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Harikambhoji: Difference between revisions
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==Structure and Lakshana== | ==Structure and Lakshana== | ||
[[Image:Harikambhoji scale.svg|thumb|right|300px|''Harikambhoji'' scale with Shadjam at C]] | [[Image:Harikambhoji scale.svg|thumb|right|300px|''Harikambhoji'' scale with Shadjam at C]] | ||
It is the 4th rāgam in the 5th ''chakra Bana''. The mnemonic name is ''Bana-Bhu''. The mnemonic phrase is ''sa ri ga ma pa dha ni sa''.<ref name="ragas" /> Its {{IAST|ārohaṇa-avarohaṇa}} structure is as follows (see [[Swara# | It is the 4th rāgam in the 5th ''chakra Bana''. The mnemonic name is ''Bana-Bhu''. The mnemonic phrase is ''sa ri ga ma pa dha ni sa''.<ref name="ragas" /> Its {{IAST|ārohaṇa-avarohaṇa}} structure is as follows (see [[Swara#Svaras in Carnatic music|''swaras'' in Carnatic music]] for details on below notation and terms): | ||
*[[Arohana|{{IAST|ārohaṇa}}]] : {{svaraC|S|R2|G3|M1|P|D2|N2|S'|foot=yes}} | *[[Arohana|{{IAST|ārohaṇa}}]] : {{svaraC|S|R2|G3|M1|P|D2|N2|S'|foot=yes}} | ||
*[[Avarohana|{{IAST|avarohaṇa}}]] : {{svaraC|S'|N2|D2|P|M1|G3|R2|S|foot=yes}} | *[[Avarohana|{{IAST|avarohaṇa}}]] : {{svaraC|S'|N2|D2|P|M1|G3|R2|S|foot=yes}} | ||
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== Compositions == | == Compositions == | ||
Among the Trinity of Carnatic music only [[Thyagaraja]] has composed songs in ''Harikambhoji''. ''Ramanannu brovara'', ''Entara | Among the Trinity of Carnatic music, only [[Thyagaraja]] has composed songs in ''Harikambhoji''. He has composed the popular kritis ''Ramanannu brovara'', ''Entara Neethana'', ''Nenendhu Vedakudhura'', ''Enduku Nirdaya'', '' Undedi Ramudu'', ''Chanithodi'', ''Dinamani Vamsha'' amongst many others. | ||
[[Papanasam Sivan]] has composed ''Enadhu manam kavalai'', ''Pamalaikkinai Undo'' and ''Paadamalar Tunaiye'' which are popularly performed among other kritis. | |||
Other popular compositions include: | |||
''Muruga Tirumal Maruga'' by [[Thanjavur Sankara Iyer]], ''Saketha Nagara Natha'' by [[Mysore Sadashiva Rao]], ''Rama na Moralincara'' by [[Walajapet Venkataramana Bhagavatar]], ''Vinata Suta Vahanudai'' by [[KV Srinivasa Iyengar]], ''Karomi smaranam shashanka-vadanam'' by [[Ashok R Madhav]]. | |||
==Film Songs== | ==Film Songs== | ||
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|[[Kaakum Karangal]] | |[[Kaakum Karangal]] | ||
|1965 | |1965 | ||
| rowspan=" | | rowspan="4" |[[K. V. Mahadevan]] | ||
|[[T. M. Soundararajan]], [[P. Susheela]] | |[[T. M. Soundararajan]], [[P. Susheela]] | ||
|- | |- | ||
| Line 63: | Line 68: | ||
|[[Saraswati Sabatham]] | |[[Saraswati Sabatham]] | ||
|1966 | |1966 | ||
|rowspan=" | |rowspan="6"|[[T. M. Soundararajan]] | ||
|- | |||
|Sathiyame Latchiyamai | |||
|[[Neelamalai Thirudan]] | |||
|1957 | |||
|- | |- | ||
|Ennirandhu 16 Vayathu | |Ennirandhu 16 Vayathu | ||
| Line 166: | Line 175: | ||
|[[Iru Vallavargal]] | |[[Iru Vallavargal]] | ||
|1966 | |1966 | ||
|[[Vedha ( | |[[Vedha (composer)|Vedha]] | ||
|- | |- | ||
|Naane Naana | |Naane Naana | ||
| Line 177: | Line 186: | ||
|[[Mallu Vetti Minor]] | |[[Mallu Vetti Minor]] | ||
|1990 | |1990 | ||
|Arunmozhi, [[S. Janaki]] | |[[Arunmozhi]], [[S. Janaki]] | ||
|- | |- | ||
|Megam Karukayilae | |Megam Karukayilae | ||
| Line 224: | Line 233: | ||
|Enna Paada Sollathey | |Enna Paada Sollathey | ||
|[[Aan Paavam]] | |[[Aan Paavam]] | ||
|1985 | |rowspan=2|1985 | ||
|[[S. Janaki]] | |[[S. Janaki]] | ||
|- | |- | ||
|Chinna Kuyil Paadum Pattu | |Chinna Kuyil Paadum Pattu | ||
|[[Poove Poochooda Vaa]] | |[[Poove Poochooda Vaa]] | ||
|rowspan=2|[[K. S. Chitra]] | |rowspan=2|[[K. S. Chitra]] | ||
|- | |- | ||
| Line 246: | Line 254: | ||
|[[Hariharan (singer)|Hariharan]], [[Bhavatharini]] | |[[Hariharan (singer)|Hariharan]], [[Bhavatharini]] | ||
|- | |- | ||
| | |Adukku Malli Yeduthu | ||
|[[ | |[[Aavarampoo]] | ||
| | |1992 | ||
|[[ | |[[S. P. Balasubrahmanyam]], [[S. Janaki]] | ||
|- | |- | ||
|Ennavendru Solvathamma | |Ennavendru Solvathamma | ||
| Line 259: | Line 267: | ||
|[[Duet (1994 film)|Duet]] | |[[Duet (1994 film)|Duet]] | ||
|1994 | |1994 | ||
|rowspan=" | |rowspan="12"|[[A. R. Rahman]] | ||
|- | |- | ||
|Chinna Chinna Aasai(Shankarabaranam traces too) | |Chinna Chinna Aasai(Shankarabaranam traces too) | ||
| Line 280: | Line 288: | ||
|1996 | |1996 | ||
|[[S. P. Balasubrahmanyam]], [[Swarnalatha]] | |[[S. P. Balasubrahmanyam]], [[Swarnalatha]] | ||
|- | |||
|Mana Madurai | |||
|[[Minsara Kanavu]] | |||
|rowspan=2|1997 | |||
|[[Unni Menon]], [[K. S. Chitra]], [[Srinivas (singer)|Srinivas]] | |||
|- | |- | ||
|Nenje Nenje | |Nenje Nenje | ||
|[[Ratchagan]] | |[[Ratchagan]] | ||
|[[K. J. Yesudas]], [[Sadhana Sargam]] | |[[K. J. Yesudas]], [[Sadhana Sargam]] | ||
|- | |- | ||
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|[[Vidyasagar (composer)|Vidyasagar]] | |[[Vidyasagar (composer)|Vidyasagar]] | ||
|[[Manikka Vinayagam]] | |[[Manikka Vinayagam]] | ||
|- | |||
|Lesa Lesa | |||
|[[Lesa Lesa]] | |||
|2003 | |||
|[[Harris Jayaraj]] | |||
|[[Anuradha Sriram]] | |||
|- | |- | ||
|Thuli Thuliyai (Ragamalika: Harikambhoji, [[Bageshri]]) | |Thuli Thuliyai (Ragamalika: Harikambhoji, [[Bageshri]]) | ||
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==References== | ==References== | ||
{{reflist|30em}} | {{reflist|30em}} | ||
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{{Janya|state=collapsed}} | {{Janya|state=collapsed}} | ||
[[Category:Melakarta | [[Category:Melakarta ragas]] | ||
Latest revision as of 05:37, 14 August 2023
| Carnatic music |
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| Concepts |
| Compositions |
| Instruments |
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| Arohanam | S R₂ G₃ M₁ P D₂ N₂ Ṡ |
|---|---|
| Avarohanam | Ṡ N₂ D₂ P M₁ G₃ R₂ S |
| Equivalent | Mixolydian mode |
Harikambhoji (pronounced harikāmbhōji) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 28th Melakarta rāgam (parent scale) in the 72 melakarta rāgam system.
One of the first scales employed by the ancient Tamils(3BCE) was the Mullaipann, a pentatonic scale composed of the notes sa ri ga pa da, equivalent to C, D, E, G and A in the western notations. These fully harmonic scales, constitutes the raga Mohanam in the Carnatic music style. Mullaipann further evolved into Sempaalai, a scale based on seven notes by the addition of two more notes, ma and ni to the pentatonic scale. Sempaalai pann corresponds to the Carnatic raga Harikambhoji.
Khamaj thaat of Hindustani Music is the equivalent to this rāgam.[1][2] It is known as Harikedāragowla in the Muthuswami Dikshitar school of music.[1][2]
In Western music, Mixolydian mode is this raga's equivalent
Structure and Lakshana[edit]
It is the 4th rāgam in the 5th chakra Bana. The mnemonic name is Bana-Bhu. The mnemonic phrase is sa ri ga ma pa dha ni sa.[1] Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):
- ārohaṇa : S R₂ G₃ M₁ P D₂ N₂ Ṡ[lower-alpha 1]
- avarohaṇa : Ṡ N₂ D₂ P M₁ G₃ R₂ S[lower-alpha 2]
(notes used in this scale are chatushruti rishabham, antara gandharam, shuddha madhyamam, chatushruti daivatam, kaishiki nishadham)
It is a sampoorna rāgam – rāgam having all 7 swarams. It is the shuddha madhyamam equivalent of Vachaspati, which is the 64th melakarta.
Janya rāgams[edit]
Harikambhoji has a lot of janya rāgams (derived rāgams) associated with it, of which Kambhoji is by far the most famous and frequently sung in concerts. The globally famous pentatonic scale Mohanam is also considered a janya of this rāgam. Andolika[2] (also considered as janya of Kharaharapriya), Kamas, Pashupatipriya, Kedaragaula, Natakurinji, Navarasa kannada, Sahana, Senchuruti, Suruti , Sudhasaveri, Kamas and Yadukula kambhoji are also very popular janyas.
See List of janya rāgams for a full list of Harikambhoji's janya rāgams.
Compositions[edit]
Among the Trinity of Carnatic music, only Thyagaraja has composed songs in Harikambhoji. He has composed the popular kritis Ramanannu brovara, Entara Neethana, Nenendhu Vedakudhura, Enduku Nirdaya, Undedi Ramudu, Chanithodi, Dinamani Vamsha amongst many others.
Papanasam Sivan has composed Enadhu manam kavalai, Pamalaikkinai Undo and Paadamalar Tunaiye which are popularly performed among other kritis.
Other popular compositions include: Muruga Tirumal Maruga by Thanjavur Sankara Iyer, Saketha Nagara Natha by Mysore Sadashiva Rao, Rama na Moralincara by Walajapet Venkataramana Bhagavatar, Vinata Suta Vahanudai by KV Srinivasa Iyengar, Karomi smaranam shashanka-vadanam by Ashok R Madhav.
Film Songs[edit]
Language:Tamil[edit]
Language:Malayalam[edit]
| Song | Movie | Year | Composer | Singer |
|---|---|---|---|---|
| Karmukil Varnante | Nandanam (film) | 2002 | Raveendran | K. S. Chithra(Kerala State Film Awards) |
Related rāgams[edit]
This section covers the theoretical and scientific aspect of this rāgam.
Harikambhoji's notes when shifted using Graha bhedam, yields 5 other major melakarta rāgams, namely, Kalyani, Sankarabharanam, Natabhairavi, Kharaharapriya and Hanumatodi. For further details and an illustration refer related rāgams section in Shankarabharanam page.