A. V. Ilango: Difference between revisions

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{{Use dmy dates|date=December 2018}}
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{{Use Indian English|date=December 2018}}
{{Use Indian English|date=December 2018}}
{{infobox person/Wikidata
 
| fetchwikidata=ALL
{{Infobox person
| name              = A. V. Ilango
| birth_date        = {{birth date and age|1950|03|17|df=y}}
| birth_place        = Gobichettipalayam
| occupation        = Painter
}}
}}
'''A. V. Ilango''' (born 17 March 1950) is an [[India]]n painter.
'''A. V. Ilango''' (born 17 March 1950) is an [[India]]n painter.


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He was born in [[Gobichettipalayam]], a town in [[Tamil Nadu]].<ref>{{cite book |last=Holmstrom|first=Lakshmi |date=1996 |title=Maṇimēkalai |url=https://books.google.com/books?id=8kuDqXDDJb0C&pg=PA189&dq=Gobichettipalayam&hl=en&sa=X&ei=OvKPVYPzBYGLuATS873IAQ&ved=0CD8Q6AEwBzge#v=onepage&q=Gobichettipalayam&f=false |publisher=Orient Blackswan |page=182 |isbn=9788125010135 |access-date=28 June 2015 }}</ref>
He was born in [[Gobichettipalayam]], a town in [[Tamil Nadu]].<ref>{{cite book |last=Holmstrom|first=Lakshmi |date=1996 |title=Maṇimēkalai |url=https://books.google.com/books?id=8kuDqXDDJb0C&pg=PA189&dq=Gobichettipalayam&hl=en&sa=X&ei=OvKPVYPzBYGLuATS873IAQ&ved=0CD8Q6AEwBzge#v=onepage&q=Gobichettipalayam&f=false |publisher=Orient Blackswan |page=182 |isbn=9788125010135 |access-date=28 June 2015 }}</ref>


The [[rural]] background has left an indelible impression in his formative years. In [[India]], [[art]], [[culture]], [[religion]] and [[rituals]] are interwoven in daily life. There is a fine line that separates Indian [[aesthetics]] and [[Hindu]] rituals. In traditional [[Visual arts|visual]] and [[performing arts]], symbolism renders the classical arts more appealing for the initiated and the erudite while the [[folk art]]s are integrated by all in festivities. Ilango traces the bovine form and symbol as an idiom that is closely related to man from [[Prehistory]] to the [[Modern era]].<ref>{{cite news|url=https://www.thehindu.com/thehindu/mp/2005/04/25/stories/2005042501550300.htm|archive-url=https://web.archive.org/web/20090101104233/http://www.thehindu.com/thehindu/mp/2005/04/25/stories/2005042501550300.htm|url-status=dead|archive-date=1 January 2009|title=Story in sculpture|date=25 April 2005 | first=Swapna | last=Sathish |newspaper=[[The Hindu]]| access-date=21 December 2018}}</ref><ref>{{cite news|url=http://www.hinduonnet.com/2001/07/15/stories/13150072.htm|title=Preoccupation with the formal|newspaper=The Hindu|date=15 July 2001|access-date=22 February 2007|archive-url=https://web.archive.org/web/20060621040704/http://www.hinduonnet.com/2001/07/15/stories/13150072.htm|archive-date=21 June 2006|url-status=dead}}</ref>
The [[rural]] background has left an indelible impression in his formative years. In [[India]], [[art]], [[culture]], [[religion]] and [[rituals]] are interwoven in daily life. There is a fine line that separates Indian [[aesthetics]] and [[Hindu]] rituals. In traditional [[Visual arts|visual]] and [[performing arts]], symbolism renders the classical arts more appealing for the initiated and the erudite while the [[folk art]]s are integrated by all in festivities. Ilango traces the bovine form and symbol as an idiom that is closely related to man from [[prehistory]] to the [[modern era]].<ref>{{cite news|url=https://www.thehindu.com/thehindu/mp/2005/04/25/stories/2005042501550300.htm|archive-url=https://web.archive.org/web/20090101104233/http://www.thehindu.com/thehindu/mp/2005/04/25/stories/2005042501550300.htm|url-status=dead|archive-date=1 January 2009|title=Story in sculpture|date=25 April 2005 | first=Swapna | last=Sathish |newspaper=[[The Hindu]]| access-date=21 December 2018}}</ref><ref>{{cite news|url=http://www.hinduonnet.com/2001/07/15/stories/13150072.htm|title=Preoccupation with the formal|newspaper=The Hindu|date=15 July 2001|access-date=22 February 2007|archive-url=https://web.archive.org/web/20060621040704/http://www.hinduonnet.com/2001/07/15/stories/13150072.htm|archive-date=21 June 2006|url-status=dead}}</ref>


In 2007, he founded Artspace in [[Chennai]]<ref>{{Cite news|url=http://www.thehindu.com/features/friday-review/art/Inspired-by-art/article16269100.ece|title=Inspired by art|last=Nagarajan|first=Saraswathy|date=2010-06-26|work=The Hindu|access-date=2017-12-06|language=en-IN|issn=0971-751X}}</ref>
In 2007, he founded Artspace in [[Chennai]].<ref>{{Cite news|url=http://www.thehindu.com/features/friday-review/art/Inspired-by-art/article16269100.ece|title=Inspired by art|last=Nagarajan|first=Saraswathy|date=2010-06-26|work=The Hindu|access-date=2017-12-06|language=en-IN|issn=0971-751X}}</ref>


==References==
==References==

Latest revision as of 03:04, 18 August 2021


A. V. Ilango
Born (1950-03-17) 17 March 1950 (age 75)
Gobichettipalayam
OccupationPainter

A. V. Ilango (born 17 March 1950) is an Indian painter.

Life[edit]

He was born in Gobichettipalayam, a town in Tamil Nadu.[1]

The rural background has left an indelible impression in his formative years. In India, art, culture, religion and rituals are interwoven in daily life. There is a fine line that separates Indian aesthetics and Hindu rituals. In traditional visual and performing arts, symbolism renders the classical arts more appealing for the initiated and the erudite while the folk arts are integrated by all in festivities. Ilango traces the bovine form and symbol as an idiom that is closely related to man from prehistory to the modern era.[2][3]

In 2007, he founded Artspace in Chennai.[4]

References[edit]

  1. Holmstrom, Lakshmi (1996). Maṇimēkalai. Orient Blackswan. p. 182. ISBN 9788125010135. Retrieved 28 June 2015.
  2. Sathish, Swapna (25 April 2005). "Story in sculpture". The Hindu. Archived from the original on 1 January 2009. Retrieved 21 December 2018.
  3. "Preoccupation with the formal". The Hindu. 15 July 2001. Archived from the original on 21 June 2006. Retrieved 22 February 2007.
  4. Nagarajan, Saraswathy (26 June 2010). "Inspired by art". The Hindu. ISSN 0971-751X. Retrieved 6 December 2017.

External links[edit]