CleanupBot (talk | contribs) m →References: clean up, add source tag |
->Citation bot Add: title. Changed bare reference to CS1/2. | Use this bot. Report bugs. | Suggested by BrownHairedGirl | Linked from User:BrownHairedGirl/Articles_with_bare_links | #UCB_webform_linked 1969/2197 |
||
| Line 5: | Line 5: | ||
:improvisational forays treating merely three or four notes may occupy twenty minutes or more.<ref>Thomas W. Ross, [http://caferisko.ca/ak/MERUKHAND.html Forgotten Patterns: Mirkhand and Amir Khan] {{webarchive|url=https://web.archive.org/web/20120426005603/http://caferisko.ca/ak/MERUKHAND.html |date=2012-04-26 }}, [https://www.jstor.org/pss/834468 Asian Music], Vol. 24, No. 2 (Spring - Summer, 1993), pp. 89-109</ref> | :improvisational forays treating merely three or four notes may occupy twenty minutes or more.<ref>Thomas W. Ross, [http://caferisko.ca/ak/MERUKHAND.html Forgotten Patterns: Mirkhand and Amir Khan] {{webarchive|url=https://web.archive.org/web/20120426005603/http://caferisko.ca/ak/MERUKHAND.html |date=2012-04-26 }}, [https://www.jstor.org/pss/834468 Asian Music], Vol. 24, No. 2 (Spring - Summer, 1993), pp. 89-109</ref> | ||
Merukhand is now a part of the improvisational strategy within the [[Indore gharana]] founded by Amir Khan.<ref>https://sites.google.com/site/amirkhanikhayal/indoregharanaofustadamirkhan</ref> | Merukhand is now a part of the improvisational strategy within the [[Indore gharana]] founded by Amir Khan.<ref>{{Cite web|url=https://sites.google.com/site/amirkhanikhayal/indoregharanaofustadamirkhan|title = Amirkhanikhayal - indoregharanaofustadamirkhan}}</ref> | ||
==References== | ==References== | ||
| Line 15: | Line 15: | ||
{{India-music-stub}} | {{India-music-stub}} | ||
Latest revision as of 15:59, 7 October 2021
Merukhand is an improvisational style in Hindustani classical music involving permutations of a fixed set of swaras or notes (meru, axis or skeleton) broken up in various ways (khand, fragment), while retaining the proper emphasis on various notes as required by the raga.
Merukhand techniques were developed within the Bhendibazar gharana and popularized by masters like Aman Ali Khan and Abdul Waheed Khan. In the mid-1950s, they were adopted by the eclectic Amir Khan in his own badhat (progression), although he did not use pure merukhand but inserted merukhandi passages into his performance. His disciple Thomas Ross says of this permutational style that
- improvisational forays treating merely three or four notes may occupy twenty minutes or more.[1]
Merukhand is now a part of the improvisational strategy within the Indore gharana founded by Amir Khan.[2]
References[edit | edit source]
- ↑ Thomas W. Ross, Forgotten Patterns: Mirkhand and Amir Khan Archived 2012-04-26 at the Wayback Machine, Asian Music, Vol. 24, No. 2 (Spring - Summer, 1993), pp. 89-109
- ↑ "Amirkhanikhayal - indoregharanaofustadamirkhan".
 | This article about the music of India is a stub. You can help Bharatpedia by expanding it. |