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A '''''[[raga]]''''' or '''''raag''''' is a complex structure of musical melody used in [[Indian classical music]]. It is a set of rules of how to build a [[melody]] which can ignite a certain mood in the reciter and listeners. The [[Sikhism|Sikh]] holy scripture, [[Guru Granth Sahib Ji]], is composed in and divided into a total of 60 ''ragas''. This is a combination of 39 single raags and 21 mixed (or "mishrit") raags (a raag composed by combining two or three raags together). Each ''raga'' is a chapter or section in the Guru Granth Sahib starting with ''[[Raga Asaa|Asaa raag]]'', and all the hymns produced in ''Asaa raag'' are found in this section ordered chronologically by the Guru or other Bhagat that have written hymns in that ''raga''. All raags in the Guru Granth Sahib Ji are named as "Raag". | |||
''Raags'' are used in Sikh music simply to create a mood, and are not restricted to particular times. A mood can be created by the music of the ''raag'' regardless of the time of day. | |||
A '''''[[raga]]''''' or '''''raag''''' is a complex structure of musical melody used in [[Indian classical music]]. It is a set of rules of how to build a [[melody]] which can ignite a certain mood in the reciter and listeners. The [[Sikhism|Sikh]] holy scripture, [[Guru Granth Sahib Ji]], is composed in and divided into a total of 60 ''ragas''. This is a combination of | Following is the list of all sixty Raags (including 39 single raags and 21"mishrit" raags) under which Gurbani is written, in order of appearance with page numbers. | ||
Following is the list of all sixty | |||
1. Asa ------------------------08 | 1. Asa ------------------------08 | ||
| Line 11: | Line 7: | ||
2. Gujari --------------------10 | 2. Gujari --------------------10 | ||
3. Gauri Deepaki -------------12 | 3. Gauri Deepaki -------------12 (Mishrit) | ||
4. Dhanasri ------------------13 | 4. Dhanasri ------------------13 | ||
5. Gauri Poorabi -------------13 | 5. Gauri Poorabi -------------13 (Mishrit) | ||
6. Sri ----------------------14 | 6. Sri ----------------------14 | ||
| Line 21: | Line 17: | ||
7. Majh ----------------------94 | 7. Majh ----------------------94 | ||
8. Gauri Guarairee ----------151 | 8. Gauri Guarairee ----------151 (Mishrit) | ||
9. Gauri --------------------151 | 9. Gauri --------------------151 | ||
10. Gauri Dakhani ------------152 | 10. Gauri Dakhani ------------152 | ||
11. Gauri Chaitee ------------154 | 11. Gauri Chaitee ------------154 (Mishrit) | ||
12. Gauri Bairagan -----------156 | 12. Gauri Bairagan -----------156 (Mishrit) | ||
13. Gauri Poorabi Deepaki -----157 (Mishrit) | |||
14. Gauri Majh ----------------172 (Mishrit) | |||
15. Gauri Malva ----------------214 (Mishrit) | |||
16. Gauri Mala ----------------214 (Mishrit) | |||
17. Gauri Sorath --------------330 (Mishrit) | |||
18. Asa Kafi ------------------365 (Mishrit) | |||
18. Asa Kafi ------------------365 | |||
19. Asavari -----------------369 | 19. Asavari -----------------369 | ||
20. Asa Asavari - --------------409 | 20. Asa Asavari - --------------409 (Mishrit) | ||
21. Devgandhari ---------------527 | 21. Devgandhari ---------------527 | ||
| Line 65: | Line 60: | ||
29. Tilang --------------------721 | 29. Tilang --------------------721 | ||
30. Tilang Kafi ----------------726 | 30. Tilang Kafi ----------------726 (Mishrit) | ||
31. Suhee ----------------------728 | 31. Suhee ----------------------728 | ||
32. Suhee Kafi -----------------751 | 32. Suhee Kafi -----------------751 (Mishrit) | ||
33. Suhee Lalit ----------------793 | 33. Suhee Lalit ----------------793 (Mishrit) | ||
34. Bilaval --------------------795 | 34. Bilaval --------------------795 | ||
| Line 79: | Line 74: | ||
36. Gound ----------------------859 | 36. Gound ----------------------859 | ||
37. Bilaval Gound --------------874 | 37. Bilaval Gound --------------874 (Mishrit) | ||
38. Ramkali --------------------876 | 38. Ramkali --------------------876 | ||
| Line 93: | Line 88: | ||
43. Maru -----------------------989 | 43. Maru -----------------------989 | ||
44. Maru Kafi -----------------1014 | 44. Maru Kafi -----------------1014 (Mishrit) | ||
45. Maru Dakhani --------------1033 | 45. Maru Dakhani --------------1033 | ||
46. Tukhari -------------------1107 | 46. Tukhari -------------------1107 | ||
| Line 105: | Line 100: | ||
49. Basant --------------------1168 | 49. Basant --------------------1168 | ||
50. Basant Hindol -------------1170 | 50. Basant Hindol -------------1170 (Mishrit) | ||
51. Sarang --------------------1197 | 51. Sarang --------------------1197 | ||
| Line 115: | Line 110: | ||
54. Kaliyan ------------------1319 | 54. Kaliyan ------------------1319 | ||
55. Kaliyan Bhopali -----------1321 | 55. Kaliyan Bhopali -----------1321 (Mishrit) | ||
56. Parbhati Bibhas -----------1327 | 56. Parbhati Bibhas -----------1327 (Mishrit) | ||
57. Parbhati ------------------1327 | 57. Parbhati ------------------1327 | ||
| Line 123: | Line 118: | ||
58. Parbhati Dakhani-----------1344 | 58. Parbhati Dakhani-----------1344 | ||
59. Bibhas Parbhati -----------1347 | 59. Bibhas Parbhati -----------1347 (Mishrit) | ||
60. Jaijavanti ---------------1352 | 60. Jaijavanti ---------------1352 | ||
The name of ''raags'' ending with the word ''Dakhani'' are not ''mishrit'' ''raags'' because ''Dakhani'' is not a ''raag''; it simply means 'in south Indian style'. | The name of ''raags'' ending with the word ''Dakhani'' are not ''mishrit'' ''raags'' because ''Dakhani'' is not a ''raag''; it simply means 'in south Indian style'. | ||
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{{Reflist}} | {{Reflist}} | ||
* [http://www.sikher.com/wiki/sikh-scriptures/raag-melodies/ raag-melodies] | * [http://www.sikher.com/wiki/sikh-scriptures/raag-melodies/ raag-melodies] | ||
[[Category:Ragas in the Guru Granth Sahib| ]] | [[Category:Ragas in the Guru Granth Sahib| ]] | ||
Revision as of 10:23, 4 January 2022
A raga or raag is a complex structure of musical melody used in Indian classical music. It is a set of rules of how to build a melody which can ignite a certain mood in the reciter and listeners. The Sikh holy scripture, Guru Granth Sahib Ji, is composed in and divided into a total of 60 ragas. This is a combination of 39 single raags and 21 mixed (or "mishrit") raags (a raag composed by combining two or three raags together). Each raga is a chapter or section in the Guru Granth Sahib starting with Asaa raag, and all the hymns produced in Asaa raag are found in this section ordered chronologically by the Guru or other Bhagat that have written hymns in that raga. All raags in the Guru Granth Sahib Ji are named as "Raag". Raags are used in Sikh music simply to create a mood, and are not restricted to particular times. A mood can be created by the music of the raag regardless of the time of day. Following is the list of all sixty Raags (including 39 single raags and 21"mishrit" raags) under which Gurbani is written, in order of appearance with page numbers.
1. Asa ------------------------08
2. Gujari --------------------10
3. Gauri Deepaki -------------12 (Mishrit)
4. Dhanasri ------------------13
5. Gauri Poorabi -------------13 (Mishrit)
6. Sri ----------------------14
7. Majh ----------------------94
8. Gauri Guarairee ----------151 (Mishrit)
9. Gauri --------------------151
10. Gauri Dakhani ------------152
11. Gauri Chaitee ------------154 (Mishrit)
12. Gauri Bairagan -----------156 (Mishrit) 13. Gauri Poorabi Deepaki -----157 (Mishrit)
14. Gauri Majh ----------------172 (Mishrit)
15. Gauri Malva ----------------214 (Mishrit)
16. Gauri Mala ----------------214 (Mishrit)
17. Gauri Sorath --------------330 (Mishrit)
18. Asa Kafi ------------------365 (Mishrit)
19. Asavari -----------------369
20. Asa Asavari - --------------409 (Mishrit)
21. Devgandhari ---------------527
22. Bihagra -------------------537
23. Vadhans -------------------557
24. Vadhans Dakhani ------------580
25. Sorath --------------------595
26. Jaitsri --------------------696
27. Todi ----------------------711
28. Bairarri -------------------719
29. Tilang --------------------721
30. Tilang Kafi ----------------726 (Mishrit)
31. Suhee ----------------------728
32. Suhee Kafi -----------------751 (Mishrit)
33. Suhee Lalit ----------------793 (Mishrit)
34. Bilaval --------------------795
35. Bilaval Dakhani ------------843
36. Gound ----------------------859
37. Bilaval Gound --------------874 (Mishrit)
38. Ramkali --------------------876
39. Ramkali Dakhani ------------907
40. Nut Narayan ----------------975
41. Nut ------------------------975
42. Mali Gaura -----------------984
43. Maru -----------------------989
44. Maru Kafi -----------------1014 (Mishrit)
45. Maru Dakhani --------------1033
46. Tukhari -------------------1107
47. Kedara --------------------1118
48. Bhairo --------------------1125
49. Basant --------------------1168
50. Basant Hindol -------------1170 (Mishrit)
51. Sarang --------------------1197
52. Malar ---------------------1254
53. Kanra ---------------------1294
54. Kaliyan ------------------1319
55. Kaliyan Bhopali -----------1321 (Mishrit)
56. Parbhati Bibhas -----------1327 (Mishrit)
57. Parbhati ------------------1327
58. Parbhati Dakhani-----------1344
59. Bibhas Parbhati -----------1347 (Mishrit)
60. Jaijavanti ---------------1352
The name of raags ending with the word Dakhani are not mishrit raags because Dakhani is not a raag; it simply means 'in south Indian style'.
Raags are used in Sikh music simply to create a mood, and are not restricted to particular times. A mood can be created by the music of the raag regardless of the time of day. There are a total of 60 raags or melodies within the Guru Granth Sahib. Each melody sets a particular mood for the hymn, adding a deeper dimension to it. The Guru Granth Sahib is thought by many to have just 31 raags or melodies which is correct of single raags. However, combined with mishrit raags, that total is 60.
References