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{{Use dmy dates|date=October 2019}}
{{Use dmy dates|date=October 2019}}
{{Use Indian English|date=October 2019}}
{{Use Indian English|date=October 2019}}
'''Rudrata''' ({{lang-sa|रुद्रट}}, {{IAST|Rudraṭa}}) ({{circa|9th-century<ref name="shastri">{{cite book|url=https://books.google.com/books?id=QYxpvZLg4hAC&q=Rudrata+ninth+century&pg=PA151|title=A Concise History of Classical Sanskrit Literature|last=Shastri|first=Gaurinath|year=1998|orig-year=1943|publisher=Motilal Banarsidass|location=Delhi|isbn=81-208-0175-X|page=151}}</ref>}}) was a [[Kashmir|Kashmiri]] poet and literary theorist, who wrote a work called the ''Kavyalankara'' in the first quarter of the ninth century.<ref name="shastri"/> Very little is known about Rudrata. From Namisadhu's commentary on the verses 12-14 of the fifth chapter of the ''Kavyalankara'', it is inferred that he was also known as Shatananda and his father's name was Bhamuka.<ref name="Kane">{{cite book|url=https://books.google.com/books?id=BLiCSTFOGnMC&q=rudrata&pg=PA151|title=History of Sanskrit Poetics|last=Kane|first=P. V.|pages=151–60|publisher=Motilal Banarsidass|location=Delhi|isbn=81-208-0274-8|year=1998|orig-year=1971}}</ref>   
'''Rudrata''' ({{lang-sa|रुद्रट}}, {{IAST|Rudraṭa}}) ({{circa|9th-century<ref name="shastri">{{cite book|url=https://books.google.com/books?id=QYxpvZLg4hAC&q=Rudrata+ninth+century&pg=PA151|title=A Concise History of Classical Sanskrit Literature|last=Shastri|first=Gaurinath|year=1998|orig-year=1943|publisher=Motilal Banarsidass|location=Delhi|isbn=81-208-0175-X|page=151}}</ref>}}) was a [[Kashmir]]i poet and literary theorist, who wrote a work called the ''Kavyalankara'' in the first quarter of the ninth century.<ref name="shastri"/> Very little is known about Rudrata. From Namisadhu's commentary on the verses 12-14 of the fifth chapter of the ''Kavyalankara'', it is inferred that he was also known as Shatananda and his father's name was Bhamuka.<ref name="Kane">{{cite book|url=https://books.google.com/books?id=BLiCSTFOGnMC&q=rudrata&pg=PA151|title=History of Sanskrit Poetics|last=Kane|first=P. V.|pages=151–60|publisher=Motilal Banarsidass|location=Delhi|isbn=81-208-0274-8|year=1998|orig-year=1971}}</ref>   


==Kavyalankara==
==Kavyalankara==
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===Commentaries===
===Commentaries===
Three known commentaries are written on the ''Kavyalankara''. The most significant commentary was written by Namisadhu, a [[Svetambara]] [[Jain]] and pupil of Shalibhadra in 1125 [[Vikrama Samvat]] (1068-69). Other two commentaries on this work were written by Vallabhadeva and Gopalabhatta. Gopalabhatta's commentary is titled ''Rasatarangini''.<ref name="Kane"/>
Three known commentaries are written on the ''Kavyalankara''. The most significant commentary was written by Namisadhu, a [[Svetambara]] [[Jain]] and pupil of Shalibhadra in 1125 [[Vikrama Samvat]] (1068–69). Other two commentaries on this work were written by Vallabhadeva and Gopalabhatta. Gopalabhatta's commentary is titled ''Rasatarangini''.<ref name="Kane"/>


==Notes==
==Notes==

Latest revision as of 00:08, 2 January 2022

Rudrata (Sanskrit: रुद्रट, Rudraṭa) (c. 9th-century[1]) was a Kashmiri poet and literary theorist, who wrote a work called the Kavyalankara in the first quarter of the ninth century.[1] Very little is known about Rudrata. From Namisadhu's commentary on the verses 12-14 of the fifth chapter of the Kavyalankara, it is inferred that he was also known as Shatananda and his father's name was Bhamuka.[2]

Kavyalankara[edit | edit source]

It is a notable work in the line of poeticians such as Bhamaha, Dandin and Anandavardhana. It is divided into 16 chapters and it comprises 734 verses, excluding 14 verses in the 12th chapter on eight types of Nayika, which are considered as the later interpolations. Most of the work was composed in the Arya metre with a few exceptions, particularly at the end of the chapters. The 13th chapter, comprising only 17 verses is the shortest one. The 7th and the 8th chapters, comprising 111 and 110 verses are the longest. The first chapter begins with the invocation of Ganesha and Gauri.[2]

It is also noted among chess historians for containing one of the earliest references to chess in India, and the earliest example of a knight's tour. In Sanskrit literary theory, it is notable for articulating the idea of auchitya, or propriety of theme.

It represents, in a sense, the culmination of the alankara-focused tradition in Sanskrit poetics.

Commentaries[edit | edit source]

Three known commentaries are written on the Kavyalankara. The most significant commentary was written by Namisadhu, a Svetambara Jain and pupil of Shalibhadra in 1125 Vikrama Samvat (1068–69). Other two commentaries on this work were written by Vallabhadeva and Gopalabhatta. Gopalabhatta's commentary is titled Rasatarangini.[2]

Notes[edit | edit source]

  1. 1.0 1.1 Shastri, Gaurinath (1998) [1943]. A Concise History of Classical Sanskrit Literature. Delhi: Motilal Banarsidass. p. 151. ISBN 81-208-0175-X.
  2. 2.0 2.1 2.2 Kane, P. V. (1998) [1971]. History of Sanskrit Poetics. Delhi: Motilal Banarsidass. pp. 151–60. ISBN 81-208-0274-8.

References[edit | edit source]

  • A History of Chess, Murray
  • Edwin Gerrow, Sanskrit poetics in History of Indian Literature
  • S. K. De, History of Sanskrit Poetics
  • P. V. Kane, History of Sanskrit Poetics

External links[edit | edit source]