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{{Short description|1966 Hindi film}}
{{Short description|1966 Hindi film}}
{{about||the unincorporated community in California|Ryan, California|the American technology company|Devar Entertainment}}
{{otheruses}}
{{Use dmy dates|date=October 2015}}
{{Use dmy dates|date=October 2015}}
{{Use Indian English|date=October 2015}}
{{Use Indian English|date=October 2015}}
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| name = Devar
| name = Devar
| image = Devar film poster.jpg
| image = Devar film poster.jpg
| image_size =
| caption = Theatrical release poster
| caption = Film poster
| alt =
| director = [[Mohan Segal]]
| director = Mohan Segal
| producer =
| producer = Mohan Segal
| writer = Tara Shankar Bandopadhyay
| screenplay = [[K.A. Narayan|K. A. Narayan]] {{infobox|decat=yes|child=yes|label1= Dialogues by|data1= Sarshar Sailani}}
| story = [[Tarashankar Bandopadhyay]]
| based_on = {{Based on|''Naa'' (1961 novel)|Tarashankar Bandopadhyay}}
| starring = [[Dharmendra]]<br />[[Sharmila Tagore]]<br />[[Shashikala]]<br />[[Deven Verma]]
| narrator =
| narrator =
| starring = [[Dharmendra]]<br />[[Sharmila Tagore]]<br />[[Deven Verma]]
| cinematography = [[MN Malhotra|M. N. Malhotra]]
| editing = Pratap Dave
| music = [[Roshan (music director)|Roshan]]
| music = [[Roshan (music director)|Roshan]]
| cinematography =
| studio = Mohan Segal Productions
| editing =
| distributor = De-lux Films
| distributor = [[De Luxe Films]]
| released = {{Film date|1966}}
| released = 1966
| runtime =
| runtime =
| country = [[India]]
| country = India
| language = [[Hindi language|Hindi]]
| language = Hindi
| budget =
| budget =
}}
}}
'''''Devar'''''  is a 1966 Hindi film directed by Mohan Sehgal.<ref>{{Cite web|url=https://www.tribuneindia.com/2005/20051021/ttlife.htm#6|title=The Tribune, Chandigarh, India - The Tribune Lifestyle|website=www.tribuneindia.com|access-date=2020-04-04}}</ref> It stars [[Dharmendra]], [[Sharmila Tagore]], [[Deven Verma]] and [[Shashikala]].<ref>{{cite web |title=Devar - Review |url=http://www.molodezhnaja.ch/devar.htm |website=Molodezhnaja |accessdate=26 September 2020}}</ref> The music is by [[Roshan (music director)|Roshan]] and the lyrics by [[Anand Bakshi]]; this is their only film together that met with success.<ref>{{cite news |last1=Arunachalam |first1=Param |date=July 19, 2015 |title=Bollywood Retrospect - The enduring lyrics of Anand Bakshi: Anand Bakshi's long career speaks about his success in adapting himself to changing times |work=D.N.A. Sunday |url=https://www.dnaindia.com/entertainment/report-bollywood-retrospect-the-enduring-lyrics-of-anand-bakshi-2105701 |id={{ProQuest|1697064272}}}}</ref>
'''''Devar'''''  is a 1966 Hindi tragic-drama film directed by Mohan Sehgal.<ref>{{Cite web|url=https://www.tribuneindia.com/2005/20051021/ttlife.htm#6|title=The Tribune, Chandigarh, India - The Tribune Lifestyle|website=www.tribuneindia.com|access-date=2020-04-04|archive-date=13 June 2018|archive-url=https://web.archive.org/web/20180613001229/http://www.tribuneindia.com/2005/20051021/ttlife.htm#6|url-status=live}}</ref> It stars [[Dharmendra]] and [[Sharmila Tagore]] in the lead roles, supported by [[Shashikala]] and [[Deven Verma]].<ref>{{cite web |title=Devar - Review |url=http://www.molodezhnaja.ch/devar.htm |website=Molodezhnaja |accessdate=26 September 2020 |archive-date=27 June 2022 |archive-url=https://web.archive.org/web/20220627152544/http://www.molodezhnaja.ch/devar.htm |url-status=live }}</ref> The music is by [[Roshan (music director)|Roshan]] and the lyrics by [[Anand Bakshi]]; this is their only film together that met with success.<ref>{{cite news |last1=Arunachalam |first1=Param |date=July 19, 2015 |title=Bollywood Retrospect - The enduring lyrics of Anand Bakshi: Anand Bakshi's long career speaks about his success in adapting himself to changing times |work=D.N.A. Sunday |url=https://www.dnaindia.com/entertainment/report-bollywood-retrospect-the-enduring-lyrics-of-anand-bakshi-2105701 |id={{ProQuest|1697064272}} |access-date=9 March 2022 |archive-date=9 December 2017 |archive-url=https://web.archive.org/web/20171209194345/http://www.dnaindia.com/entertainment/report-bollywood-retrospect-the-enduring-lyrics-of-anand-bakshi-2105701 |url-status=live }}</ref>


The film is based on the short novel ''Naa'' by the noted Bengali writer Tara Shankar Bandopadhyay. This novel was already adapted into a 1954 Bengali movie of the same name, and the 1962 Tamil movie ''[[Padithaal Mattum Podhuma]]''. This movie is considered Mohan Sehgal's masterpiece, and was praised for Dharmendra & Sharmila's cool performances, and Deven Verma's commendable negative role. All of the songs from ''Devar'' were big hits at the time, and are still very popular, especially  "Baharon ne mera chaman lootkar" and "Aaya hai mujhe phir yaad" by [[Mukesh (singer)|Mukesh]], and "Duniya mein aisa kahan" by [[Lata Mangeshkar]].
The film is based on the short novel ''Naa'' by the Bengali writer [[Tarashankar Bandopadhyay]]. This novel was already adapted into a 1954 Bengali film of the same name, and the 1962 Tamil movie ''[[Padithaal Mattum Podhuma]]''.


==Plot==
==Plot==
The film revolves around two childhood sweethearts, Shankar and Bhawariya, who are separated in their youth by unfortunate circumstances. Shankar grows up to be a somewhat less-educated hunter, while Bhawariya, now known as Madhumati, is a traditional and beautiful woman.


Shankar and Bhawariya are childhood lovers who have been parted by unfortunate circumstances. Shankar's cousin Suresh is an advocate. Matchmaker Ram comes up with marriage proposals for both the cousins. Following family traditions, it is decided that the boys will meet the respective brides by proxy. Suresh falls in love with Madhumati. He cooks up a wicked plot. He writes two letters to each of the families due to which an innocent and somewhat less educated Shankar is badly treated by his parents. One day accidentally Shankar learns that Madhumati is Bhawariya, the girl whom he used to love. So also, Bhawariya's brother, a handwriting expert learns of Suresh's wicked plan. Bhawariya's brother asks Suresh to accept his guilt before Ashok's parents presuming that it is Suresh sitting on chair, but it happens to be Ashok who listens this and learns of everything. In a rift between Shankar and Suresh, Suresh dies accidentally, for which Shankar is held the culprit. Madumati who is determined to see her husband's murderer hanged, changes her words and saves Shankar.
Shankar's cousin, Suresh, is a well-educated advocate. When marriage proposals come for both Shankar and Suresh, family traditions dictate that the boys cannot see their intended brides beforehand, but they are allowed to see the other boy's intended bride. Shankar's proposal is for Madhumati. Suresh's proposal is for Shaanta. Shankar sees Shaanta and finds her suitable for his cousin. Suresh, however, is immediately captivated by Madhumati's beauty when he sees her (as Shankar's intended bride). He decides to deceive both Shankar and Madhumati, in order to marry Madhumati himself.  


The movie ends without Madumati ever knowing that Shankar is her childhood lover.
He devises a wicked scheme. He writes two anonymous "poison-pen" letters to the families of both prospective brides. In these letters, he maligns both Shankar and himself in a way calculated to scuttle the existing proposals. Despite the letter, Shaanta's family, impressed by Shankar's personality when they meet him, agrees to give her hand to him (not realizing he is not as educated as they believed). Suresh, portraying himself as a martyr, agrees to marry Madhumati, thus achieving his ultimate goal. On the wedding night, Shaanta discovers the truth about Shankar's lack of education and feels cheated, leading to a breakdown in their relationship. As the details of the poison-pen letters surface, everyone, including his parents, suspects Shankar of writing them out of jealousy.
 
Feeling isolated and heartbroken, Shankar finds his only solace in his cousin's kind and understanding wife, Madhumati, who becomes his bhabhi (sister-in-law). Madhumati also becomes fond of his “devar” (brother-in-law), Shankar. Accidentally, Shankar discovers the shocking truth: Madhumati is actually his long-lost childhood sweetheart, Bhawariya. He elects to suffer in silence by keeping it secret. Meanwhile, Madhumati's brother, a handwriting expert, discovers Suresh's wicked plot and the truth about the letters. He confronts Suresh, but Shankar overhears the entire confession. In the resulting emotional confrontation and rift between Shankar and Suresh, Suresh dies in an accidental death.
 
Shankar is unjustifiably held responsible and charged as the culprit. Madhumati is initially determined to see her husband's killer (Shankar) hanged. However, during the trial, Madhumati, for reasons of her own compassion or perhaps affection, changes her testimony at the last moment, which ultimately saves Shankar from conviction. The story concludes with Shankar being acquitted, but the bittersweet and tragic irony remains: Madhumati never learns that Shankar is her childhood love, a painful secret he keeps to himself.


==Reception==
==Reception==
''The Essential Guide to Bollywood'' (2005) says that the film "contained deep elements of Bengali literature... The film is remarkable for projecting the ironic twists of fate in an unconventional format with the lead pair bound to the 'wrong' spouses till the very end."<ref>{{cite book |last1=Jha |first1=Subhash K. |last2=Bachchan |first2=Amitabh |title=The Essential Guide to Bollywood |date=2005 |publisher=Lustre Press |isbn=9788174363787 |page=30 |url=https://www.google.com/books/edition/The_Essential_Guide_to_Bollywood/s1mVuJJPm3UC?hl=en&gbpv=1 |accessdate=26 September 2020}}</ref>
''The Essential Guide to Bollywood'' (2005) says that the film "contained deep elements of Bengali literature... The film is remarkable for projecting the ironic twists of fate in an unconventional format with the lead pair bound to the 'wrong' spouses till the very end."<ref>{{cite book |last1=Jha |first1=Subhash K. |last2=Bachchan |first2=Amitabh |title=The Essential Guide to Bollywood |date=2005 |publisher=Lustre Press |isbn=9788174363787 |page=30 |url=https://books.google.com/books?id=s1mVuJJPm3UC |accessdate=26 September 2020}}</ref> In 2014, ''[[The Friday Times]]'' noted that this film was "probably the only role that comedian Deven Verma played that had shades of grey...."<ref>{{cite news |title=In memoriam: the suave humorist |work=[[The Friday Times]] |date=December 14, 2014 |id={{ProQuest|1635816081}}}}</ref>
 
In 2014, ''[[The Friday Times]]'' noted that this film was "probably the only role that [comedian Deven] Verma played that had shades of grey... He may have played a villain but many left the theatre wondering how such a good looking, suave man could have such a complex character."<ref>{{cite news |title=In memoriam: the suave humorist |work=[[The Friday Times]] |date=December 14, 2014 |id={{ProQuest|1635816081}}}}</ref>


==Cast==
==Cast==
* [[Dharmendra]] as Shankar
* [[Dharmendra]] as Shankar: Bhawariya's childhood sweetheart, who is tragically manipulated by Suresh into marrying Shanta
* [[Sharmila Tagore]] as Bhawariya/Madhumati
* [[Sharmila Tagore]] as Bhawariya / Madhumati: Shankar's childhood sweetheart, whom Suresh marries through an act of trickery
* [[Shashikala]] as Shanta
* [[Shashikala]] as Shanta: the woman Shankar marries due to Suresh's deceit
* [[Deven Verma]] as Suresh
* [[Deven Verma]] as Suresh: Shankar's wicked cousin who, through deceit, marries Madhumati, Shankar's childhood sweetheart
* [[Lalita Kumari]] as Basanti
* [[Dhumal (actor)|Dhumal]] as Ram Bharose
* [[Durga Khote]] as Madhumati's mother
* [[Durga Khote]] as Madhumati's mother
* [[Dhumal (actor)|Dhumal]] as Ram Bharose
* [[Mumtaz Begum (actress)|Mumtaz Begum]] as Shankar's mother
* Lalita Kumari as Basanti
* [[Sulochana Latkar]] as Shakuntala
* [[Sulochana Latkar]] as Shakuntala
*[[Sabita Chatterjee]] as Lily
* Sabita Chatterjee as Lily
*[[Raj Mehra]] as  Thakur Mahendra Singh
* [[Raj Mehra]] as  Thakur Mahendra Singh
* [[Tarun Bose]] as Advocate Gopinath
* [[Tarun Bose]] as Advocate Gopinath
* [[D. K. Sapru]] as Diwan Jaswant Rai (as Sapru)
* [[D. K. Sapru]] as Diwan Jaswant Rai (as Sapru)
*[[Mumtaz Begum (actress)|Mumtaz Begum]] as Shankar's mother
* [[Bela Bose]] as dancer in 'roothe saiyan' song
*[[Bela Bose]] as dancer in 'roothe saiyan' song
* [[Brahm Bhardwaj]] as Public Prosecutor
*[[Brahm Bhardwaj]] as Public Prosecutor
* [[Nazir Kashmiri]] as judge
*[[Nazir Kashmiri]] as judge
* [[Pardeep Singh]]
*[[Pardeep Singh]]


==Soundtrack==
==Music and soundtrack==
The music of the film was composed by [[Roshan (music director)|Roshan]] and the songs were penned by [[Anand Bakshi]].
{| class="wikitable"
{| class="wikitable"
|-
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|-
|-
| "Main Mar Gayi, Mushkil Mein Pad Gayi Jaan"  
| "Main Mar Gayi, Mushkil Mein Pad Gayi Jaan"  
| [[Lata Mangeshkar]], [[Asha Bhosle ]]
| [[Usha Mangeshkar]], [[Asha Bhosle]]
|}
|}


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[[Category:1966 films]]
[[Category:1966 films]]
[[Category:Indian films]]
[[Category:1966 Hindi-language films]]
[[Category:1960s Hindi-language films]]
[[Category:1966 Indian films]]

Latest revision as of 09:24, 4 March 2026


Devar
Theatrical release poster
Directed byMohan Segal
Produced byMohan Segal
Screenplay byK. A. Narayan
Dialogues bySarshar Sailani
Story byTarashankar Bandopadhyay
Based onNaa (1961 novel)
by Tarashankar Bandopadhyay
StarringDharmendra
Sharmila Tagore
Shashikala
Deven Verma
Music byRoshan
CinematographyM. N. Malhotra
Edited byPratap Dave
Production
company
Mohan Segal Productions
Distributed byDe-lux Films
Release date
  • 1966 (1966)
CountryIndia
LanguageHindi

Devar is a 1966 Hindi tragic-drama film directed by Mohan Sehgal.[1] It stars Dharmendra and Sharmila Tagore in the lead roles, supported by Shashikala and Deven Verma.[2] The music is by Roshan and the lyrics by Anand Bakshi; this is their only film together that met with success.[3]

The film is based on the short novel Naa by the Bengali writer Tarashankar Bandopadhyay. This novel was already adapted into a 1954 Bengali film of the same name, and the 1962 Tamil movie Padithaal Mattum Podhuma.

Plot[edit | edit source]

The film revolves around two childhood sweethearts, Shankar and Bhawariya, who are separated in their youth by unfortunate circumstances. Shankar grows up to be a somewhat less-educated hunter, while Bhawariya, now known as Madhumati, is a traditional and beautiful woman.

Shankar's cousin, Suresh, is a well-educated advocate. When marriage proposals come for both Shankar and Suresh, family traditions dictate that the boys cannot see their intended brides beforehand, but they are allowed to see the other boy's intended bride. Shankar's proposal is for Madhumati. Suresh's proposal is for Shaanta. Shankar sees Shaanta and finds her suitable for his cousin. Suresh, however, is immediately captivated by Madhumati's beauty when he sees her (as Shankar's intended bride). He decides to deceive both Shankar and Madhumati, in order to marry Madhumati himself.

He devises a wicked scheme. He writes two anonymous "poison-pen" letters to the families of both prospective brides. In these letters, he maligns both Shankar and himself in a way calculated to scuttle the existing proposals. Despite the letter, Shaanta's family, impressed by Shankar's personality when they meet him, agrees to give her hand to him (not realizing he is not as educated as they believed). Suresh, portraying himself as a martyr, agrees to marry Madhumati, thus achieving his ultimate goal. On the wedding night, Shaanta discovers the truth about Shankar's lack of education and feels cheated, leading to a breakdown in their relationship. As the details of the poison-pen letters surface, everyone, including his parents, suspects Shankar of writing them out of jealousy.

Feeling isolated and heartbroken, Shankar finds his only solace in his cousin's kind and understanding wife, Madhumati, who becomes his bhabhi (sister-in-law). Madhumati also becomes fond of his “devar” (brother-in-law), Shankar. Accidentally, Shankar discovers the shocking truth: Madhumati is actually his long-lost childhood sweetheart, Bhawariya. He elects to suffer in silence by keeping it secret. Meanwhile, Madhumati's brother, a handwriting expert, discovers Suresh's wicked plot and the truth about the letters. He confronts Suresh, but Shankar overhears the entire confession. In the resulting emotional confrontation and rift between Shankar and Suresh, Suresh dies in an accidental death.

Shankar is unjustifiably held responsible and charged as the culprit. Madhumati is initially determined to see her husband's killer (Shankar) hanged. However, during the trial, Madhumati, for reasons of her own compassion or perhaps affection, changes her testimony at the last moment, which ultimately saves Shankar from conviction. The story concludes with Shankar being acquitted, but the bittersweet and tragic irony remains: Madhumati never learns that Shankar is her childhood love, a painful secret he keeps to himself.

Reception[edit | edit source]

The Essential Guide to Bollywood (2005) says that the film "contained deep elements of Bengali literature... The film is remarkable for projecting the ironic twists of fate in an unconventional format with the lead pair bound to the 'wrong' spouses till the very end."[4] In 2014, The Friday Times noted that this film was "probably the only role that comedian Deven Verma played that had shades of grey...."[5]

Cast[edit | edit source]

Music and soundtrack[edit | edit source]

The music of the film was composed by Roshan and the songs were penned by Anand Bakshi.

Songs Singer
"Aaya Hai Mujhe Phir Yaad" Mukesh
"Baharon Ne Mera Chaman" Mukesh
"Duniya Mein Aisa Kahan" Lata Mangeshkar
"Kajalwale Nain Milake" Mohammed Rafi
"Roothe Saiyan Hamare" Lata Mangeshkar
"Main Mar Gayi, Mushkil Mein Pad Gayi Jaan" Usha Mangeshkar, Asha Bhosle

References[edit | edit source]

  1. "The Tribune, Chandigarh, India - The Tribune Lifestyle". www.tribuneindia.com. Archived from the original on 13 June 2018. Retrieved 4 April 2020.
  2. "Devar - Review". Molodezhnaja. Archived from the original on 27 June 2022. Retrieved 26 September 2020.
  3. Arunachalam, Param (19 July 2015). "Bollywood Retrospect - The enduring lyrics of Anand Bakshi: Anand Bakshi's long career speaks about his success in adapting himself to changing times". D.N.A. Sunday. ProQuest 1697064272. Archived from the original on 9 December 2017. Retrieved 9 March 2022.
  4. Jha, Subhash K.; Bachchan, Amitabh (2005). The Essential Guide to Bollywood. Lustre Press. p. 30. ISBN 9788174363787. Retrieved 26 September 2020.
  5. "In memoriam: the suave humorist". The Friday Times. 14 December 2014. ProQuest 1635816081.

External links[edit | edit source]