Go for Broke! (1951 film): Difference between revisions

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{{Short description|1951 film by Robert Pirosh}}
{{Short description|1951 film by Robert Pirosh}}
{{Use mdy dates|date=February 2022}}
{{Use American English|date=January 2025}}
{{Use mdy dates|date=February 2015}}
{{Infobox film
{{Infobox film
| name          = Go for Broke!
| name          = Go For Broke!
| image          = Go For Broke poster 1951.jpg
| image          = Go For Broke poster 1951.jpg
| image_size    =
| caption        = Theatrical release poster
| caption        = Theatrical release poster
| director      = [[Robert Pirosh]]
| director      = [[Robert Pirosh]]
| producer      = [[Dore Schary]]
| producer      = [[Dore Schary]]
| writer        = Robert Pirosh
| writer        = Robert Pirosh
| starring      = [[Van Johnson]]<br />Lane Nakano<br />George Miki
| starring      = [[Van Johnson]]<br />[[Lane Nakano]]<br />George Miki
| music          = [[Alberto Colombo (composer)|Alberto Colombo]]
| music          = [[Alberto Colombo (composer)|Alberto Colombo]]
| cinematography = [[Paul C. Vogel]]
| cinematography = [[Paul C. Vogel]]
| editing        = [[James E. Newcom]]
| editing        = [[James E. Newcom]]
| distributor    = [[Metro-Goldwyn-Mayer]]
| distributor    = [[Metro-Goldwyn-Mayer]]
| released      = {{Film date|1951|05|24|New York City}}
| released      = {{Film date|1951|5|9|Los Angeles|1951|5|24|New York|ref1=<ref name="latreview"/>|ref2=<ref name="nytreview"/>}}
| runtime        = 92 minutes
| runtime        = 92 minutes
| country        = United States
| country        = United States
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| gross          = $3,337,000<ref name="Mannix"/>
| gross          = $3,337,000<ref name="Mannix"/>
}}
}}
[[File:Go for Broke, 1951.ogv|thumb|''Go for Broke!'']]
[[File:Go For Broke! (1951) by Robert Pirosh.webm|thumb|''Go for Broke!'']]
'''''Go for Broke!''''' is a 1951 [[black-and-white]] [[war film]] directed by [[Robert Pirosh]],<ref name="pirosh">[https://www.nytimes.com/1989/12/31/obituaries/robert-pirosh-79-veteran-of-combat-and-author-is-dead.html  "Robert Pirosh, 79, Veteran of Combat and Author, Is Dead,"] ''New York Times.'' December 31, 1989.</ref> produced by [[Dore Schary]] and starring [[Van Johnson]] and six veterans of the [[442nd Regimental Combat Team]]. The film co-stars Henry Nakamura, [[Warner Anderson]], and [[Don Haggerty]] in its large cast.
'''''Go For Broke!''''' is a 1951 [[black-and-white]] [[war film]] directed by [[Robert Pirosh]], produced by [[Dore Schary]] and starring [[Van Johnson]] and six veterans of the [[442nd Infantry Regiment (United States)|442nd Infantry Regiment]]. The film stars Henry Nakamura, [[Warner Anderson]] and [[Don Haggerty]] in its large cast.


The film dramatizes the real-life story of the 442nd, which was composed of [[Nisei]] (second-generation Americans born of Japanese parents) soldiers.<ref>[[Barsam, Richard]]. (1992). [https://books.google.com/books?id=z7p36FdLYdIC&pg=PA220& ''Nonfiction Film: a Critical History,'' p. 220.]</ref>
The film dramatizes the real-life story of the 442nd, which was composed of ''[[Nisei]]'' (second-generation Americans born of Japanese parents) soldiers. Its title reflects a phrase used by the ''Nisei'' that was largely unfamiliar to other Americans at the time of the film's release, although it has found common contemporary use in American English.<ref name="latreview">{{Cite news |last=Schallert |first=Edwin |date=1951-05-10 |title=Nisei Courage Receives Tribute in War Picture |work=[[Los Angeles Times]] |page=8, Part II}}</ref>
 
Fighting in the European theater during [[World War II]], this unit became the most heavily decorated unit for its size and length of service in the history of the [[United States Army]], as well as one of the units with the highest casualty rates.<ref name="sterner141">Sterner, C. Douglas. (2005). [https://books.google.com/books?id=teeObc0NHUAC&pg=PA141& ''Go For Broke: The Nisei Warriors of World War II Who Conquered Germany,'' p. 141.]</ref> This film is a Hollywood rarity for its era in that it features [[Asian Americans]] in a positive light, highlighting the wartime efforts of Japanese Americans on behalf of their country even while that same country confined their families in [[Japanese American Internment|camps]].
 
As with his earlier film script for ''[[Battleground (film)|Battleground]]'', in which Van Johnson also starred, writer-director Robert Pirosh<ref name="pirosh"/> focuses on the average squad member, mixing humor with pathos, while accurately detailing equipment and tactics used by American infantry in World War II.<ref name="nyt1951">Crowther, Bosley. [https://movies.nytimes.com/movie/review?res=9906E4D91231E23BBC4D51DFB366838A649EDE  "'Go for Broke!', Tribute to War Record of Nisei Regiment, Opens at the Capitol"], ''New York Times.'' May 25, 1951.</ref> The contrast of reality versus public relations, the hardships of field life on the line, and the reality of high casualty rates are accurately portrayed with a minimum of heroics.
 
In 1979, the film entered the [[List of films in the public domain in the United States|public domain in the United States]] because [[Metro-Goldwyn-Mayer]] failed to renew its [[copyright registration]] in the 28th year after publication.<ref>{{cite journal |first=David |last=Pierce |s2cid=191633078 |date=June 2007 |title=Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain  |journal=Film History: An International Journal |volume=19 |issue=2 |pages=125–43 |issn=0892-2160 |oclc=15122313 |jstor=25165419 |doi=10.2979/FIL.2007.19.2.125 }}</ref>


==Plot==
==Plot==
In 1943 at [[Camp Shelby]], [[Mississippi]], the newly commissioned Lt. Michael Grayson reports for duty to train the 442nd, a unit established on the US mainland and composed of Nisei. His expectation was to return to the [[U.S. 36th Infantry Division]], a [[Texas]] [[United States National Guard|National Guard]] unit, which he had served as an enlisted soldier. He has to come to terms with a group of people that he sees as Japanese, the enemy, rather than Americans. Grayson runs his platoon rather insisting on strict observance of [[Uniform Code of Military Justice|military regulations]].
In 1943 at [[Camp Shelby]], [[Mississippi]], newly commissioned Lt. Michael Grayson reports for duty to train the 442nd Infantry Regiment, a unit established on the mainland and composed of ''[[Nisei]]''. His expectation was to return to the [[U.S. 36th Infantry Division]], a [[Texas]] [[United States National Guard|National Guard]] unit, in which he had served as an enlisted soldier. He must command a group of people whom he sees as Japanese enemies rather than as Americans. Grayson runs his platoon in strict observance of [[Uniform Code of Military Justice|military regulations]].
 
He learns that "[[wikt:go for broke|Go for broke]]" is a [[Hawaiian Pidgin|pidgin]] phrase used in Hawaii meaning to gamble everything, to "shoot the works"—to risk "going broke" or bankruptcy.<ref name="nyt1951"/> Grayson comes to learn the meaning of the frequently exclaimed ''Baka tare'', which, loosely translates to mean "very stupid."


There is only one brief discussion of the internment camps from which some<ref>https://encyclopedia.densho.org/442nd%20Regimental%20Combat%20Team {{Bare URL inline|date=August 2022}}</ref> of the men have come, but throughout the film there are references to the camps. There are also a few brief references to the distinctions between the Nisei from Hawaii and the mainland.<ref>{{Cite web|url=https://www.100thbattalion.org/history/stories/kotonks-vs-buddhaheads/|title = Kotonks vs. Buddhaheads}}</ref> When the islanders who formed 2/3 of the outfit <ref>{{Cite web|url=https://nationalveteransnetwork.com/442nd-regimental-combat-team/|title = 442nd Regimental Combat Team|date = June 16, 2022}}</ref> and the mainlanders first met in Camp Shelby, their very different cultures and expectations were bound to clash. The Hawaiians, products of the plantation system, enjoyed a sense of group solidarity—even, as the largest minority group in the islands, a sense of ethnic superiority. The mainlanders, by contrast, were used to life as a tiny and—after the 'relocation' -- legally oppressed minority. While Buta-heads (the phrase later devolved to "Buddha-Heads") are a key part of the Hawaiian economy and Hawaiian society, Katonks were largely distrusted and disliked by their neighbors.{{citation needed|date=March 2022}}
Arriving in Italy, the unit is joined by the [[U.S. 100th Infantry Battalion|100th Battalion]], a ''Nisei'' unit assembled in Hawaii before the formation of 442nd. The troops of the 100th are seasoned veterans, and the new arrivals tap them for advice. On the march to the front lines, Grayson is left behind when fraternizing with a woman, but the colonel does not notice because his platoon has covered for Grayson during an inspection of their positions.


Arriving in Italy, the unit is joined by the [[U.S. 100th Infantry Battalion|100th Battalion]], a Nisei unit formed in Hawaii before the 442nd. The troops of the 100th are seasoned veterans and the new arrivals look to them for advice. On the march to the front lines, Grayson gets left behind when [[fraternization|fraternizing]] with a ''signorina'', but he is not found by the colonel because his platoon has covered for him during an inspection of their positions.
By the actions of the 442nd in Italy and France, Grayson finds reason to replace his bigotry with respect. Despite his objections, he is transferred to the 36th as a liaison when the 442nd is attached to the 36th. The ''Nisei'' learn that he has defended them against bigotry, even brawling with an old friend from the 36th who had insulted them.


By the actions by the 442nd in Italy and France, Grayson finds reason to replace his bigotry with respect toward them. His transfer to the 36th, as a liaison—over his objections—comes through when the 442nd is attached to the 36th. As he has misjudged the Nisei, they have misjudged him.<ref name="nyt1951"/> The Nisei learn that he has defended them against bigotry, even getting into a fistfight with an old friend from the 36th had insulted them.
The 36th is surrounded by the German army and the 442nd [[Lost Battalion (Europe, World War II)|rescues them]]. On their return home, the members of the 442nd are awarded the distinction of the eighth [[Presidential Unit Citation (United States)|Presidential Unit Citation]].<ref>Takemoto, Kenneth.' (2006). [https://books.google.com/books?id=dPjzzgXx4yMC&pg=PA120 ''Nisei memories: my parents talk about the war years'', p. 120.]</ref>
 
The 36th is surrounded by the German army and the "Buddha-heads'" rescue "[[Lost Battalion (World War II)|them]]". On their return home, they are the awarded the distinction of the eighth [[Presidential Unit Citation (United States)|Presidential Unit Citation]].<ref>Takemoto, Kenneth.' (2006). [https://books.google.com/books?id=dPjzzgXx4yMC&pg=PA120& ''Nisei memories: my parents talk about the war years'', p. 120.]</ref>


==Cast==
==Cast==
{{Div col|colwidth=20em}}
{{Div col|colwidth=20em}}
*[[Van Johnson]] as Lt. Michael Grayson
* [[Van Johnson]] as Lt. Michael Grayson
*[[Lane Nakano]]<sup>‡</sup> as Sam<ref>[https://www.nytimes.com/2005/05/11/movies/11nakano.html  "Lane Nakano, 80, a Soldier Turned Actor, Is Dead,"] ''New York Times.'' May 11, 2005.</ref>
* [[Lane Nakano]] as Sam<ref>[https://www.nytimes.com/2005/05/11/movies/11nakano.html  "Lane Nakano, 80, a Soldier Turned Actor, Is Dead,"] ''New York Times.'' May 11, 2005.</ref>
*George Miki<sup>‡</sup> as Chick
* George Miki as Chick
*Akira Fukunaga<sup>‡</sup> as Frank<ref>[http://www.tcm.com/tcmdb/participant.jsp?spid=66841&category=User%20Reviews  Akira Fukunaga, film credits]</ref>
* Akira Fukunaga as Frank<ref>[http://www.tcm.com/tcmdb/participant.jsp?spid=66841&category=User%20Reviews  Akira Fukunaga, film credits]{{dead link|date=December 2025|bot=medic}}{{cbignore|bot=medic}}</ref>
*Ken K. Okamoto<sup>‡</sup> as Kaz
* Ken K. Okamoto as Kaz
*Henry Oyasato<sup>‡</sup> as Takashi Ohhara
* Henry Oyasato as Takashi Ohhara
*Harry Hamada<sup>‡</sup> as Masami<ref>[http://www.picturehistory.com/product/id/17594  Harry Hamada, image of hula-dancing soldier]; {{webarchive|url=https://web.archive.org/web/20091218054530/http://www.picturehistory.com/product/id/17594 |date=December 18, 2009 }} [http://www.showbizdata.com/contacts/mobile/pcredits.cfm?name=Hamada,%20Harry  film credits] {{Webarchive|url=https://web.archive.org/web/20110716070153/http://www.showbizdata.com/contacts/mobile/pcredits.cfm?name=Hamada,%20Harry |date=July 16, 2011 }}</ref>
* Harry Hamada as Masami<ref>[http://www.picturehistory.com/product/id/17594  Harry Hamada, image of hula-dancing soldier]; {{webarchive|url=https://web.archive.org/web/20091218054530/http://www.picturehistory.com/product/id/17594 |date=December 18, 2009 }} [http://www.showbizdata.com/contacts/mobile/pcredits.cfm?name=Hamada,%20Harry  film credits] {{Webarchive|url=https://web.archive.org/web/20110716070153/http://www.showbizdata.com/contacts/mobile/pcredits.cfm?name=Hamada,%20Harry |date=July 16, 2011 }}</ref>
*Henry Nakamura as Tommy Kamakura<ref>{{Cite web |url=http://www.videolala.com/actors/Henry_Nakamura |title=Henry Nakamura, film credits |access-date=May 5, 2010 |archive-date=July 17, 2011 |archive-url=https://web.archive.org/web/20110717200045/http://www.videolala.com/actors/Henry_Nakamura |url-status=dead }}</ref>
* Henry Nakamura as Tommy Kamakura<ref>{{Cite web |url=http://www.videolala.com/actors/Henry_Nakamura |title=Henry Nakamura, film credits |access-date=May 5, 2010 |archive-date=July 17, 2011 |archive-url=https://web.archive.org/web/20110717200045/http://www.videolala.com/actors/Henry_Nakamura |url-status=dead }}</ref>
*[[Warner Anderson]] as Col. Charles W. Pence
* [[Warner Anderson]] as Col. Charles W. Pence
*[[Don Haggerty]] as Sgt. Wilson I. Culley
* [[Don Haggerty]] as Sgt. Wilson I. Culley
*[[Gianna Maria Canale]] as Rosina
* [[Gianna Maria Canale]] as Rosina
*[[Dan Riss]] as Capt. Solari
* [[Dan Riss]] as Capt. Solari
* [[John Banner]] as a German soldier
* [[John Banner]] as a German officer
*[[Jerry Fujikawa]] as Communications Sergeant (uncredited)
* [[Jerry Fujikawa]] as Communications Sergeant (uncredited)
* [[Richard Anderson]] as Lieutenant (uncredited)
* [[Richard Anderson]] as Lieutenant (uncredited)
* [[Hugh Beaumont]] as Chaplain (uncredited)
* [[Hugh Beaumont]] as Chaplain (uncredited)
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* [[Mario Siletti]] as Italian Farmer (uncredited)
* [[Mario Siletti]] as Italian Farmer (uncredited)
* [[Edward Earle]] as General at Dress Parade (uncredited)
* [[Edward Earle]] as General at Dress Parade (uncredited)
* [[Ann Codee]] as Pianist (uncredited)
* [[Ann Codee]] as Pianist (uncredited){{Div col end}}
{{Div col end}}  
:<sup>‡</sup>These actors were actual veterans of the 442nd.


The film includes archive footage of General [[Mark Wayne Clark|Mark Clark]] and President [[Harry Truman]] presenting the unit citation.<ref name="sterner141"/>
Fukunaga, Hamada, Miki, Nakano, Okamoto and Oyasato were actual members of the 442nd Infantry Regiment.
 
== Production ==
During the European theater during [[World War II]], the 442nd Infantry Regiment became the most heavily decorated unit for its size and length of service in the history of the [[United States Armed Forces|United States military]], as well as one of the units with the highest casualty rates.<ref name="sterner141">Sterner, C. Douglas. (2005). [https://books.google.com/books?id=teeObc0NHUAC&pg=PA141 ''Go for Broke: The Nisei Warriors of World War II Who Conquered Germany,'' p. 141.]</ref>
 
As with his earlier film script for ''[[Battleground (film)|Battleground]]'', in which Van Johnson also starred, writer-director Robert Pirosh focused on the average squad member, mixing humor with pathos, while accurately detailing equipment and tactics used by American infantry in World War II.<ref name="nytreview">{{cite news |last=Crowther |first=Bosley |date=1951-05-25 |title=The Screen in Review |work=[[The New York Times]] |page=31}}</ref>
 
The film includes archive footage of General [[Mark Wayne Clark|Mark Clark]] and President [[Harry Truman]] presenting the unit citation.<ref name="sterner141" />
 
== Release ==
The film's gala world premiere was held at [[Grauman's Egyptian Theatre]] in Hollywood on May 9, 1951. Invitees included prominent film stars, military officials and civic and business leaders.<ref>{{Cite news |last= |first= |date=1951-05-08 |title=Invitations Go Out for Film |work=[[Los Angeles Times]] |page=7, Part III}}</ref> Approximately 100 [[Purple Heart]] veterans of the 442nd attended, including the unit's [[Colour guard|color guard]]. Bleacher seats were erected for public viewing of the arrivals.<ref>{{Cite news |date=1951-05-09 |title=Gala Film Event Due |work=[[Los Angeles Times]] |page=9, Part III}}</ref> During a stage presentation preceding the showing of the film, a brigadier general presented Robert Pirosh with the Army Certificate of Achievement and producer Dory Schary was awarded a special citation by the ''Nisei''. Schary paid tribute to the mother of a [[Medal of Honor]] recipient who had been killed in action in Italy.<ref name="latreview" />


==Reception==
==Reception==
According to MGM records, the film made $2,531,000 in the US and Canada<ref>'The Top Box Office Hits of 1951', ''Variety'', January 2, 1952</ref> and $806,000 overseas, resulting in a profit of $761,000.<ref name="Mannix"/>
In a contemporary review for ''[[The New York Times]]'', critic [[Bosley Crowther]] called the film "a respectful and rousing tribute" and wrote:<blockquote>[T]his picture presents a forceful lesson in racial tolerance and friendliness. For here, without fuss or feathers or an over-expense of preachy words, is aptly revealed and demonstrated the loyalty and courage of a racial minority group, along with the normal human qualities or decency and humor inherent in these men. ... Although Mr. Pirosh's G. I.s are here "boodaheads," in the main, and are consequently prone to exhibit certain Nisei resentments and attitudes, they are fundamentally Americans ... And it is this quality in the picture—this accomplishment of sincerity and credibility in the Nisei soldiers, many of whom are actually played by veterans and heroes of the 442d—that deserves the highest praise. For in making his Nisei genuine people, with the characteristics of average young men—not fancified little tin heroes—Mr. Pirosh has simply achieved precisely the affection, the understanding and the tolerance for them that they deserve.<ref name="nytreview" /></blockquote>Critic Edwin Schallert of the ''[[Los Angeles Times]]'' wrote:<blockquote>Generally speaking the picture emphasizes good will and understanding, arrived at deviously and humanly, because or the contrasts symbolized by Johnson on the one hand and the men who serve under him. ... Sketchy in its values by comparison with "[[Battleground (film)|Battleground]]" is this new Metro-Schary-Pirosh war feature, yet it contains in a minor degree various elements that made the earlier production outstanding. It does not attempt spectacular battle scenes, but those that it centers on are well carried out. There are many vivid touches in the photography to endow what happens with reality. "Go for Broke!" is probably to be especially commended for highlighting an unusual phase of the Italian and French campaigns of World War II.<ref name="latreview" /></blockquote>According to MGM records, the film earned $2,531,000 in the U.S. and Canada<ref>{{Cite journal |date=1952-01-02 |title=The Top Box Office Hits of 1951 |journal=[[Variety (magazine)|Variety]] |volume=185 |issue=4}}</ref> and $806,000 overseas, resulting in a profit of $761,000.<ref name="Mannix" />
 
==Awards==
Robert Pirosh's screenplay was nominated for an Academy Award in 1951.<ref>[https://web.archive.org/web/20121102120012/http://movies.nytimes.com/movie/20019/Go-for-Broke-/details "''Go For Broke!'' (1951); Cast, Credits and Awards,"] ''New York Times'' online.</ref>


==Honors==
== Legacy ==
The screenplay by Robert Pirosh was nominated for an Academy Award in 1951.<ref>[https://web.archive.org/web/20121102120012/http://movies.nytimes.com/movie/20019/Go-for-Broke-/details  "''Go for Broke!'' (1951); Cast, Credits and Awards,"] ''New York Times'' online.</ref>
In 1979, the film entered the [[List of films in the public domain in the United States|public domain in the United States]] because MGM failed to renew its [[copyright registration]] in the 28th year after publication.<ref>{{cite journal |last=Pierce |first=David |date=June 2007 |title=Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain |journal=Film History: An International Journal |volume=19 |issue=2 |pages=125–43 |doi=10.2979/FIL.2007.19.2.125 |issn=0892-2160 |jstor=25165419 |oclc=15122313 |s2cid=191633078}}</ref>


==See also==
==See also==
*[[Go For Broke Monument]]
* [[Go for Broke Monument]]
*''[[Only the Brave (2006 film)|Only the Brave]]''
* ''[[Only the Brave (2006 film)|Only the Brave]]''
*''[[American Pastime (film)|American Pastime]]''
* ''[[American Pastime (film)|American Pastime]]''


==References==
==References==
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{{reflist}}
{{reflist}}


== Additional sources ==
==Additional sources==
* Wu, Ellen D. (2014). [https://books.google.com/books?id=4Y6GAAAAQBAJ&pg=PA88& ''The Color of Success: Asian Americans and the Invention of the Model Minority.''] [[Princeton University Press]]. {{ISBN|9780691168029}}, pp.&nbsp;88ff.
* Wu, Ellen D. (2014). [https://books.google.com/books?id=4Y6GAAAAQBAJ&pg=PA88 ''The Color of Success: Asian Americans and the Invention of the Model Minority.''] [[Princeton University Press]]. {{ISBN|9780691168029}}, pp.&nbsp;88ff.
* Barsam, Richard Meran. (1992). [https://books.google.com/books?id=z7p36FdLYdIC  ''Nonfiction Film : a Critical History.''] Bloomington, Indiana: [[Indiana University Press]]. {{ISBN|978-0-253-31124-5}}; {{ISBN|978-0-253-20706-7}}; [http://www.worldcat.org/title/nonfiction-film-a-critical-history/oclc/24107769  OCLC 24107769]
* Barsam, Richard Meran. (1992). [https://books.google.com/books?id=z7p36FdLYdIC  ''Nonfiction Film : a Critical History.''] Bloomington, Indiana: [[Indiana University Press]]. {{ISBN|978-0-253-31124-5}}; {{ISBN|978-0-253-20706-7}}; [https://www.worldcat.org/oclc/24107769  OCLC 24107769]
* Takemoto, Kenneth Kaname. (2006). [https://books.google.com/books?id=dPjzzgXx4yMC  ''Nisei Memories: My Parents Talk About the War Years.''] Seattle: [[University of Washington Press]]. {{ISBN|978-0-295-98585-5}}; [http://www.worldcat.org/title/nisei-memories-my-parents-talk-about-the-war-years/oclc/260074492  OCLC 260074492]
* Takemoto, Kenneth Kaname. (2006). [https://books.google.com/books?id=dPjzzgXx4yMC  ''Nisei Memories: My Parents Talk About the War Years.''] Seattle: [[University of Washington Press]]. {{ISBN|978-0-295-98585-5}}; [https://www.worldcat.org/oclc/260074492  OCLC 260074492]
* Sterner, C. Dougals. (2008). [https://books.google.com/books?id=teeObc0NHUAC ''Go for broke : the Nisei Warriors of World War II Who Conquered Germany, Japan, and American Bigotry.''] Clearfield, Utah: American Legacy Historical Press. {{ISBN|978-0-9796896-1-1}}; [http://www.worldcat.org/title/go-for-broke-the-nisei-warriors-of-world-war-ii-who-conquered-germany-japan-and-american-bigotry/oclc/141855086  OCLC 141855086]
* Sterner, C. Douglas. (2008). [https://books.google.com/books?id=teeObc0NHUAC ''Go For Broke : the Nisei Warriors of World War II Who Conquered Germany, Japan, and American Bigotry.''] Clearfield, Utah: American Legacy Historical Press. {{ISBN|978-0-9796896-1-1}}; [https://www.worldcat.org/oclc/141855086  OCLC 141855086]
* Yenne, Bill. (2007). [https://books.google.com/books?id=Ok3JZw28xhEC  ''Rising Sons: The Japanese American GIs Who Fought for the United States in World War II.''] New York: [[Macmillan Publishers|Macmillan]]. {{ISBN|978-0-312-35464-0}} [http://www.worldcat.org/title/rising-sons-the-japanese-american-gis-who-fought-for-the-united-states-in-world-war-ii/oclc/122261832 OCLC 122261832]
* Yenne, Bill. (2007). [https://books.google.com/books?id=Ok3JZw28xhEC  ''Rising Sons: The Japanese American GIs Who Fought for the United States in World War II.''] New York: [[Macmillan Publishers|Macmillan]]. {{ISBN|978-0-312-35464-0}} [https://www.worldcat.org/oclc/122261832 OCLC 122261832]
*Steidl, Franz. (1997). [https://books.google.com/books?id=BvqYUYLt30kC&lpg=PP1&pg=PP1#v=onepage "Lost Battalions: Going for Broke in the Vosges, Autumn 1944."] Novato, California: [[Presidio Press]]. {{ISBN|978-0-89141-622-7}}, {{ISBN|978-0-89141-727-9}}; [http://www.worldcat.org/title/lost-battalions-going-for-broke-in-the-vosges-autumn-1944/oclc/36170542 OCLC 36170542]
*Steidl, Franz. (1997). [https://books.google.com/books?id=BvqYUYLt30kC&pg=PP1 "Lost Battalions: Going for Broke in the Vosges, Autumn 1944."] Novato, California: [[Presidio Press]]. {{ISBN|978-0-89141-622-7}}, {{ISBN|978-0-89141-727-9}}; [https://www.worldcat.org/oclc/36170542 OCLC 36170542]


==External links==
==External links==
* {{IMDb title|0043590|Go for Broke}}
* {{IMDb title|0043590}}
* {{Internet Archive film|id=go_for_broke_ACM|name=Go for Broke!}}
* {{AFI film}}
* {{tcmdb title|id=76522|title=Go for Broke!}}
* {{Internet Archive film|go_for_broke_ACM}}
* {{TCMDb title|76522}}
* {{Rotten Tomatoes}}
* {{Rotten Tomatoes}}


{{DEFAULTSORT:Go For Broke!}}
[[Category:1951 films]]
[[Category:1951 films]]
[[Category:1951 war films]]
[[Category:1951 war films]]
[[Category:Japanese-American films]]
[[Category:Films about Japanese Americans]]
[[Category:Metro-Goldwyn-Mayer films]]
[[Category:Metro-Goldwyn-Mayer films]]
[[Category:Italian Campaign of World War II films]]
[[Category:Films about the Italian campaign (World War II)]]
[[Category:American black-and-white films]]
[[Category:American black-and-white films]]
[[Category:1950s English-language films]]
[[Category:1951 English-language films]]
[[Category:Films about the internment of Japanese Americans]]
[[Category:Films about the internment of Japanese Americans]]
[[Category:Films directed by Robert Pirosh]]
[[Category:Films directed by Robert Pirosh]]
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[[Category:American war films]]
[[Category:American war films]]
[[Category:World War II films based on actual events]]
[[Category:World War II films based on actual events]]
[[Category:1950s American films]]
[[Category:1951 American films]]
[[Category:English-language war films]]

Latest revision as of 06:26, 20 February 2026


Go For Broke!
Theatrical release poster
Directed byRobert Pirosh
Produced byDore Schary
Written byRobert Pirosh
StarringVan Johnson
Lane Nakano
George Miki
Music byAlberto Colombo
CinematographyPaul C. Vogel
Edited byJames E. Newcom
Distributed byMetro-Goldwyn-Mayer
Release date
  • May 9, 1951 (1951-05-09) (Los Angeles)[1]
  • May 24, 1951 (1951-05-24) (New York)[2]
Running time
92 minutes
CountryUnited States
LanguageEnglish
Budget$1,337,000[3]
Box office$3,337,000[3]
Go for Broke!

Go For Broke! is a 1951 black-and-white war film directed by Robert Pirosh, produced by Dore Schary and starring Van Johnson and six veterans of the 442nd Infantry Regiment. The film stars Henry Nakamura, Warner Anderson and Don Haggerty in its large cast.

The film dramatizes the real-life story of the 442nd, which was composed of Nisei (second-generation Americans born of Japanese parents) soldiers. Its title reflects a phrase used by the Nisei that was largely unfamiliar to other Americans at the time of the film's release, although it has found common contemporary use in American English.[1]

Plot[edit | edit source]

In 1943 at Camp Shelby, Mississippi, newly commissioned Lt. Michael Grayson reports for duty to train the 442nd Infantry Regiment, a unit established on the mainland and composed of Nisei. His expectation was to return to the U.S. 36th Infantry Division, a Texas National Guard unit, in which he had served as an enlisted soldier. He must command a group of people whom he sees as Japanese enemies rather than as Americans. Grayson runs his platoon in strict observance of military regulations.

Arriving in Italy, the unit is joined by the 100th Battalion, a Nisei unit assembled in Hawaii before the formation of 442nd. The troops of the 100th are seasoned veterans, and the new arrivals tap them for advice. On the march to the front lines, Grayson is left behind when fraternizing with a woman, but the colonel does not notice because his platoon has covered for Grayson during an inspection of their positions.

By the actions of the 442nd in Italy and France, Grayson finds reason to replace his bigotry with respect. Despite his objections, he is transferred to the 36th as a liaison when the 442nd is attached to the 36th. The Nisei learn that he has defended them against bigotry, even brawling with an old friend from the 36th who had insulted them.

The 36th is surrounded by the German army and the 442nd rescues them. On their return home, the members of the 442nd are awarded the distinction of the eighth Presidential Unit Citation.[4]

Cast[edit | edit source]

Fukunaga, Hamada, Miki, Nakano, Okamoto and Oyasato were actual members of the 442nd Infantry Regiment.

Production[edit | edit source]

During the European theater during World War II, the 442nd Infantry Regiment became the most heavily decorated unit for its size and length of service in the history of the United States military, as well as one of the units with the highest casualty rates.[9]

As with his earlier film script for Battleground, in which Van Johnson also starred, writer-director Robert Pirosh focused on the average squad member, mixing humor with pathos, while accurately detailing equipment and tactics used by American infantry in World War II.[2]

The film includes archive footage of General Mark Clark and President Harry Truman presenting the unit citation.[9]

Release[edit | edit source]

The film's gala world premiere was held at Grauman's Egyptian Theatre in Hollywood on May 9, 1951. Invitees included prominent film stars, military officials and civic and business leaders.[10] Approximately 100 Purple Heart veterans of the 442nd attended, including the unit's color guard. Bleacher seats were erected for public viewing of the arrivals.[11] During a stage presentation preceding the showing of the film, a brigadier general presented Robert Pirosh with the Army Certificate of Achievement and producer Dory Schary was awarded a special citation by the Nisei. Schary paid tribute to the mother of a Medal of Honor recipient who had been killed in action in Italy.[1]

Reception[edit | edit source]

In a contemporary review for The New York Times, critic Bosley Crowther called the film "a respectful and rousing tribute" and wrote:

[T]his picture presents a forceful lesson in racial tolerance and friendliness. For here, without fuss or feathers or an over-expense of preachy words, is aptly revealed and demonstrated the loyalty and courage of a racial minority group, along with the normal human qualities or decency and humor inherent in these men. ... Although Mr. Pirosh's G. I.s are here "boodaheads," in the main, and are consequently prone to exhibit certain Nisei resentments and attitudes, they are fundamentally Americans ... And it is this quality in the picture—this accomplishment of sincerity and credibility in the Nisei soldiers, many of whom are actually played by veterans and heroes of the 442d—that deserves the highest praise. For in making his Nisei genuine people, with the characteristics of average young men—not fancified little tin heroes—Mr. Pirosh has simply achieved precisely the affection, the understanding and the tolerance for them that they deserve.[2]

Critic Edwin Schallert of the Los Angeles Times wrote:

Generally speaking the picture emphasizes good will and understanding, arrived at deviously and humanly, because or the contrasts symbolized by Johnson on the one hand and the men who serve under him. ... Sketchy in its values by comparison with "Battleground" is this new Metro-Schary-Pirosh war feature, yet it contains in a minor degree various elements that made the earlier production outstanding. It does not attempt spectacular battle scenes, but those that it centers on are well carried out. There are many vivid touches in the photography to endow what happens with reality. "Go for Broke!" is probably to be especially commended for highlighting an unusual phase of the Italian and French campaigns of World War II.[1]

According to MGM records, the film earned $2,531,000 in the U.S. and Canada[12] and $806,000 overseas, resulting in a profit of $761,000.[3]

Awards[edit | edit source]

Robert Pirosh's screenplay was nominated for an Academy Award in 1951.[13]

Legacy[edit | edit source]

In 1979, the film entered the public domain in the United States because MGM failed to renew its copyright registration in the 28th year after publication.[14]

See also[edit | edit source]

References[edit | edit source]

Notes[edit | edit source]

  1. 1.0 1.1 1.2 1.3 Schallert, Edwin (May 10, 1951). "Nisei Courage Receives Tribute in War Picture". Los Angeles Times. p. 8, Part II.
  2. 2.0 2.1 2.2 Crowther, Bosley (May 25, 1951). "The Screen in Review". The New York Times. p. 31.
  3. 3.0 3.1 3.2 The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
  4. Takemoto, Kenneth.' (2006). Nisei memories: my parents talk about the war years, p. 120.
  5. "Lane Nakano, 80, a Soldier Turned Actor, Is Dead," New York Times. May 11, 2005.
  6. Akira Fukunaga, film credits[dead link]
  7. Harry Hamada, image of hula-dancing soldier; Archived December 18, 2009, at the Wayback Machine film credits Archived July 16, 2011, at the Wayback Machine
  8. "Henry Nakamura, film credits". Archived from the original on July 17, 2011. Retrieved May 5, 2010.
  9. 9.0 9.1 Sterner, C. Douglas. (2005). Go for Broke: The Nisei Warriors of World War II Who Conquered Germany, p. 141.
  10. "Invitations Go Out for Film". Los Angeles Times. May 8, 1951. p. 7, Part III.
  11. "Gala Film Event Due". Los Angeles Times. May 9, 1951. p. 9, Part III.
  12. "The Top Box Office Hits of 1951". Variety. 185 (4). January 2, 1952.
  13. "Go For Broke! (1951); Cast, Credits and Awards," New York Times online.
  14. Pierce, David (June 2007). "Forgotten Faces: Why Some of Our Cinema Heritage Is Part of the Public Domain". Film History: An International Journal. 19 (2): 125–43. doi:10.2979/FIL.2007.19.2.125. ISSN 0892-2160. JSTOR 25165419. OCLC 15122313. S2CID 191633078.

Additional sources[edit | edit source]

External links[edit | edit source]