Ramkali: Difference between revisions
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{{Short description|Hindustani raga}} | |||
{{Use dmy dates|date=August 2019}} | {{Use dmy dates|date=August 2019}} | ||
{{Infobox raga | {{Infobox raga | ||
| name = Ramkali | | name = Ramkali | ||
| image_name = | | image_name = | ||
| image_alt = | | image_alt = | ||
| thaat = [[Bhairav (thaat)|Bhairav]]<ref>http://www.tanarang.com/english/ramkali_eng.htm | | thaat = [[Bhairav (thaat)|Bhairav]]<ref name="auto">{{Cite web |url=http://www.tanarang.com/english/ramkali_eng.htm |title=Raag Ramkali – Hindustani Classical Music – Tanarang.com |website=www.tanarang.com |access-date=13 February 2021 |archive-date=2 July 2020 |archive-url=https://web.archive.org/web/20200702110514/http://www.tanarang.com/english/ramkali_eng.htm |url-status=live }}</ref> | ||
| | | type = Sampurna-Sampurna<ref name="auto" /> | ||
| time = (6 am to 9 am): 1st Prahar of the Day<ref | | time = (6 am to 9 am): 1st Prahar of the Day<ref name="auto" /> | ||
| season = | | season = | ||
| arohana = S r G m P d N S' <ref | | arohana = S r G m P d N S'<ref name="auto" /> | ||
| avarohana = S' N d P M P d n d P M P G m r S <ref | | avarohana = S' N d P M P d n d P M P G m r S<ref name="auto" /> | ||
| vadi = Pa<ref | | vadi = Pa<ref name="auto" /> | ||
| samavadi = Sa<ref | | samavadi = Sa<ref name="auto" /> | ||
| pakad = M P d n d P ; M P G m r S <ref | | pakad = M P d n d P ; M P G m r S<ref name="auto" /> | ||
| chalan = M P d n d P ; M P G m r S <ref | | chalan = M P d n d P ; M P G m r S<ref name="auto" /> | ||
| synonym = Ramakri | | synonym = Ramakri | ||
| equivalent = | | equivalent = | ||
| similar = | | similar = | ||
}} | }} | ||
'''Raga Ramkali''' is an early morning [[raga]] in [[Hindustani classical music]] which belongs to [[Bhairav (thaat)|Bhairav Thaat]]<ref | '''Raga Ramkali''' is an early morning [[raga]] in [[Hindustani classical music]] which belongs to [[Bhairav (thaat)|Bhairav Thaat]].<ref name="auto" /> In this raga, as in Bhairav, second degree (rishabh) and sixth degree (dhaivat) are [[Flat (music)|flat]], but the sharp madhyama and the flat nishad are added. | ||
The vadi-samvadi are P and S. | The vadi-samvadi are P and S. | ||
The aroha is S r G M P, G M d N S' and the avroha is S' N d P m P, d (N)d P, G M r S. Flat nishad (seventh degree) and sharp madhyama (fourth degree) are used often.<ref | The aroha is S r G M P, G M d N S' and the avroha is S' N d P m P, d (N)d P, G M r S. Flat nishad (seventh degree) and sharp madhyama (fourth degree) are used often.<ref name="auto" /> | ||
== Theory == | == Theory == | ||
=== Arohana and avarohana === | |||
[[Arohana]]: S r G m P d N S'<ref name="auto" /> | |||
[[ | [[Avarohana]]: S' N d P M P d n d P M P G m r S<ref name="auto" /> | ||
[[ | [[Vadi (music)|Vadi]] : Pa<ref name="auto" /> | ||
[[ | [[Samavadi]] : Sa<ref name="auto" /> | ||
[[ | [[Pakad]]/[[Chalan (music)|Chalan]] : M P d n d P ; M P G m r S<ref name="auto" /> | ||
[[ | == Description == | ||
This raag is very similar to Raga [[Bhairav (raga)|Bhairav]]. Rishabh and Dhaivat are less oscillating in Raag Ramkali than in Bhairav. This Raga is sung in middle and upper octave, which discriminates it from Bhairav.<ref name="auto" /> | |||
= | In Ramkali, Teevra Madhyam and Komal Nishad are used in a specific combination in Avroh like: M P d n d P ; G m r S. Generally, Rishabh is skipped in Aaroh like: ,N S G m P.<ref name="auto" /> | ||
== References == | |||
==References== | |||
{{reflist}} | {{reflist}} | ||
Revision as of 04:48, 27 May 2021
Thaat | Bhairav[1] |
---|---|
Type | Sampurna-Sampurna[1] |
Time of day | (6 am to 9 am): 1st Prahar of the Day[1] |
Arohana | S r G m P d N S'[1] |
Avarohana | S' N d P M P d n d P M P G m r S[1] |
Pakad | M P d n d P ; M P G m r S[1] |
Chalan | M P d n d P ; M P G m r S[1] |
Vadi | Pa[1] |
Samavadi | Sa[1] |
Synonym | Ramakri |
Raga Ramkali is an early morning raga in Hindustani classical music which belongs to Bhairav Thaat.[1] In this raga, as in Bhairav, second degree (rishabh) and sixth degree (dhaivat) are flat, but the sharp madhyama and the flat nishad are added. The vadi-samvadi are P and S. The aroha is S r G M P, G M d N S' and the avroha is S' N d P m P, d (N)d P, G M r S. Flat nishad (seventh degree) and sharp madhyama (fourth degree) are used often.[1]
Theory
Arohana and avarohana
Avarohana: S' N d P M P d n d P M P G m r S[1]
Pakad/Chalan : M P d n d P ; M P G m r S[1]
Description
This raag is very similar to Raga Bhairav. Rishabh and Dhaivat are less oscillating in Raag Ramkali than in Bhairav. This Raga is sung in middle and upper octave, which discriminates it from Bhairav.[1]
In Ramkali, Teevra Madhyam and Komal Nishad are used in a specific combination in Avroh like: M P d n d P ; G m r S. Generally, Rishabh is skipped in Aaroh like: ,N S G m P.[1]
References