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{{about|the Telugu author|the Mesopotamian goddess| | {{Short description|11th-century Telugu-language poet}} | ||
{{Use dmy dates|date= | {{about|the Telugu author|the Mesopotamian goddess|Nayana}} | ||
{{Use Indian English|date= | {{Use dmy dates|date=December 2025}} | ||
{{Use Indian English|date=December 2025}} | |||
{{Infobox writer | {{Infobox writer | ||
| name | | name = Nannayya Bhattaraka | ||
| image | | image = Nannaya Telugu Poet (Stamp of India - 2017 - Colnect 741696 - Adikavi Nannaya Telugu Poet (cropped).jpeg | ||
| | | caption = Nannaya as depicted on a 2017 postage stamp of India | ||
| pseudonym = | |||
| pseudonym | | birth_place = [[Rajamahendravaram]].<ref name=VV/><br/>(present-day [[Rajamundry]], [[Andhra Pradesh]], [[India]]) | ||
| | | death_date = 11th century | ||
| death_place = | |||
| occupation = Poet, writer | |||
| death_date | | period = 11th century | ||
| death_place | | genre = Poet | ||
| occupation | | movement = [[Bhakti movement]] | ||
| notableworks = [[Andhra Mahabharatam]] | |||
| spouse = | |||
| period | | native_name = | ||
| genre | | native_name_lang = | ||
| movement | |||
| notableworks = [[Andhra Mahabharatam]] | |||
| spouse | |||
}} | }} | ||
''' | '''Nannayya Bhattaraka''' or '''Nannayya Bhattu''' (sometimes spelled '''Nannaya'''; {{Circa|11th century}}) was a [[Telugu language|Telugu]] poet and the author of ''[[Andhra Mahabharatam]]'', a Telugu retelling of the [[Sanskrit]]-language ''[[Mahabharata]]''. Nannaya is generally considered the first poet (''Adi Kavi'') of Telugu language.<ref>{{Cite book |last=Devadevan |first=Manu V. |url=https://books.google.com/books?id=exzhDwAAQBAJ&dq=Nannaya+first+poet+(adi+kavi)&pg=PA18 |title=The 'Early Medieval' Origins of India |date=3 December 2020 |publisher=[[Cambridge University Press]] |isbn=978-1-108-49457-1 |pages=18 |language=en |author-link=Manu V. Devadevan}}</ref><ref name=":0">{{Cite book |last=Das |first=Sisir Kumar |url=https://books.google.com/books?id=BC3l1AbPM8sC&dq=Nannaya+first+poet+(adi+kavi)&pg=PA139 |title=A History of Indian Literature, 500-1399: From Courtly to the Popular |date=2005 |publisher=[[Sahitya Akademi]] |isbn=978-81-260-2171-0 |pages=139 |language=en}}</ref><ref>{{Cite book |last=Rao |first=Sonti Venkata Suryanarayana |url=https://books.google.com/books?id=fXJkAAAAMAAJ&q=Nannaya+first+poet+(adi+kavi) |title=Vignettes of Telugu Literature: A Concise History of Classical Telugu Literature |date=1999 |publisher=Jyeshtha Literary Trust |pages=57 |language=en}}</ref><ref name="VV" /> He was patronised by [[Rajaraja Narendra]] of [[Rajahmundry|Rajamahendravaram]].<ref>{{Cite book |last=Datta |first=Amaresh |url=https://books.google.com/books?id=ObFCT5_taSgC&dq=Rajaraja+Narendra+nannaya&pg=PA984 |title=Encyclopaedia of Indian Literature |date=1987 |publisher=[[Sahitya Akademi]] |isbn=978-81-260-1803-1 |volume=1 |pages=179, 984 |language=en}}</ref><ref name=VV>{{Cite book |last=Knipe |first=David M. |url=https://books.google.com/books?id=2P8TDAAAQBAJ&dq=Rajaraja+Narendra+nannaya&pg=PA12 |title=Vedic Voices: Intimate Narratives of a Living Andhra Tradition |date=2015 |publisher=[[Oxford University Press]] |isbn=978-0-19-939768-6 |pages=12, 27 |language=en}}</ref><ref name=":0" /> Rajaraja Narendra was an admirer of ''[[Mahabharata]]'' and wanted the message of the Sanskrit epic to reach the Telugu masses in their own language and idiom.<ref name=":1" /> He commissioned Nannaya, a scholar well versed in [[Vedas]], [[Puranas]], and [[Itihasa|Itihasas]] for the task. Nannaya began his work in {{Circa|1025 CE}}<ref>{{Cite book |last=Johnson |first=W. J. |chapter=Āndhra Bhāratamu |date=2009 |chapter-url=https://www.oxfordreference.com/display/10.1093/acref/9780198610250.001.0001/acref-9780198610250-e-183 |title=A Dictionary of Hinduism |publisher=Oxford University Press |language=en |doi=10.1093/acref/9780198610250.001.0001 |isbn=978-0-19-861025-0}}</ref> and wrote [[Adi Parva|Adi Parvam]], [[Sabha Parva|Sabaparvam]], and a part of [[Vana Parva|Aranyaparvam]].<ref name=":1" /> | ||
Nannaya is the first of the three Telugu poets, called the ''[[Kavitrayam]]'' ("trinity of poets"), who wrote ''Andhra Mahabharatam''. His work, which is rendered in the [[Champu]] style, is chaste and polished and of a high literary merit. The advanced and well-developed language used by Nannaya suggests that prior [[Telugu literature]] other than royal grants and decrees must have existed before him. However, these presumed works are now [[Lost literary work|lost]]. Legends also credit him with writing the Sanskrit-language ''Andhra-shabda-chintamani'', said to be the first work on [[Telugu grammar]]. | |||
==Early life== | |||
Nannaya was born in a [[Telugu Brahmin]] family.<ref>{{cite book|title=Social Scientist Volume 23|url=https://books.google.com/books?id=06WaAAAAIAAJ|publisher=Indian School of Social Sciences|year=1995|quote=The genre and style created by Nannayya became the standard for marga poets. Nannayya was a Brahmin and a respected Sanskrit scholar of his time in the court of King Rājarājanarendra who ruled the central Andhra deltaic region.}}</ref> He resided in [[Rajahmundry|Rajamahendravaram]] under the patronage of [[Eastern Chalukyas|Eastern Chalukya]] king [[Rajaraja Narendra]].<ref name="VV" /><ref name=":1">{{Cite book |last=Datta |first=Amaresh |url=https://books.google.com/books?id=ObFCT5_taSgC&dq=Nannaya+tikkana&pg=PA173 |title=Encyclopaedia of Indian Literature |date=1987 |publisher=Sahitya Akademi |isbn=978-81-260-1803-1 |volume=1 |pages=172, 173 |language=en |author-link=Amaresh Datta}}</ref> | |||
== Andhra Mahabharatam == | |||
< | Rajaraja Narendra was an admirer of ''[[Mahabharata]]'' and wanted the message of the Sanskrit epic to reach the Telugu masses in their own language and idiom.<ref name=":1" /> He commissioned Nannaya, a scholar well versed in [[Vedas]], [[Puranas]], and [[Itihasa|Itihasas]] for the task. Nannaya wrote [[Adi Parva|Adi Parvam]], [[Sabha Parva|Sabaparva]], and a part of [[Vana Parva|Aranyaparvam]].<ref name=":1" /> Later in the 13th century [[Tikkana]] left the remainder of Aranyaparvam and wrote 15 parvams from [[Virata Parva|Virata Parvam]] to [[Svargarohana Parva|Svargarohana Parvam]].<ref>{{Cite book |url=https://books.google.com/books?id=ak9csfpY2WoC&dq=Nannaya+tikkana&pg=PA393 |title=Literary Cultures in History: Reconstructions from South Asia |date=19 May 2003 |publisher=University of California Press |isbn=978-0-520-22821-4 |editor-last=Pollock |editor-first=Sheldon |editor-link=Sheldon Pollock |pages=393, 397 |language=en}}</ref> After that in the 14th century [[Errana]] Aranyaparva filled the remainder.<ref name=":1" /> | ||
== | == Grammar == | ||
[[ | Some legends credit Nannaya with writing ''Andhra-shabda-chintamani'' ("Magic Jewel of Telugu Words"), a [[Sanskrit]]-language work that was the first treatise on [[Telugu grammar]]. This [[Lost literary work|lost work]] is said to have contained five chapters with 82 verses in the [[Arya metre]].<ref name="VNR_DS">{{cite book |editor1=Velcheru Narayana Rao |editor1-link=Narayana Rao (author) |editor2=David Shulman |editor2-link=David Dean Shulman |title=Classical Telugu Poetry: An Anthology |year=2002 |publisher=University of California Press |isbn=9780520344525 |pages=230–238 |url=https://books.google.com/books?id=SFXVDwAAQBAJ }}</ref> Nannaya is said to have written this text with help of his friend Narayana Bhatta.<ref>{{Cite book |last=Paniker |first=K. Ayyappa |url=https://books.google.com/books?id=KYLpvaKJIMEC |title=Medieval Indian Literature: Surveys and selections |publisher=Sahitya Akademi |year=1997 |isbn=978-81-260-0365-5 |pages=538 |language=en}}</ref> Nannaya's grammar is said to have been divided into five chapters, covering samjnā, [[sandhi]], ajanta, [[halanta]] and [[kriya]].<ref name="Padmapriya ch1">{{cite book |title= A Comparative Study Of Andhrashabdachintamani And Balavyakaranam |last= Gopavaram |first= Padmapriya |author2=Subrahmanyam, Korada |year= 2011 |publisher= University of Hyderabad |location=Hyderabad|chapter=1}}</ref> | ||
Yelakuchi Bala-sarasvati wrote a Telugu gloss (commentary) on this work, and his ''Bala-sarasvatiyamu'' refers to this legend in brief. A more elaborate version of the legend appears in [[Appa-kavi]]'s ''Appakavīyamu'' (1656). According to this version, [[Vemulawada Bheemakavi|Bhimana]], who was jealous of Nannaya, stole and destroyed ''Andhra-shabda-chintamani'' by throwing it in the [[Godavari River]]. Unknown to others, King [[Rajaraja Narendra|Rajaraja-narendra]]'s son Saranga-dhara, an immortal ''[[siddha]]'', had memorised Nannaya's grammar. He gave a written copy of Nannaya's work to Bala-sarasvati near Matanga Hill (at [[Vijayanagara]]), and Bala-sarasvati wrote a Telugu gloss (commentary) on the work. With help of the god [[Vishnu]], Appa-kavi received a copy of Nannaya's work, and wrote ''Appakavīyamu'' as a commentary on this text. ''Ahobala-panditiya'' (also known as ''Kavi-siro-bhushana''), a Sanskrit commentary on ''Andhra-shabda-chintamani'', also retells this story.<ref name="VNR_DS"/> | |||
While some of the grammatical ''sutras'' in Appa-kavi's work may be from Nannaya's time, ''Andhra-shabda-chintamani'' is an imaginary work,<ref name="VNR_DS"/> and was probably fabricated by Bala-sarasvati himself.<ref>{{cite book |editor=Sonti Venkata Suryanarayana Rao |title=Vignettes of Telugu Literature: A Concise History of Classical Telugu Literature |year=1999 |publisher=Jyeshtha Literary Trust |page=151 |url=https://books.google.com/books?id=fXJkAAAAMAAJ |oclc=49701372 }}</ref> Although Appa-kavi describes his work as a commentary, it is really an original work.<ref name="VNR_DS"/> | |||
==See also== | ==See also== | ||
| Line 58: | Line 53: | ||
* Andhra Pradesh Darshini, Parts 1 and 2, Chief Editor Y. V. Krishnarao | * Andhra Pradesh Darshini, Parts 1 and 2, Chief Editor Y. V. Krishnarao | ||
== External links == | |||
* [https://www.youtube.com/watch?v=tbnBvsL25lA&t=2125 About Nannaya Bharatham By Dr. Garikapati] | |||
{{Authority control}} | {{Authority control}} | ||
[[Category:Telugu poets]] | [[Category:Telugu poets]] | ||
[[Category:11th-century Indian writers]] | [[Category:11th-century Indian writers]] | ||
[[Category:Indian male writers]] | [[Category:Indian male writers]] | ||
[[Category: | [[Category:Writers from Rajahmundry]] | ||
[[Category:Writers from Andhra Pradesh]] | [[Category:Writers from Andhra Pradesh]] | ||
[[Category:Sanskrit–Telugu translators]] | |||
Latest revision as of 17:34, 26 February 2026
Nannayya Bhattaraka | |
|---|---|
![]() Nannaya as depicted on a 2017 postage stamp of India | |
| Born | Rajamahendravaram.[1] (present-day Rajamundry, Andhra Pradesh, India) |
| Died | 11th century |
| Occupation | Poet, writer |
| Period | 11th century |
| Genre | Poet |
| Literary movement | Bhakti movement |
| Notable works | Andhra Mahabharatam |
Nannayya Bhattaraka or Nannayya Bhattu (sometimes spelled Nannaya; c. 11th century) was a Telugu poet and the author of Andhra Mahabharatam, a Telugu retelling of the Sanskrit-language Mahabharata. Nannaya is generally considered the first poet (Adi Kavi) of Telugu language.[2][3][4][1] He was patronised by Rajaraja Narendra of Rajamahendravaram.[5][1][3] Rajaraja Narendra was an admirer of Mahabharata and wanted the message of the Sanskrit epic to reach the Telugu masses in their own language and idiom.[6] He commissioned Nannaya, a scholar well versed in Vedas, Puranas, and Itihasas for the task. Nannaya began his work in c. 1025 CE[7] and wrote Adi Parvam, Sabaparvam, and a part of Aranyaparvam.[6]
Nannaya is the first of the three Telugu poets, called the Kavitrayam ("trinity of poets"), who wrote Andhra Mahabharatam. His work, which is rendered in the Champu style, is chaste and polished and of a high literary merit. The advanced and well-developed language used by Nannaya suggests that prior Telugu literature other than royal grants and decrees must have existed before him. However, these presumed works are now lost. Legends also credit him with writing the Sanskrit-language Andhra-shabda-chintamani, said to be the first work on Telugu grammar.
Early life[edit | edit source]
Nannaya was born in a Telugu Brahmin family.[8] He resided in Rajamahendravaram under the patronage of Eastern Chalukya king Rajaraja Narendra.[1][6]
Andhra Mahabharatam[edit | edit source]
Rajaraja Narendra was an admirer of Mahabharata and wanted the message of the Sanskrit epic to reach the Telugu masses in their own language and idiom.[6] He commissioned Nannaya, a scholar well versed in Vedas, Puranas, and Itihasas for the task. Nannaya wrote Adi Parvam, Sabaparva, and a part of Aranyaparvam.[6] Later in the 13th century Tikkana left the remainder of Aranyaparvam and wrote 15 parvams from Virata Parvam to Svargarohana Parvam.[9] After that in the 14th century Errana Aranyaparva filled the remainder.[6]
Grammar[edit | edit source]
Some legends credit Nannaya with writing Andhra-shabda-chintamani ("Magic Jewel of Telugu Words"), a Sanskrit-language work that was the first treatise on Telugu grammar. This lost work is said to have contained five chapters with 82 verses in the Arya metre.[10] Nannaya is said to have written this text with help of his friend Narayana Bhatta.[11] Nannaya's grammar is said to have been divided into five chapters, covering samjnā, sandhi, ajanta, halanta and kriya.[12]
Yelakuchi Bala-sarasvati wrote a Telugu gloss (commentary) on this work, and his Bala-sarasvatiyamu refers to this legend in brief. A more elaborate version of the legend appears in Appa-kavi's Appakavīyamu (1656). According to this version, Bhimana, who was jealous of Nannaya, stole and destroyed Andhra-shabda-chintamani by throwing it in the Godavari River. Unknown to others, King Rajaraja-narendra's son Saranga-dhara, an immortal siddha, had memorised Nannaya's grammar. He gave a written copy of Nannaya's work to Bala-sarasvati near Matanga Hill (at Vijayanagara), and Bala-sarasvati wrote a Telugu gloss (commentary) on the work. With help of the god Vishnu, Appa-kavi received a copy of Nannaya's work, and wrote Appakavīyamu as a commentary on this text. Ahobala-panditiya (also known as Kavi-siro-bhushana), a Sanskrit commentary on Andhra-shabda-chintamani, also retells this story.[10]
While some of the grammatical sutras in Appa-kavi's work may be from Nannaya's time, Andhra-shabda-chintamani is an imaginary work,[10] and was probably fabricated by Bala-sarasvati himself.[13] Although Appa-kavi describes his work as a commentary, it is really an original work.[10]
See also[edit | edit source]
References[edit | edit source]
- ↑ 1.0 1.1 1.2 1.3 Knipe, David M. (2015). Vedic Voices: Intimate Narratives of a Living Andhra Tradition. Oxford University Press. pp. 12, 27. ISBN 978-0-19-939768-6.
- ↑ Devadevan, Manu V. (3 December 2020). The 'Early Medieval' Origins of India. Cambridge University Press. p. 18. ISBN 978-1-108-49457-1.
- ↑ 3.0 3.1 Das, Sisir Kumar (2005). A History of Indian Literature, 500-1399: From Courtly to the Popular. Sahitya Akademi. p. 139. ISBN 978-81-260-2171-0.
- ↑ Rao, Sonti Venkata Suryanarayana (1999). Vignettes of Telugu Literature: A Concise History of Classical Telugu Literature. Jyeshtha Literary Trust. p. 57.
- ↑ Datta, Amaresh (1987). Encyclopaedia of Indian Literature. Vol. 1. Sahitya Akademi. pp. 179, 984. ISBN 978-81-260-1803-1.
- ↑ 6.0 6.1 6.2 6.3 6.4 6.5 Datta, Amaresh (1987). Encyclopaedia of Indian Literature. Vol. 1. Sahitya Akademi. pp. 172, 173. ISBN 978-81-260-1803-1.
- ↑ Johnson, W. J. (2009). "Āndhra Bhāratamu". A Dictionary of Hinduism. Oxford University Press. doi:10.1093/acref/9780198610250.001.0001. ISBN 978-0-19-861025-0.
- ↑ Social Scientist Volume 23. Indian School of Social Sciences. 1995.
The genre and style created by Nannayya became the standard for marga poets. Nannayya was a Brahmin and a respected Sanskrit scholar of his time in the court of King Rājarājanarendra who ruled the central Andhra deltaic region.
- ↑ Pollock, Sheldon, ed. (19 May 2003). Literary Cultures in History: Reconstructions from South Asia. University of California Press. pp. 393, 397. ISBN 978-0-520-22821-4.
- ↑ 10.0 10.1 10.2 10.3 Velcheru Narayana Rao; David Shulman, eds. (2002). Classical Telugu Poetry: An Anthology. University of California Press. pp. 230–238. ISBN 9780520344525.
- ↑ Paniker, K. Ayyappa (1997). Medieval Indian Literature: Surveys and selections. Sahitya Akademi. p. 538. ISBN 978-81-260-0365-5.
- ↑ Gopavaram, Padmapriya; Subrahmanyam, Korada (2011). "1". A Comparative Study Of Andhrashabdachintamani And Balavyakaranam. Hyderabad: University of Hyderabad.
- ↑ Sonti Venkata Suryanarayana Rao, ed. (1999). Vignettes of Telugu Literature: A Concise History of Classical Telugu Literature. Jyeshtha Literary Trust. p. 151. OCLC 49701372.
- Sources
- History and Culture of Andhra Pradesh, P. R. Rao
- Andhrula Saanghika Charitra, Pratapareddy Suravaram
- Andhra Vagmaya Charitramu, Dr. Venkatavadhani Divakarla
- Andhra Pradesh Darshini, Parts 1 and 2, Chief Editor Y. V. Krishnarao
