Deepan Sivaraman: Difference between revisions

What links here Related changes Page information Get shortened URL
Created by Citation bot
Last edited March 10, 2026
VisualWikitext
->Citation bot
Alter: template type. Add: date, title. Changed bare reference to CS1/2. | Use this bot. Report bugs. | Suggested by BrownHairedGirl | Linked from User:BrownHairedGirl/Articles_with_bare_links | #UCB_webform_linked 1983/2199
 
No edit summary
 
Line 1: Line 1:
{{short description|Indian theatre director and scenographer}}
{{Use Indian English|date= February 2019}}
{{Use Indian English|date= February 2019}}
{{Use dmy dates|date=June 2020}}
{{Use dmy dates|date=June 2020}}
Line 9: Line 10:
| birth_place        = [[Thrissur]], [[Kerala]]
| birth_place        = [[Thrissur]], [[Kerala]]
| alma_mater          = [[Central Saint Martins]], [[Wimbledon College of Arts]]
| alma_mater          = [[Central Saint Martins]], [[Wimbledon College of Arts]]
| occupation          = [[Theatre director]], [[scenographer]] and [[academic]]
| occupation          = [[Theatre director]], [[scenographer]] and [[Academic staff|academic]]
| website            = [http://www.oxygentheatre.in/ Oxygen Theatre Company]
| website            =  
}}
}}


'''Deepan Sivaraman''' is an Indian [[theatre director]], [[scenographer]] and [[academic]].<ref name="Interview with Deepan Sivaraman"/> He is the founder of [http://www.oxygentheatre.in/ Oxygen Theatre Company] based in Delhi. He is from [[Thrissur]], [[Kerala]].  
'''Deepan Sivaraman''' is an Indian [[theatre director]], [[scenographer]] and [[Academic staff|academic]].<ref name="Interview with Deepan Sivaraman"/> He is the founder of Oxygen Theatre Company based in Delhi.<ref>{{Cite web |title=Oxygen Theatre Company |url=https://oxygentheater.in |archive-url=https://web.archive.org/web/20151022161313/http://www.oxygentheatre.in/ |archive-date=22 October 2015}}</ref> He is from [[Thrissur]], [[Kerala]].
Sivaraman received Charles Wallace India Trust Award in 2003,<ref name="Charles Wallace India Trust Awards">{{cite news|last1=Menon|first1=Anasuya|title=Wallace Route to Education|url=http://www.thehindu.com/features/metroplus/wallace-route-to-education/article2994764.ece|accessdate=7 September 2014|publisher=Hindu Group|date=14 March 2012}}</ref> ''[[Kerala Sangeetha Nataka Akademi]] Award'' and ''[http://www.metawards.com/ Mahindra Excellence in Theatre Awards]'' in 2011 and 2010, respectively.<ref name="Interview with Deepan Sivaraman">{{cite journal|last=Punjani|first=Deepa|title=Mrs|journal=Critical Stages|issue=June 2013: Issue 8|url=http://archive.criticalstages.org/criticalstages8/entry/ldquoThe-Future-of-Indian-Theatre-Will-Be-Based-on-Our-Ability-to-Intermingle-With-Other-Art-Disciplinesrdquo-mdash-Interview-with-Deepan-Sivaraman-Indian-Theatre-Director-and-Scenographer?category=3#sthash.nT9AB4lQ.dpbs}}</ref> Deepan served as the Artistic Director for the [https://web.archive.org/web/20141006072026/http://theatrefestivalkerala.com/itfok.php International Theatre Festival of Kerala](ITFOK) for 2014 edition which had a curatorial focus on transition, gender and spectatorship.<ref>{{cite journal|last1=Ganesh|first1=Deepa|title=For Visual Language|journal=Frontline|date=18 April 2014|url=http://www.frontline.in/arts-and-culture/for-visual-language/article5848123.ece#|accessdate=16 August 2014}}</ref> Deepan Sivaraman currently is an [[Associate Professor]] of [[Performance Studies]] at School of Culture and Creative Expressions at the [http://aud.ac.in/ Ambedkar University in Delhi].
 
Sivaraman received Charles Wallace India Trust Award in 2003,<ref name="Charles Wallace India Trust Awards">{{cite news|last1=Menon|first1=Anasuya|title=Wallace Route to Education|url=http://www.thehindu.com/features/metroplus/wallace-route-to-education/article2994764.ece|accessdate=7 September 2014|publisher=Hindu Group|date=14 March 2012}}</ref> ''[[Kerala Sangeetha Nataka Akademi Award]]'' and ''[http://www.metawards.com/ Mahindra Excellence in Theatre Awards]'' in 2011 and 2010, respectively.<ref name="Interview with Deepan Sivaraman">{{cite journal|last=Punjani|first=Deepa|title=Mrs|journal=Critical Stages|issue=June 2013: Issue 8|url=http://archive.criticalstages.org/criticalstages8/entry/ldquoThe-Future-of-Indian-Theatre-Will-Be-Based-on-Our-Ability-to-Intermingle-With-Other-Art-Disciplinesrdquo-mdash-Interview-with-Deepan-Sivaraman-Indian-Theatre-Director-and-Scenographer?category=3#sthash.nT9AB4lQ.dpbs|access-date=17 May 2014|archive-date=19 May 2014|archive-url=https://web.archive.org/web/20140519145605/http://archive.criticalstages.org/criticalstages8/entry/ldquoThe-Future-of-Indian-Theatre-Will-Be-Based-on-Our-Ability-to-Intermingle-With-Other-Art-Disciplinesrdquo-mdash-Interview-with-Deepan-Sivaraman-Indian-Theatre-Director-and-Scenographer?category=3#sthash.nT9AB4lQ.dpbs|url-status=dead}}</ref> Deepan served as the Artistic Director for the [https://web.archive.org/web/20141006072026/http://theatrefestivalkerala.com/itfok.php International Theatre Festival of Kerala](ITFOK) for 2014 edition which had a curatorial focus on transition, gender and spectatorship.<ref>{{cite journal|last1=Ganesh|first1=Deepa|title=For Visual Language|journal=Frontline|date=18 April 2014|url=http://www.frontline.in/arts-and-culture/for-visual-language/article5848123.ece#|accessdate=16 August 2014}}</ref> Deepan Sivaraman currently is an [[associate professor]] of [[performance studies]] at School of Culture and Creative Expressions at the [http://aud.ac.in/ Ambedkar University in Delhi].
 
[[File:Deepan Sivaraman, Ajai Narendran, Anand Narayanan, T P Vinod.jpg|thumb|Deepan Sivaraman speaking at the KSSP Malappuram Science Festival 2026, alongside Ajai Narendran, Dr. Anand Narayanan, and Dr. T. P. Vinod]]


==''The Legend of Khasak'' [[Khasakkinte Itihasam]] – The Play a Milestone==
==''The Legend of Khasak'' [[Khasakkinte Itihasam]] – The Play a Milestone==
Deepan involved with KM Kunjambu Smaraka Kalasamaithi.(KMK) Trikaripur for the project of ''The Legends of Khasak'' [[Khasakkinte Itihasam]] with the local village actors, it was a unique theatre project that has no similarities in the recent Indian theatre history in the terms of its production of working with village actors and the way in which the entire village got part of it. The trans – chronic post-modern novel of [[O. V. Vijayan]], ''The Legends of Khasak'' [[Khasakkinte Itihasam]] is revived onto the stage, in the Land of dark native myths and tantalizing legends – [[Kasaragod]]. The geographical memory of Khasak is transplanted to the landscape of Kasaragod. The tree of life, Revered Time, Slits of spreading self and sins and mythicized nature of Khasak takes a re-birth to burn down into the body ofspectator. The performance fuses native religious rituals and native art forms in separately. The three months of theatre camp for the regional artists were a refreshing wind to the cultural present of Kerala, which proved that the rural art gatherings were not extinct in the cultural space. From the last remaining sapling spread a green hope which rushed the village into a spring of artistic thought. There were muted tunes, silenced slogans and an unbroken harmony which united the whole village onto the theatre. Portraying, or interpreting Khasak into its multidimensional plurality was a challenge to any medium, to which this theatrical interpretation stands as an exemption. The characters of Khasak Allapicha Mollakka, Maimuna, Appukili, Naizam Ali, Kuttandan Pushari and Ravi meet the spectators in the aesthetically subverted, politically deconstructed, surreal space.<ref>{{Cite web|url=https://indianexpress.com/article/lifestyle/art-and-culture/it-takes-a-village-2756713|title = It Takes a Village|date = 17 April 2016}}</ref><ref>{{Cite web|url=https://malayalam.samayam.com/lifestyle/travel/khasakkinte-ithihasam-staged-at-kochi/articleshow/58329244.cms|title = ഖസാക്കിലെ ആത്മാക്കളുടെ സമാന്തര ജീവിതങ്ങള്‍}}</ref><ref>{{Cite web|url=https://www.manoramaonline.com/literature/interviews/2017/05/08/interview-with-deepan-sivaraman.html|title = ദീപൻ കണ്ട ഖസാക്ക്}}</ref>
[[File:Entry Pass Khasakkinte Ithihasam Play.jpg|thumb|Entry Pass to a screening of the play ''Khasakkinte Ithihasam'', directed by Deepan Sivaraman]]
Deepan involved with KM Kunjambu Smaraka Kalasamaithi.(KMK) Trikaripur for the project of ''The Legends of Khasak'' [[Khasakkinte Itihasam]] with the local village actors, it was a unique theatre project that has no similarities in the recent Indian theatre history in the terms of its production of working with village actors and the way in which the entire village got part of it. The trans – chronic post-modern novel of [[O. V. Vijayan]], ''The Legends of Khasak'' [[Khasakkinte Itihasam]] is revived onto the stage, in the Land of dark native myths and tantalizing legends – [[Kasaragod]]. The geographical memory of Khasak is transplanted to the landscape of Kasaragod. The tree of life, Revered Time, Slits of spreading self and sins and mythologized nature of Khasak takes a re-birth to burn down into the body of the spectator. The performance fuses native religious rituals and native art forms in separately. The three months of theatre camp for the regional artists were a refreshing wind to the cultural present of Kerala, which proved that the rural art gatherings were not extinct in the cultural space. From the last remaining sapling spread a green hope which rushed the village into a spring of artistic thought. There were muted tunes, silenced slogans and an unbroken harmony which united the whole village onto the theatre. Portraying, or interpreting Khasak into its multidimensional plurality was a challenge to any medium, to which this theatrical interpretation stands as an exemption. The characters of Khasak Allapicha Mollakka, Maimuna, Appukili, Naizam Ali, Kuttandan Pushari and Ravi meet the spectators in the aesthetically subverted, politically deconstructed, surreal space.<ref>{{Cite web|url=https://indianexpress.com/article/lifestyle/art-and-culture/it-takes-a-village-2756713|title = It Takes a Village|date = 17 April 2016}}</ref><ref>{{Cite web|url=https://malayalam.samayam.com/lifestyle/travel/khasakkinte-ithihasam-staged-at-kochi/articleshow/58329244.cms|title = ഖസാക്കിലെ ആത്മാക്കളുടെ സമാന്തര ജീവിതങ്ങള്‍}}</ref><ref>{{Cite web|url=https://www.manoramaonline.com/literature/interviews/2017/05/08/interview-with-deepan-sivaraman.html|title = ദീപൻ കണ്ട ഖസാക്ക്}}</ref>


== Directorial works along with its design ==
== Directorial works along with its design ==
Line 39: Line 44:
| 2013|| '' The Little Prince'' || Director, Scenographer
| 2013|| '' The Little Prince'' || Director, Scenographer
|-
|-
| 2011|| '' Ubu Roi'' || Director, Scenographer & Dramaturge<ref name="Skeletons in The Kings Cupboard">{{cite news|last1=Nath|first1=Dipanitha|url=http://indianexpress.com/article/cities/delhi/national-award-inshallah-football-ashvin-kumar-film-on-social-causeskeletons-in-the-kings-cupboard/|title=National Award,Inshallah Football,Ashvin Kumar,Film on Social CauseSkeletons in the King's Cupboard|accessdate=30 June 2015|work=The Indian Express|date=8 May 2012}}</ref>
| 2011|| '' Ubu Roi'' || Director, Scenographer & Dramaturge<ref name="Skeletons in The Kings Cupboard">{{cite news|last1=Nath|first1=Dipanitha|url=http://indianexpress.com/article/cities/delhi/national-award-inshallah-football-ashvin-kumar-film-on-social-causeskeletons-in-the-kings-cupboard/|title=National Award, Inshallah Football, Ashvin Kumar, Film on Social Cause Skeletons in the King's Cupboard|accessdate=30 June 2015|work=The Indian Express|date=8 May 2012}}</ref>
|-
|-
| 2010|| '' Peer Gynt Director'' || Scenographer, Dramaturge<ref name="Deep into theatre">{{cite news|last1=Nair|first1=Shilpa|title=Deep into Theatre|url=http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/deep-into-theatre/article916164.ece|accessdate=8 June 2014|date=2010-11-27}}</ref>
| 2010|| '' Peer Gynt Director'' || Scenographer, Dramaturge<ref name="Deep into theatre">{{cite news|last1=Nair|first1=Shilpa|title=Deep into Theatre|url=http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/deep-into-theatre/article916164.ece|accessdate=8 June 2014|date=2010-11-27}}</ref>
|-
|-
| 2009|| '' Spinal Cord'' || Director, Scenographer & Dramaturge<ref>{{cite web|title=A study in scenography|url=http://www.newindianexpress.com/magazine/article441053.ece?service=print|accessdate=15 August 2014}}</ref>
| 2009|| '' Spinal Cord'' || Director, Scenographer & Dramaturge<ref>{{cite web|title=A study in scenography|url=http://www.newindianexpress.com/magazine/article441053.ece?service=print|accessdate=15 August 2014|archive-date=19 May 2014|archive-url=https://web.archive.org/web/20140519132700/http://www.newindianexpress.com/magazine/article441053.ece?service=print|url-status=dead}}</ref>
|-
|-
| 2004|| '' The circle of the seasons'' || Director, Scenographer  
| 2004|| '' The circle of the seasons'' || Director, Scenographer  
Line 49: Line 54:
| 2004|| '' Dream of Death'' || Director, Scenographer  
| 2004|| '' Dream of Death'' || Director, Scenographer  
|-
|-
| 2002|| '' Kamala'' || Director, Scenographer<ref>{{cite news|last1=Sadanandan|first1=Smitha|title=Woman redifined|url=http://www.hindu.com/thehindu/mp/2002/06/17/stories/2002061701420200.htm|archive-url=https://web.archive.org/web/20031107000014/http://www.hindu.com/thehindu/mp/2002/06/17/stories/2002061701420200.htm|url-status=dead|archive-date=2003-11-07|accessdate=8 June 2014|date=2002-06-17|work=[[The Hindu]]|ref=Kamala}}</ref>
| 2002|| '' Kamala'' || Director, Scenographer<ref>{{cite news|last1=Sadanandan|first1=Smitha|title=Woman redefined|url=http://www.hindu.com/thehindu/mp/2002/06/17/stories/2002061701420200.htm|archive-url=https://web.archive.org/web/20031107000014/http://www.hindu.com/thehindu/mp/2002/06/17/stories/2002061701420200.htm|url-status=dead|archive-date=2003-11-07|accessdate=8 June 2014|date=2002-06-17|work=[[The Hindu]]|ref=Kamala}}</ref>
|-
|-
| 1998|| '' Lord of the Flies'' || Director, Dramaturge
| 1998|| '' Lord of the Flies'' || Director, Dramaturge
Line 66: Line 71:
| 2017|| ''Naked Voices''|| Neelam Mansingh Chowdhry || National School of Drama Delhi
| 2017|| ''Naked Voices''|| Neelam Mansingh Chowdhry || National School of Drama Delhi
|-
|-
| 2016|| ''Talatum'' || [[Abhilash Pillai]]  || Serendipity Art Trust Delhi  
| 2016|| ''Talatum'' || [[Abhilash Pillai (director)|Abhilash Pillai]]  || Serendipity Art Trust Delhi  
|-
|-
| 2016|| ''Bitter Fruit'' || Neelam Mansingh Chowdhry || National School of Drama Delhi<ref>{{cite news|last1=Utpal K|first1=Banarjee|title=Method to Madness|url=http://www.dailypioneer.com/vivacity/method-to-madness.html|accessdate=22 July 2015|publisher=The Pioneer|date=2015-05-18|ref=Bitter Fruit}}</ref>
| 2016|| ''Bitter Fruit'' || Neelam Mansingh Chowdhry || National School of Drama Delhi<ref>{{cite news|last1=Utpal K|first1=Banarjee|title=Method to Madness|url=http://www.dailypioneer.com/vivacity/method-to-madness.html|accessdate=22 July 2015|publisher=The Pioneer|date=2015-05-18|ref=Bitter Fruit|archive-date=4 March 2016|archive-url=https://web.archive.org/web/20160304072102/http://www.dailypioneer.com/vivacity/method-to-madness.html|url-status=dead}}</ref>
|-
|-
| 2012|| ''Virasat'' || Dr. Anuradha Kapur || National School of Drama Delhi.<ref>{{cite news|last1=Utpal K|first1=Banarjee|title=Epic of the ordinary|url=http://www.dailypioneer.com/vivacity/epic-of-the-ordinary.html|accessdate=8 June 2014|publisher=The Pioneer|date=2013-05-28|ref=Virasat}}</ref>
| 2012|| ''Virasat'' || Dr. Anuradha Kapur || National School of Drama Delhi.<ref>{{cite news|last1=Utpal K|first1=Banarjee|title=Epic of the ordinary|url=http://www.dailypioneer.com/vivacity/epic-of-the-ordinary.html|accessdate=8 June 2014|publisher=The Pioneer|date=2013-05-28|ref=Virasat|archive-date=4 May 2017|archive-url=https://web.archive.org/web/20170504131839/http://www.dailypioneer.com/vivacity/epic-of-the-ordinary.html|url-status=dead}}</ref>
|-
|-
| 2008|| ''The Little India'' || Emily Grey || Trestle Theatre, UK  
| 2008|| ''The Little India'' || Emily Grey || Trestle Theatre, UK  
|-
|-
| 2006|| ''Palm Grove Tales'' || [[Abhilash Pillai]] || School of Drama Thrissur  
| 2006|| ''Palm Grove Tales'' || [[Abhilash Pillai (director)|Abhilash Pillai]] || School of Drama Thrissur  
|-
|-
| 2003|| ''Siddartha'' || Jyothish MG|| Abhinaya Theatre Centre Thiruvananthapuram
| 2003|| ''Siddartha'' || Jyothish MG|| Abhinaya Theatre Centre Thiruvananthapuram
Line 80: Line 85:
| 2002|| ''Bhagvadujjukeeyam'' || Jyothish MG|| Abhinaya Theatre Centre Thiruvananthapuram
| 2002|| ''Bhagvadujjukeeyam'' || Jyothish MG|| Abhinaya Theatre Centre Thiruvananthapuram
|-
|-
| 2001|| ''Verdigris'' ||[[Abhilash Pillai]]  || Abhinaya Theatre Centre Thiruvananthapuram
| 2001|| ''Verdigris'' ||[[Abhilash Pillai (director)|Abhilash Pillai]]  || Abhinaya Theatre Centre Thiruvananthapuram
|-
|-
| 2000|| ''Thatri Realizing Self'' || J Shailaja || Kriya Collective Thiruvananthapuram  
| 2000|| ''Thatri Realizing Self'' || J Shailaja || Kriya Collective Thiruvananthapuram  
Line 114: Line 119:


== Awards ==
== Awards ==
*2010 – ''Mahindra Excellence in Theatre Awards''<ref name="A study in scenography">{{cite news|last1=Ramunath|first1=Renu|title=A study in scenography|url=http://www.newindianexpress.com/magazine/article441053.ece?service=print|accessdate=8 June 2014|work=The Indian Express|date=2010-06-20}}</ref>
*2010 – ''Mahindra Excellence in Theatre Awards''<ref name="A study in scenography">{{cite news|last1=Ramunath|first1=Renu|title=A study in scenography|url=http://www.newindianexpress.com/magazine/article441053.ece?service=print|accessdate=8 June 2014|work=The Indian Express|date=2010-06-20|archive-date=19 May 2014|archive-url=https://web.archive.org/web/20140519132700/http://www.newindianexpress.com/magazine/article441053.ece?service=print|url-status=dead}}</ref>
*2012 – ''Kerala Sangeet Nataka Akademi Award''<ref>{{cite news| title=Sangeetha Nataka Akademi awards announced|url=http://www.thehindu.com/todays-paper/tp-national/tp-kerala/sangeetha-nataka-akademi-awards-announced/article2791885.ece|accessdate=8 June 2014|work=The Hindu|date=11 January 2012}}</ref>
*2012 – ''[[Kerala Sangeetha Nataka Akademi Award]]''<ref>{{cite news| title=Sangeetha Nataka Akademi awards announced|url=http://www.thehindu.com/todays-paper/tp-national/tp-kerala/sangeetha-nataka-akademi-awards-announced/article2791885.ece|accessdate=8 June 2014|work=The Hindu|date=11 January 2012}}</ref>


== References ==
== References ==
Line 129: Line 134:
[[Category:Year of birth missing (living people)]]
[[Category:Year of birth missing (living people)]]
[[Category:Pondicherry University alumni]]
[[Category:Pondicherry University alumni]]
[[Category:Recipients of the Kerala Sangeetha Nataka Akademi Award]]

Latest revision as of 09:34, 10 March 2026


Deepan Sivaraman
ദീപൻ ശിവരാമൻ
Deepan Sivaraman in 2012
Born
Deepan Sivaraman

Thrissur, Kerala
Alma materCentral Saint Martins, Wimbledon College of Arts
OccupationTheatre director, scenographer and academic

Deepan Sivaraman is an Indian theatre director, scenographer and academic.[1] He is the founder of Oxygen Theatre Company based in Delhi.[2] He is from Thrissur, Kerala.

Sivaraman received Charles Wallace India Trust Award in 2003,[3] Kerala Sangeetha Nataka Akademi Award and Mahindra Excellence in Theatre Awards in 2011 and 2010, respectively.[1] Deepan served as the Artistic Director for the International Theatre Festival of Kerala(ITFOK) for 2014 edition which had a curatorial focus on transition, gender and spectatorship.[4] Deepan Sivaraman currently is an associate professor of performance studies at School of Culture and Creative Expressions at the Ambedkar University in Delhi.

Deepan Sivaraman speaking at the KSSP Malappuram Science Festival 2026, alongside Ajai Narendran, Dr. Anand Narayanan, and Dr. T. P. Vinod

The Legend of Khasak Khasakkinte Itihasam – The Play a Milestone[edit | edit source]

Entry Pass to a screening of the play Khasakkinte Ithihasam, directed by Deepan Sivaraman

Deepan involved with KM Kunjambu Smaraka Kalasamaithi.(KMK) Trikaripur for the project of The Legends of Khasak Khasakkinte Itihasam with the local village actors, it was a unique theatre project that has no similarities in the recent Indian theatre history in the terms of its production of working with village actors and the way in which the entire village got part of it. The trans – chronic post-modern novel of O. V. Vijayan, The Legends of Khasak Khasakkinte Itihasam is revived onto the stage, in the Land of dark native myths and tantalizing legends – Kasaragod. The geographical memory of Khasak is transplanted to the landscape of Kasaragod. The tree of life, Revered Time, Slits of spreading self and sins and mythologized nature of Khasak takes a re-birth to burn down into the body of the spectator. The performance fuses native religious rituals and native art forms in separately. The three months of theatre camp for the regional artists were a refreshing wind to the cultural present of Kerala, which proved that the rural art gatherings were not extinct in the cultural space. From the last remaining sapling spread a green hope which rushed the village into a spring of artistic thought. There were muted tunes, silenced slogans and an unbroken harmony which united the whole village onto the theatre. Portraying, or interpreting Khasak into its multidimensional plurality was a challenge to any medium, to which this theatrical interpretation stands as an exemption. The characters of Khasak Allapicha Mollakka, Maimuna, Appukili, Naizam Ali, Kuttandan Pushari and Ravi meet the spectators in the aesthetically subverted, politically deconstructed, surreal space.[5][6][7]

Directorial works along with its design[edit | edit source]

Year Title Credit
2018 Dark Things Scenographer and co-director with Dr. Anuradha Kapur
2018 Nationalism Project Director, Scenographer
2015 The Legends of Khasak Director, Scenographer[8]
2015 The Cabinet of Dr Caligari Director, Scenographer[9]
2014 It’s Cold in Here Director, Scenographer[10]
2014 Project Nostalgia Director, Scenographer[11]
2013 The Little Prince Director, Scenographer
2011 Ubu Roi Director, Scenographer & Dramaturge[12]
2010 Peer Gynt Director Scenographer, Dramaturge[13]
2009 Spinal Cord Director, Scenographer & Dramaturge[14]
2004 The circle of the seasons Director, Scenographer
2004 Dream of Death Director, Scenographer
2002 Kamala Director, Scenographer[15]
1998 Lord of the Flies Director, Dramaturge
Ubu Roi-National School of Drama Delhi(2012)
Peer Gynt-Produced by Oxygen Theatre Company Kerala(2010)
Spinal Cord-Produced by Oxygen Theatre Company(2009)

Scenography works[edit | edit source]

Year Title Director Producer
2018 The Girl in the Drain Dr. Anuradha Kapur National School of Drama Delhi
2017 Naked Voices Neelam Mansingh Chowdhry National School of Drama Delhi
2016 Talatum Abhilash Pillai Serendipity Art Trust Delhi
2016 Bitter Fruit Neelam Mansingh Chowdhry National School of Drama Delhi[16]
2012 Virasat Dr. Anuradha Kapur National School of Drama Delhi.[17]
2008 The Little India Emily Grey Trestle Theatre, UK
2006 Palm Grove Tales Abhilash Pillai School of Drama Thrissur
2003 Siddartha Jyothish MG Abhinaya Theatre Centre Thiruvananthapuram
2002 Bhagvadujjukeeyam Jyothish MG Abhinaya Theatre Centre Thiruvananthapuram
2001 Verdigris Abhilash Pillai Abhinaya Theatre Centre Thiruvananthapuram
2000 Thatri Realizing Self J Shailaja Kriya Collective Thiruvananthapuram

Major Theatre Festivals participated[edit | edit source]

  • 2019 – International Theatre Festival of Kerala Kerala, Dark Things
  • 2018 – Wuzhen International Theatre Festival Shanghai, The Cabinet of Dr Caligari
  • 2018 – YULICA International theatre festival Krakow, Nationalism Project.
  • 2017 – International Theatre Festival of Kerala 9th Edition, The Cabinet of Dr Caligari
  • 2016 – International Theatre Festival of Kerala 8th Edition, The Legends of Khasak
  • 2016 – Bharat Rang Mahotsav Delhi, The Cabinet of Dr Caligari
  • 2013 – International Theatre Festival of Kerala 7th Edition, Virasat
  • 2012 – International Theatre Festival National School of Drama Delhi, Peer Gynt
  • 2011 – International Theatre Festival of Kerala 5th Edition, Peer Gynt
  • 2011 – National theatre Festival of Kerala, Peer Gynt
  • 2010 – Ibsen Festival New Delhi, Peer Gynt
  • 2010 – Mahindra Excellence in theatre Awards New Delhi, Spinal Cord
  • 2010 – Rangayana National Theatre Festival Bangalore, Spinal Cord
  • 2009 – International Theatre Festival National School of Drama Delhi, Spinal Cord
  • 2009 – International Theatre Festival of Kerala, Spinal Cord
  • 2009 – National Theatre Festival Thiruvananthapuram Kerala, Spinal Cord
  • 2007 – Avignon Theatre Festival France, Siddhartha
  • 2006 – Prithvi Theatre Festival Mumbai, Bagavdajjukam
  • 2006 – South Asian Theatre Festival New Delhi, Siddhartha
  • 2004 – International Theatre Festival National School of Drama New Delhi, Siddhartha
  • 2003 – International Theatre Festival National School of Drama Delhi, Bagavadajjukam
  • 2001 – International Theatre Festival National School of Drama New Delhi, Verdigris
  • 2000 – Festival De Alameda Lisbon Portugal, Verdigris
  • 2000 – Asian Woman Theatre Festival New Delhi, Thathri Realising Self

Awards[edit | edit source]

References[edit | edit source]

  1. ↑ 1.0 1.1 Punjani, Deepa. "Mrs". Critical Stages (June 2013: Issue 8). Archived from the original on 19 May 2014. Retrieved 17 May 2014.
  2. ↑ "Oxygen Theatre Company". Archived from the original on 22 October 2015.
  3. ↑ Menon, Anasuya (14 March 2012). "Wallace Route to Education". Hindu Group. Retrieved 7 September 2014.
  4. ↑ Ganesh, Deepa (18 April 2014). "For Visual Language". Frontline. Retrieved 16 August 2014.
  5. ↑ "It Takes a Village". 17 April 2016.
  6. ↑ "ഖസാക്കിലെ ആത്മാക്കളുടെ സമാന്തര ജീവിതങ്ങള്‍".
  7. ↑ "ദീപൻ കണ്ട ഖസാക്ക്".
  8. ↑ Lal, Amrith (17 April 2016). "It Takes a Village". The Indian Express. Retrieved 22 July 2016.
  9. ↑ Nath, Dipanitha (8 February 2015). "Mrs". The Indian Express. Retrieved 30 June 2015.
  10. ↑ Nath, Dipanita (7 August 2014). "A play on sexual violence will take you into a discomfort zone". The Indian Express. The Indian Express. Retrieved 10 August 2014.
  11. ↑ "Project Nostalgia - a theatre performance". youtube.com. AUD Institutional Memory Project. 22 April 2014. Retrieved 25 January 2017.
  12. ↑ Nath, Dipanitha (8 May 2012). "National Award, Inshallah Football, Ashvin Kumar, Film on Social Cause Skeletons in the King's Cupboard". The Indian Express. Retrieved 30 June 2015.
  13. ↑ Nair, Shilpa (27 November 2010). "Deep into Theatre". Retrieved 8 June 2014.
  14. ↑ "A study in scenography". Archived from the original on 19 May 2014. Retrieved 15 August 2014.
  15. ↑ Sadanandan, Smitha (17 June 2002). "Woman redefined". The Hindu. Archived from the original on 7 November 2003. Retrieved 8 June 2014.
  16. ↑ Utpal K, Banarjee (18 May 2015). "Method to Madness". The Pioneer. Archived from the original on 4 March 2016. Retrieved 22 July 2015.
  17. ↑ Utpal K, Banarjee (28 May 2013). "Epic of the ordinary". The Pioneer. Archived from the original on 4 May 2017. Retrieved 8 June 2014.
  18. ↑ Ramunath, Renu (20 June 2010). "A study in scenography". The Indian Express. Archived from the original on 19 May 2014. Retrieved 8 June 2014.
  19. ↑ "Sangeetha Nataka Akademi awards announced". The Hindu. 11 January 2012. Retrieved 8 June 2014.
Retrieved from "https://en.bharatpedia.org/w/index.php?title=Deepan_Sivaraman&oldid=463458"
Discover more