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'''Ladishah''' (also spelled '''Ladi Shah''' or '''Laddi Shah''') is a [[storytelling]] musical genre originated in [[Jammu and Kashmir (princely state)|Jammu and Kashmir]] with its roots in traditional and humorous [[Folk music|folk singing]] originally sung by [[minstrel]]s while locally wondering from one place to another.<ref name="India 2014">{{cite web | agency=Press Trust of India | title=Kashmir's street theatre special Laddi Shah on TV | website=Business Standard News | date=2014-08-30 | url=https://www.business-standard.com/article/pti-stories/kashmir-s-street-theatre-special-laddi-shah-on-tv-114083000571_1.html | access-date=2020-11-27}}</ref> It is usually sung in [[Kashmiri language]] to express anguish or to entertain people in a rhythmic form primarily revolves around political, social and cultural issues in the form of [[ballad]] or melodious [[Satirical music|satire]]. It is identified when an entertainer raises their concerns in the form of [[Humour|humorous]] and [[Melody|melody singing]] without a voice break at some occurrences. It is sung with a musical instrument called ''dhukar'', a traditional instrument consisting of two metal rods. Sometimes, an artist sings without an musical instrument.<ref>{{Cite web|url=https://kashmirlife.net/ladi-shah-132787/|title=Ladi Shah|date=February 17, 2017|work=[[Kashmir Life]]}}</ref> | '''Ladishah''' (also spelled '''Ladi Shah''' or '''Laddi Shah''') is a [[storytelling]] musical genre originated in [[Jammu and Kashmir (princely state)|Jammu and Kashmir]] with its roots in traditional and humorous [[Folk music|folk singing]] originally sung by [[minstrel]]s while locally wondering from one place to another.<ref name="India 2014">{{cite web | agency=Press Trust of India | title=Kashmir's street theatre special Laddi Shah on TV | website=Business Standard News | date=2014-08-30 | url=https://www.business-standard.com/article/pti-stories/kashmir-s-street-theatre-special-laddi-shah-on-tv-114083000571_1.html | access-date=2020-11-27}}</ref> It is usually sung in [[Kashmiri language]] to express anguish or to entertain people in a rhythmic form primarily revolves around political, social and cultural issues in the form of [[ballad]] or melodious [[Satirical music|satire]]. It is identified when an entertainer raises their concerns in the form of [[Humour|humorous]] and [[Melody|melody singing]] without a voice break at some occurrences. It is sung with a musical instrument called ''dhukar'', a traditional instrument consisting of two metal rods. Sometimes, an artist sings without an musical instrument.<ref>{{Cite web|url=https://kashmirlife.net/ladi-shah-132787/|title=Ladi Shah|date=February 17, 2017|work=[[Kashmir Life]]}}</ref> | ||
Encompasses the [[medieval music]], a ladishah singer literally acts as a communicator in a society to convey their message to the people either for public entertainment purpose or to address political views, [[social consciousness]] or [[cultural competence]] without practicing [[false consciousness]] and [[parody music]].<ref name="Tremblay Bhatia 2020 p. 256">{{cite book |last1=Tremblay|first1=R. C.| last2=Bhatia | first2=M. | title=Religion and Politics in Jammu and Kashmir | publisher=Taylor & Francis | year=2020 | isbn=978-1-000-07879-4 | url=https://books.google.com/books?id=u3znDwAAQBAJ&pg=PT256 | access-date=2020-11-27 | page=256}}</ref><ref>{{cite book|last1=Purewal|first1=N. K.|last2=Dingli|first2=S.|title=Gendering Security and Insecurity: Post/Neocolonial Security Logics and Feminist Interventions | publisher=Taylor & Francis | series=ThirdWorlds | year=2020 | isbn=978-0-429-51566-8 | url=https://books.google.com/books?id=tXrpDwAAQBAJ&pg=PT82 | access-date=2020-11-27 | page=82}}</ref> In broad sense, a ladishah artist is also referred to as a "street performer" or "historical describer" depending on lyrics.<ref name="Life 2011">{{cite web | Encompasses the [[medieval music]], a ladishah singer literally acts as a communicator in a society to convey their message to the people either for public entertainment purpose or to address political views, [[social consciousness]] or [[cultural competence]] without practicing [[false consciousness]] and [[parody music]].<ref name="Tremblay Bhatia 2020 p. 256">{{cite book |last1=Tremblay|first1=R. C.| last2=Bhatia | first2=M. | title=Religion and Politics in Jammu and Kashmir | publisher=Taylor & Francis | year=2020 | isbn=978-1-000-07879-4 | url=https://books.google.com/books?id=u3znDwAAQBAJ&pg=PT256 | access-date=2020-11-27 | page=256}}</ref><ref>{{cite book|last1=Purewal|first1=N. K.|last2=Dingli|first2=S.|title=Gendering Security and Insecurity: Post/Neocolonial Security Logics and Feminist Interventions | publisher=Taylor & Francis | series=ThirdWorlds | year=2020 | isbn=978-0-429-51566-8 | url=https://books.google.com/books?id=tXrpDwAAQBAJ&pg=PT82 | access-date=2020-11-27 | page=82}}</ref> In broad sense, a ladishah artist is also referred to as a "street performer" or "historical describer" depending on lyrics.<ref name="Life 2011">{{cite web | title=Walaykum Salam Ladishah Drav | website=Kashmir Life | date=2011-03-14 | url=https://kashmirlife.net/walaykum-salam-ladishah-drav-1275/ | access-date=2020-11-27}}</ref> | ||
== History == | == History == | ||
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[[Category:Indian styles of music]] | [[Category:Indian styles of music]] | ||
[[Category:Ballads| ]] | [[Category:Ballads| ]] | ||
[[Category:Music and politics]] | [[Category:Music and politics]] | ||
[[Category:Music and humour]] | [[Category:Music and humour]] | ||