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{{Short description|11th century Indian treatise on architecture}}
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{{Use dmy dates|date=March 2017}}
{{Use Indian English|date=March 2017}}
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'''''Samarangana Sutradhara''''' ({{IAST3|Samarāṅgaṇasūtradhāra}}) is an 11th-century poetic treatise on [[classical Indian architecture]] (''[[vastu shastra]]'') written in the [[Sanskrit]] language attributed to [[Paramara dynasty|Paramara]] King [[Bhoja]] of [[Dhar]].<ref name="Hardy2015p22">{{cite book|author=Adam Hardy|title=Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings|url=https://books.google.com/books?id=_oADrgEACAAJ |year=2015|publisher=Indira Gandhi National Centre for the Arts|isbn=978-93-81406-41-0|pages=22–23}}</ref><ref name="Otter2009p1"/>{{refn|group=note|Though Bhoja is the attributed author in the colophon, it is unclear if he actually wrote this text. The reasons for doubts are several: (1) Bhoja is the attributed author in the colophons of 33 major Sanskrit texts in diverse subjects; given his political and administrative responsibilities, this is suspect; (2) a philological analysis suggests that the verse style and quality of Sanskrit varies in these texts, as well as within the chapters of ''Samarāṅgaṇasūtradhāra''; this may be because of different authors and the text being a compilation. According to Felix Otter, some of these texts and possibly portions of a few others are likely the work of one author – Bhoja.<ref>{{cite book|author=Felix Otter|title=Residential Architecture in Bhoja's Samaranganasutradhara: Introduction, Text, Translation and Notes |url=https://books.google.com/books?id=zYDvDwAAQBAJ |year=2009|publisher=Motilal Banarsidass|isbn=978-81-208-3447-7|pages=6–14}}</ref>}}  The title ''Samarāṅgaṇasūtradhāra'' is a compound word that literally means "architect of human dwellings", but can also be decomposed to an alternate meaning as "stage manager for battlefields" – possibly a play of words to recognize its royal author.<ref name="Hardy2015p22"/>
'''''Samarangana Sutradhara''''', sometimes referred to as ''Samarāṅgaṇasūtradhāra'', is an 11th-century poetic treatise on [[classical Indian architecture]] ([[Vastu Shastra]]) written in Sanskrit language attributed to [[Paramara]] King [[Bhoja]] of [[Dhar]].<ref name="Hardy2015p22">{{cite book|author=Adam Hardy|title=Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings|url=https://books.google.com/books?id=_oADrgEACAAJ |year=2015|publisher=Indira Gandhi National Centre for the Arts|isbn=978-93-81406-41-0|pages=22–23}}</ref><ref name="Otter2009p1"/>{{refn|group=note|Though Bhoja is the attributed author in the colophon, it is unclear if he actually wrote this text. The reasons for doubts are several: (1) Bhoja is the attributed author in the colophons of 33 major Sanskrit texts in diverse subjects; given his political and administrative responsibilities, this is suspect; (2) a philological analysis suggests that the verse style and quality of Sanskrit varies in these texts, as well as within the chapters of ''Samarāṅgaṇasūtradhāra''; this may be because of different authors and the text being a compilation. According to Felix Otter, some of these texts and possibly portions of a few others are likely the work on one author – Bhoja.<ref>{{cite book|author=Felix Otter|title=Residential Architecture in Bhoja's Samaranganasutradhara: Introduction, Text, Translation and Notes |url=https://books.google.com/books?id=zYDvDwAAQBAJ |year=2009|publisher=Motilal Banarsidass|isbn=978-81-208-3447-7|pages=6–14}}</ref>}}  The title ''Samarāṅgaṇasūtradhāra'' is a compound word that literally means "architect of human dwellings", but can also be decomposed to an alternate meaning as "stage manager for battlefields" – possibly a play of words to recognize its royal author.<ref name="Hardy2015p22"/>


Three manuscripts of ''Samarangana Sutradhara'' were discovered in early 20th century, while others were found later. They vary somewhat and all survive in an incomplete form. The most complete version is one likely copied and recompiled in the 15th-century.<ref name="Otter2009p1">{{cite book|author=Felix Otter|title=Residential Architecture in Bhoja's Samaranganasutradhara: Introduction, Text, Translation and Notes |url=https://books.google.com/books?id=zYDvDwAAQBAJ |year=2009|publisher=Motilal Banarsidass|isbn=978-81-208-3447-7|pages=1–5}}</ref> This manuscript has 7,430 ''shlokas'' (verses) set in 83 ''adhyayas'' (chapters). A notable aspect of each ''adhyaya'' is that it starts with a verse composed in ''anustubh'' meter (''chanda'' in Hindu texts) and ends with a verse in a longer meter, typically ''upajati'' or ''vasantatilaka''.<ref name="Otter2009p5">{{cite book|author=Felix Otter|title=Residential Architecture in Bhoja's Samaranganasutradhara: Introduction, Text, Translation and Notes |url=https://books.google.com/books?id=zYDvDwAAQBAJ |year=2009|publisher=Motilal Banarsidass|isbn=978-81-208-3447-7|pages=5–7}}</ref>
Three manuscripts of ''Samarangana Sutradhara'' were discovered in early 20th century, while others were found later. They vary somewhat and all survive in an incomplete form. The most complete version is one likely copied and recompiled in the 15th century.<ref name="Otter2009p1">{{cite book|author=Felix Otter|title=Residential Architecture in Bhoja's Samaranganasutradhara: Introduction, Text, Translation and Notes |url=https://books.google.com/books?id=zYDvDwAAQBAJ |year=2009|publisher=Motilal Banarsidass|isbn=978-81-208-3447-7|pages=1–5}}</ref> This manuscript has 7,430 ''[[shloka]]s'' (verses) set in 83 ''adhyayas'' (chapters). A notable aspect of each ''adhyaya'' is that it starts with a verse composed in ''[[Anuṣṭubh|anustubh]]'' meter (''chanda'' in Hindu texts) and ends with a verse in a longer meter, typically ''upajati'' or ''vasantatilaka''.<ref name="Otter2009p5">{{cite book|author=Felix Otter|title=Residential Architecture in Bhoja's Samaranganasutradhara: Introduction, Text, Translation and Notes |url=https://books.google.com/books?id=zYDvDwAAQBAJ |year=2009|publisher=Motilal Banarsidass|isbn=978-81-208-3447-7|pages=5–7}}</ref>


The ''Samarangana Sutradhara'' is among the few important texts that have survived on the theory and practice of Hindu temple architecture in north, central and western Indian subcontinent (chapters 52–67). Its chapters also include discussions on town planning, house architecture, iconography, painting (''chitra''), and sculpture arts (''shilpa'').<ref name="Hardy2015p22"/> Some chapters include Hindu legends such as of sleeping Vishnu as it explains its ideas, as well as verses on Hindu philosophies such as Samkhya and Vedanta. It includes a discussion of ''vastu mandalas'' (chapters 11–15). Others are practical manuals on architecture and construction; for example, house (chapter 37), soil preparation (chapter 8), wood and timber for carpentry (chapter 16), laying bricks (chapter 41) and others. Later chapters (70–83) are dedicated to sculpture and painting.<ref name="Hardy2015p24">{{cite book|author=Adam Hardy|title=Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings|url=https://books.google.com/books?id=_oADrgEACAAJ |year=2015|publisher=Indira Gandhi National Centre for the Arts|isbn=978-93-81406-41-0|pages=23–26}}</ref>{{refn|group=note|This is not step by step manual in the modern sense, as are found globally in the contemporary cultural practice, states Mattia Salvini; yet, they are useful guidelines "given in a context and manner" suited to its age.<ref>Mattia Salvini (2012), ''The Samarāṅganasūtradhāra: Themes and Context for the Science of Vāstu'', Journal of the Royal Asiatic Society, Cambridge University Press, Vol. 22, No. 1, pages 43–44, {{JSTOR|41490373}}</ref>}}
The ''Samarangana Sutradhara'' is among the few important texts that have survived on the theory and practice of Hindu temple architecture in the north, central and western Indian subcontinent (chapters 52–67). Its chapters also include discussions on town planning, house architecture, iconography, painting (''chitra''), and sculpture arts (''[[Shilpa Shastras|shilpa]]'').<ref name="Hardy2015p22"/> Some chapters include Hindu legends such as of sleeping [[Vishnu]] as it explains its ideas, as well as verses on Hindu philosophies such as [[Samkhya]] and [[Vedanta]]. It includes a discussion of ''[[Vastu shastra|vastu]] mandalas'' (chapters 11–15). Others are practical manuals on architecture and construction; for example, house (chapter 37), soil preparation (chapter 8), wood and timber for carpentry (chapter 16), laying bricks (chapter 41) and others. Later chapters (70–83) are dedicated to sculpture and painting.<ref name="Hardy2015p24">{{cite book|author=Adam Hardy|title=Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings|url=https://books.google.com/books?id=_oADrgEACAAJ |year=2015|publisher=Indira Gandhi National Centre for the Arts|isbn=978-93-81406-41-0|pages=23–26}}</ref>{{refn|group=note|This is not step by step manual in the modern sense, as are found globally in the contemporary cultural practice, states Mattia Salvini; yet, they are useful guidelines "given in a context and manner" suited to its age.<ref>Mattia Salvini (2012), ''The Samarāṅganasūtradhāra: Themes and Context for the Science of Vāstu'', Journal of the Royal Asiatic Society, Cambridge University Press, Vol. 22, No. 1, pages 43–44, {{JSTOR|41490373}}</ref>}}


The ''Samarangana Sutradhara'' acknowledges and builds upon older Indian texts on temple architecture, and ''vastu'' in general, states [[Adam Hardy]] – a scholar of [[Hindu temple architecture]] and related historic texts. It provides one of the most complete list and descriptions of 64 designs of Indian temples as they existed by the 11th-century.<ref>{{cite book|author=Adam Hardy|title=Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings|url=https://books.google.com/books?id=_oADrgEACAAJ |year=2015|publisher=Indira Gandhi National Centre for the Arts|isbn=978-93-81406-41-0|page=22–29, chapter 3}}</ref> The text also influenced later Indian treatises such as the 12th-century ''[[Aparajitaprccha]]''.<ref>M.A. Dhaky (1961), ''The influence of the Samaranganasutradhara on Aparajitaprccha'', Journal of the Oriental Institute, Volume 10, Number 3, pages 226-234</ref> The text is significant in its discussion about Nagara, Dravida,<ref name="Hardy2009">{{cite journal | last=Hardy | first=Adam | title=Drāvida Temples in the Samarānganasūtradhāra | journal=South Asian Studies | volume=25 | issue=1 | year=2009 | doi=10.1080/02666030.2009.9628698 | pages=41–62}}</ref> Bhumija and other diversified styles of Hindu temples.<ref>{{cite book|author=Adam Hardy|title=Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings|url=https://books.google.com/books?id=_oADrgEACAAJ |year=2015|publisher=Indira Gandhi National Centre for the Arts|isbn=978-93-81406-41-0|page=Chapters 3–5}}</ref> It is particularly notable for the sections that match with the unfinished 11th-century temple in Bhojpur (Madhya Pradesh) and the earliest known architectural drawings of a Hindu temple engraved on the surrounding rocks.<ref>{{cite book|author=Adam Hardy|title=Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings|url=https://books.google.com/books?id=_oADrgEACAAJ |year=2015|publisher=Indira Gandhi National Centre for the Arts|isbn=978-93-81406-41-0|page=255–269, chapter 6}}</ref><ref>M.N. Deshpande (1983), ''The Siva Temple at Bhojpur: Application of Samaranganasutradhara'',  
The ''Samarangana Sutradhara'' acknowledges and builds upon older Indian texts on temple architecture, and ''vastu'' in general, states [[Adam Hardy (architectural historian)|Adam Hardy]] – a scholar of [[Hindu temple architecture]] and related historic texts. It provides one of the most complete list and descriptions of 64 designs of Indian temples as they existed by the 11th century.<ref>{{cite book|author=Adam Hardy|title=Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings|url=https://books.google.com/books?id=_oADrgEACAAJ |year=2015|publisher=Indira Gandhi National Centre for the Arts|isbn=978-93-81406-41-0|pages=22–29, chapter 3}}</ref> The text also influenced later Indian treatises such as the 12th-century ''[[Aparajitaprccha]]''.<ref>M.A. Dhaky (1961), ''The influence of the Samaranganasutradhara on Aparajitaprccha'', Journal of the Oriental Institute, Volume 10, Number 3, pages 226-234</ref> The text is significant in its discussion about Nagara, [[Dravidian architecture|Dravida]],<ref name="Hardy2009">{{cite journal | last=Hardy | first=Adam | title=Drāvida Temples in the Samarānganasūtradhāra | journal=South Asian Studies | volume=25 | issue=1 | year=2009 | doi=10.1080/02666030.2009.9628698 | pages=41–62| s2cid=15290721 | url=https://orca.cardiff.ac.uk/13911/1/Dravida%20Temples%20in%20the%20Samarangana.pdf }}</ref> Bhumija and other diversified styles of Hindu temples.<ref>{{cite book|author=Adam Hardy|title=Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings|url=https://books.google.com/books?id=_oADrgEACAAJ |year=2015|publisher=Indira Gandhi National Centre for the Arts|isbn=978-93-81406-41-0|page=Chapters 3–5}}</ref> It is particularly notable for the sections that match with the unfinished 11th-century temple in [[Bhojpur, Madhya Pradesh|Bhojpur]] ([[Madhya Pradesh]]) and the earliest known architectural drawings of a Hindu temple engraved on the surrounding rocks.<ref>{{cite book|author=Adam Hardy|title=Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings|url=https://books.google.com/books?id=_oADrgEACAAJ |year=2015|publisher=Indira Gandhi National Centre for the Arts|isbn=978-93-81406-41-0|pages=255–269, chapter 6}}</ref><ref>M.N. Deshpande (1983), ''The Siva Temple at Bhojpur: Application of Samaranganasutradhara'',  
Journal of the Asiatic Society of Bombay, Vol 54-55, pp 35-39</ref>
Journal of the Asiatic Society of Bombay, Vol 54-55, pp 35-39</ref>


The ''Samarangana Sutradhara'' has a chapter on the art of mechanical contrivances, the [[yantra]]s (chapter 31). ''Samarangana Sutradhara'' includes chapters about the decoration of palaces, which describes the construction of mechanical contrivances ([[automata]]), including mechanical bees and birds, fountains shaped like humans and animals, and male and female dolls that refilled oil lamps, danced, played instruments, and re-enacted scenes from Hindu mythology.<ref>{{cite book|last=Varadpande|first=Manohar Laxman|year=1987|title=History of Indian Theatre, Volume 1|page=68|url=https://books.google.com/books?id=SyxOHOCVcVkC&pg=PA68}}</ref><ref>{{cite book|last= Wujastyk|first=Dominik|year=2003|title=The Roots of Ayurveda: Selections from Sanskrit Medical Writings|page=222|url=https://books.google.com/books?id=TaZCwjtmzZYC&pg=PA222&dq=automata#v=onepage&q=automata&f=false}}</ref><ref>{{cite book|last=Needham|first=Joseph|year=1965|title=Science and Civilisation in China: Volume 4, Physics and Physical Technology Part 2, Mechanical Engineering|page=164|url=https://books.google.com/books?id=SeGyrCfYs2AC&pg=PA164&dq=bhoja+automata}}</ref>  
The ''Samarangana Sutradhara'' has a chapter on the art of mechanical contrivances, the [[yantra]]s (chapter 31). ''Samarangana Sutradhara'' includes chapters about the decoration of palaces, which describes the construction of mechanical contrivances ([[automata]]), including mechanical bees and birds, fountains shaped like humans and animals, and male and female dolls that refilled oil lamps, danced, played instruments, and re-enacted scenes from Hindu mythology.<ref>{{cite book|last=Varadpande|first=Manohar Laxman|year=1987|title=History of Indian Theatre, Volume 1|page=68|publisher=Abhinav Publications |isbn=9788170172215|url=https://books.google.com/books?id=SyxOHOCVcVkC&pg=PA68}}</ref><ref>{{cite book|last= Wujastyk|first=Dominik|year=2003|title=The Roots of Ayurveda: Selections from Sanskrit Medical Writings|page=222|publisher=Penguin |isbn=9780140448245|url=https://books.google.com/books?id=TaZCwjtmzZYC&dq=automata&pg=PA222}}</ref><ref>{{cite book|last=Needham|first=Joseph|year=1965|title=Science and Civilisation in China: Volume 4, Physics and Physical Technology Part 2, Mechanical Engineering|page=164|isbn=9780521058032|url=https://books.google.com/books?id=SeGyrCfYs2AC&dq=bhoja+automata&pg=PA164}}</ref>


It has some visionary speculative verses as well, such as envisioning machines that could fly.<ref>{{cite book|author=Adam Hardy|title=Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings|url=https://books.google.com/books?id=_oADrgEACAAJ |year=2015|publisher=Indira Gandhi National Centre for the Arts|isbn=978-93-81406-41-0|page=24}}</ref> However, the author states that he will "not explain how to construct such machines, for the sake of secrecy".<ref>Mattia Salvini (2012), ''The Samarāṅganasūtradhāra: Themes and Context for the Science of Vāstu'', Journal of the Royal Asiatic Society, Cambridge University Press, Vol. 22, No. 1, page 41 (context: pp. 35-55), {{JSTOR|41490373}}</ref>
It has some visionary verses as well, such as envisioning machines that could fly.<ref>{{cite book|author=Adam Hardy|title=Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings|url=https://books.google.com/books?id=_oADrgEACAAJ |year=2015|publisher=Indira Gandhi National Centre for the Arts|isbn=978-93-81406-41-0|page=24}}</ref> However, the author states that he will "not explain how to construct such machines, for the sake of secrecy, and not due to lack of knowledge."<ref>Mattia Salvini (2012), ''The Samarāṅganasūtradhāra: Themes and Context for the Science of Vāstu'', Journal of the Royal Asiatic Society, Cambridge University Press, Vol. 22, No. 1, page 41 (context: pp. 35-55), {{JSTOR|41490373}}</ref>


== Editions ==
== Editions ==
Line 32: Line 32:


==See also==
==See also==
*[[Vastu Shastra]]
*[[Vastu Shastra]]


[[Category:Indian literature]]
[[Category:Indian literature]]
[[Category:Indian architectural history]]
[[Category:Indian architectural history]]
[[Category:Architectural treatises]]
[[Category:Hindu texts]]
[[Category:Hindu texts]]
[[Category:Hindu architecture]]
[[Category:Hindu architecture]]

Latest revision as of 02:35, 12 March 2025


Samarangana Sutradhara (IAST: Samarāṅgaṇasūtradhāra) is an 11th-century poetic treatise on classical Indian architecture (vastu shastra) written in the Sanskrit language attributed to Paramara King Bhoja of Dhar.[1][2][note 1] The title Samarāṅgaṇasūtradhāra is a compound word that literally means "architect of human dwellings", but can also be decomposed to an alternate meaning as "stage manager for battlefields" – possibly a play of words to recognize its royal author.[1]

Three manuscripts of Samarangana Sutradhara were discovered in early 20th century, while others were found later. They vary somewhat and all survive in an incomplete form. The most complete version is one likely copied and recompiled in the 15th century.[2] This manuscript has 7,430 shlokas (verses) set in 83 adhyayas (chapters). A notable aspect of each adhyaya is that it starts with a verse composed in anustubh meter (chanda in Hindu texts) and ends with a verse in a longer meter, typically upajati or vasantatilaka.[4]

The Samarangana Sutradhara is among the few important texts that have survived on the theory and practice of Hindu temple architecture in the north, central and western Indian subcontinent (chapters 52–67). Its chapters also include discussions on town planning, house architecture, iconography, painting (chitra), and sculpture arts (shilpa).[1] Some chapters include Hindu legends such as of sleeping Vishnu as it explains its ideas, as well as verses on Hindu philosophies such as Samkhya and Vedanta. It includes a discussion of vastu mandalas (chapters 11–15). Others are practical manuals on architecture and construction; for example, house (chapter 37), soil preparation (chapter 8), wood and timber for carpentry (chapter 16), laying bricks (chapter 41) and others. Later chapters (70–83) are dedicated to sculpture and painting.[5][note 2]

The Samarangana Sutradhara acknowledges and builds upon older Indian texts on temple architecture, and vastu in general, states Adam Hardy – a scholar of Hindu temple architecture and related historic texts. It provides one of the most complete list and descriptions of 64 designs of Indian temples as they existed by the 11th century.[7] The text also influenced later Indian treatises such as the 12th-century Aparajitaprccha.[8] The text is significant in its discussion about Nagara, Dravida,[9] Bhumija and other diversified styles of Hindu temples.[10] It is particularly notable for the sections that match with the unfinished 11th-century temple in Bhojpur (Madhya Pradesh) and the earliest known architectural drawings of a Hindu temple engraved on the surrounding rocks.[11][12]

The Samarangana Sutradhara has a chapter on the art of mechanical contrivances, the yantras (chapter 31). Samarangana Sutradhara includes chapters about the decoration of palaces, which describes the construction of mechanical contrivances (automata), including mechanical bees and birds, fountains shaped like humans and animals, and male and female dolls that refilled oil lamps, danced, played instruments, and re-enacted scenes from Hindu mythology.[13][14][15]

It has some visionary verses as well, such as envisioning machines that could fly.[16] However, the author states that he will "not explain how to construct such machines, for the sake of secrecy, and not due to lack of knowledge."[17]

Editions[edit | edit source]

  • Sastri, T.G. (1924)
  • Kumar, Pushpendra, Bhoja's Samarangana-Sutradhara : Vastushastra. 2 Vols, New Bharatiya Book Corporation (2004), ISBN 81-87418-92-3.

Critical studies and translations[edit | edit source]

  • Chapters on residential architecture, Felix Otter (2009)[18]
  • Chapters on Indian temple architecture, Adam Hardy (2015)[19]
  • Sharma, Sudarshan Kumar, Samarangana Sutradhara of Bhojadeva : An Ancient Treatise on Architecture (With an introduction, Sanskrit text, verse by verse English translation, 2 Volumes (2007), ISBN 81-7110-302-2

Notes[edit | edit source]

  1. ↑ Though Bhoja is the attributed author in the colophon, it is unclear if he actually wrote this text. The reasons for doubts are several: (1) Bhoja is the attributed author in the colophons of 33 major Sanskrit texts in diverse subjects; given his political and administrative responsibilities, this is suspect; (2) a philological analysis suggests that the verse style and quality of Sanskrit varies in these texts, as well as within the chapters of Samarāṅgaṇasūtradhāra; this may be because of different authors and the text being a compilation. According to Felix Otter, some of these texts and possibly portions of a few others are likely the work of one author – Bhoja.[3]
  2. ↑ This is not step by step manual in the modern sense, as are found globally in the contemporary cultural practice, states Mattia Salvini; yet, they are useful guidelines "given in a context and manner" suited to its age.[6]

References[edit | edit source]

  1. ↑ 1.0 1.1 1.2 Adam Hardy (2015). Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings. Indira Gandhi National Centre for the Arts. pp. 22–23. ISBN 978-93-81406-41-0.
  2. ↑ 2.0 2.1 Felix Otter (2009). Residential Architecture in Bhoja's Samaranganasutradhara: Introduction, Text, Translation and Notes. Motilal Banarsidass. pp. 1–5. ISBN 978-81-208-3447-7.
  3. ↑ Felix Otter (2009). Residential Architecture in Bhoja's Samaranganasutradhara: Introduction, Text, Translation and Notes. Motilal Banarsidass. pp. 6–14. ISBN 978-81-208-3447-7.
  4. ↑ Felix Otter (2009). Residential Architecture in Bhoja's Samaranganasutradhara: Introduction, Text, Translation and Notes. Motilal Banarsidass. pp. 5–7. ISBN 978-81-208-3447-7.
  5. ↑ Adam Hardy (2015). Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings. Indira Gandhi National Centre for the Arts. pp. 23–26. ISBN 978-93-81406-41-0.
  6. ↑ Mattia Salvini (2012), The Samarāṅganasūtradhāra: Themes and Context for the Science of Vāstu, Journal of the Royal Asiatic Society, Cambridge University Press, Vol. 22, No. 1, pages 43–44, JSTOR 41490373
  7. ↑ Adam Hardy (2015). Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings. Indira Gandhi National Centre for the Arts. pp. 22–29, chapter 3. ISBN 978-93-81406-41-0.
  8. ↑ M.A. Dhaky (1961), The influence of the Samaranganasutradhara on Aparajitaprccha, Journal of the Oriental Institute, Volume 10, Number 3, pages 226-234
  9. ↑ Hardy, Adam (2009). "Drāvida Temples in the Samarānganasūtradhāra" (PDF). South Asian Studies. 25 (1): 41–62. doi:10.1080/02666030.2009.9628698. S2CID 15290721.
  10. ↑ Adam Hardy (2015). Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings. Indira Gandhi National Centre for the Arts. p. Chapters 3–5. ISBN 978-93-81406-41-0.
  11. ↑ Adam Hardy (2015). Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings. Indira Gandhi National Centre for the Arts. pp. 255–269, chapter 6. ISBN 978-93-81406-41-0.
  12. ↑ M.N. Deshpande (1983), The Siva Temple at Bhojpur: Application of Samaranganasutradhara, Journal of the Asiatic Society of Bombay, Vol 54-55, pp 35-39
  13. ↑ Varadpande, Manohar Laxman (1987). History of Indian Theatre, Volume 1. Abhinav Publications. p. 68. ISBN 9788170172215.
  14. ↑ Wujastyk, Dominik (2003). The Roots of Ayurveda: Selections from Sanskrit Medical Writings. Penguin. p. 222. ISBN 9780140448245.
  15. ↑ Needham, Joseph (1965). Science and Civilisation in China: Volume 4, Physics and Physical Technology Part 2, Mechanical Engineering. p. 164. ISBN 9780521058032.
  16. ↑ Adam Hardy (2015). Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings. Indira Gandhi National Centre for the Arts. p. 24. ISBN 978-93-81406-41-0.
  17. ↑ Mattia Salvini (2012), The Samarāṅganasūtradhāra: Themes and Context for the Science of Vāstu, Journal of the Royal Asiatic Society, Cambridge University Press, Vol. 22, No. 1, page 41 (context: pp. 35-55), JSTOR 41490373
  18. ↑ Felix Otter (2009). Residential Architecture in Bhoja's Samaranganasutradhara: Introduction, Text, Translation and Notes. Motilal Banarsidass. ISBN 978-81-208-3447-7.
  19. ↑ Adam Hardy (2015). Theory and Practice of Temple Architecture in Medieval India: Bhoja's Samarāṅgaṇasūtradhāra and the Bhojpur Line Drawings. Indira Gandhi National Centre for the Arts. ISBN 978-93-81406-41-0.

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