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{{Use Indian English|date=November 2015}}
{{Use Indian English|date=November 2015}}
{{Infobox film
{{Infobox film
| name          = Jeevana Chaitra<br>ಜೀವನ ಚೈತ್ರ
| name          = Jeevana Chaitra
| image          = Jeevanachaitra.jpg
| image          = Jeevanachaitra.jpg
| caption        = Film poster
| caption        = Film poster
| director      = [[Dorai-Bhagavan]]
| director      = [[Dorai–Bhagavan]]
| producer      = [[Parvathamma Rajkumar]]
| producer      = [[Parvathamma Rajkumar]]
| writer        = [[Vishalakshi Dakshinamurthy]]
| writer        = [[Vishalakshi Dakshinamurthy]]
Line 11: Line 11:
| based_on      = {{based on|''Vyapthi Prapthi''|[[Vishalakshi Dakshinamurthy]]}}
| based_on      = {{based on|''Vyapthi Prapthi''|[[Vishalakshi Dakshinamurthy]]}}
| starring      = {{plainlist|
| starring      = {{plainlist|
*[[Rajkumar (actor)|Rajkumar]]
*[[Dr. Rajkumar|Rajkumar]]
*[[Madhavi (actress)|Madhavi]]
*[[Madhavi (actress)|Madhavi]]
*[[K. S. Ashwath]]
*[[K. S. Ashwath]]
Line 27: Line 27:
| country        = India
| country        = India
| language      = Kannada
| language      = Kannada
| budget        = {{INR}}25 lakhs<ref name="rediff">{{cite web |last1=Palaniswamy |first1=M. |title=Who, in contemporary filmdom, has Rajkumar's appeal? |url=https://www.rediff.com/movies/apr/04rajk.htm |website=Rediff.com |access-date=13 April 2021 |date=4 April 1997}}</ref>
| budget        = {{INR}} 25 lakhs<ref name="rediff">{{cite web |last1=Palaniswamy |first1=M. |title=Who, in contemporary filmdom, has Rajkumar's appeal? |url=https://www.rediff.com/movies/apr/04rajk.htm |website=Rediff.com |access-date=13 April 2021 |date=4 April 1997}}</ref>
| gross          = {{INR}}3 crores<ref name="rediff"/>
| gross          = {{INR}} 8 crores<ref name="rediff"/>
}}
}}


'''''Jeevana Chaitra''''' ({{lang-en|Life Spring}}) is a 1992 Indian [[Kannada language]] feature film directed by the duo [[Dorai-Bhagavan]] starring [[Rajkumar (actor)|Rajkumar]] and [[Madhavi (actress)|Madhavi]] in lead roles. It marked the re-entry of [[Rajkumar (actor)|Rajkumar]] in films after a hiatus of 3 years and was an instant hit. The film is based on a Kannada novel ''Vyapthi Prapthi'' written by [[Vishalakshi Dakshinamurthy]].<ref>https://www.udayavani.com/cinema/balcony-sandalwood-news/raj-festival-a-mirror-of-the-grooms-novel-films</ref> The movie was initially titled ''Simhadriya Simha'', a title which was later used for a [[Simhadriya Simha|2002 film]] starring [[Dr. Vishnuvardhan]].<ref>https://kannada.filmibeat.com/features/story-behind-rajkumar-s-jeevana-chaitra-first-title-was-simhadriya-simha/articlecontent-pf92755-043410.html?utm_medium=Mobile&utm_source=FB-KN&utm_campaign=Deep-Links&oipopup=1</ref> The film re-affirmed the hold Rajkumar had on Kannada audiences. The film was highly successful at the box office and had a theatrical run of 52 weeks.<ref>https://kannada.filmibeat.com/news/a-rare-picture-of-the-triple-ceremony-of-dr-rajkumar-s-3-movies-045361.html</ref><ref>https://web.archive.org/web/20070717135525/http://www.chitratara.com/showCelbProfile.asp?newsid=8</ref>
'''''Jeevana Chaitra''''' ({{translation|Life Spring}}) is a 1992 Indian [[Kannada language]] film directed by the duo [[Dorai–Bhagavan]] starring [[Dr. Rajkumar|Rajkumar]] and [[Madhavi (actress)|Madhavi]]. It marked the re-entry of Rajkumar in films after a hiatus of three years, and was an instant hit. The film is based on the Kannada novel ''Vyapthi Prapthi'' written by [[Vishalakshi Dakshinamurthy]].<ref>{{Cite web|url=https://www.udayavani.com/cinema/balcony-sandalwood-news/raj-festival-a-mirror-of-the-grooms-novel-films|title = ರಾಜ್‌ ಹಬ್ಬ: ವರನಟನ ಕಾದಂಬರಿ ಚಿತ್ರಗಳ ಕನ್ನಡಿ}}</ref> The film was initially titled ''Simhadriya Simha'', a title which was later used for the [[Simhadriya Simha|2002 film]] starring [[Vishnuvardhan (actor)|Vishnuvardhan]].<ref>{{Cite web|url=https://kannada.filmibeat.com/features/story-behind-rajkumar-s-jeevana-chaitra-first-title-was-simhadriya-simha/articlecontent-pf92755-043410.html|title = ಸಾಮಾಜಿಕ ಕ್ರಾಂತಿ ಮಾಡಿದ ರಾಜ್ ಕುಮಾರ್ ಚಿತ್ರದ ಹಿಂದಿನ ಕಥೆ|date = 4 June 2020}}</ref> The film re-affirmed the hold Rajkumar had on Kannada audiences. It was highly successful at the box office and had a theatrical run of 52 weeks.<ref>{{Cite web|url=https://kannada.filmibeat.com/news/a-rare-picture-of-the-triple-ceremony-of-dr-rajkumar-s-3-movies-045361.html|title = ಅಪರೂಪದ ಫೋಟೋ: ಒಂದೇ ವೇದಿಕೆಯಲ್ಲಿ ಮೂರು ಹಿಟ್ ಚಿತ್ರಗಳ ಸಕ್ಸಸ್ ಕಾರ್ಯಕ್ರಮ|date = 22 September 2020}}</ref><ref>{{cite web |url=http://www.chitratara.com/showCelbProfile.asp?newsid=8 |title=:: Welcome to Chitatara :: |website=www.chitratara.com |access-date=12 January 2022 |archive-url=https://web.archive.org/web/20070717135525/http://www.chitratara.com/showCelbProfile.asp?newsid=8 |archive-date=17 July 2007 |url-status=dead}}</ref>


The characterization of [[Rani Mukerji]]'s role in ''[[Kabhi Khushi Kabhie Gham...|Kabhi Khushi Kabhie Gham]]'' was based on the role played by [[Sudha Rani|Sudharani]] in this movie.
For the song "Naadamaya", Rajkumar won the [[National Film Award for Best Male Playback Singer]] at the [[40th National Film Awards]].<ref>{{cite web |title= 40th National Film Awards |url= http://iffi.nic.in/Dff2011/Frm40thNFAAward.aspx?PdfName=40NFA.pdf |website= iffi.nic.in |accessdate= 30 March 2014 |archive-url= https://web.archive.org/web/20151008114601/http://iffi.nic.in/Dff2011/Frm40thNFAAward.aspx?PdfName=40NFA.pdf |archive-date= 8 October 2015 |url-status= dead }}</ref> The film won four awards at the 1992–93 Karnataka State Film Awards [[Karnataka State Film Award for Best Film|First Best Film]], [[Karnataka State Film Award for Best Actor|Best Actor]] (Rajkumar), [[Karnataka State Film Award for Best Music Director|Best Music Director]] ([[Upendra Kumar]]) and Best Dialogue Writer ([[Chi. Udaya Shankar]]).
 
For the song ''Naadamaya'', Rajkumar won the [[National Film Award for Best Male Playback Singer]] at the [[40th National Film Awards]].<ref>{{cite web |title= 40th National Film Awards |url= http://iffi.nic.in/Dff2011/Frm40thNFAAward.aspx?PdfName=40NFA.pdf |website= iffi.nic.in |accessdate= 30 March 2014 |archive-url= https://web.archive.org/web/20151008114601/http://iffi.nic.in/Dff2011/Frm40thNFAAward.aspx?PdfName=40NFA.pdf |archive-date= 8 October 2015 |url-status= dead }}</ref> The film won four awards at the 1992–93 Karnataka State Film Awards; [[Karnataka State Film Award for Best Film|First Best Film]], [[Karnataka State Film Award for Best Actor|Best Actor]] (Rajkumar), [[Karnataka State Film Award for Best Music Director|Best Music Director]] ([[Upendra Kumar]]) and Best Dialogue Writer ([[Chi. Udaya Shankar]]).


==Plot==
==Plot==
{{Long plot|date=March 2021}}
Rama Rao is a ''jodidar'' of Simhadri and its surrounding villages living with his wife Seetha and son Vishwanath. Once, the trio visits a function in the village, where they see Meenakshi. Vishwanath expresses his interest in Meenakshi as his life partner and presents the case before his parents. Vishwanath's father accepts the marriage proposal. Meenakshi and Vishwanath get married. Vishwanath takes over the mantle of jodidar of Simhaadri and eight villages from his father.
Jeevana Chaitra tracks the life and times of Vishwanath, from his youth, through the days of his {{transl|ka|jodi inamathi}} when he becomes Jodidar Vishwanatha Raya to his end.
Being an ideal son, he expresses his interest in Meenakshi (Madhavi) as his life partner and presents the case before his parents. Though Meenakshi is enamored towards Vishwanath, she fears that she is too poor to join the ranks of Jodidars. However, Vishwanath's father is more than satisfied with his son's choice and accepts the marriage proposal. Meenakshi and Vishwanath get married. Vishwanath takes over the mantle of Jodidar of Simhaadri and other 8 villages from his father and tries to improve the lives of the people of his 8 villages.
 
He fights illiteracy, the illicit liquor racket, and other social evils, in order to help villagers. They are blessed with 3 children. The parallel comedy track of the movie is handled by Putta Joisa, who joins as the priest of the family-entrusted main temple. Caught when trying to steal gold from Jodidar's home, he pleads guilty. Vishwanath, the generous man he is, gives him money and asks to leave the village. He reasons that if the villagers learn he has robbed the Jodidar, they are sure to kill him. Putta Joisa leaves in tears, knowing that he does not deserve to be with Jodidars.
 
The rift at home begins when their children come of age. The elder son, a doctor, falls for his classmate, the daughter of a liquor baron ([[Thoogudeepa Srinivas]]), who had been thrown out of the village by Vishwanath for brewing illicit liquor during their younger days. Toogudeepa creates a rift between father and son and verbally insults Vishwanath when he approaches to discuss the marriage proposal.
 
The real bone of contention is the hospital that Vishwanath has envisioned for the village, which he wants his son Gurudutt and daughter-in-law, both doctors to oversee and maintain the well-being of the community. However, Toogudeepa berates him for his short-sightedness in presuming that his well-educated and sophisticated daughter-in-law would stay back in a lowly village. Vishwanath is firm, and he insists that if Toogudeepa's daughter is to marry his son, she will have to stay with her husband in their village.


Toogudeepa walks away threatening Gurudutt that he can choose either his father's village or his love. Gurudutt fights with his father and leaves home. This comes as the first blow to Vishwanatha Raya.
He fights illiteracy, the illicit liquor racket, and other social evils, in order to help villagers. He and Meenakshi have three children. There is a parallel comedy storyline of the movie, centering on Putta Joisa, who joins as the priest of the family-entrusted main temple.


Abhijit, the second son, gets married but his wife is not very happy staying in the village and serving her in-laws. Meenakshi pleads with her brother to allow her niece Lakshmi (played by [[Sudharani]]) to stay with her for a few days.
Their eldest son, a doctor, falls for his classmate, the daughter of a liquor baron, Toogudeepa, who creates a rift between father and son and insults Vishwanath when he approaches to discuss the marriage proposal. Toogudeepa threatens Gurudutt that he can choose either his father's village or his love. Gurudutt fights with his father and leaves home. This comes as the first blow to Vishwanatha Raya.


Bubbly, chirpy and sprightly Lakshmi fills the home with happiness. Vishwanath and Meenakshi plan to get her married to their last son Narahari (played by Balaraj). Narahari, who has a secret love affair, wastes no time in marrying his love and brings her home, once he learns of his parents' plan.
Abhijit, the second son, gets married, but his wife is not very happy staying in the village and serving her in-laws. Vishwanath and Meenakshi plan to have Meenakshi's niece marry their youngest son Narahari. Narahari, who has a secret love affair, marries her and brings her home, once he learns of his parents' plan. Meenakshi and Vishwanath are shocked. The burden is too much for Meenakshi and she dies, while welcoming her new daughter-in-law.


Meenakshi and Vishwanath are shocked to see Narahari and his wife. Meenakshi sinks into despair thinking about the heartbreak this would cause her brother, who is delighted to have his child become a bride of the Jodidar household. The burden is too much for Meenakshi and she dies, while welcoming her daughter-in-law.
Vishwanath feels lonely and goes on a theertha yaatre, has an accident, and loses his memory. He wanders around and is shown visiting [[Badrinath|Badri]], [[Rishikesh]], [[Kedarnath]] and [[Varanasi]]. When he finds the beauty of [[Himalaya]], he is spellbound by nature and sings his heart out. Putta Joisa finds his old employer, clothed in rags and singing on a ghaat. He helps Vishwanath regain memory.


Vishwanath feels lonely and goes on a theertha yaatre, has an accident and loses memory. He wanders around and is shown visiting [[Badrinath|Badri]], [[Rishikesh]], [[Kedarnath]] and [[Varanasi]]. When he finds the beauty of [[Himalaya]], he is spellbound by nature and sings his heart out. Putta Joisa finds his old employer, clothed in rags and singing on a ghaat. He helps Vishwanath regain memory.
Meanwhile, Toogudeepa convinces Vishwanath's three sons to hand over their ancestral property and takes it over. Vishwanath returns, only to find his home turned from a temple to a tavern. He single-handedly beats drunkards gathered there and questions his sons about his mother. Learning that she is lonely in the passing days in the hut, he visits his mother. Pandari Bai is filled with joy to find her son alive. Vishwanath once again starts the task of fighting liquor racket, gambling, and other evils. He ends up on a winning note, as the gambler's den is made into a primary school and the liquor factory is closed. His children too learn their lesson and join hands with him. A happy man, Vishwanath creates a will dividing his assets among his sons and leaves to a higher calling. The last scene shows Vishwanath ascending a hill, far from Simhaadri.
 
Meanwhile, Toogudeepa sweet-talks Vishwanath's three sons into handing over the ancestral property and takes over Vishwanath's property. The 3 sons, who have by now become addicted to sloth and a luxurious lifestyle, even throw their granny out.
 
Vishwanath returns, only to find his home turned from a temple to a tavern. He single-handedly beats the daylights out of drunkards gathered over there and questions his sons about his mother. Learning that she is passing days in a lonely hut, he visits his mother.
 
Pandari Bhai is filled with joy to find her son alive. She pleads his son to take cudgels against the liquor baron Toogudeepa. Life comes a full-circle to Vishwanath. He once again starts the task of fighting liquor racket, gambling, and other evils.
 
He ends up on a winning note, as the gamblers den is made into a primary school and the liquor factory is closed down. His children too learn their lesson and join hands with him.
 
A happy man, Vishwanath creates a will dividing his assets among his sons and leaves to a higher calling. The last scene shows Vishwanath ascending a hill, far away from Simhaadri.


==Cast==
==Cast==
* [[Rajkumar (actor)|Rajkumar]] as Vishwanathaiah
{{Cast listing|
* [[Dr. Rajkumar]] as Vishwanathaiah
* [[Madhavi (actress)|Madhavi]] as Meenakshi, Vishwanath's wife
* [[Madhavi (actress)|Madhavi]] as Meenakshi, Vishwanath's wife
* [[Sudharani]] as Lakshmi (Special appearance)
* [[K. S. Ashwath]] as Rama Rao, Vishwanath's father
* [[K. S. Ashwath]] as Rama Rao, Vishwanath's father
* [[Pandari Bai]] as Seetha, Vishwanath's mother
* [[Pandari Bai]] as Seetha, Vishwanath's mother
* [[Chi Guru Dutt]] as Prathap
* [[Chi Guru Dutt]] as Prathap, Vishwanath's elder son
* [[Abhijeeth]] as Prakash
* [[Abhijeeth]] as Prakash, Vishwanath's second son
* [[Balaraj]] as Narahari
* [[Balaraj]] as Narahari, Vishwanath's third son
* [[Tennis Krishna]] as Putta Jois
* [[Thoogudeepa Srinivas]] as Narasinha Rao
* [[Thoogudeepa Srinivas]] as Narasimha Rao
* [[Honnavalli Krishna]]
* [[Honnavalli Krishna]]
* [[Tennis Krishna]]
* [[Sathyabhama (actress)|Sathyabhama]]
* [[Sathyabhama (actress)|Sathyabhama]]
* Gayathri Prabhakar
* Gayathri Prabhakar
* Sriraksha
* Sriraksha
* Sundarashree as Lalitha, Narasimha Rao's wife
* Sundarashree
* [[Shivaram]] (cameo)
* [[Shivaram]]
* [[Sudharani]] as Lakshmi (cameo)
* [[S. K. Bhagavan]]
* [[Shivaram]] as a doctor (cameo)
}}
* [[S. K. Bhagavan]] as a police officer (cameo, uncredited)


==Soundtrack==
==Soundtrack==
Line 104: Line 85:
| length    = 27:48
| length    = 27:48
| label      = Sangeetha
| label      = Sangeetha
| producer   =
| director   = [[Upendra Kumar]]
| prev_title =
| prev_title =
| prev_year  =
| prev_year  =
Line 111: Line 92:
}}
}}


The background score of the film and the soundtrack was composed by [[Upendra Kumar]], with lyrics penned by [[Chi. Udaya Shankar]] and Mugur Mallappa. The album consists of five soundtracks.<ref>{{cite web |title= Jeevana Chaithra (Original Motion Picture Soundtrack) - EP |url= https://itunes.apple.com/in/album/jeevana-chaithra-original/id929914096 |publisher= iTunes |accessdate= 10 November 2014}}</ref>
The [[Film score|score]] of the film and the soundtrack were composed by [[Upendra Kumar]], with lyrics penned by [[Chi. Udaya Shankar]] and Mugur Mallappa. The soundtrack album consists of five tracks.<ref>{{cite web |title= Jeevana Chaithra (Original Motion Picture Soundtrack) - EP |date= 26 August 1992 |url= https://itunes.apple.com/in/album/jeevana-chaithra-original/id929914096 |archive-url= https://web.archive.org/web/20141226232418/https://itunes.apple.com/in/album/jeevana-chaithra-original/id929914096 |url-status= dead |archive-date= 26 December 2014 |publisher= iTunes |accessdate= 10 November 2014}}</ref> As of 2023, the song ''Naadamaya'' was reported to have ranked high on [[Spotify]]’s Kannada songs list.<ref>{{cite web | url=https://theprint.in/theprint-profile/arjuna-to-james-bond-like-roles-dr-rajkumar-was-emperor-of-actors-in-kannada-film-industry/1536120/ | title=Arjuna to James Bond-like roles—Dr Rajkumar was 'emperor of actors' in Kannada film industry | website=[[ThePrint]] | date=24 April 2023 }}</ref> Though credited to Upendra Kumar, the song ''Naadamaya'' was composed by  [[M. Ranga Rao]]. That song was set in [[Todi (raga)|Todi]] raga.<ref>{{cite web|url=http://www.deccanherald.com/deccanherald/july042004/enter1.asp|title=Jenina Holeyo, Halina Maleyo|website=[[Deccan Herald]]|access-date=22 March 2025|date=4 July 2004|first=S. N.|last=Deepak|archive-url=https://web.archive.org/web/20041109054447/http://www.deccanherald.com/deccanherald/july042004/enter1.asp|archive-date=9 November 2004}}</ref>


{{tracklist
{{tracklist
Line 119: Line 100:
| title1 = Aralida Thanuvidu
| title1 = Aralida Thanuvidu
| lyrics1 = [[Chi. Udaya Shankar]]
| lyrics1 = [[Chi. Udaya Shankar]]
| extra1 = [[Rajkumar (actor)|Rajkumar]]
| extra1 = [[Dr. Rajkumar]]
| length1 = 5:07
| length1 = 5:07
| title2 = Nadamaya
| title2 = Naadamaya
| lyrics2 = Chi. Udayashankar
| lyrics2 = Chi. Udayashankar
| extra2 = Rajkumar
| extra2 = Dr. Rajkumar
| length2 = 7:34
| length2 = 7:34
| title3 = Manavanagi
| title3 = Manavanagi
| lyrics3 = Mugur Mallappa
| lyrics3 = Mugur Mallappa
| extra3 = Rajkumar
| extra3 = Dr. Rajkumar
| length3 = 4:34
| length3 = 4:34
| title4 = Ninna Chelava Vadana
| title4 = Ninna Chelava Vadana
| lyrics4 = Chi. Udayashankar
| lyrics4 = Chi. Udayashankar
| extra4 = Rajkumar, [[Manjula Gururaj]]
| extra4 = Dr. Rajkumar, [[Manjula Gururaj]]
| length4 = 4:45
| length4 = 4:45
| title5 = Lakshmi Baaramma
| title5 = Lakshmi Baaramma
| lyrics5 = Chi. Udayashankar
| lyrics5 = Chi. Udayashankar
| extra5 = Rajkumar, Manjula Gururaj
| extra5 = Dr. Rajkumar, Manjula Gururaj
| length5 = 5:48
| length5 = 5:48
}}
}}


==Release and reception==
==Release and reception==
[[File:Jeevachai.jpg|200px|thumb|right|Simhadriya Simha title announcement poster of the film released before the title was eventually altered to Jeevana Chaitra]]
[[File:Jeevachai.jpg|200px|thumb|right|Simhadriya Simha title announcement poster of the film released before the title was eventually altered to Jeevana Chaitra]]{{Refimprove-section|date=September 2022}}
Jeevana Chaitra created a sort of hysteria when it was released, and the movie tickets became a prized commodity. There was no release by [[Rajkumar (actor)|Rajkumar]] in the previous years. People were so craving for wholesome entertainment that ''[[Satya Harishchandra (1965 Kannada film)|Satya Harishchandra]]'', a black-and-white movie of Rajkumar, was re-released and ran to packed houses.
Jeevana Chaitra was very popular when it was released, and the movie tickets became a prized commodity. There was no release by [[Dr. Rajkumar|Rajkumar]] in the previous years.


''Jeevana Chaitra'', on release ran to packed houses across Karnataka. The movie completed 100 days and had to be removed from theatres, to help other producers release their movies. Rajkumar's cut-out of the suit-clad hero had the usual ritual of getting soaked in milk at many places.
The movie completed 100 days and had to be removed from theatres. Rajkumar's cut-out of the suit-clad hero had the usual ritual of getting soaked in milk at many places.


===Box office===
===Box office===
The film ran for 375 days and owing to the audience reception, Rajkumar had to announce that he would act in another movie, ''[[Aakasmika]]''.
The film ran for 375 days and, owing to the audience reception, Rajkumar had to announce that he would act in another movie, ''[[Aakasmika]]''.<ref>[https://i.imgur.com/VfsDOaT.jpg The Rajkumar Phenomenon] ''[[Screen (magazine)|Screen]]''</ref>


===Reviews and critiques===
===Reviews and critiques===
The movie received rave reviews, owing to the storyline and message about combating liquor barons.
The movie received rave reviews, owing to the storyline and message about combating liquor barons.
==Trivia==
* Inspired by the movie, there were many instances of people closing down liquor houses across [[Karnataka]].
* [[Rajkumar (actor)|Rajkumar]] won the [[National Film Award for Best Male Playback Singer]] for having sung the song "Naadamaya". The song was supposedly recorded for another Rajkumar movie Amoghavarsha Nrupatunga which was never made. Some people say [[M. Ranga Rao]] composed the music for this song but was not alive at the time of its release.


==References==
==References==
Line 161: Line 138:
* {{IMDb title|1418157|Jeevana Chaitra}}
* {{IMDb title|1418157|Jeevana Chaitra}}
*http://www.raaga.com/channels/kannada/moviedetail.asp?mid=k0000432
*http://www.raaga.com/channels/kannada/moviedetail.asp?mid=k0000432
{{Dorai-Bhagavan}}
{{Dorai–Bhagavan}}


[[Category:1992 films]]
[[Category:1992 films]]
[[Category:Indian films]]
[[Category:1992 Kannada-language films]]
[[Category:1990s Kannada-language films]]
[[Category:Indian drama films]]
[[Category:Indian drama films]]
[[Category:Films about alcoholism]]
[[Category:Films about alcoholism]]
Line 171: Line 147:
[[Category:Films scored by Upendra Kumar]]
[[Category:Films scored by Upendra Kumar]]
[[Category:Films with screenplays by Chi. Udayashankar]]
[[Category:Films with screenplays by Chi. Udayashankar]]
[[Category:Films directed by Dorai–Bhagavan]]

Latest revision as of 03:34, 4 March 2026

Jeevana Chaitra
File:Jeevanachaitra.jpg
Film poster
Directed byDorai–Bhagavan
Produced byParvathamma Rajkumar
Written byVishalakshi Dakshinamurthy
Screenplay byChi. Udaya Shankar
Based onVyapthi Prapthi
by Vishalakshi Dakshinamurthy
Starring
Music byUpendra Kumar
CinematographyS. V. Srikanth
Edited byP. Bhaktavatsalam
Production
company
Sri Dakshayini Cine Combines
Release date
  • 1992 (1992)
Running time
157 minutes
CountryIndia
LanguageKannada
Budget 25 lakhs[1]
Box office 8 crores[1]

Jeevana Chaitra (transl. Life Spring) is a 1992 Indian Kannada language film directed by the duo Dorai–Bhagavan starring Rajkumar and Madhavi. It marked the re-entry of Rajkumar in films after a hiatus of three years, and was an instant hit. The film is based on the Kannada novel Vyapthi Prapthi written by Vishalakshi Dakshinamurthy.[2] The film was initially titled Simhadriya Simha, a title which was later used for the 2002 film starring Vishnuvardhan.[3] The film re-affirmed the hold Rajkumar had on Kannada audiences. It was highly successful at the box office and had a theatrical run of 52 weeks.[4][5]

For the song "Naadamaya", Rajkumar won the National Film Award for Best Male Playback Singer at the 40th National Film Awards.[6] The film won four awards at the 1992–93 Karnataka State Film Awards — First Best Film, Best Actor (Rajkumar), Best Music Director (Upendra Kumar) and Best Dialogue Writer (Chi. Udaya Shankar).

Plot[edit | edit source]

Rama Rao is a jodidar of Simhadri and its surrounding villages living with his wife Seetha and son Vishwanath. Once, the trio visits a function in the village, where they see Meenakshi. Vishwanath expresses his interest in Meenakshi as his life partner and presents the case before his parents. Vishwanath's father accepts the marriage proposal. Meenakshi and Vishwanath get married. Vishwanath takes over the mantle of jodidar of Simhaadri and eight villages from his father.

He fights illiteracy, the illicit liquor racket, and other social evils, in order to help villagers. He and Meenakshi have three children. There is a parallel comedy storyline of the movie, centering on Putta Joisa, who joins as the priest of the family-entrusted main temple.

Their eldest son, a doctor, falls for his classmate, the daughter of a liquor baron, Toogudeepa, who creates a rift between father and son and insults Vishwanath when he approaches to discuss the marriage proposal. Toogudeepa threatens Gurudutt that he can choose either his father's village or his love. Gurudutt fights with his father and leaves home. This comes as the first blow to Vishwanatha Raya.

Abhijit, the second son, gets married, but his wife is not very happy staying in the village and serving her in-laws. Vishwanath and Meenakshi plan to have Meenakshi's niece marry their youngest son Narahari. Narahari, who has a secret love affair, marries her and brings her home, once he learns of his parents' plan. Meenakshi and Vishwanath are shocked. The burden is too much for Meenakshi and she dies, while welcoming her new daughter-in-law.

Vishwanath feels lonely and goes on a theertha yaatre, has an accident, and loses his memory. He wanders around and is shown visiting Badri, Rishikesh, Kedarnath and Varanasi. When he finds the beauty of Himalaya, he is spellbound by nature and sings his heart out. Putta Joisa finds his old employer, clothed in rags and singing on a ghaat. He helps Vishwanath regain memory.

Meanwhile, Toogudeepa convinces Vishwanath's three sons to hand over their ancestral property and takes it over. Vishwanath returns, only to find his home turned from a temple to a tavern. He single-handedly beats drunkards gathered there and questions his sons about his mother. Learning that she is lonely in the passing days in the hut, he visits his mother. Pandari Bai is filled with joy to find her son alive. Vishwanath once again starts the task of fighting liquor racket, gambling, and other evils. He ends up on a winning note, as the gambler's den is made into a primary school and the liquor factory is closed. His children too learn their lesson and join hands with him. A happy man, Vishwanath creates a will dividing his assets among his sons and leaves to a higher calling. The last scene shows Vishwanath ascending a hill, far from Simhaadri.

Cast[edit | edit source]

Soundtrack[edit | edit source]

Jeevana Chaitra
Soundtrack album by
Released1992
GenreFeature film soundtrack
Length27:48
LabelSangeetha
DirectorUpendra Kumar

The score of the film and the soundtrack were composed by Upendra Kumar, with lyrics penned by Chi. Udaya Shankar and Mugur Mallappa. The soundtrack album consists of five tracks.[7] As of 2023, the song Naadamaya was reported to have ranked high on Spotify’s Kannada songs list.[8] Though credited to Upendra Kumar, the song Naadamaya was composed by M. Ranga Rao. That song was set in Todi raga.[9]

Track listing
No. TitleSinger(s) Length
1. "Aralida Thanuvidu"  Dr. Rajkumar 5:07
2. "Naadamaya"  Dr. Rajkumar 7:34
3. "Manavanagi"  Dr. Rajkumar 4:34
4. "Ninna Chelava Vadana"  Dr. Rajkumar, Manjula Gururaj 4:45
5. "Lakshmi Baaramma"  Dr. Rajkumar, Manjula Gururaj 5:48
Total length:
27:48

Release and reception[edit | edit source]

File:Jeevachai.jpg
Simhadriya Simha title announcement poster of the film released before the title was eventually altered to Jeevana Chaitra

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Jeevana Chaitra was very popular when it was released, and the movie tickets became a prized commodity. There was no release by Rajkumar in the previous years.

The movie completed 100 days and had to be removed from theatres. Rajkumar's cut-out of the suit-clad hero had the usual ritual of getting soaked in milk at many places.

Box office[edit | edit source]

The film ran for 375 days and, owing to the audience reception, Rajkumar had to announce that he would act in another movie, Aakasmika.[10]

Reviews and critiques[edit | edit source]

The movie received rave reviews, owing to the storyline and message about combating liquor barons.

References[edit | edit source]

  1. 1.0 1.1 Palaniswamy, M. (4 April 1997). "Who, in contemporary filmdom, has Rajkumar's appeal?". Rediff.com. Retrieved 13 April 2021.
  2. "ರಾಜ್‌ ಹಬ್ಬ: ವರನಟನ ಕಾದಂಬರಿ ಚಿತ್ರಗಳ ಕನ್ನಡಿ".
  3. "ಸಾಮಾಜಿಕ ಕ್ರಾಂತಿ ಮಾಡಿದ ರಾಜ್ ಕುಮಾರ್ ಚಿತ್ರದ ಹಿಂದಿನ ಕಥೆ". 4 June 2020.
  4. "ಅಪರೂಪದ ಫೋಟೋ: ಒಂದೇ ವೇದಿಕೆಯಲ್ಲಿ ಮೂರು ಹಿಟ್ ಚಿತ್ರಗಳ ಸಕ್ಸಸ್ ಕಾರ್ಯಕ್ರಮ". 22 September 2020.
  5. ":: Welcome to Chitatara ::". www.chitratara.com. Archived from the original on 17 July 2007. Retrieved 12 January 2022.
  6. "40th National Film Awards" (PDF). iffi.nic.in. Archived from the original (PDF) on 8 October 2015. Retrieved 30 March 2014.
  7. "Jeevana Chaithra (Original Motion Picture Soundtrack) - EP". iTunes. 26 August 1992. Archived from the original on 26 December 2014. Retrieved 10 November 2014.
  8. "Arjuna to James Bond-like roles—Dr Rajkumar was 'emperor of actors' in Kannada film industry". ThePrint. 24 April 2023.
  9. Deepak, S. N. (4 July 2004). "Jenina Holeyo, Halina Maleyo". Deccan Herald. Archived from the original on 9 November 2004. Retrieved 22 March 2025.
  10. The Rajkumar Phenomenon Screen

External links[edit | edit source]

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