Appukutty Poduval: Difference between revisions

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'''Kalamandalam Appukutty Poduval''' (1924–2008) was a [[maddalam]] maestro who rose to prominence by his aesthetically pleasing taps on the instrument—a vital percussion accompaniment for [[Kathakali]], the classical dance-drama from [[Kerala]] in south [[India]].<ref>http://www.hinduonnet.com/thehindu/thscrip/print.pl?file=2008020150560300.htm&date=2008/02/01/&prd=fr& {{dead link|date=May 2018}}</ref> A disciple of the legendary [[Venkichan Swami]], he, along with [[chenda]] exponent, [[Kalamandalam Krishnankutty Poduval]], ushered in a new spring in the acoustics of their performing art.<ref>Kathakali Vijnanakosam (encyclopedia), page 305</ref>
'''Kalamandalam Appukutty Poduval''' (1924–2008) was a [[maddalam]] maestro who rose to prominence by his aesthetically pleasing taps on the instrument—a vital percussion accompaniment for [[Kathakali]], the classical dance-drama from [[Kerala]] in south [[India]]. A disciple of the legendary [[Venkichan Swami]], he, along with [[chenda]] exponent, [[Kalamandalam Krishnankutty Poduval]], ushered in a new spring in the acoustics of their performing art.<ref>Kathakali Vijnanakosam (encyclopedia), page 305</ref>


A native of the temple town of [[Thiruvilwamala]] in [[Thrissur]] district, Poduval served for long as a maddalam tutor at his alma mater, [[Kerala Kalamandalam]]. His noted disciples at the institute include Paloor Achuthan Nair, Kalamandalam Narayanan Nambisan (Nambisan Kutty), Damodaran Nair, Eachara Varrier, Nelluvaya Narayanan Nair, [[Kalamandalam Sankara Warrier]], [[Kaplingat Vasudevan Namboothiri]], Ramadas and Sasi.
A native of the temple town of [[Thiruvilwamala]] in [[Thrissur]] district, Poduval served for long as a maddalam tutor at his alma mater, [[Kerala Kalamandalam]]. His noted disciples at the institute include Paloor Achuthan Nair, Kalamandalam Narayanan Nambisan (Nambisan Kutty), Damodaran Nair, Eachara Varrier, Nelluvaya Narayanan Nair, [[Kalamandalam Sankara Warrier]], [[Kaplingat Vasudevan Namboothiri]], Ramadas and Sasi.
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[[Category:Maddalam players]]
[[Category:Maddalam players]]
[[Category:Recipients of the Sangeet Natak Akademi Award]]
[[Category:Recipients of the Sangeet Natak Akademi Award]]
[[Category:20th-century Indian musicians]]
[[Category:20th-century Indian male classical singers]]
[[Category:Indian male classical musicians]]
[[Category:20th-century singers]]
[[Category:20th-century male musicians]]




{{India-culture-stub}}
{{India-culture-stub}}
{{en-Wikipedia}}

Latest revision as of 16:51, 3 November 2021

Kalamandalam Appukutty Poduval (1924–2008) was a maddalam maestro who rose to prominence by his aesthetically pleasing taps on the instrument—a vital percussion accompaniment for Kathakali, the classical dance-drama from Kerala in south India. A disciple of the legendary Venkichan Swami, he, along with chenda exponent, Kalamandalam Krishnankutty Poduval, ushered in a new spring in the acoustics of their performing art.[1]

A native of the temple town of Thiruvilwamala in Thrissur district, Poduval served for long as a maddalam tutor at his alma mater, Kerala Kalamandalam. His noted disciples at the institute include Paloor Achuthan Nair, Kalamandalam Narayanan Nambisan (Nambisan Kutty), Damodaran Nair, Eachara Varrier, Nelluvaya Narayanan Nair, Kalamandalam Sankara Warrier, Kaplingat Vasudevan Namboothiri, Ramadas and Sasi.

Poduval retired from Kalamandalam in 1986. He later worked, on and off, as visiting teacher at Sadanam Kathakali Akademi (Gandhi Seva Sadan) east of Ottapalam. He received the Sangeet Natak Akademi Award in 2000.[2]

Poduval died on 27 January 2008.[3]

References[edit]

  1. ↑ Kathakali Vijnanakosam (encyclopedia), page 305
  2. ↑ "SNA Awardees' List". Sangeet Natak Akademi. 2016. Archived from the original on 31 March 2016. Retrieved 5 February 2016.
  3. ↑ "Archive News". The Hindu. 28 January 2008. Archived from the original on 10 February 2008. Retrieved 1 December 2016.


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