to ogle and tease them. The Madras High Court issued a directive to disallow alcohol consumption when attending ''karakattam'' performances and to not do performances which are "obscene and vulgar".<ref>{{cite web | url=https://www.thenewsminute.com/article/karakattam-folk-art-languishing-web-morality-47443 | title=Karakattam: A folk art languishing in the web of morality | date=August 2016 }}</ref>
 
==In popular culture==
 
In 1989, the Tamil movie [[Karakattakkaran|Karagattakaran]] featured its lead actors [[Ramarajan]], [[Kanaka (actress)|Kanaka]] and [[Kovai Sarala]] as performers of ''karakattam''.  The movie went on to become very popular and an advertisement for the dance form, especially because of the music by Ilaiyaraja and the song, "Maanguyilae Poonguyile" with its ''karakattam'' choreography.
 
Apart from this, the devotional film [[Padai Veetu Amman]] released in 2001 had the lead actress [[Meena (actress)|Meena]] briefly performing ''karakattam'' dance in a festival song. Also, the 2002 Tamil film [[Sri Bannari Amman]] showed the central female devotee as a hereditary ''karakattam'' dancer. A song in the film featured ''karakattam'' dance.


==References==
==References==
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==External links==
==External links==
*[https://www.youtube.com/watch?v=ZvuMasd8grE Real Karagam performers]
* [https://www.youtube.com/watch?v=ZvuMasd8grE Karagam performers]
*[https://www.youtube.com/watch?v=lX1ybB8qNJ8 A foreigner trying to dance Karagam]
* [https://www.youtube.com/watch?v=2ltUO3CY7og Karagam dance in Sri Lanka by Children]
*[https://www.youtube.com/watch?v=2ltUO3CY7og Karagam dance in Sri Lanka by Children]
{{Dance forms of Tamil Nadu}}
{{Dance forms of Tamil Nadu}}
{{Dance in India}}
{{Dance in India}}

Latest revision as of 21:08, 14 November 2025


Karakattam
Dancers performing karakattam
EtymologyCombination of the Tamil words karakram (water pot), and attam (dance)
GenreTamil folk dance
OriginTamil Nadu, India

Karakattam is an ancient folk dance of Tamil Nadu usually dedicated to goddess Mariamman. As per Tamil literature, the dance form originated from a mix of Bharatham and other folk dance forms. It was often performed in festivals and fairs, and used as a means to pray for rain. Different variations of the dance form exists, including Karagam Puja performed in the Caribbean.

Description[edit | edit source]

Karakattam is an ancient folk dance of Tamil Nadu which involves balancing clay or metal pot(s) on the head while making movements with the body.[1] It is derived from the combination of the Tamil words karakram (water pot), and attam (dance).[2] This dance is usually associated with the worship of Mariamman and played in festivals and fairs, and to pray for rain.[3] As per Tamil literature, the dance form originated from a mix of Bharatham and other folk dance forms.[4]

Performance[edit | edit source]

The dancers balance pots on the head while making various movements with the hands and body.[5] The pots may be empty or sometimes filled with water and are decorated with colorful flowers and leaves mostly neem, which is of medicinal and religious importance to the Tamils.[6][7] The performer may sometimes carry multiple pots layered on top of one another.[8] The art form was traditionally practiced by women, who wore saris. Men wearing make-up may join them sometimes as a part of the story line.[8] In the 21st century, the dance has been subjected to significant changes. It has sometimes obtained a reputation for vulgarity with women wearing short skirts, showing of their midriff and bright make-up.[8]

Variations[edit | edit source]

Different variations of the dance form exist. Sakthi Karakam is performed only in temples as a spiritual offering.[9] Aatta Karakam symbolizes joy and happiness, and is mainly performed as entertainment.[2][10]

In Caribbean Shaktism, a tradition found among the Indo-Caribbeans of Tamil origin, Karakattam is known as Karagam Puja or Kalasa Puja. The tradition was brought by the Girmityas, indentured servants from the Indian subcontinent. The practice takes place over three consecutive days and done as a dedication to the gods Kamakshi and Meenakshi. The festival also involves honouring other gods such as a puja for Mariamman before the procession, a river procession where offerings on a board are thrown into water as a tribute to Ganga Amman, and Kaateri Maa.[10]

The pujaris (priests) enter a trance state and honour the village gods Sangili Karuppu and Madurai Veeran through processions with various stunts such as whipping, putting hot camphor inside the mouth, and walking on hot coals before running to a pool made of milk. Other stunts can include piercing of the tongues and cheeks, dancing on sharpened machetes, and animal sacrifices are also made.[2] The lotas are kept in the temple and consecrated accordingly, before being built with a coconut, several layers of neem and oleander flowers. Three participants enter the Sami Aduthal stage and then two of them carry the Karagams (usually these two participants being boys before hitting puberty or women), and the other one receives the god Madurai Veeran and is dressed with a garland of oleander flowers and carries a staff topped with neem leaves.[2][11]

In popular culture[edit | edit source]

Various Tamil films such as Karakattakkaran (1989), which featured a song "Maanguyilae Poonguyile" based on the dance form, and Padai Veetu Amman (2001) and Sri Bannari Amman (2002) showcase karakattam.[10][12]

References[edit | edit source]

  1. Heesterman, J. C. (1992). Ritual, State, and History in South Asia. E.J. Brill. p. 465. ISBN 978-9-004-09467-3.
  2. 2.0 2.1 2.2 2.3 "Craft and Practices related to Karagam". Government of Singapore. Retrieved 1 June 2025.
  3. Shah, Niraalee (2021). Indian Etiquette:A Glimpse Into India's Culture. Notion Press. ISBN 978-1-63886-554-4. Archived from the original on 16 July 2024. Retrieved 16 July 2024.
  4. "Tamil Nadu Dances - Karagam, Traditional Dance in Tamil Nadu". Archived from the original on 6 January 2011. Retrieved 12 December 2010.
  5. Ethical Life in South Asia. Indiana University Press. 2010. p. 105. ISBN 978-0-253-35528-7.
  6. Cupramaṇiyan̲, Pā (1996). Social History of the Tamils, 1707-1947. University of Michigan. p. 374. ISBN 978-8-124-60045-0.
  7. Prabhu, Ananth (2020). Glorious Bharat. p. 74.
  8. 8.0 8.1 8.2 "Karakattam: A folk art languishing in the web of morality". News minute. 1 August 2016. Archived from the original on 6 August 2024. Retrieved 1 December 2023.
  9. "Karakattam Tamilnadu". Tamilnadu.com. 10 January 2013. Archived from the original on 22 November 2021. Retrieved 21 February 2013.
  10. 10.0 10.1 10.2 "Karagam: The Water-Pot Balancing Dance of Tamil Nadu". Historified. 7 January 2025. Retrieved 1 June 2025.
  11. "History". Kali Devi Mandir. Retrieved 1 June 2024.
  12. Sundararaman (2007) [2005]. Raga Chintamani: A Guide to Carnatic Ragas Through Tamil Film Music (2nd ed.). Pichhamal Chintamani. p. 142. OCLC 295034757.

External links[edit | edit source]

Template:Dance forms of Tamil Nadu