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{{Use dmy dates|date=August 2019}}
{{Use dmy dates|date=August 2019}}
'''''Pancha Marapu''''' ([[Tamil language|Tamil]]: பஞ்சமரபு ''pañcamarapu'') is a 10th-century Tamil treatise on [[musical theory]], written by Aṟivaṉār. The work is one of the ''isaittamiḻ'' texts referred to in Atiyarkkunallar's commentary on the [[Silappadhikaram]].  Although it was long believed to be lost, a [[manuscript]] was discovered in the latter half of the twentieth century, and partially published in 1973.<ref>{{cite book | last=Zvelebil | first=Kamil | authorlink=Kamil Zvelebil | title=Companion Studies to the History of Tamil Literature | publisher=Brill | year=1992 | location=Leiden | pages=83 | isbn=90-04-09365-6}}</ref>  A revised edition has since been published.<ref>{{cite book | last=Sundaram | first=V.P.K. | title=Pancha Marapu | publisher=The South India Saiva Siddhantha Works Publishing Society | year=1991 | edition=2nd}}</ref>
'''''Pancha Marapu''''' ([[Tamil language|Tamil]]: பஞ்சமரபு ''pañcamarapu'') is a 10th-century Tamil treatise on [[musical theory]], written by Aṟivaṉār. The work is one of the ''isaittamiḻ'' texts referred to in Atiyarkkunallar's commentary on the [[Silappadhikaram]]. There is also a view it predates silappadikaram as silappadikaram refers to it ; so is devara pann methodology.  Although it was long believed to be lost, a [[manuscript]] was discovered in the latter half of the twentieth century, and partially published in 1973.<ref>{{cite book | last=Zvelebil | first=Kamil | authorlink=Kamil Zvelebil | title=Companion Studies to the History of Tamil Literature | publisher=Brill | year=1992 | location=Leiden | pages=83 | isbn=90-04-09365-6}}</ref>  A revised edition has since been published.<ref>{{cite book | last=Sundaram | first=V.P.K. | title=Pancha Marapu | publisher=The South India Saiva Siddhantha Works Publishing Society | year=1991 | edition=2nd}}</ref>


The text deals with the music, [[musical instrument]]s and [[percussion]] instruments (''muḻavu'')<ref>{{cite book | last=Kuppuswami | first=T. V. |author2=T. K. Venkata Subramanian | title=Rhythm in historical cognition | publisher=Kalinga Publications | year=1993 | location=Delhi | pages=9–11 | isbn=81-85163-34-0}}</ref> of that period, and enumerates nine divisions of [[Ancient Tamil music|Tamil music]], namely, ''cindu'', ''cavalai'', ''tiripatai'', ''camapātaviruttam'', ''centuṟai'', ''veṇṭuṟai'', ''peruntēvappāṇi'', ''ciruntēvappāṇi'', and ''vaṇṇam''.<ref>{{cite book | last=Ramanathan | first=S. | title=Music in Cilappatikaaram | publisher=Madurai-Kamaraj University | year=1979 | location=Madurai | pages=57}}</ref>
The text deals with the music, [[musical instrument]]s and [[percussion]] instruments (''muḻavu'')<ref>{{cite book | last=Kuppuswami | first=T. V. |author2=T. K. Venkata Subramanian | title=Rhythm in historical cognition | publisher=Kalinga Publications | year=1993 | location=Delhi | pages=9–11 | isbn=81-85163-34-0}}</ref> of that period, and enumerates nine divisions of [[Ancient Tamil music|Tamil music]], namely, ''cindu'', ''cavalai'', ''tiripatai'', ''camapātaviruttam'', ''centuṟai'', ''veṇṭuṟai'', ''peruntēvappāṇi'', ''ciruntēvappāṇi'', and ''vaṇṇam''. <ref>{{cite book | last=Ramanathan | first=S. | title=Music in Cilappatikaaram | publisher=Madurai-Kamaraj University | year=1979 | location=Madurai | pages=57}}</ref>


== References ==
== References ==
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Latest revision as of 08:38, 20 November 2025

Pancha Marapu (Tamil: பஞ்சமரபு pañcamarapu) is a 10th-century Tamil treatise on musical theory, written by Aṟivaṉār. The work is one of the isaittamiḻ texts referred to in Atiyarkkunallar's commentary on the Silappadhikaram. There is also a view it predates silappadikaram as silappadikaram refers to it ; so is devara pann methodology. Although it was long believed to be lost, a manuscript was discovered in the latter half of the twentieth century, and partially published in 1973.[1] A revised edition has since been published.[2]

The text deals with the music, musical instruments and percussion instruments (muḻavu)[3] of that period, and enumerates nine divisions of Tamil music, namely, cindu, cavalai, tiripatai, camapātaviruttam, centuṟai, veṇṭuṟai, peruntēvappāṇi, ciruntēvappāṇi, and vaṇṇam. [4]

References[edit | edit source]

  1. Zvelebil, Kamil (1992). Companion Studies to the History of Tamil Literature. Leiden: Brill. p. 83. ISBN 90-04-09365-6.
  2. Sundaram, V.P.K. (1991). Pancha Marapu (2nd ed.). The South India Saiva Siddhantha Works Publishing Society.
  3. Kuppuswami, T. V.; T. K. Venkata Subramanian (1993). Rhythm in historical cognition. Delhi: Kalinga Publications. pp. 9–11. ISBN 81-85163-34-0.
  4. Ramanathan, S. (1979). Music in Cilappatikaaram. Madurai: Madurai-Kamaraj University. p. 57.