File:Goswami Jivanlal of Mumbai.jpg
Size of this preview: 220 × 330 pixels. Other resolutions: 160 × 240 pixels | 1,006 × 1,507 pixels.
Original file (1,006 × 1,507 pixels, file size: 509 KB, MIME type: image/jpeg)
Summary
| DescriptionGoswami Jivanlal of Mumbai.jpg |
English: A photograph of Goswami Jivanlal of Mumbai playing the sitar seated on a Victorian couch. Jivanlal was a goswami of the Pushtimarg sect in the later 19th century. |
| Date | Late 19th century |
| Source | Scan published in "Gates of the Lord: The Tradition of Krishna Paintings", edited by Madhuvanti Ghose and published by the Art Institute of Chicago and Yale University Press. Original photograph is held by Amit Ambalal. |
| Author | Unknown authorUnknown author |
Licensing
| Public domainPublic domainfalsefalse |
|
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1931.
 Public domain works must be out of copyright in both the United States and in the source country of the work in order to be hosted on the Commons. If the work is not a U.S. work, the file must have an additional copyright tag indicating the copyright status in the source country.
Note: This tag should not be used for sound recordings.PD-1923Public domain in the United States//commons.wikimedia.org/wiki/File:Goswami_Jivanlal_of_Mumbai.jpg |
Captions
Photograph of Goswami Jivanlal of Mumbai, 19th century
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 03:57, 29 July 2024 |  | 1,006 × 1,507 (509 KB) | smartcommons>Chariotrider555 | Uploaded a work by {{Unknown|author}} from Scan published in "Gates of the Lord: The Tradition of Krishna Paintings", edited by Madhuvanti Ghose and published by the Art Institute of Chicago and Yale University Press. Original photograph is held by Amit Ambalal. with UploadWizard |
File usage
There are no pages that use this file.
