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{{short description|Indian musician}} | {{short description|Indian musician}} | ||
{{Use dmy dates|date=July 2019}} | {{Use dmy dates|date=July 2019}} | ||
{{Infobox musical artist <!-- For individuals; see | {{Infobox musical artist <!-- For individuals; see Bharatpedia:WikiProject_Musicians --> | ||
| name = Khaprumama Parvatkar | | name = Khaprumama Parvatkar | ||
| image = | | image = Khaprumama Parvatkar.jpg | ||
| alt = | | alt = | ||
| caption = | | caption = | ||
| image_size = | | image_size = | ||
| background = non_vocal_instrumentalist | | background = non_vocal_instrumentalist | ||
| birth_date = | | birth_date = 1879 | ||
| death_date = | | death_date = 1953 | ||
| origin = | | origin = | ||
| instrument = Tabla, Mridangam, Ghumat and other rhythmic instruments | | instrument = Tabla, Mridangam, Ghumat and other rhythmic instruments | ||
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'''Khaprumama Parvatkar''' (1879–1953) was a musician from [[Goa]], [[India]] who played [[tabla]], as well as [[ghumot]] and the [[sarangi]]. | '''Khaprumama Parvatkar''' (1879–1953) was a musician from [[Goa]], [[India]] who played [[tabla]], as well as [[ghumot]] and the [[sarangi]]. | ||
Well versed in Dhrupad, Khayal and folk | Well versed in Dhrupad, Khayal and folk goan music forms, he was particularly known for his gifted and phenomenal taal and laya control, with the honorary title of Layabhaskar (laya= rhythm, bhaskar = Sun). | ||
Though not very well known amongst the masses, classical musicians of his time critically acclaimed his authority over rhythm and Indian classical percussion instruments. | Though not very well known amongst the masses, classical musicians of his time critically acclaimed his authority over rhythm and Indian classical percussion instruments. | ||
[[Mogubai Kurdikar]], the mother of [[Kishori Amonkar]], received initial guidance and support from him. | [[Mogubai Kurdikar]], the mother of [[Kishori Amonkar]], received initial guidance and support from him. | ||
<ref>{{cite book|last= Naimpalli|first=Sadanand|title=Theory and practice of tabla |year=2005|pages=239|url=https://books.google.com/books?id=veQX9ZuA6HQC&q=Khaprumama+Parvatkar&pg=PA101 |accessdate=2009-10-31|isbn=9788179911495}}</ref><ref>{{cite news|url= | His fifteen-and-half beat Tabla was unique. Mogubai Kurdikar used it for Raga singing.<ref>{{cite web | url=https://www.youtube.com/watch?v=siFSkaVjVm8 | title=Mogubai Kurdikar - Raag Yaman (1950) | website=[[YouTube]] | date=24 October 2022 }}</ref> | ||
<ref>{{cite book|last= Naimpalli|first=Sadanand|title=Theory and practice of tabla |year=2005|pages=239|publisher=Popular Prakashan |url=https://books.google.com/books?id=veQX9ZuA6HQC&q=Khaprumama+Parvatkar&pg=PA101 |accessdate=2009-10-31|isbn=9788179911495}}</ref><ref>{{cite news|url=https://www.parrikar.org/essays/khaprumama/|title=Khaprumama - A Remembrance |last=Parrikar|first=Rajan P. |date=May 28, 2001|work=Connect!, South Asian Women's Forum|accessdate=2009-10-31}}</ref><ref>{{cite news|url=http://www.goanvoice.org.uk/gvuk_files/Herald_11_Oct_09.pdf |title=Noxibbak Roddtam |date=October 11, 2009 |work=Herald Mirror |accessdate=2009-10-31 |url-status=dead |archiveurl=https://web.archive.org/web/20101219141224/http://www.goanvoice.org.uk/gvuk_files/Herald_11_Oct_09.pdf |archivedate=December 19, 2010 }} (with photograph)</ref> | |||
==References== | ==References== | ||
| Line 32: | Line 34: | ||
==External links== | ==External links== | ||
*[ | *[https://www.parrikar.org/vpl/catalogue/hindustani/khaprumama-parvatkar/ Khaprumama's page in the Vijaya Parrikar Library of Indian Classical Music] | ||
{{Authority control}} | |||
{{DEFAULTSORT:Parvatkar, Khaprumama}} | {{DEFAULTSORT:Parvatkar, Khaprumama}} | ||
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[[Category:Musicians from Goa]] | [[Category:Musicians from Goa]] | ||
[[Category:20th-century Indian musicians]] | [[Category:20th-century Indian musicians]] | ||
[[Category:People from Portuguese India]] | |||
{{India-musician-stub}} | {{India-musician-stub}} | ||
Latest revision as of 02:52, 23 October 2025
Khaprumama Parvatkar | |
|---|---|
 | |
| Background information | |
| Born | 1879 |
| Died | 1953 |
| Instruments | Tabla, Mridangam, Ghumat and other rhythmic instruments |
Khaprumama Parvatkar (1879–1953) was a musician from Goa, India who played tabla, as well as ghumot and the sarangi. Well versed in Dhrupad, Khayal and folk goan music forms, he was particularly known for his gifted and phenomenal taal and laya control, with the honorary title of Layabhaskar (laya= rhythm, bhaskar = Sun).
Though not very well known amongst the masses, classical musicians of his time critically acclaimed his authority over rhythm and Indian classical percussion instruments. Mogubai Kurdikar, the mother of Kishori Amonkar, received initial guidance and support from him.
His fifteen-and-half beat Tabla was unique. Mogubai Kurdikar used it for Raga singing.[1]
References[edit | edit source]
- ↑ "Mogubai Kurdikar - Raag Yaman (1950)". YouTube. 24 October 2022.
- ↑ Naimpalli, Sadanand (2005). Theory and practice of tabla. Popular Prakashan. p. 239. ISBN 9788179911495. Retrieved 31 October 2009.
- ↑ Parrikar, Rajan P. (28 May 2001). "Khaprumama - A Remembrance". Connect!, South Asian Women's Forum. Retrieved 31 October 2009.
- ↑ "Noxibbak Roddtam" (PDF). Herald Mirror. 11 October 2009. Archived from the original (PDF) on 19 December 2010. Retrieved 31 October 2009. (with photograph)
External links[edit | edit source]
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