Created by Titodutta
Last edited March 7, 2026
>Souvik Mughal
m slightly expanded information after review and updated info to improve readability
 
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| name          = Devi
| name          = Devi
| image          = Devi (1960).jpg
| image          = Devi (1960).jpg
| caption        = Poster
| caption        = Film Poster with Bengali Title
| director      = [[Satyajit Ray]]
| director      = [[Satyajit Ray]]
| producer      =  
| producer      = Satyajit Ray
| writer        = [[Satyajit Ray]]
| writer        = [[Prabhat Kumar Mukhopadhyay]]
| narrator      =  
| narrator      =  
| starring      = [[Soumitra Chatterjee]]<br />[[Sharmila Tagore]]
| starring      = [[Sharmila Tagore]]<br />[[Soumitra Chatterjee]]<br />[[Chhabi Biswas]]
| music          = [[Ustad Ali Akbar Khan]]
| music          = [[Ali Akbar Khan]]
| cinematography = [[Subrata Mitra]]
| cinematography = [[Subrata Mitra]]
| editing        = [[Dulal Dutta]]
| editing        = [[Dulal Dutta]]
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| language      = Bengali
| language      = Bengali
}}
}}
'''''Devi''''' (English: The Goddess) is a 1960 [[Bengali language|Bengali]] [[Drama (film and television)|drama film]] by director [[Satyajit Ray]], starring [[Sharmila Tagore]] and [[Soumitra Chatterjee]]. It is based on a short story by [[Provatkumar Mukhopadhyay]]. The title means "Goddess".
 
'''''Devi''''' ({{Translation|Goddess}}) is a 1960 Indian [[Bengali language|Bengali-language]] drama by director [[Satyajit Ray]], starring [[Sharmila Tagore]], [[Soumitra Chatterjee]], and [[Chhabi Biswas]]. It is based on a short story by [[Prabhat Kumar Mukhopadhyay]]. The plot follows a [[zamindar]] (Biswas) who believes that his daughter-in-law (Tagore) has revealed herself to be a Goddess incarnate in a dream.


==Plot==
==Plot==
In 19th-century rural [[Bengal]], Doyamoyee ([[Sharmila Tagore]]) and her husband Umaprasad ([[Soumitra Chatterjee]]) live with Umaprasad's family. Umaprasad's elder brother Taraprasad, his wife and their young son Khoka (with whom Doyamoyee shares a special bond) also live in this house. Umaprasad and Taraprasad's father, Kalikinkar Choudhuri, is a devoted follower of the goddess [[Kali]].
In rural [[Bengal]] in the 19th-century, the widowed [[zamindar]] Kalikinkar Roy, who is a devotee of the goddess [[Kali]], lives in a mansion with servants and plenty of space for himself, his sons Taraprasad and Umaprasad, Taraprasad's wife Harasundari and son Khoka, and Umaprasad's wife Doyamoyee. After a festival, Umaprasad returns to Calcutta ([[Kolkata]]) to continue his schooling, which includes learning English, while Doyamoyee stays behind to help care for Khoka, with whom she has an almost-maternal bond, as well as Kalikinkar, who she helps with his daily prayers and rituals.


Umaprasad leaves for Kolkata (Calcutta) to teach in college and learn English, and Doyamoyee remains behind to take care of her father-in-law. One evening, Kalikinkar has a vivid dream that intermingles the eyes of the ''devi'' Kali and the face of Doyamoyee. When Kalikinkar awakens, he is convinced that Doyamoyee is an [[avatar]] of Kali. He goes to Doyamoyee and worships at her feet. Following Kalikainker's gesture, Taraprasad also accepts Doyamoyee as goddess. But Taraprasad's wife believes the entire idea is ridiculous, and writes a letter to Umaprasad urging him to return home as soon as possible. Soon Kalikinker starts to worship Doyamoyee officially and changes her room and lifestyles etc. Many people start to visit her and offer prayers and drink ''charanamrito'' (water with which the devi's foot has being washed). Then a man comes with his terminally ill son, and after drinking this ''charanamrito'', the son woke up. This coincidence leads other people to believe that she is an incarnation of the goddess. Umaprasad returns home at this point and is horrified by what he sees and yet is unable to counter his father's assertions about Doyamoyee being the Goddess herself due to this recent 'miracle'.
Kalikinkar has a dream in which the eyes of Kali and Doyamoyee merge, which he interprets as revealing that Doyamoyee is an incarnation of the goddess. He wakes her up and falls at her feet, and the passive Taraprasad follows suit, though Harasundari remains skeptical. The family priest is called and performs a ritual with smoke and bells. Doyamoyee faints, which Kalikinkar interprets as her going into a trance. When she wakes up, she asks Harasundari to write to Umaprasad.


Umaprasad sneaks into Doyamoyee's room and convinces her to escape with him to Calcutta. Once they reach the riverbank from where they were supposed to take a boat, Doyamoyee refuses for she is scared and starts doubting that if she were indeed the Goddess, it might harm Umaprasad if she defies the family's wishes and elopes. Umaprasad returns her to her room and eventually goes away to Calcutta again. Over time Doyamoyee, only seventeen, is stifled with the loneliness that is forced upon her. Khoka (their nephew) also avoid her even though he used to spend most of his time with her before. She is compelled to a life of isolation and myth, far away from a life of reality. That saddens her deeply but she was unable to escape as she was bound to superstitions and a patriarchal society.
Doyamoyee is moved to a more private part of the mansion and made to sit as an idol around which regular worship rituals are performed. A local beggar, having tried everything else he could think of, brings his unconscious grandson to her, and Kalikinkar suggests giving the boy some ''charanamrito'' (the water used to wash the goddess's feet) to drink. Umaprasad arrives during this process and, shocked by the whole scene, privately argues with his father. Kalikinkar questions his certainty briefly, but, when the sick boy opens his eyes, he feels it is proof of Doyamoyee's divinity.


Meanwhile, Khoka has developed a severe fever. The family refuses to go to doctor, rather they believed that Doyamoyee's ''charanamrito'' will heal Khoka. So they keep the child near Doyamoyee that night. But being a logical person, Khoka's mother asks Doyamoyee to give up and to tell the father in law to visit the doctor. But as young girl of seventeen, Doyamoyee is unable to voice it out and instead decides to keep Khokha with her for that night because she misses his company, while hoping he recovers miraculously.
That night, Umaprasad sneaks into Doyamoyee's room and asks her to leave with him. They make it to the riverbank, where there is a boat waiting, but Doyamoyee hesitates and becomes anxious. She has begun to wonder if maybe she is a goddess, and, afraid to leave, asks Umaprasad to take her home. Reluctantly, he complies and returns to Calcutta alone.


Next day morning, when Umaprasad returns to home to take action against his father's beliefs and to make Doyamoyee free from this situation, he finds that his father is crying at Goddess Kali's feet. The reason is at that morning Khoka has died due to lack of proper treatment; the Charanamrito didn't work and the belief cost the kid's life. Umaprasad rushes to Doyamoyee's room and finds her in an abnormal condition, as she mumbles that she should go to the water (visarjan - god and goddess statues are drowned in water after the worship is completed), otherwise the family would kill her. Umaprasad is unable to make her see sense, as Khoka's death and her own experiences of being called a goddess become too much for her to bear, breaking her psychologically.
As word spreads about the "miracle" with the sick boy, Doyamoyee's following grows rapidly, and supplicants travel from afar to worship her. She sits stoically during the ceremonies, but her feelings of isolation grow. Even Khoka begins to avoid her.


The story is a fine attack on religious dogmatism in a patriarchal society.
One day, Khoka develops a high fever. Harasundari calls a doctor, and, though he is uncomfortable being there without Kalikinkar's knowledge, he agrees to return with some medicine. However, Taraprasad enters as the doctor is leaving, and he tells Kalikinkar what is going on. Kalikinkar brings Khoka to Doyamoyee and asks her to heal the boy, and, although Harasundari and Doyamoyee both have serious doubts that it is a good idea, they agree to go along with the plan to give Khoka some ''charanamrito'' and let Doyamoyee hold him that night. Khoka is dead in the morning.
 
Umaprasad returns home and finds Kalikinkar alone, weeping at the foot of a statue of Kali. He accuses his father of killing Khoka through his blind faith, and then says he intends to save his wife from the crushing burden of divinity, but he seems to be too late—he finds Doyamoyee getting dressed in her wedding attire, wide-eyed and saying they must leave before she is killed. She runs off into the mist, while Umaprasad calls after her.


==Cast==
==Cast==
* [[Sharmila Tagore]] - Dayamoyee
{{Castlist|
* [[Chhabi Biswas]] - Kalikinkar Choudhuri
* [[Sharmila Tagore]] as Doyamoyee, Umaprasad's wife and Kalikinkar's daughter-in-law
* [[Soumitra Chatterjee]] - Umaprasad
* [[Soumitra Chatterjee]] as Umaprasad Roy, Doyamoyee's husband and Kalikinkar's younger son
* [[Purnendu Mukherjee]] - Taraprasad
* [[Chhabi Biswas]] as Kalikinkar Roy
* [[Karuna Banerjee]] - Harasundari
* [[Karuna Banerjee]] as Harasundari, Taraprasad's wife
* [[Arpan Chowdhury]] - Khoka, child
* [[Purnendu Mukherjee]] as Taraprasad Roy, Kalikinkar's elder son
* [[Anil Chatterjee]] - Bhudeb
* Arpan Chowdhury as Khoka, Taraprasad and Harasundari's son
* [[Kali Sarkar]] - Professor Sarkar
* [[Anil Chatterjee]] as Bhudeb, Umaprasad's friend in Calcutta
* [[Mohammed Israil]] - Nibaran
* [[Mohammed Israil]] as Nibaran, a beggar who cares for his grandson
* [[Khagesh Chakravarti]] - Kaviraj
* Kali Sarkar as Professor Sarkar, who gives Umaprasad advice
* [[Nagendranath Kabyabyakarantirtha]] - Priest
* Khagesh Chakravarti as Kaviraj
* [[Santa Devi]] - Sarala
* Santa Devi as Sarala
* Nagendranath Kabyabyakarantirtha as a priest
}}


==Preservation==
==Preservation==
The [[Academy Film Archive]] preserved ''Devi'' in 1996.<ref>{{cite web|title=Preserved Projects|url=http://www.oscars.org/academy-film-archive/preserved-projects?title=&filmmaker=satyajit+ray&category=All&collection=All|website=Academy Film Archive}}</ref>
The [[Academy Film Archive]] preserved ''Devi'' in 1996..<ref>{{cite web|title=Preserved Projects|url=http://www.oscars.org/academy-film-archive/preserved-projects?title=&filmmaker=satyajit+ray&category=All&collection=All|website=Academy Film Archive|access-date=11 August 2016|archive-date=15 August 2016|archive-url=https://web.archive.org/web/20160815062125/http://www.oscars.org/academy-film-archive/preserved-projects?title=&filmmaker=Satyajit+Ray&category=All&collection=All|url-status=live}}</ref> A 4K restoration was released by The Criterion Collection on October 26, 2021.<ref>{{Cite web |title=Devi |url=https://www.criterion.com/films/27906-devi |access-date=2026-02-27 |website=The Criterion Collection |language=en}}</ref>
 
==Critical reception and legacy==
The film received critical acclaim upon its release.<ref>{{cite web |url=https://www.nytimes.com/movie/review?res=9F0CE1D6103EE43BBC4053DFB6678389679EDE |archive-url=https://web.archive.org/web/20171011233154/https://www.nytimes.com/movie/review?res=9F0CE1D6103EE43BBC4053DFB6678389679EDE |archive-date=2017-10-11  |date=8 October 1962 |work=The New York Times print archive |title=Screen: Satyajit Ray's 'Devi' Arrives:Indian Film Deals With a Religious Conflict: Creator of 'Apu' Plays Old Against New |access-date=6 August 2022}}</ref> On the [[review aggregator]] website Rotten Tomatoes, 100% of 17 critics' reviews of the film are positive, with an average rating of 7.7/10.<ref>{{cite web |url=https://www.rottentomatoes.com/m/devi |title=Devi (The Goddess) |date=11 July 2007 |access-date=18 January 2025 |website=Rotten Tomatoes |archive-date=10 December 2017 |archive-url=https://web.archive.org/web/20171210222344/https://www.rottentomatoes.com/m/devi/ |url-status=live }}</ref>
 
Directors [[William Wyler]] and [[Elia Kazan]] described the film as "poetry on celluloid",<ref>{{cite news |last=Gupta |first=Ranjan Das |date=30 April 2011 |title=Ray at Cannes |url=https://www.thehindu.com/features/cinema/Ray-at-Cannes/article14906744.ece |work=The Hindu Times |access-date=25 May 2019 |archive-date=25 September 2020 |archive-url=https://web.archive.org/web/20200925040900/https://www.thehindu.com/features/cinema/Ray-at-Cannes/article14906744.ece |url-status=live }}</ref><ref>{{cite web |url=http://www.indiewire.com/2014/08/why-the-best-american-filmmakers-owe-a-debt-to-satyajit-ray-23072/ |title=Why the Best American Filmmakers Owe a Debt to Satyajit Ray |date=18 August 2014 |last=Roisin |first=Fariha |access-date=25 May 2019 |website=IndieWire |archive-date=15 April 2018 |archive-url=https://web.archive.org/web/20180415120212/http://www.indiewire.com/2014/08/why-the-best-american-filmmakers-owe-a-debt-to-satyajit-ray-23072/ |url-status=live }}</ref> and director [[Francis Ford Coppola]] considers ''Devi'' to be Ray's best work, calling it "a cinematic milestone".<ref>{{cite news |last1=Gupta |first1=Ranjan Das |title=Back behind the camera |url=https://www.thehindu.com/features/magazine/Back-behind-the-camera/article15718304.ece |access-date=21 May 2022 |work=The Hindu |date=27 November 2010 |language=en-IN |archive-date=21 May 2022 |archive-url=https://web.archive.org/web/20220521051537/https://www.thehindu.com/features/magazine/Back-behind-the-camera/article15718304.ece |url-status=live }}</ref>


==Critical reception & legacy==
The film was adapted into the opera ''The Goddess'' by [[Allen Shearer]].<ref>{{Cite web|url=https://composersforum.org/members/allenshearer/|title=Allen Shearer|website=American Composers Forum|access-date=7 December 2021|archive-date=9 December 2021|archive-url=https://web.archive.org/web/20211209195350/https://composersforum.org/members/allenshearer/|url-status=dead}}</ref>
The film received critical acclaim upon its release.<ref>{{cite web |url=https://www.nytimes.com/movie/review?res=9F0CE1D6103EE43BBC4053DFB6678389679EDE |date=8 October 1962 |work=[[The New York Times]] print archive |title=Screen: Satyajit Ray's 'Devi' Arrives:Indian Film Deals With a Religious Conflict: Creator of 'Apu' Plays Old Against New |access-date=25 May 2019}}</ref> On [[Rotten Tomatoes]], ''Devi'' holds a score of 100% based on 10 reviews for an average rating of 7.6/10.<ref>{{cite web |url=https://www.rottentomatoes.com/m/devi |title=Devi (The Goddess) |date=11 July 2007 |access-date=25 May 2019 |website=Rotten Tomatoes }}</ref> Directors [[William Wyler]] and [[Elia Kazan]] have described the film as "poetry on celluloid".<ref>{{cite news |last=Gupta |first=Ranjan Das |date=30 April 2011 |title=Ray at Cannes |url=https://www.thehindu.com/features/cinema/Ray-at-Cannes/article14906744.ece |work=[[The Hindu Times]] |access-date=25 May 2019}}</ref><ref>{{cite web |url=http://www.indiewire.com/2014/08/why-the-best-american-filmmakers-owe-a-debt-to-satyajit-ray-23072/ |title=Why the Best American Filmmakers Owe a Debt to Satyajit Ray |date=18 August 2014 |last=Roisin |first=Fariha |access-date=25 May 2019 |website=IndieWire}}</ref>


==Awards==
==Awards==
;[[National Film Awards]]
;[[National Film Awards]]
* [[8th National Film Awards|1960]]: [[National Film Award for Best Feature Film in Bengali|President's silver medal for Best Feature Film in Bengali]]<ref name="8thaward">{{cite web|url=http://iffi.nic.in/Dff2011/Frm8thNFAAward.aspx|title=8th National Film Awards|publisher=[[International Film Festival of India]]|access-date=7 September 2011|archive-url=https://web.archive.org/web/20131012062918/http://iffi.nic.in/Dff2011/Frm8thNFAAward.aspx|archive-date=12 October 2013|url-status=dead}}</ref>
* [[8th National Film Awards|1960]]: [[National Film Award for Best Feature Film in Bengali|President's silver medal for Best Feature Film in Bengali]] – Won<ref name="8thaward">{{cite web|url=http://iffi.nic.in/Dff2011/Frm8thNFAAward.aspx|title=8th National Film Awards|publisher=International Film Festival of India|access-date=7 September 2011|archive-url=https://web.archive.org/web/20131012062918/http://iffi.nic.in/Dff2011/Frm8thNFAAward.aspx|archive-date=12 October 2013|url-status=dead}}</ref>


;[[Cannes Film Festival]]
;[[Cannes Film Festival]]
*[[1962 Cannes Film Festival|1962]]: [[Palme d'Or]] (Golden Palm) - Nominated<ref name="festival-cannes.com">{{cite web|url=http://www.festival-cannes.com/en/archives/ficheFilm/id/3180/year/1962.html|title=Festival de Cannes: Devi|access-date=22 February 2009|work=festival-cannes.com}}</ref>
* [[1962 Cannes Film Festival|1962]]: [[Palme d'Or]] (Golden Palm) Nominated<ref name="festival-cannes.com">{{cite web|url=http://www.festival-cannes.com/en/archives/ficheFilm/id/3180/year/1962.html|title=Festival de Cannes: Devi|access-date=22 February 2009|work=festival-cannes.com|archive-date=23 August 2011|archive-url=https://web.archive.org/web/20110823063102/http://www.festival-cannes.com/en/archives/ficheFilm/id/3180/year/1962.html|url-status=live}}</ref>


==Other credits==
==Other credits==
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==External links==
==External links==
*{{IMDb title|id=0053765|title=Devi}}
* {{IMDb title|id=0053765|title=Devi}}
*[https://web.archive.org/web/20070616223004/http://www.satyajitray.org/films/devi.htm satyajitray.org]
* [https://web.archive.org/web/20070616223004/http://www.satyajitray.org/films/devi.htm satyajitray.org]


{{Satyajit Ray}}
{{Satyajit Ray}}
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[[Category:1960 films]]
[[Category:1960 films]]
[[Category:1960 drama films]]
[[Category:1960 drama films]]
[[Category:Indian films]]
[[Category:Bengali-language Indian films]]
[[Category:Indian drama films]]
[[Category:Indian drama films]]
[[Category:Indian black-and-white films]]
[[Category:Indian black-and-white films]]
[[Category:Bengali-language films]]
[[Category:Films about Hinduism]]
[[Category:Films about Hinduism]]
[[Category:Films about women in India]]
[[Category:Films about women in India]]
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[[Category:Films with screenplays by Satyajit Ray]]
[[Category:Films with screenplays by Satyajit Ray]]
[[Category:Best Bengali Feature Film National Film Award winners]]
[[Category:Best Bengali Feature Film National Film Award winners]]
[[Category:1960s Bengali-language films]]
[[Category:1960 Bengali-language films]]
[[Category:Films adapted into operas]]

Latest revision as of 12:11, 7 March 2026

Devi
Film Poster with Bengali Title
Directed bySatyajit Ray
Produced bySatyajit Ray
Written byPrabhat Kumar Mukhopadhyay
StarringSharmila Tagore
Soumitra Chatterjee
Chhabi Biswas
Music byAli Akbar Khan
CinematographySubrata Mitra
Edited byDulal Dutta
Release date
  • 19 February 1960 (1960-02-19)
Running time
93 minutes
CountryIndia
LanguageBengali

Devi (transl. Goddess) is a 1960 Indian Bengali-language drama by director Satyajit Ray, starring Sharmila Tagore, Soumitra Chatterjee, and Chhabi Biswas. It is based on a short story by Prabhat Kumar Mukhopadhyay. The plot follows a zamindar (Biswas) who believes that his daughter-in-law (Tagore) has revealed herself to be a Goddess incarnate in a dream.

Plot[edit | edit source]

In rural Bengal in the 19th-century, the widowed zamindar Kalikinkar Roy, who is a devotee of the goddess Kali, lives in a mansion with servants and plenty of space for himself, his sons Taraprasad and Umaprasad, Taraprasad's wife Harasundari and son Khoka, and Umaprasad's wife Doyamoyee. After a festival, Umaprasad returns to Calcutta (Kolkata) to continue his schooling, which includes learning English, while Doyamoyee stays behind to help care for Khoka, with whom she has an almost-maternal bond, as well as Kalikinkar, who she helps with his daily prayers and rituals.

Kalikinkar has a dream in which the eyes of Kali and Doyamoyee merge, which he interprets as revealing that Doyamoyee is an incarnation of the goddess. He wakes her up and falls at her feet, and the passive Taraprasad follows suit, though Harasundari remains skeptical. The family priest is called and performs a ritual with smoke and bells. Doyamoyee faints, which Kalikinkar interprets as her going into a trance. When she wakes up, she asks Harasundari to write to Umaprasad.

Doyamoyee is moved to a more private part of the mansion and made to sit as an idol around which regular worship rituals are performed. A local beggar, having tried everything else he could think of, brings his unconscious grandson to her, and Kalikinkar suggests giving the boy some charanamrito (the water used to wash the goddess's feet) to drink. Umaprasad arrives during this process and, shocked by the whole scene, privately argues with his father. Kalikinkar questions his certainty briefly, but, when the sick boy opens his eyes, he feels it is proof of Doyamoyee's divinity.

That night, Umaprasad sneaks into Doyamoyee's room and asks her to leave with him. They make it to the riverbank, where there is a boat waiting, but Doyamoyee hesitates and becomes anxious. She has begun to wonder if maybe she is a goddess, and, afraid to leave, asks Umaprasad to take her home. Reluctantly, he complies and returns to Calcutta alone.

As word spreads about the "miracle" with the sick boy, Doyamoyee's following grows rapidly, and supplicants travel from afar to worship her. She sits stoically during the ceremonies, but her feelings of isolation grow. Even Khoka begins to avoid her.

One day, Khoka develops a high fever. Harasundari calls a doctor, and, though he is uncomfortable being there without Kalikinkar's knowledge, he agrees to return with some medicine. However, Taraprasad enters as the doctor is leaving, and he tells Kalikinkar what is going on. Kalikinkar brings Khoka to Doyamoyee and asks her to heal the boy, and, although Harasundari and Doyamoyee both have serious doubts that it is a good idea, they agree to go along with the plan to give Khoka some charanamrito and let Doyamoyee hold him that night. Khoka is dead in the morning.

Umaprasad returns home and finds Kalikinkar alone, weeping at the foot of a statue of Kali. He accuses his father of killing Khoka through his blind faith, and then says he intends to save his wife from the crushing burden of divinity, but he seems to be too late—he finds Doyamoyee getting dressed in her wedding attire, wide-eyed and saying they must leave before she is killed. She runs off into the mist, while Umaprasad calls after her.

Cast[edit | edit source]

  • Sharmila Tagore as Doyamoyee, Umaprasad's wife and Kalikinkar's daughter-in-law
  • Soumitra Chatterjee as Umaprasad Roy, Doyamoyee's husband and Kalikinkar's younger son
  • Chhabi Biswas as Kalikinkar Roy
  • Karuna Banerjee as Harasundari, Taraprasad's wife
  • Purnendu Mukherjee as Taraprasad Roy, Kalikinkar's elder son
  • Arpan Chowdhury as Khoka, Taraprasad and Harasundari's son
  • Anil Chatterjee as Bhudeb, Umaprasad's friend in Calcutta
  • Mohammed Israil as Nibaran, a beggar who cares for his grandson
  • Kali Sarkar as Professor Sarkar, who gives Umaprasad advice
  • Khagesh Chakravarti as Kaviraj
  • Santa Devi as Sarala
  • Nagendranath Kabyabyakarantirtha as a priest

Preservation[edit | edit source]

The Academy Film Archive preserved Devi in 1996..[1] A 4K restoration was released by The Criterion Collection on October 26, 2021.[2]

Critical reception and legacy[edit | edit source]

The film received critical acclaim upon its release.[3] On the review aggregator website Rotten Tomatoes, 100% of 17 critics' reviews of the film are positive, with an average rating of 7.7/10.[4]

Directors William Wyler and Elia Kazan described the film as "poetry on celluloid",[5][6] and director Francis Ford Coppola considers Devi to be Ray's best work, calling it "a cinematic milestone".[7]

The film was adapted into the opera The Goddess by Allen Shearer.[8]

Awards[edit | edit source]

National Film Awards
Cannes Film Festival

Other credits[edit | edit source]

References[edit | edit source]

  1. "Preserved Projects". Academy Film Archive. Archived from the original on 15 August 2016. Retrieved 11 August 2016.
  2. "Devi". The Criterion Collection. Retrieved 27 February 2026.
  3. "Screen: Satyajit Ray's 'Devi' Arrives:Indian Film Deals With a Religious Conflict: Creator of 'Apu' Plays Old Against New". The New York Times print archive. 8 October 1962. Archived from the original on 11 October 2017. Retrieved 6 August 2022.
  4. "Devi (The Goddess)". Rotten Tomatoes. 11 July 2007. Archived from the original on 10 December 2017. Retrieved 18 January 2025.
  5. Gupta, Ranjan Das (30 April 2011). "Ray at Cannes". The Hindu Times. Archived from the original on 25 September 2020. Retrieved 25 May 2019.
  6. Roisin, Fariha (18 August 2014). "Why the Best American Filmmakers Owe a Debt to Satyajit Ray". IndieWire. Archived from the original on 15 April 2018. Retrieved 25 May 2019.
  7. Gupta, Ranjan Das (27 November 2010). "Back behind the camera". The Hindu. Archived from the original on 21 May 2022. Retrieved 21 May 2022.
  8. "Allen Shearer". American Composers Forum. Archived from the original on 9 December 2021. Retrieved 7 December 2021.
  9. "8th National Film Awards". International Film Festival of India. Archived from the original on 12 October 2013. Retrieved 7 September 2011.
  10. "Festival de Cannes: Devi". festival-cannes.com. Archived from the original on 23 August 2011. Retrieved 22 February 2009.

External links[edit | edit source]