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Yaman (raga): Difference between revisions
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| time = Evening | | time = Evening | ||
| season = 1 | | season = 1 | ||
| arohana = Ni R | | arohana = Ni R Ga {{overline|Ma}} Dha Ni Sa | ||
| avarohana = Sa' Ni Dha Pa {{overline|Ma}} Ga Re Sa | | avarohana = Sa' Ni Dha Pa {{overline|Ma}} Ga Re Sa | ||
| vadi = Ga | | vadi = Ga | ||
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'''Yaman''' (also known as '''alyaan''', '''Iman, Aiman''',''''Eman'''', ''''[[Kalyani (raga)|Kalyani]]'''' in [[Carnatic classical music]]) is a [[heptatonic]] ([[Sampurna raga|Sampurna]]) [[Hindustani classical music|Indian classical]] [[raga]] of [[Kalyan (thaat)|Kalyan]] [[Thaat]]. | '''Yaman''' (also known as '''alyaan''', '''Iman, Aiman''',''''Eman'''', ''''[[Kalyani (raga)|Kalyani]]'''' in [[Carnatic classical music]]) is a [[heptatonic]] ([[Sampurna raga|Sampurna]]) [[Hindustani classical music|Indian classical]] [[raga]] of [[Kalyan (thaat)|Kalyan]] [[Thaat]]. | ||
Its signature phrase ( | Its signature phrase (Pakad) is ni-Re-Ga-/Re-Ga/ni-Re-Sa/Pa-Ma#-Ga-Re/ni-Re-Sa' (Ma is teevra). | ||
Tonal movements of the notes mostly reflect zigzag motion ''with gap of one or several notes'' usually that prefer reverse order very often like DNS' mDN GmD RGm N,GR or MDNS' GmDN RGmD N,RGm D,N,GR etc . Ideally yaman should not use PR combination but can use P~R showing colour of m or G while gliding from P to R, for PR is one of the specific identification of raag kalyaan. | Tonal movements of the notes mostly reflect zigzag motion ''with gap of one or several notes'' usually that prefer reverse order very often like DNS' mDN GmD RGm N,GR or MDNS' GmDN RGmD N,RGm D,N,GR etc . Ideally yaman should not use PR combination but can use P~R showing colour of m or G while gliding from P to R, for PR is one of the specific identification of raag kalyaan. | ||
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=== Mechanics === | === Mechanics === | ||
Yaman's Jati is a Sampurna raga (ideally, yaman is audav sampoorna raag because of the structure- N,RGmDNR'S' NDPmGRS) and in some cases Shadav; the ascending Aaroha scale and the descending style of the [[Avrohana|avroha]] includes all seven notes in the octave (When it is audav, the Aroha goes like N,RGmDNS', where the fifth note is omitted; Pa but the Avaroha is the same complete octave). All the scale notes (called [[swaras]]) in the raga are Shuddha, the exception being Teevra [[Madhyama (music)|Madhyam]] or prati madhyamam (sharp fourth). The notes of the raga are considered analogous to the western [[Lydian mode]] | Yaman's Jati is a Sampurna raga (ideally, yaman is audav sampoorna raag because of the structure- N,RGmDNR'S' NDPmGRS) and in some cases Shadav; the ascending Aaroha scale and the descending style of the [[Avrohana|avroha]] includes all seven notes in the octave (When it is audav, the Aroha goes like N,RGmDNS', where the fifth note is omitted; Pa but the Avaroha is the same complete octave). All the scale notes (called [[swaras]]) in the raga are Shuddha, the exception being Teevra [[Madhyama (music)|Madhyam]] or prati madhyamam (sharp fourth). The notes of the raga are considered analogous to the western [[Lydian mode]]. | ||
None of the three great treatises of music, accept the existence of {{lang|hi-Latn|tivra}} ma, | None of the three great treatises of music, accept the existence of {{lang|hi-Latn|tivra}} ma, | ||
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=== Tamil === | === Tamil === | ||
Note that the following songs are composed in [[Kalyani (raga)|Kalyani]], the equivalent of raga Yaman in [[Carnatic music]]. | Note that the following songs are composed in [[Kalyani (raga)|Kalyani]], the equivalent of raga Yaman in [[Carnatic music]]. | ||
=== Tamil === | |||
{| class="wikitable" | {| class="wikitable" | ||
! Song | ! Song | ||
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| "Sundari Kannal Oru Seithi" | | "Sundari Kannal Oru Seithi" | ||
| rowspan="2" | ''[[Thalapathy]]'' | | rowspan="2" | ''[[Thalapathy]]'' | ||
| rowspan=" | | rowspan="28" | [[Ilaiyaraaja]] | ||
|- | |- | ||
| "Yamunai Aatrile" | | "Yamunai Aatrile" | ||
| Line 315: | Line 316: | ||
| "Kannale Kadhal Kavithai" | | "Kannale Kadhal Kavithai" | ||
| ''[[Athma (film)|Athma]]'' | | ''[[Athma (film)|Athma]]'' | ||
|- | |||
| "Gangai Aatril Nindrukondu" | |||
| ''[[Aayiram Nilave Vaa]]'' | |||
| [[P. Susheela]] | |||
|- | |- | ||
| "Vaidhegi Raman" | | "Vaidhegi Raman" | ||
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| "Maname Avan Vazhum" | | "Maname Avan Vazhum" | ||
| ''[[Pagalil Pournami]]'' | | ''[[Pagalil Pournami]]'' | ||
|- | |||
| "Alai Meethu Thadumaruthe" | |||
| ''[[Anbulla Malare]]'' | |||
| [[S. P. Balasubrahmanyam]], [[Vani Jairam]] | |||
|- | |- | ||
| "Nathiyil Aadum" | | "Nathiyil Aadum" | ||
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| "Aararo Aararo" | | "Aararo Aararo" | ||
| ''[[Anand (1987 film)|Anand]]'' | | ''[[Anand (1987 film)|Anand]]'' | ||
| [[Lata Mangeshkar]] | | rowspan=2|[[Lata Mangeshkar]] | ||
|- | |||
| "Engirundho Azhaikkum" | |||
| ''[[En Jeevan Paduthu]]'' | |||
|- | |- | ||
| "Malaiyoram Mayile" | | "Malaiyoram Mayile" | ||
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| "Pogadhey Pogadhey" | | "Pogadhey Pogadhey" | ||
| ''[[Deepavali (2007 film)|Deepavali]]'' | | ''[[Deepavali (2007 film)|Deepavali]]'' | ||
| | | [[Yuvan Shankar Raja]] | ||
|- | |- | ||
| "Never let me go" | | "Never let me go" | ||
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| [[Karthik (singer)|Karthik]], [[Megha (singer)|Megha]] | | [[Karthik (singer)|Karthik]], [[Megha (singer)|Megha]] | ||
|- | |- | ||
| | | ''Uyire En Uyire'' | ||
| [[Thotti Jaya]] | | [[Thotti Jaya]] | ||
| [[Karthik (singer)|Karthik]], [[Bombay Jayashri]], [[Anuradha Sriram]] | | [[Karthik (singer)|Karthik]], [[Bombay Jayashri]], [[Anuradha Sriram]] | ||