Created by Barathvm
Last edited January 9, 2022
imported>Barathvm
mNo edit summary
 
->Suneye1
Reverted 1 edit by 42.105.31.77 (talk): See WP:COMMONNAME
 
Line 20: Line 20:
}}
}}


'''Pa. Ranjith''' is an Indian director and filmmaker<ref>{{Cite news|url=http://indianexpress.com/article/entertainment/regional/kabali-rajinikanth-dalit-director-2942155/|title=I don't want to be known as a Dalit filmmaker: Kabali director|date=2016-07-29|work=The Indian Express|access-date=2017-09-26|language=en-US}}</ref> who makes [[Tamil language]] films. He made his directorial debut with the 2012 romantic comedy ''[[Attakathi]]'', before earning unanimously positive reviews for his second film, the political drama ''[[Madras (film)|Madras]]'' (2014). In 2016, he wrote and directed the gangster-drama ''[[Kabali (film)|Kabali]]'' and in 2018, ''[[Kaala (2018 film)|Kaala]]'' both starring [[Rajinikanth]].In 2021, he directed [[Sarpatta Parambarai|sarpatta]] parambarai, which received well from both critics and audiences.
'''Pa. Ranjith''' is an Indian director and filmmaker<ref>{{Cite news|url=http://indianexpress.com/article/entertainment/regional/kabali-rajinikanth-dalit-director-2942155/|title=I don't want to be known as a Dalit filmmaker: Kabali director|date=2016-07-29|work=The Indian Express|access-date=2017-09-26|language=en-US}}</ref> who makes [[Tamil language]] films. He made his directorial debut with the 2012 romantic comedy ''[[Attakathi]]'', before earning unanimously positive reviews for his second film, the political drama ''[[Madras (film)|Madras]]'' (2014). In 2016, he wrote and directed the gangster-drama ''[[Kabali (film)|Kabali]]'' and in 2018, ''[[Kaala (2018 film)|Kaala]]'' both starring [[Rajinikanth]]. In 2021, he directed [[Sarpatta Parambarai]], which was well received by both critics and audiences.


==Personal life and education==
==Personal life and education==
Pa. Ranjith was born at Karalapakkam, [[Avadi]], [[Chennai]].<ref>{{Cite web|date=2018-06-10|title=Kaala director Pa Ranjith: Since I am vocal about Dalit people, every act is interpreted through a caste lens|url=https://indianexpress.com/article/express-sunday-eye/kaala-director-pa-ranjith-5210040/|access-date=2020-06-04|website=The Indian Express|language=en}}</ref> He has two brothers - Prabhu and Saravana.<ref>{{Cite web|date=2018-06-10|title=Kaala director Pa Ranjith: Since I am vocal about Dalit people, every act is interpreted through a caste lens|url=https://indianexpress.com/article/express-sunday-eye/kaala-director-pa-ranjith-5210040/|access-date=2020-06-18|website=The Indian Express|language=en}}</ref><ref>{{Cite web|date=2016-07-29|title=Don't want to be known as Dalit filmmaker: Pa Ranjith|url=https://www.hindustantimes.com/regional-movies/don-t-want-to-be-known-as-dalit-filmmaker-pa-ranjith/story-8EaKfA16oRPnXM2a6wrCfL.html|access-date=2020-06-18|website=Hindustan Times|language=en}}</ref> He graduated from [[Government College of Fine Arts, Chennai]], and has described that his travels to and from his college often helped create inspiration for film ideas.<ref name="ss">{{Cite news|url=http://silverscreen.in/features/interviews/the-madras-story-the-pa-ranjith-interview/|title=Madras Story: The Pa Ranjith interview - Silverscreen.in|date=2014-11-04|work=Silverscreen.in|access-date=2017-09-26|language=en-US}}</ref>
Pa. Ranjith was born at Karalapakkam, [[Avadi]], [[Chennai]].<ref>{{Cite web|date=2018-06-10|title=Kaala director Pa Ranjith: Since I am vocal about Dalit people, every act is interpreted through a caste lens|url=https://indianexpress.com/article/express-sunday-eye/kaala-director-pa-ranjith-5210040/|access-date=2020-06-04|website=The Indian Express|language=en}}</ref> He has two brothers - Prabhu and Saravana.<ref>{{Cite web|date=2018-06-10|title=Kaala director Pa Ranjith: Since I am vocal about Dalit people, every act is interpreted through a caste lens|url=https://indianexpress.com/article/express-sunday-eye/kaala-director-pa-ranjith-5210040/|access-date=2020-06-18|website=The Indian Express|language=en}}</ref><ref>{{Cite web|date=2016-07-29|title=Don't want to be known as Dalit filmmaker: Pa Ranjith|url=https://www.hindustantimes.com/regional-movies/don-t-want-to-be-known-as-dalit-filmmaker-pa-ranjith/story-8EaKfA16oRPnXM2a6wrCfL.html|access-date=2020-06-18|website=Hindustan Times|language=en}}</ref> He graduated from [[Government College of Fine Arts, Chennai]], and has described how his travels to and from his college often helped create inspiration for film ideas.<ref name="ss">{{Cite news|url=http://silverscreen.in/features/interviews/the-madras-story-the-pa-ranjith-interview/|title=Madras Story: The Pa Ranjith interview - Silverscreen.in|date=2014-11-04|work=Silverscreen.in|access-date=2017-09-26|language=en-US}}</ref>


Ranjith studied in multiple schools - Karapakkam Panchayat Union School, Veliyur Government Higher Secondary School and Avadi Government School. His maternal uncles were drawing artists and Ranjith got the inspiration from them towards drawing, during his childhood; that eventually made him enroll in Fine Arts College.
Ranjith studied in multiple schools - Karapakkam Panchayat Union School, Veliyur Government Higher Secondary School and Avadi Government School. His maternal uncles were drawing artists and Ranjith got the inspiration from them towards drawing, during his childhood; that eventually made him enroll in Fine Arts College.
Line 36: Line 36:
==Film career==
==Film career==
===''Attakathi'' (2012)===
===''Attakathi'' (2012)===
Ranjith was introduced to a newcomer producer [[C. V. Kumar]] in 2011 by a mutual friend, Mani, who convinced Kumar to give Ranjith an opportunity to make a film. Consequently, ''[[Attakathi]]'' was completed in fifty days on a budget of {{INR}} 1.75 crores.<ref name="ss"/> Following promising pre-release reviews, the venture became bigger when production house [[Studio Green]] chose to buy the distribution rights. The film opened to positive review in August 2012, with Rediff.com noting the film "looks at youth and romance in a most refreshing way" and added that Ranjith should take "the credit, completely, of taking an ordinary storyline and infusing it with warmth and hilarity."<ref>{{cite web|url=http://www.rediff.com/movies/report/south-review-attakathi-is-worth-a-watch/20120816.htm |title=Review: Attakathi is worth a watch - Rediff.com Movies |publisher=Rediff.com |date=2012-08-16 |access-date=2012-11-09}}</ref> Sify's critic, similarly, wrote "we recommend that you make time for this charming little treat of a film, as it has an inherent sweetness and honesty that will stay with you".<ref>{{cite web|url=http://www.sify.com/movies/attakathi-review-tamil-15005447.html |archive-url=https://web.archive.org/web/20130813084436/http://www.sify.com/movies/attakathi-review-tamil-15005447.html |url-status=dead |archive-date=2013-08-13 |title=Movie Review:Attakathi |publisher=Sify.com |access-date=2012-08-18}}</ref>
Ranjith was introduced to a newcomer producer [[C. V. Kumar]] in 2011 by a mutual friend, Mani, who convinced Kumar to give Ranjith an opportunity to make a film. Consequently, ''[[Attakathi]]'' was completed in fifty days on a budget of {{INR}} 1.75 crores.<ref name="ss"/> Following promising pre-release reviews, the venture became bigger when production house [[Studio Green]] chose to buy the distribution rights. The film opened to positive review in August 2012, with Rediff.com noting the film "looks at youth and romance in a most refreshing way" and added that Ranjith should take "the credit, completely, of taking an ordinary storyline and infusing it with warmth and hilarity."<ref>{{cite web|url=http://www.rediff.com/movies/report/south-review-attakathi-is-worth-a-watch/20120816.htm |title=Review: Attakathi is worth a watch - Rediff.com Movies |work=Rediff.com |date=2012-08-16 |access-date=2012-11-09}}</ref> Sify's critic, similarly, wrote "we recommend that you make time for this charming little treat of a film, as it has an inherent sweetness and honesty that will stay with you".<ref>{{cite web|url=http://www.sify.com/movies/attakathi-review-tamil-15005447.html |archive-url=https://web.archive.org/web/20130813084436/http://www.sify.com/movies/attakathi-review-tamil-15005447.html |url-status=dead |archive-date=2013-08-13 |title=Movie Review:Attakathi |publisher=Sify.com |access-date=2012-08-18}}</ref>


===''Madras'' (2014)===
===''Madras'' (2014)===
Studio Green signed up Pa. Ranjith to direct a film for their production house and in December 2012, he confirmed that he would shortly begin work on a project titled ''Sarpatta Paramparai'' with [[Karthi]] in the lead role, though production was subsequently delayed and did not take off as planned.<ref name="behindwoods">{{cite web|url=http://behindwoods.com/tamil-movies-cinema-news-10/karthi-and-attakathi-attakathi-karthi-27-12-12.html|title='Attakathi' Ranjith confirms Karthi project|publisher=Behindwoods|date=27 December 2012|access-date=20 July 2014|archive-url=https://www.webcitation.org/6SNxEgr6v?url=http://behindwoods.com/tamil-movies-cinema-news-10/karthi-and-attakathi-attakathi-karthi-27-12-12.html|archive-date=6 September 2014|url-status=live}}</ref> In July 2013, it was announced that the pair would collaborate on a new script and that ''Sarpatta Parambarai'' and their ongoing venture, ''[[Madras (film)|Madras]]'', were two different scripts. Although the producers liked both scripts, Ranjith decided to shoot ''Madras'' first as Karthi had accidentally read the script of ''Madras'' and liked its concept and characters.<ref name = RINTBW>{{cite web|url=http://behindwoods.com/tamil-director/pa-ranjith/an-exclusive-interview-with-madras-director-paranjith.html|title="SANTHOSH NARAYANAN IS AN IMPORTANT FORCE TO RECKON WITH IN TAMIL FILM MUSIC", DIRECTOR PA.RANJITH|work=Behindwoods|date=13 September 2014|access-date=14 September 2014|archive-url=https://web.archive.org/web/20140914020704/http://behindwoods.com/tamil-director/pa-ranjith/an-exclusive-interview-with-madras-director-paranjith.html|archive-date=14 September 2014|url-status=live}}</ref> During pre-production of the film, Ranjith returned home to North Chennai to research and took stock of the residents' body language, sports, fashion, behaviour and dialogues. He revealed that through his script, he hoped to depict the angst and depression of the youth of the region and wrote several characters in the film including the two leads to represent individuals with "bottled up anger".<ref name="ss"/> Ranjith also informed that some changes were made to the script to accommodate Karthi in the lead role.<ref>{{Cite news|url=http://www.thehindu.com/features/cinema/audio-beat-madras-a-north-madras-flavour/article6158116.ece|title=Audio Beat: Madras — A north Madras flavour|last=Kumar|first=S. R. Ashok|date=2014-06-28|work=The Hindu|access-date=2017-09-26|language=en-IN|issn=0971-751X}}</ref> Also featuring [[Catherine Tresa]] and [[Kalaiyarasan]] in prominent roles, ''Madras'' told the story of a dispute over a political message written on wall in North Chennai and how the region's political rivalry affects the inhabitants. ''Madras'' received highly positive reviews from critics, who praised the performances of the actors, as well as the technical aspects of the film.<ref name = "Roundup">{{cite web|url=http://www.ibtimes.co.in/madras-movie-review-roundup-must-watch-610047|title='Madras' Movie Review Roundup: Must Watch|work=[[International Business Times]]|date=26 September 2014|access-date=26 September 2014|archive-url=https://web.archive.org/web/20140926153657/http://www.ibtimes.co.in/madras-movie-review-roundup-must-watch-610047|archive-date=26 September 2014|url-status=live}}</ref> Udhav Naig, writing for ''[[The Hindu]]'' said, "Rarely does one get to see a Tamil film that reflects the social reality so closely and sketching a detailed account of life that the middle and the upper middle class know little about. Full marks to Pa. Ranjith for that".<ref>{{cite web|url=http://www.thehindu.com/features/cinema/cinema-reviews/madras-a-tale-of-crime-and-punishment-in-the-slums/article6450040.ece?homepage=true&theme=true|title=Madras: A tale of crime and punishment in the slums|work=[[The Hindu]]|author=Naig, Udhav|date=26 September 2014|access-date=27 September 2014|archive-url=https://web.archive.org/web/20140927001129/http://www.thehindu.com/features/cinema/cinema-reviews/madras-a-tale-of-crime-and-punishment-in-the-slums/article6450040.ece?homepage=true&theme=true|archive-date=27 September 2014|url-status=live}}</ref>  Writing for ''[[The New Indian Express]]'', Malini Mannath said, "With an engaging screenplay, deft narration, well fleshed out characters and actors well cast, ''Madras'' captures the feel, flavour and ambiance of North Madras with perfect precision".<ref>{{cite web|url=http://www.newindianexpress.com/entertainment/reviews/Perfect-Feel-of-Life-in-North-Madras/2014/09/28/article2452789.ece|title=Perfect Feel of Life in North Madras|work=[[The New Indian Express]] |author=Mannath, Malini|date=28 September 2014|access-date=28 September 2014|archive-url=https://web.archive.org/web/20140928112859/http://www.newindianexpress.com/entertainment/reviews/Perfect-Feel-of-Life-in-North-Madras/2014/09/28/article2452789.ece|archive-date=28 September 2014|url-status=live}}</ref> ''[[Sify]]'' said, "''Madras'' works big time as writer and director Ranjith has given priority to his script, which hooks the audiences straightaway. It is a triumph of honest writing and heartfelt dialogues. It is a gutsy and outstanding film".<ref>{{cite web|url=http://www.sify.com/movies/madras-review-tamil-15058335.html|title=Madras|work=[[Sify]]|date=26 September 2014|access-date=27 September 2014|archive-url=https://web.archive.org/web/20140927080721/http://www.sify.com/movies/madras-review-tamil-15058335.html|archive-date=27 September 2014|url-status=dead}}</ref>
Studio Green signed up Pa. Ranjith to direct a film for their production house and in December 2012, he confirmed that he would shortly begin work on a project titled ''Sarpatta Paramparai'' with [[Karthi]] in the lead role, though production was subsequently delayed and did not take off as planned.<ref name="behindwoods">{{cite web|url=http://behindwoods.com/tamil-movies-cinema-news-10/karthi-and-attakathi-attakathi-karthi-27-12-12.html|title='Attakathi' Ranjith confirms Karthi project|publisher=Behindwoods|date=27 December 2012|access-date=20 July 2014|archive-url=https://www.webcitation.org/6SNxEgr6v?url=http://behindwoods.com/tamil-movies-cinema-news-10/karthi-and-attakathi-attakathi-karthi-27-12-12.html|archive-date=6 September 2014|url-status=live}}</ref> In July 2013, it was announced that the pair would collaborate on a new script and that ''Sarpatta Parambarai'' and their ongoing venture, ''[[Madras (film)|Madras]]'', were two different scripts. Although the producers liked both scripts, Ranjith decided to shoot ''Madras'' first as Karthi had accidentally read the script of ''Madras'' and liked its concept and characters.<ref name = RINTBW>{{cite web|url=http://behindwoods.com/tamil-director/pa-ranjith/an-exclusive-interview-with-madras-director-paranjith.html|title="SANTHOSH NARAYANAN IS AN IMPORTANT FORCE TO RECKON WITH IN TAMIL FILM MUSIC", DIRECTOR PA.RANJITH|work=Behindwoods|date=13 September 2014|access-date=14 September 2014|archive-url=https://web.archive.org/web/20140914020704/http://behindwoods.com/tamil-director/pa-ranjith/an-exclusive-interview-with-madras-director-paranjith.html|archive-date=14 September 2014|url-status=live}}</ref> During pre-production of the film, Ranjith returned home to North Chennai to research and took stock of the residents' body language, sports, fashion, behaviour and dialogues. He revealed that through his script, he hoped to depict the angst and depression of the youth of the region and wrote several characters in the film including the two leads to represent individuals with "bottled up anger".<ref name="ss"/> Ranjith also informed that some changes were made to the script to accommodate Karthi in the lead role.<ref>{{Cite news|url=http://www.thehindu.com/features/cinema/audio-beat-madras-a-north-madras-flavour/article6158116.ece|title=Audio Beat: Madras — A north Madras flavour|last=Kumar|first=S. R. Ashok|date=2014-06-28|work=The Hindu|access-date=2017-09-26|language=en-IN|issn=0971-751X}}</ref> Also featuring [[Catherine Tresa]] and [[Kalaiyarasan]] in prominent roles, ''Madras'' told the story of a dispute over a political message written on wall in North Chennai and how the region's political rivalry affects the inhabitants. ''Madras'' received highly positive reviews from critics, who praised the performances of the actors, as well as the technical aspects of the film.<ref name = "Roundup">{{cite web|url=http://www.ibtimes.co.in/madras-movie-review-roundup-must-watch-610047|title='Madras' Movie Review Roundup: Must Watch|work=[[International Business Times]]|date=26 September 2014|access-date=26 September 2014|archive-url=https://web.archive.org/web/20140926153657/http://www.ibtimes.co.in/madras-movie-review-roundup-must-watch-610047|archive-date=26 September 2014|url-status=live}}</ref> Udhav Naig, writing for ''[[The Hindu]]'' said, "Rarely does one get to see a Tamil film that reflects the social reality so closely and sketching a detailed account of life that the middle and the upper middle class know little about. Full marks to Pa. Ranjith for that".<ref>{{cite news|url=http://www.thehindu.com/features/cinema/cinema-reviews/madras-a-tale-of-crime-and-punishment-in-the-slums/article6450040.ece?homepage=true&theme=true|title=Madras: A tale of crime and punishment in the slums|work=[[The Hindu]]|author=Naig, Udhav|date=26 September 2014|access-date=27 September 2014|archive-url=https://web.archive.org/web/20140927001129/http://www.thehindu.com/features/cinema/cinema-reviews/madras-a-tale-of-crime-and-punishment-in-the-slums/article6450040.ece?homepage=true&theme=true|archive-date=27 September 2014|url-status=live}}</ref>  Writing for ''[[The New Indian Express]]'', Malini Mannath said, "With an engaging screenplay, deft narration, well fleshed out characters and actors well cast, ''Madras'' captures the feel, flavour and ambiance of North Madras with perfect precision".<ref>{{cite web|url=http://www.newindianexpress.com/entertainment/reviews/Perfect-Feel-of-Life-in-North-Madras/2014/09/28/article2452789.ece|title=Perfect Feel of Life in North Madras|work=[[The New Indian Express]] |author=Mannath, Malini|date=28 September 2014|access-date=28 September 2014|archive-url=https://web.archive.org/web/20140928112859/http://www.newindianexpress.com/entertainment/reviews/Perfect-Feel-of-Life-in-North-Madras/2014/09/28/article2452789.ece|archive-date=28 September 2014|url-status=live}}</ref> ''[[Sify]]'' said, "''Madras'' works big time as writer and director Ranjith has given priority to his script, which hooks the audiences straightaway. It is a triumph of honest writing and heartfelt dialogues. It is a gutsy and outstanding film".<ref>{{cite web|url=http://www.sify.com/movies/madras-review-tamil-15058335.html|title=Madras|work=[[Sify]]|date=26 September 2014|access-date=27 September 2014|archive-url=https://web.archive.org/web/20140927080721/http://www.sify.com/movies/madras-review-tamil-15058335.html|archive-date=27 September 2014|url-status=dead}}</ref>


===''Kabali'' (2016)===
===''Kabali'' (2016)===
Line 50: Line 50:


===Neelam Productions===
===Neelam Productions===
Pa. Ranjith marked his foray into production under his banner Neelam Productions with release of two documentaries titled Dr. Shoe Maker and Beware of Castes: Mirchpur.<ref>{{cite web|url=https://www.thehindu.com/news/cities/chennai/Pa.-Ranjith-ventures-into-production/article16073852.ece|title=Pa. Ranjith ventures into production|author=Staff Reporter|date=17 October 2016|access-date=4 May 2019|via=www.thehindu.com}}</ref> Under the banner Neelam Productions, he also produced Mari Selvaraj's ''[[Pariyerum Perumal]]'' that stars Kathir and Anandhi, with music by Santhosh Narayanan. Pariyerum went on to become a huge success with high critical acclaim. Neelam Production's next project has been titled as ''[[Irandam Ulagaporin Kadaisi Gundu]]''. The film stars Attakathi Dinesh and is directed by Athiyan Athirai.<ref>{{cite web|url=https://www.behindwoods.com/tamil-movies-cinema-news-16/pa-ranjith-neelam-productions-next-project-with-attakathi-dinesh.html,%20https://www.behindwoods.com/tamil-movies-cinema-news-16/pa-ranjith-neelam-productions-next-project-with-attakathi-dinesh.html|title=Pa Ranjith Neelam Productions next project with Attakathi Dinesh|date=8 December 2018|website=Behindwoods|access-date=4 May 2019}}</ref>
Pa. Ranjith marked his foray into production under his banner Neelam Productions with release of two documentaries titled Dr. Shoe Maker and Beware of Castes: Mirchpur.<ref>{{cite news|url=https://www.thehindu.com/news/cities/chennai/Pa.-Ranjith-ventures-into-production/article16073852.ece|title=Pa. Ranjith ventures into production|author=Staff Reporter|newspaper=The Hindu|date=17 October 2016|access-date=4 May 2019|via=www.thehindu.com}}</ref> Under the banner Neelam Productions, he also produced Mari Selvaraj's ''[[Pariyerum Perumal]]'' that stars Kathir and Anandhi, with music by Santhosh Narayanan. Pariyerum went on to become a huge success with high critical acclaim. Neelam Productions' next project has been titled as ''[[Irandam Ulagaporin Kadaisi Gundu]]''. The film stars Attakathi Dinesh and is directed by Athiyan Athirai.<ref>{{cite web|url=https://www.behindwoods.com/tamil-movies-cinema-news-16/pa-ranjith-neelam-productions-next-project-with-attakathi-dinesh.html,%20https://www.behindwoods.com/tamil-movies-cinema-news-16/pa-ranjith-neelam-productions-next-project-with-attakathi-dinesh.html|title=Pa Ranjith Neelam Productions next project with Attakathi Dinesh|date=8 December 2018|website=Behindwoods|access-date=4 May 2019}}</ref>


=== ''Sarpatta Parambarai'' (2021) ===
=== ''Sarpatta Parambarai'' (2021) ===
In 2019, Ranjith's worked on a Hindi-language biopic on freedom fighter [[Birsa Munda]]. The film, which was to be the Tamil filmmaker’s first non-Tamil project, was scheduled to be produced by Namah Pictures, which had co-produced [[Iran]]ian filmmaker [[Majid Majidi]]'s ''Beyond the Clouds'' in 2018. The cast of Ranjith's film has not been announced.<ref>{{cite web|url=https://www.business-standard.com/article/news-ians/pa-ranjith-excited-to-tell-birsa-munda-s-story-118111500639_1.html|title=Pa. Ranjith excited to tell Birsa Munda's story|last=IANS|date=15 November 2018|access-date=4 May 2019|via=Business Standard}}</ref>
In 2019, Ranjith's worked on a Hindi-language biopic on freedom fighter [[Birsa Munda]]. The film, which was to be the Tamil filmmaker's first non-Tamil project, was scheduled to be produced by Namah Pictures, which had co-produced [[Iran]]ian filmmaker [[Majid Majidi]]'s ''Beyond the Clouds'' in 2018. The cast of Ranjith's film has not been announced.<ref>{{cite news|url=https://www.business-standard.com/article/news-ians/pa-ranjith-excited-to-tell-birsa-munda-s-story-118111500639_1.html|title=Pa. Ranjith excited to tell Birsa Munda's story|last=IANS|newspaper=Business Standard India|date=15 November 2018|access-date=4 May 2019|via=Business Standard}}</ref>


Ranjith shelved the Birsa Munda film, and wrote the script of ''[[Sarpatta Parambarai]]'' with [[Suriya]] in mind, but due to his prior commitments, he later approached [[Arya (actor)|Arya]] to play the lead role. The film was eventually supposed to begin production in during February and March 2020, after the hard training sessions of the actors being involved in the film, but due to the [[COVID-19 pandemic lockdown|COVID-19 pandemic induced lockdown]], the production delayed further and eventually began on September 2020 which was completed within December 2020, with filming took place for nearly four months in and around North Chennai.<ref name=":0">{{Cite web|title='Sarpatta Parambarai' cast: Details about upcoming Tamil boxing movie|url=https://www.republicworld.com/entertainment-news/regional-indian-cinema/sarpatta-parambarai-cast-details-about-upcoming-tamil-boxing-movie.html|url-status=live|archive-url=https://web.archive.org/web/20210708034802/https://www.republicworld.com/entertainment-news/regional-indian-cinema/sarpatta-parambarai-cast-details-about-upcoming-tamil-boxing-movie.html|archive-date=8 July 2021|access-date=23 July 2021|website=Republic World}}</ref> The film's technical crew comprises of music director [[Santhosh Narayanan]], cinematographer [[Murali G.]] and editor Selva R. K.<ref>{{Cite news|date=2 December 2020|title='Sarpatta Parambarai' poster reveals a ripped Arya|work=[[The Hindu]]|url=https://www.thehindu.com/entertainment/movies/sarpatta-parambarai-poster-reveals-a-ripped-arya/article33228699.ece|url-status=live|access-date=7 December 2020|archive-url=https://web.archive.org/web/20201207205319/https://www.thehindu.com/entertainment/movies/sarpatta-parambarai-poster-reveals-a-ripped-arya/article33228699.ece|archive-date=7 December 2020}}</ref>
Ranjith shelved the Birsa Munda film, and wrote the script of ''[[Sarpatta Parambarai]]'' with [[Suriya]] in mind, but due to his prior commitments, he later approached [[Arya (actor)|Arya]] to play the lead role. The film was eventually supposed to begin production in during February and March 2020, after the hard training sessions of the actors being involved in the film, but due to the [[COVID-19 pandemic lockdown|COVID-19 pandemic induced lockdown]], the production delayed further and eventually began in September 2020 which was completed within December 2020, with filming taking place for nearly four months in and around North Chennai.{{Citation needed|date=November 2021}} The film's technical crew comprises music director [[Santhosh Narayanan]], cinematographer [[Murali G.]] and editor Selva R. K.<ref>{{Cite news|date=2 December 2020|title='Sarpatta Parambarai' poster reveals a ripped Arya|work=[[The Hindu]]|url=https://www.thehindu.com/entertainment/movies/sarpatta-parambarai-poster-reveals-a-ripped-arya/article33228699.ece|url-status=live|access-date=7 December 2020|archive-url=https://web.archive.org/web/20201207205319/https://www.thehindu.com/entertainment/movies/sarpatta-parambarai-poster-reveals-a-ripped-arya/article33228699.ece|archive-date=7 December 2020}}</ref>


''Sarpatta Parambarai'' is a [[Tamil language|Tamil]]-language [[Period film|period]] [[sports]] [[action film]] directed by Pa. Ranjith, who also co-produced the film under his banner Neelam Productions, along with Shanmugam Dhakshanaraj of K9 Studios.<ref>{{Cite web|title=Pa Ranjith-Arya film titled Sarpatta Parambarai, first look out|url=https://www.cinemaexpress.com/stories/news/2020/dec/02/pa-ranjith-arya-film-titled-sarpatta-parambarai-first-look-poster-out-21561.html|url-status=live|archive-url=https://web.archive.org/web/20201202062601/https://www.cinemaexpress.com/stories/news/2020/dec/02/pa-ranjith-arya-film-titled-sarpatta-parambarai-first-look-poster-out-21561.html|archive-date=2 December 2020|access-date=7 December 2020|website=The New Indian Express}}</ref> The film stars [[Arya (actor)|Arya]], Dushara Vijayan, [[Pasupathy]], [[Anupama Kumar]] and [[Sanchana Natarajan]]. Set in the 1970s [[North Chennai]], the film revolves around a clash between two clans namely Idiyappa Parambarai and Sarpatta Parambara, which also display the boxing culture in the locality and also the politics behind it.<ref>{{Cite web|title=Sarpatta Parambarai: The clash between two clans in North Chennai|url=https://www.sify.com/movies/sarpatta-parambarai-the-clash-between-two-clans-in-north-chennai-imagegallery-kollywood-umdfyVbijdfjd.html|url-status=live|archive-url=https://web.archive.org/web/20201207012202/https://www.sify.com/movies/sarpatta-parambarai-the-clash-between-two-clans-in-north-chennai-imagegallery-kollywood-umdfyVbijdfjd.html|archive-date=7 December 2020|access-date=7 December 2020|website=[[Sify]]}}</ref> ''Sarpatta Parambarai'' was initially scheduled for theatrical release which was delayed due to the [[COVID-19 pandemic]], It was then release to [[Amazon Prime Video]] on 22 July 2021, coinciding with the [[Prime Day]] celebrations. The film received widespread acclaim, with emphasis on its characterisation and performances of the lead cast members, direction, story, screenplay, music, cinematography. Critics further praised Ranjith's direction for the accurate depiction of the 1970s Madras and its boxing culture.<ref>''Sarpatta Parambarai'' reviews
''Sarpatta Parambarai'' is a [[Tamil language|Tamil]]-language [[Period film|period]] [[sports]] [[action film]] directed by Pa. Ranjith, who also co-produced the film under his banner Neelam Productions, along with Shanmugam Dhakshanaraj of K9 Studios.<ref>{{Cite web|title=Pa Ranjith-Arya film titled Sarpatta Parambarai, first look out|url=https://www.cinemaexpress.com/stories/news/2020/dec/02/pa-ranjith-arya-film-titled-sarpatta-parambarai-first-look-poster-out-21561.html|url-status=live|archive-url=https://web.archive.org/web/20201202062601/https://www.cinemaexpress.com/stories/news/2020/dec/02/pa-ranjith-arya-film-titled-sarpatta-parambarai-first-look-poster-out-21561.html|archive-date=2 December 2020|access-date=7 December 2020|website=The New Indian Express}}</ref> The film stars [[Arya (actor)|Arya]], Dushara Vijayan, [[Pasupathy]], [[Anupama Kumar]] and [[Sanchana Natarajan]]. Set in the 1970s [[North Chennai]], the film revolves around a clash between two clans namely Idiyappa Parambarai and Sarpatta Parambara, which also display the boxing culture in the locality and also the politics behind it.<ref>{{Cite web|title=Sarpatta Parambarai: The clash between two clans in North Chennai|url=https://www.sify.com/movies/sarpatta-parambarai-the-clash-between-two-clans-in-north-chennai-imagegallery-kollywood-umdfyVbijdfjd.html|url-status=live|archive-url=https://web.archive.org/web/20201207012202/https://www.sify.com/movies/sarpatta-parambarai-the-clash-between-two-clans-in-north-chennai-imagegallery-kollywood-umdfyVbijdfjd.html|archive-date=7 December 2020|access-date=7 December 2020|website=[[Sify]]}}</ref> ''Sarpatta Parambarai'' was initially scheduled for theatrical release which was delayed due to the [[COVID-19 pandemic]], It was then released to [[Amazon Prime Video]] on 22 July 2021, coinciding with the [[Prime Day]] celebrations. The film received widespread acclaim, with emphasis on its characterisation and performances of the lead cast members, direction, story, screenplay, music, cinematography. Critics further praised Ranjith's direction for the accurate depiction of the 1970s Madras and its boxing culture.<ref>''Sarpatta Parambarai'' reviews
*{{Citation|title=Sarpatta Parambarai Movie Review: Sarpatta Parambarai is a rousing boxing drama|url=https://timesofindia.indiatimes.com/entertainment/tamil/movie-reviews/sarpatta-parambarai/movie-review/84624533.cms|access-date=2021-07-22}}
*{{Citation|title=Sarpatta Parambarai Movie Review: Sarpatta Parambarai is a rousing boxing drama|url=https://timesofindia.indiatimes.com/entertainment/tamil/movie-reviews/sarpatta-parambarai/movie-review/84624533.cms|access-date=2021-07-22}}
*{{Cite web|date=2021-07-22|title='Sarpatta Parambarai' review: Pa Ranjith and Arya's sports film is a knock-out|url=https://www.thenewsminute.com/article/sarpatta-parambarai-review-pa-ranjith-and-aryas-sports-film-knock-out-152736|access-date=2021-07-22|website=The News Minute|language=en}}
*{{Cite web|date=2021-07-22|title='Sarpatta Parambarai' review: Pa Ranjith and Arya's sports film is a knock-out|url=https://www.thenewsminute.com/article/sarpatta-parambarai-review-pa-ranjith-and-aryas-sports-film-knock-out-152736|access-date=2021-07-22|website=The News Minute|language=en}}
*{{Cite news|last=Ramanujam|first=Srinivasa|date=2021-07-22|title=‘Sarpatta Parambarai’ movie review: Packs a punch, but follows a predictable path|language=en-IN|work=The Hindu|url=https://www.thehindu.com/entertainment/movies/sarpatta-parambarai-movie-review-packs-a-punch-but-follows-a-predictable-path/article35455649.ece|access-date=2021-07-22|issn=0971-751X}}
*{{Cite news|last=Ramanujam|first=Srinivasa|date=2021-07-22|title='Sarpatta Parambarai' movie review: Packs a punch, but follows a predictable path|language=en-IN|work=The Hindu|url=https://www.thehindu.com/entertainment/movies/sarpatta-parambarai-movie-review-packs-a-punch-but-follows-a-predictable-path/article35455649.ece|access-date=2021-07-22|issn=0971-751X}}
*{{Cite web|title=Sarpatta Parambarai Review: Pa Ranjith's Sports Drama Comes All Guns Blazing|url=https://www.ndtv.com/entertainment/sarpatta-parambarai-review-pa-ranjiths-sports-drama-comes-all-guns-blazing-3-stars-out-of-5-2491931|access-date=2021-07-22|website=NDTV.com}}</ref>
*{{Cite web|title=Sarpatta Parambarai Review: Pa Ranjith's Sports Drama Comes All Guns Blazing|url=https://www.ndtv.com/entertainment/sarpatta-parambarai-review-pa-ranjiths-sports-drama-comes-all-guns-blazing-3-stars-out-of-5-2491931|access-date=2021-07-22|website=NDTV.com}}</ref>
==Tamil new wave==
Pa. Ranjith has had a phenomenal influence on the new wave of Cinema, that was made in Tamil Film industry during the decade 2010–20. His portrayal of his stories with a strong multi-dimensional background and the impact it created, inevitably forced/inspired other creators in this industry, to document their work with extra caution and a sense of moral responsibility. The caste factor which was added and glorified subtly in the industry(both on and off screen) took a back step and many directors started handling this factor with empathy, resulting in more and more films started to depict the stories from the perspective of marginalized and suppressed societies.<ref>{{Cite web|url=https://theprint.in/opinion/bollywood-has-miles-to-go-before-it-can-produce-kaala-asuran-karnan-or-even-a-jai-bhim/768579/|title = Bollywood has miles to go before it can produce Kaala, Asuran, Karnan or even a Jai Bhim|date = 20 November 2021}}</ref>


==Sociocultural initiatives==
==Sociocultural initiatives==
Line 67: Line 70:
Pa. Ranjith extended his social work in another form, which is 'Neelam Panpaatu Maiyam' (Neelam Cultural Center).
Pa. Ranjith extended his social work in another form, which is 'Neelam Panpaatu Maiyam' (Neelam Cultural Center).


As part of this initiative, in honour of the 100 years of Dalit struggle, life-sized sculptures were established and the efforts of the Dalit activists were documented.<ref>{{cite web|url=https://www.thehindu.com/news/national/tamil-nadu/life-size-sculptures-to-honour-dalit-struggles/article25704876.ece|title=Life-size sculptures to honour Dalit struggles|first=T. k|last=Rohit|date=9 December 2018|access-date=4 May 2019|via=www.thehindu.com}}</ref>
As part of this initiative, in honour of the 100 years of Dalit struggle, life-sized sculptures were established and the efforts of the Dalit activists were documented.<ref>{{cite news|url=https://www.thehindu.com/news/national/tamil-nadu/life-size-sculptures-to-honour-dalit-struggles/article25704876.ece|title=Life-size sculptures to honour Dalit struggles|first=T. k|last=Rohit|newspaper=The Hindu|date=9 December 2018|access-date=4 May 2019|via=www.thehindu.com}}</ref>


Neelam Panpaatu maiyam also conducted the three day arts festival - 'Vaanam' in Chennai between December 29 to 31, 2018.<ref>{{cite web|url=https://www.thequint.com/news/india/pa-ranjith-arts-festival-gaana-music-dance-casteless-collective-vaanam|title=Pa Ranjith's 'Vaanam' Aims to Convey Sensitive Issues Through Art|date=31 December 2018|website=The Quint|access-date=4 May 2019}}</ref> The festival was unticketed and many artists across Tamilandu participated in it. Also many artifacts were presented.<ref>{{cite web|url=https://www.thehindu.com/entertainment/art/vaanam-arts-festival-an-education-on-the-dalit-movement/article25888609.ece|title=Vaanam Arts Festival: An education on the Dalit movement|first=Akshaya|last=Ramesh|date=2 January 2019|access-date=4 May 2019|via=www.thehindu.com}}</ref> Ranjith explained that this festival would act as a platform to discuss more complex social issues through art.<ref>{{cite web|url=https://www.huffingtonpost.in/entry/director-pa-ranjith-vaanam-festival-jignesh-mevani-caste-chennai_in_5c28bc45e4b0407e90839e59|title=Director Pa Ranjith's Vaanam Festival Wants To Use Art To Have Difficult Conversations|date=30 December 2018|website=HuffPost India|access-date=4 May 2019}}</ref>
Neelam Panpaatu maiyam also conducted the three day arts festival - 'Vaanam' in Chennai between December 29 to 31, 2018.<ref>{{cite web|url=https://www.thequint.com/news/india/pa-ranjith-arts-festival-gaana-music-dance-casteless-collective-vaanam|title=Pa Ranjith's 'Vaanam' Aims to Convey Sensitive Issues Through Art|date=31 December 2018|website=The Quint|access-date=4 May 2019}}</ref> The festival was unticketed and many artists across Tamil Nadu participated in it. Also many artifacts were presented.<ref>{{cite news|url=https://www.thehindu.com/entertainment/art/vaanam-arts-festival-an-education-on-the-dalit-movement/article25888609.ece|title=Vaanam Arts Festival: An education on the Dalit movement|first=Akshaya|last=Ramesh|newspaper=The Hindu|date=2 January 2019|access-date=4 May 2019|via=www.thehindu.com}}</ref> Ranjith explained that this festival would act as a platform to discuss more complex social issues through art.<ref>{{cite web|url=https://www.huffingtonpost.in/entry/director-pa-ranjith-vaanam-festival-jignesh-mevani-caste-chennai_in_5c28bc45e4b0407e90839e59|title=Director Pa Ranjith's Vaanam Festival Wants To Use Art To Have Difficult Conversations|date=30 December 2018|website=HuffPost India|access-date=4 May 2019}}</ref>


Neelam cultural center launched 'Koogai Thiraipada Iyakkam' (Koogai Film Movement).<ref>{{cite web|url=https://www.thehindu.com/entertainment/movies/koogai-thirapada-iyakkam-pa-ranjith/article25423051.ece|title=Koogai Thiraipada Iyakkam: a library to bridge the gap between literature and cinema|first=Srivatsan|last=S|date=5 November 2018|access-date=4 May 2019|via=www.thehindu.com}}</ref> This movement was started to bridge the gap between literature and cinema. As part of this movement, the first initiative was to set up a library named 'Koogai'.<ref>{{cite web|url=http://www.newindianexpress.com/cities/chennai/2018/dec/12/a-new-age-in-kodambakkam-1910607.html|title=A new age in kodambakkam|website=The New Indian Express|access-date=4 May 2019}}</ref>
Neelam cultural center launched 'Koogai Thiraipada Iyakkam' (Koogai Film Movement).<ref>{{cite news|url=https://www.thehindu.com/entertainment/movies/koogai-thirapada-iyakkam-pa-ranjith/article25423051.ece|title=Koogai Thiraipada Iyakkam: a library to bridge the gap between literature and cinema|first=Srivatsan|last=S|newspaper=The Hindu|date=5 November 2018|access-date=4 May 2019|via=www.thehindu.com}}</ref> This movement was started to bridge the gap between literature and cinema. As part of this movement, the first initiative was to set up a library named 'Koogai'.<ref>{{cite web|url=http://www.newindianexpress.com/cities/chennai/2018/dec/12/a-new-age-in-kodambakkam-1910607.html|title=A new age in kodambakkam|website=The New Indian Express|access-date=4 May 2019}}</ref>


Neelam cultural center rolled out their new campaign '#VoteOutHate' and started producing short films on the same for a release in their official Youtube channel. The first film was ''Lovers in the afternoon'' directed by Rajesh Rajamani<ref>https://www.thenewsminute.com/article/making-over-beef-pa-ranjith-produces-short-film-asking-people-voteouthate-100119</ref> and the second film was 'Share Auto' directed by Jenny Dolly.<ref>https://www.thenewsminute.com/article/no-casteism-cities-share-auto-produced-pa-ranjith-dispels-notion-100186</ref>
Neelam cultural center rolled out their new campaign '#VoteOutHate' and started producing short films on the same for a release in their official YouTube channel. The first film was ''Lovers in the afternoon'' directed by Rajesh Rajamani<ref>{{Cite web|url=https://www.thenewsminute.com/article/making-over-beef-pa-ranjith-produces-short-film-asking-people-voteouthate-100119|title = Making up over beef: Pa Ranjith produces short film asking people to #VoteOutHate|date = 16 April 2019}}</ref> and the second film was 'Share Auto' directed by Jenny Dolly.<ref>{{Cite web|url=https://www.thenewsminute.com/article/no-casteism-cities-share-auto-produced-pa-ranjith-dispels-notion-100186|title = No casteism in cities? 'Share Auto' produced by Pa Ranjith dispels notion|date = 17 April 2019}}</ref>


==The Casteless Collective==
==The Casteless Collective==
{{main|The Casteless Collective}}
{{main|The Casteless Collective}}
Ranjith’s organisation, Neelam Cultural Centre, collaborated with the label Madras Records to form a 19-piece band called The Casteless Collective that includes four rappers, seven instrumentalists and eight gaana musicians, a popular folk music style in Tamil Nadu. The name of the band was inspired by a phrase – "jaathi bedha matra Tamilargal" – used by Tamil anti-caste activist and writer C Iyothee Thass.<ref>{{cite web|url=https://scroll.in/magazine/864285/the-casteless-collective-a-music-bands-debut-has-caught-the-attention-of-chennai-and-the-internet|title=The Casteless Collective: A music band's debut has caught the attention of Chennai and the internet|first=Vinita|last=Govindarajan|website=Scroll.in|access-date=4 May 2019}}</ref> Iyothee Thassa Pandithar (1845-1914) was the first to moot the phrase "Jaathi Bedha Matra Tamizhargal" in the early 20th century by publishing the same in his Tamil Journal ''Tamizhan'' (1907-1914).<ref>{{cite web|url=https://www.academia.edu/36522827|title=''The Caste-less Community''|first=Dickens|last=Leonard|website=Academia.org|access-date=4 June 2019}}</ref>
Ranjith's organisation, Neelam Cultural Centre, collaborated with the label Madras Records to form a 19-piece band called The Casteless Collective that includes four rappers, seven instrumentalists and eight gaana musicians, a popular folk music style in Tamil Nadu. The name of the band was inspired by a phrase – "jaathi bedha matra Tamilargal" – used by Tamil anti-caste activist and writer C Iyothee Thass.<ref>{{cite web|url=https://scroll.in/magazine/864285/the-casteless-collective-a-music-bands-debut-has-caught-the-attention-of-chennai-and-the-internet|title=The Casteless Collective: A music band's debut has caught the attention of Chennai and the internet|first=Vinita|last=Govindarajan|website=Scroll.in|access-date=4 May 2019}}</ref> Iyothee Thassa Pandithar (1845-1914) was the first to moot the phrase "Jaathi Bedha Matra Tamizhargal" in the early 20th century by publishing the same in his Tamil Journal ''Tamizhan'' (1907-1914).<ref>{{cite journal|url=https://www.academia.edu/36522827|title=''The Caste-less Community''|first=Dickens|last=Leonard|journal=Doctor of Philosophy in Comparative Literature|date=January 2017|access-date=4 June 2019}}</ref>


== Filmography ==
== Filmography ==
Line 100: Line 103:
|2018
|2018
|''[[Kaala (2018 film)|Kaala]]''
|''[[Kaala (2018 film)|Kaala]]''
|[[Rajinikanth]], [[Nana Patekar]], [[Samuthirakani]], [[Easwari Rao]], [[Huma Qureshi (actress)|Huma Qureshi]]
|[[Rajinikanth]], [[Nana Patekar]], [[Samuthirakani]], [[Easwari Rao]], [[Huma Qureshi]]
|
|
|-
|-
Line 108: Line 111:
|Released on Prime video<ref>[https://www.filmibeat.com/tamil/movies/sarpatta.html filmibeat.com]
|Released on Prime video<ref>[https://www.filmibeat.com/tamil/movies/sarpatta.html filmibeat.com]
</ref>
</ref>
|-
|
|-
|2021
|''[[Natchathiram Nagargirathu(2022film)|Natchathiram Nagargirathu]]''
|[[Kalaiyarasan]], [[Kalidas Jayaram]], [[Dushara Vijayan]]
|
|-
|-
|}
|}
|''[[vikram 61(2022)|vikram 61]]''


=== As producer ===
=== As producer ===
Line 119: Line 130:
| 2018 ||''[[Pariyerum Perumal]]'' ||  
| 2018 ||''[[Pariyerum Perumal]]'' ||  
|-
|-
| 2019 ||''[[Irandam Ulagaporin Kadaisi Gundu]]'' ||<ref>https://www.thenewsminute.com/article/pa-ranjith-announces-his-second-production-attakathi-dinesh-lead-93004</ref>  
| 2019 ||''[[Irandam Ulagaporin Kadaisi Gundu]]'' ||<ref>{{Cite web|url=https://www.thenewsminute.com/article/pa-ranjith-announces-his-second-production-attakathi-dinesh-lead-93004|title=Pa Ranjith announces his second production, Attakathi Dinesh in the lead|date=8 December 2018}}</ref>  
|-
|-
|2021||''Writer'' ||
|2021||''[[Writer (film)|Writer]]'' ||
|-
|-
| 2021 ||''Untitled movie by Ranjith's assistant Suresh Mari'' ||<ref>https://www.thenewsminute.com/article/director-pa-ranjith-announces-his-third-production-venture-100443</ref>  
| 2021 ||''Untitled movie by Ranjith's assistant Suresh Mari'' ||<ref>{{Cite web|url=https://www.thenewsminute.com/article/director-pa-ranjith-announces-his-third-production-venture-100443|title = Director Pa Ranjith announces his third production venture|date = 21 April 2019}}</ref>  
|}
|}


Line 208: Line 219:
| Best Film
| Best Film
| {{won}}
| {{won}}
|<ref>https://www.thenewsminute.com/article/pariyerum-perumal-bags-best-film-award-norway-tamil-film-festival-94760</ref>
|<ref>{{Cite web|url=https://www.thenewsminute.com/article/pariyerum-perumal-bags-best-film-award-norway-tamil-film-festival-94760|title = 'Pariyerum Perumal' bags Best Film award at Norway Tamil Film Festival|date = 9 January 2019}}</ref>
|-
|-
| [[Edison Awards (India)|Edison Awards]]
| [[Edison Awards (India)|Edison Awards]]

Latest revision as of 14:09, 9 January 2022

Pa. Ranjith
Pa. Ranjith
Born
Pa. Ranjith

(1982-12-08) 8 December 1982 (age 43)
NationalityIndian
Alma materGovernment College of Fine Arts, Chennai
OccupationFilm director
screenwriter
producer
Years active2012–present
Spouse(s)Anitha
WebsitePersonal Twitter

Pa. Ranjith is an Indian director and filmmaker[1] who makes Tamil language films. He made his directorial debut with the 2012 romantic comedy Attakathi, before earning unanimously positive reviews for his second film, the political drama Madras (2014). In 2016, he wrote and directed the gangster-drama Kabali and in 2018, Kaala both starring Rajinikanth. In 2021, he directed Sarpatta Parambarai, which was well received by both critics and audiences.

Personal life and education[edit | edit source]

Pa. Ranjith was born at Karalapakkam, Avadi, Chennai.[2] He has two brothers - Prabhu and Saravana.[3][4] He graduated from Government College of Fine Arts, Chennai, and has described how his travels to and from his college often helped create inspiration for film ideas.[5]

Ranjith studied in multiple schools - Karapakkam Panchayat Union School, Veliyur Government Higher Secondary School and Avadi Government School. His maternal uncles were drawing artists and Ranjith got the inspiration from them towards drawing, during his childhood; that eventually made him enroll in Fine Arts College.

He is married to Anitha and the couple has a daughter and a son. Anitha was a junior to Ranjith in college.

Early life[edit | edit source]

During his college days, he joined the film chamber and began watching world cinema, regularly attending annual film festivals. He gained inspiration from films including The Battle of Algiers (1966) and City of God (2002), stating they changed his thinking of cinema and revealed that they had a deep impact on him.[5] Ranjith has been known to use symbolism in his movies to exhibit ongoing social problems which otherwise have trouble reaching the masses due to restrictions by Central Board of Film Certification in using actual references of caste based exploitation in movies.

Ranjith joined the film industry as an assistant director and first worked on Shiva Shanmugam's Thagapansamy (2006), which he has since revealed as an "unmemorable stint", before moving on to apprentice under film makers N. Linguswamy and Venkat Prabhu. He initially helped prepare a storyboard for a Malaysian album that Venkat Prabhu had been working on in 2006, before gaining trust and being allowed to work closely with him during the making of Chennai 600028 (2007).[5]

Film career[edit | edit source]

Attakathi (2012)[edit | edit source]

Ranjith was introduced to a newcomer producer C. V. Kumar in 2011 by a mutual friend, Mani, who convinced Kumar to give Ranjith an opportunity to make a film. Consequently, Attakathi was completed in fifty days on a budget of 1.75 crores.[5] Following promising pre-release reviews, the venture became bigger when production house Studio Green chose to buy the distribution rights. The film opened to positive review in August 2012, with Rediff.com noting the film "looks at youth and romance in a most refreshing way" and added that Ranjith should take "the credit, completely, of taking an ordinary storyline and infusing it with warmth and hilarity."[6] Sify's critic, similarly, wrote "we recommend that you make time for this charming little treat of a film, as it has an inherent sweetness and honesty that will stay with you".[7]

Madras (2014)[edit | edit source]

Studio Green signed up Pa. Ranjith to direct a film for their production house and in December 2012, he confirmed that he would shortly begin work on a project titled Sarpatta Paramparai with Karthi in the lead role, though production was subsequently delayed and did not take off as planned.[8] In July 2013, it was announced that the pair would collaborate on a new script and that Sarpatta Parambarai and their ongoing venture, Madras, were two different scripts. Although the producers liked both scripts, Ranjith decided to shoot Madras first as Karthi had accidentally read the script of Madras and liked its concept and characters.[9] During pre-production of the film, Ranjith returned home to North Chennai to research and took stock of the residents' body language, sports, fashion, behaviour and dialogues. He revealed that through his script, he hoped to depict the angst and depression of the youth of the region and wrote several characters in the film including the two leads to represent individuals with "bottled up anger".[5] Ranjith also informed that some changes were made to the script to accommodate Karthi in the lead role.[10] Also featuring Catherine Tresa and Kalaiyarasan in prominent roles, Madras told the story of a dispute over a political message written on wall in North Chennai and how the region's political rivalry affects the inhabitants. Madras received highly positive reviews from critics, who praised the performances of the actors, as well as the technical aspects of the film.[11] Udhav Naig, writing for The Hindu said, "Rarely does one get to see a Tamil film that reflects the social reality so closely and sketching a detailed account of life that the middle and the upper middle class know little about. Full marks to Pa. Ranjith for that".[12] Writing for The New Indian Express, Malini Mannath said, "With an engaging screenplay, deft narration, well fleshed out characters and actors well cast, Madras captures the feel, flavour and ambiance of North Madras with perfect precision".[13] Sify said, "Madras works big time as writer and director Ranjith has given priority to his script, which hooks the audiences straightaway. It is a triumph of honest writing and heartfelt dialogues. It is a gutsy and outstanding film".[14]

Kabali (2016)[edit | edit source]

He began pre-production work for a venture starring Suriya in October 2014, after the actor approached him being impressed with Madras.[5] The project has been put on hold, after he began working on Kabali (2016) featuring Rajinikanth in the title role. It is a gangster film. Ranjith explores actor Rajinikanth. This movie delivers class style acting of Rajinikanth.

Kaala (2018)[edit | edit source]

Kaala a sociopolitical movie, was released worldwide on 7 June 2018. The audio launch was held on 9 May 2018 at Chennai YMCA ground, and the album is an interesting mix of genres with politically loaded lyrics. Kaala is the first Indian film ever to be released in Saudi Arabia, following the country lifting its ban on public theatres in December 2017.[15][16][17] The movie received positive reviews. The Times of India rated the film 3.5 out of 5 and stated that Ranjith owes to his excellent technical crew for "helping him visualise and deliver this 51% Rajini-49% Ranjith movie".[18]

Neelam Productions[edit | edit source]

Pa. Ranjith marked his foray into production under his banner Neelam Productions with release of two documentaries titled Dr. Shoe Maker and Beware of Castes: Mirchpur.[19] Under the banner Neelam Productions, he also produced Mari Selvaraj's Pariyerum Perumal that stars Kathir and Anandhi, with music by Santhosh Narayanan. Pariyerum went on to become a huge success with high critical acclaim. Neelam Productions' next project has been titled as Irandam Ulagaporin Kadaisi Gundu. The film stars Attakathi Dinesh and is directed by Athiyan Athirai.[20]

Sarpatta Parambarai (2021)[edit | edit source]

In 2019, Ranjith's worked on a Hindi-language biopic on freedom fighter Birsa Munda. The film, which was to be the Tamil filmmaker's first non-Tamil project, was scheduled to be produced by Namah Pictures, which had co-produced Iranian filmmaker Majid Majidi's Beyond the Clouds in 2018. The cast of Ranjith's film has not been announced.[21]

Ranjith shelved the Birsa Munda film, and wrote the script of Sarpatta Parambarai with Suriya in mind, but due to his prior commitments, he later approached Arya to play the lead role. The film was eventually supposed to begin production in during February and March 2020, after the hard training sessions of the actors being involved in the film, but due to the COVID-19 pandemic induced lockdown, the production delayed further and eventually began in September 2020 which was completed within December 2020, with filming taking place for nearly four months in and around North Chennai.[citation needed] The film's technical crew comprises music director Santhosh Narayanan, cinematographer Murali G. and editor Selva R. K.[22]

Sarpatta Parambarai is a Tamil-language period sports action film directed by Pa. Ranjith, who also co-produced the film under his banner Neelam Productions, along with Shanmugam Dhakshanaraj of K9 Studios.[23] The film stars Arya, Dushara Vijayan, Pasupathy, Anupama Kumar and Sanchana Natarajan. Set in the 1970s North Chennai, the film revolves around a clash between two clans namely Idiyappa Parambarai and Sarpatta Parambara, which also display the boxing culture in the locality and also the politics behind it.[24] Sarpatta Parambarai was initially scheduled for theatrical release which was delayed due to the COVID-19 pandemic, It was then released to Amazon Prime Video on 22 July 2021, coinciding with the Prime Day celebrations. The film received widespread acclaim, with emphasis on its characterisation and performances of the lead cast members, direction, story, screenplay, music, cinematography. Critics further praised Ranjith's direction for the accurate depiction of the 1970s Madras and its boxing culture.[25]

Tamil new wave[edit | edit source]

Pa. Ranjith has had a phenomenal influence on the new wave of Cinema, that was made in Tamil Film industry during the decade 2010–20. His portrayal of his stories with a strong multi-dimensional background and the impact it created, inevitably forced/inspired other creators in this industry, to document their work with extra caution and a sense of moral responsibility. The caste factor which was added and glorified subtly in the industry(both on and off screen) took a back step and many directors started handling this factor with empathy, resulting in more and more films started to depict the stories from the perspective of marginalized and suppressed societies.[26]

Sociocultural initiatives[edit | edit source]

Neelam Panpaatu Maiyam[edit | edit source]

Pa. Ranjith extended his social work in another form, which is 'Neelam Panpaatu Maiyam' (Neelam Cultural Center).

As part of this initiative, in honour of the 100 years of Dalit struggle, life-sized sculptures were established and the efforts of the Dalit activists were documented.[27]

Neelam Panpaatu maiyam also conducted the three day arts festival - 'Vaanam' in Chennai between December 29 to 31, 2018.[28] The festival was unticketed and many artists across Tamil Nadu participated in it. Also many artifacts were presented.[29] Ranjith explained that this festival would act as a platform to discuss more complex social issues through art.[30]

Neelam cultural center launched 'Koogai Thiraipada Iyakkam' (Koogai Film Movement).[31] This movement was started to bridge the gap between literature and cinema. As part of this movement, the first initiative was to set up a library named 'Koogai'.[32]

Neelam cultural center rolled out their new campaign '#VoteOutHate' and started producing short films on the same for a release in their official YouTube channel. The first film was Lovers in the afternoon directed by Rajesh Rajamani[33] and the second film was 'Share Auto' directed by Jenny Dolly.[34]

The Casteless Collective[edit | edit source]

Ranjith's organisation, Neelam Cultural Centre, collaborated with the label Madras Records to form a 19-piece band called The Casteless Collective that includes four rappers, seven instrumentalists and eight gaana musicians, a popular folk music style in Tamil Nadu. The name of the band was inspired by a phrase – "jaathi bedha matra Tamilargal" – used by Tamil anti-caste activist and writer C Iyothee Thass.[35] Iyothee Thassa Pandithar (1845-1914) was the first to moot the phrase "Jaathi Bedha Matra Tamizhargal" in the early 20th century by publishing the same in his Tamil Journal Tamizhan (1907-1914).[36]

Filmography[edit | edit source]

As director and writer[edit | edit source]

Year Film Cast Notes
2012 Attakathi Dinesh, Nandita Swetha, Aishwarya Rajesh, Kalaiyarasan, Vishwanath
2014 Madras Karthi, Catherine Tresa, Riythvika, Charles Vinoth, Kalaiyarasan, V. I. S. Jayapalan
2016 Kabali Rajinikanth, Radhika Apte, Sai Dhanshika, Winston Chao, Kishore, Dinesh, Kalaiyarasan, John Vijay, Nassar, Riythvika
2018 Kaala Rajinikanth, Nana Patekar, Samuthirakani, Easwari Rao, Huma Qureshi
2021 Sarpatta Parambarai Arya, Pasupathy, Kalaiyarasan, Anupama Kumar Released on Prime video[37]
2021 Natchathiram Nagargirathu Kalaiyarasan, Kalidas Jayaram, Dushara Vijayan

|vikram 61

As producer[edit | edit source]

Year Film Notes
2018 Pariyerum Perumal
2019 Irandam Ulagaporin Kadaisi Gundu [38]
2021 Writer
2021 Untitled movie by Ranjith's assistant Suresh Mari [39]

Awards and Nominations[edit | edit source]

Year Film Award Category Outcome Ref
2012 Attakathi Jaya TV Awards Best Director Won [40]
2014 Madras Ananda Vikatan Cinema Awards Best Director Won [41]
Best Story Won [41]
Edison Awards Best Director Won [42]
Filmfare Awards South Best Director - Tamil Nominated [43]
South Indian International Movie Awards Best Director - Tamil Won [44]
Vijay Awards Best Director Won [45]
2016 Kabali Edison Awards Best Director Won [46]
Filmfare Awards South Best Director Nominated [47]
IIFA Utsavam Best Director Nominated [47]
2018 Kaala Ananda Vikatan Cinema Awards Best Dialogue writer Won [48]
2018 Pariyerum Perumal Behindwoods Gold medal Best Producer Won [49]
Norway Tamil Film Awards Best Film Won [50]
Edison Awards Best Film Won [51]
South Indian International Movie Awards Best Film – Tamil Won
Filmfare Awards South Best Film – Tamil Won

References[edit | edit source]

  1. "I don't want to be known as a Dalit filmmaker: Kabali director". The Indian Express. 29 July 2016. Retrieved 26 September 2017.
  2. "Kaala director Pa Ranjith: Since I am vocal about Dalit people, every act is interpreted through a caste lens". The Indian Express. 10 June 2018. Retrieved 4 June 2020.
  3. "Kaala director Pa Ranjith: Since I am vocal about Dalit people, every act is interpreted through a caste lens". The Indian Express. 10 June 2018. Retrieved 18 June 2020.
  4. "Don't want to be known as Dalit filmmaker: Pa Ranjith". Hindustan Times. 29 July 2016. Retrieved 18 June 2020.
  5. 5.0 5.1 5.2 5.3 5.4 5.5 "Madras Story: The Pa Ranjith interview - Silverscreen.in". Silverscreen.in. 4 November 2014. Retrieved 26 September 2017.
  6. "Review: Attakathi is worth a watch - Rediff.com Movies". Rediff.com. 16 August 2012. Retrieved 9 November 2012.
  7. "Movie Review:Attakathi". Sify.com. Archived from the original on 13 August 2013. Retrieved 18 August 2012.
  8. "'Attakathi' Ranjith confirms Karthi project". Behindwoods. 27 December 2012. Archived from the original on 6 September 2014. Retrieved 20 July 2014.
  9. ""SANTHOSH NARAYANAN IS AN IMPORTANT FORCE TO RECKON WITH IN TAMIL FILM MUSIC", DIRECTOR PA.RANJITH". Behindwoods. 13 September 2014. Archived from the original on 14 September 2014. Retrieved 14 September 2014.
  10. Kumar, S. R. Ashok (28 June 2014). "Audio Beat: Madras — A north Madras flavour". The Hindu. ISSN 0971-751X. Retrieved 26 September 2017.
  11. "'Madras' Movie Review Roundup: Must Watch". International Business Times. 26 September 2014. Archived from the original on 26 September 2014. Retrieved 26 September 2014.
  12. Naig, Udhav (26 September 2014). "Madras: A tale of crime and punishment in the slums". The Hindu. Archived from the original on 27 September 2014. Retrieved 27 September 2014.
  13. Mannath, Malini (28 September 2014). "Perfect Feel of Life in North Madras". The New Indian Express. Archived from the original on 28 September 2014. Retrieved 28 September 2014.
  14. "Madras". Sify. 26 September 2014. Archived from the original on 27 September 2014. Retrieved 27 September 2014.
  15. "Rajinikanth's 'Kaala' becomes first Indian film to release in Saudi Arabia – Times of India ►". The Times of India. Retrieved 15 June 2018.
  16. "'Kaala' Becomes First Indian Film to Be Released in Saudi Arabia". The Hollywood Reporter. Archived from the original on 9 June 2018. Retrieved 15 June 2018.
  17. "சவுதி அரேபியாவில் வெளியாகியுள்ள முதல் இந்தியப் படம் - காலா!". Dinamani. Archived from the original on 15 June 2018. Retrieved 15 June 2018.
  18. "Kabali (aka) Kaala review". The Times of India. Archived from the original on 9 June 2018. Retrieved 9 June 2018.
  19. Staff Reporter (17 October 2016). "Pa. Ranjith ventures into production". The Hindu. Retrieved 4 May 2019 – via www.thehindu.com.
  20. "Pa Ranjith Neelam Productions next project with Attakathi Dinesh". Behindwoods. 8 December 2018. Retrieved 4 May 2019.
  21. IANS (15 November 2018). "Pa. Ranjith excited to tell Birsa Munda's story". Business Standard India. Retrieved 4 May 2019 – via Business Standard.
  22. "'Sarpatta Parambarai' poster reveals a ripped Arya". The Hindu. 2 December 2020. Archived from the original on 7 December 2020. Retrieved 7 December 2020.
  23. "Pa Ranjith-Arya film titled Sarpatta Parambarai, first look out". The New Indian Express. Archived from the original on 2 December 2020. Retrieved 7 December 2020.
  24. "Sarpatta Parambarai: The clash between two clans in North Chennai". Sify. Archived from the original on 7 December 2020. Retrieved 7 December 2020.
  25. Sarpatta Parambarai reviews
  26. "Bollywood has miles to go before it can produce Kaala, Asuran, Karnan or even a Jai Bhim". 20 November 2021.
  27. Rohit, T. k (9 December 2018). "Life-size sculptures to honour Dalit struggles". The Hindu. Retrieved 4 May 2019 – via www.thehindu.com.
  28. "Pa Ranjith's 'Vaanam' Aims to Convey Sensitive Issues Through Art". The Quint. 31 December 2018. Retrieved 4 May 2019.
  29. Ramesh, Akshaya (2 January 2019). "Vaanam Arts Festival: An education on the Dalit movement". The Hindu. Retrieved 4 May 2019 – via www.thehindu.com.
  30. "Director Pa Ranjith's Vaanam Festival Wants To Use Art To Have Difficult Conversations". HuffPost India. 30 December 2018. Retrieved 4 May 2019.
  31. S, Srivatsan (5 November 2018). "Koogai Thiraipada Iyakkam: a library to bridge the gap between literature and cinema". The Hindu. Retrieved 4 May 2019 – via www.thehindu.com.
  32. "A new age in kodambakkam". The New Indian Express. Retrieved 4 May 2019.
  33. "Making up over beef: Pa Ranjith produces short film asking people to #VoteOutHate". 16 April 2019.
  34. "No casteism in cities? 'Share Auto' produced by Pa Ranjith dispels notion". 17 April 2019.
  35. Govindarajan, Vinita. "The Casteless Collective: A music band's debut has caught the attention of Chennai and the internet". Scroll.in. Retrieved 4 May 2019.
  36. Leonard, Dickens (January 2017). "The Caste-less Community". Doctor of Philosophy in Comparative Literature. Retrieved 4 June 2019.
  37. filmibeat.com
  38. "Pa Ranjith announces his second production, Attakathi Dinesh in the lead". 8 December 2018.
  39. "Director Pa Ranjith announces his third production venture". 21 April 2019.
  40. "Attakathi bags five awards - Times of India". The Times of India. Retrieved 4 May 2019.
  41. 41.0 41.1 "ஆனந்த விகடன் விருதுகள் 2014 - vikatan awards - ஆனந்த விகடன்". www.vikatan.com. 8 January 2015. Retrieved 4 May 2019.
  42. James, Anu (16 February 2015). "8th Edison Awards: 'Madras' Best Tamil Film; Dhanush Best Actor for 'VIP' [PHOTOS+WINNERS' LIST]". International Business Times, India Edition. Retrieved 4 May 2019.
  43. "Winners: 62nd Britannia Filmfare Awards (South) - Times of India". The Times of India. Retrieved 4 May 2019.
  44. "SIIMA AWARDS - 2015 - winners - -". siima.in. Retrieved 4 May 2019.
  45. "Vijay Awards 2015 - Complete list of winners". Sify. Archived from the original on 5 May 2015. Retrieved 4 May 2019.
  46. "Edison Awards". www.edisonawards.in. Retrieved 4 May 2019.
  47. 47.0 47.1 Upadhyaya, Prakash (14 March 2017). "IIFA South Utsavam Awards 2017: Here is the complete nomination list for Tamil movies". International Business Times, India Edition. Retrieved 4 May 2019.
  48. "ஆனந்த விகடன் சினிமா விருதுகள் 2018 - திறமைக்கு மரியாதை - Ananda Vikatan Cinema Awards 2018 - Ananda Vikatan - ஆனந்த விகடன்". www.vikatan.com. 3 January 2019. Retrieved 4 May 2019.
  49. "Pa Ranjith - Best Producer for Pariyerum Perumal - List of winners for BGM Iconic Edition". Behindwoods. 16 December 2018. Retrieved 4 May 2019.
  50. "'Pariyerum Perumal' bags Best Film award at Norway Tamil Film Festival". 9 January 2019.
  51. Abhijith (19 February 2019). "Edison Awards 2019 Winners List: Dhanush, Nayanthara & Others!". www.filmibeat.com. Retrieved 4 May 2019.