Laxmikant–Pyarelal: Difference between revisions

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===Laxmikant===
===Laxmikant===
{{Infobox musical artist
{{Infobox musical artist
| name = Laxmikant
| name = Laxmikant Pyarelal
| background = non_performing_personnel
| background = non_performing_personnel
| birth_name = Laxmikant Shantaram Kudalkar
| birth_name = Laxmikant Shantaram Kudalkar
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==Music career==
==Music career==


In their early days, Laxmikant–Pyarelal's music was very similar to [[Shankar-Jaikishan]]'s music, as Laxmikant was a great fan of theirs. Once Shankar even changed his orchestration to make sure that his music did not sound like Laxmikant–Pyarelal's. {{citation needed|date=March 2013}} Laxmikant–Pyarelal's first film as music directors was not released. The first released movie which featured them as music directors was [[Babubhai Mistry]]'s ''[[Parasmani]]'' (1963), which was a costume drama. All the songs of the film became immensely popular, esp. "Hasata Hua Nurani Chehara", "Wo Jab Yaad Aaye" and "Mere Dil Main Halki Si". Throughout their tenure as music directors, Laxmikant–Pyarelal only used A-grade singers. Their mentors, [[Mohammad Rafi]] and [[Lata Mangeshkar]] agreed to sing for them in spite of low budgets, and Laxmikant–Pyarelal always remained indebted to them. In fact, all three, Mohammad Rafi, Asha Bhosle and Lata have sung the highest number of songs in their career for Laxmikant–Pyarelal. They continued to give patronage to Mohammed Rafi, sometimes against filmmakers' wishes. They had a great rapport with Kishore Kumar as well. Kishore Kumar sang the most songs (402) for L-P among all male singers, followed by Rafi (about 388 songs).{{Citation needed|date=April 2010}}
In their early days, Laxmikant–Pyarelal's music was very similar to [[Shankar-Jaikishan]]'s music, as Laxmikant was a great fan of theirs. Once Shankar even changed his orchestration to make sure that his music did not sound like Laxmikant–Pyarelal's. {{citation needed|date=March 2013}} Laxmikant–Pyarelal's first film as music directors was not released. The first released movie which featured them as music directors was [[Babubhai Mistry]]'s ''[[Parasmani]]'' (1963), which was a costume drama. All the songs of the film became immensely popular, esp. "Hasata Hua Nurani Chehara", "Wo Jab Yaad Aaye" and "Mere Dil Main Halki Si". Throughout their tenure as music directors, Laxmikant–Pyarelal only used A-grade singers. Their mentors, [[Lata Mangeshkar]] and [[Mohammad Rafi]] agreed to sing for them in spite of low budgets, and Laxmikant–Pyarelal always remained indebted to them. In fact, all three, Lata, Mohammad Rafi and Asha Bhosle have sung the highest number of songs in their career for Laxmikant–Pyarelal. They continued to give patronage to Mohammed Rafi, sometimes against filmmakers' wishes. They had a great rapport with Kishore Kumar as well. Kishore Kumar sang the most songs (402) for L-P among all male singers, followed by Rafi (about 388 songs).{{Citation needed|date=April 2010}}


Laxmikant–Pyarelal hit the big time with Rajshri Productions' 1964 film ''[[Dosti]]''. The film had two newcomer heroes who never became popular, and the film was a success due to its music. Songs like "Chahoonga Main Tujhe Shaam Savere" and "Rahi Manwa" became very popular. At that time, many used to think that there was a single person by the name of ''Laxmikant Pyarelal''. Laxmikant–Pyarelal won their first [[Filmfare Best Music Director Award]] for the movie, ahead of stalwarts like [[Shankar-Jaikishan]] (for ''[[Sangam (1964 Hindi film)|Sangam]]'') and [[Madan Mohan (director)|Madan Mohan]] (for ''[[Woh Kaun Thi?]]''). Then came ''Lootera'', a superhit musical non-star cast film, which is remembered only because of Lata Manageshkar's superhit songs with Laxmikant–Pyarelal.
Laxmikant–Pyarelal hit the big time with Rajshri Productions' 1964 film ''[[Dosti]]''. The film had two newcomer heroes who never became popular, and the film was a success due to its music. Songs like "Chahoonga Main Tujhe Shaam Savere" and "Rahi Manwa" became very popular. At that time, many used to think that there was a single person by the name of ''Laxmikant Pyarelal''. Laxmikant–Pyarelal won their first [[Filmfare Best Music Director Award]] for the movie, ahead of stalwarts like [[Shankar-Jaikishan]] (for ''[[Sangam (1964 Hindi film)|Sangam]]'') and [[Madan Mohan (director)|Madan Mohan]] (for ''[[Woh Kaun Thi?]]''). Then came ''Lootera'', a superhit musical non-star cast film, which is remembered only because of Lata Manageshkar's superhit songs with Laxmikant–Pyarelal.
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|-
|-
! Year !! Film !! Song!! Singer(s)
! Year !! Film !! Song!! Singer(s)
|-1963||''[[Parasmani]]''||"Hasta huwa noorani chehra" wo jab yaad aye ||[[Mohammad Rafi]] Lata Mangeshkar
|-1963||''[[Parasmani]]''||"Hasta huwa noorani chehra" wo jab yaad aye ||[[Lata Mangeshkar]], [[Mohammad Rafi]]
|1964||''[[Dosti]]''||"Rahi Manwa Dukh Ki Chinta"||[[Mohammad Rafi]] Lata Mangeshkar
|1964||''[[Dosti]]''||"Rahi Manwa Dukh Ki Chinta"||[[Lata Mangeshkar]], [[Mohammad Rafi]]  
|-
|-
|1967||''[[Milan (1967 film)|Milan]]''||"Sawan Ka Mahina"||[[Mukesh (singer)|Mukesh]], [[Lata Mangeshkar]]
|1967||''[[Milan (1967 film)|Milan]]''||"Sawan Ka Mahina"||[[Lata Mangeshkar]], [[Mukesh (singer)|Mukesh]]
|-
|-
|1968||''[[Shagird]]''||"Dil Vil Pyar Vyar"||Lata Mangeshkar
|1968||''[[Shagird]]''||"Dil Vil Pyar Vyar"||Lata Mangeshkar
|-
|-
|1969||''[[Intaquam]]''||"Kaise Rahu Chup"||Lata Mangeshkar
|1969||rowspan=2|''[[Intaquam]]''||"Kaise Rahu Chup"||Lata Mangeshkar
|-
|1969||''[[Aa Jaane Jaan]]''||Lata Mangeshkar
|-
|-
|1969||''[[Do Raaste]]''||"Bindiya Chamakegi"||Lata Mangeshkar
|1969||''[[Do Raaste]]''||"Bindiya Chamakegi"||Lata Mangeshkar
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|1971|| ''[[Jal Bin Machhli Nritya Bin Bijli]]'' || "Jo Main Chali" || Lata Mangeshkar
|1971|| ''[[Jal Bin Machhli Nritya Bin Bijli]]'' || "Jo Main Chali" || Lata Mangeshkar
|-
|-
|1972|| ''[[Shor (film)|Shor]]'' || "Ek Pyar Ka Nagma Hai" || Mukesh, Lata Mangeshkar
|1972|| ''[[Shor (film)|Shor]]'' || "Ek Pyar Ka Nagma Hai" || Lata Mangeshkar, Mukesh
|-
|-
|1973||''[[Manchali]]''||"O Manchali Kaha Chali"||[[Kishore Kumar]]
|1973||''[[Manchali]]''||"O Manchali Kaha Chali"||[[Kishore Kumar]]
|-
|-
|1973||''[[Bobby (1973 film)|Bobby]]''||"Hum Tum Ek Kamre Mein Band Ho"||[[Shailendra Singh (singer)|Shailendra Singh]], [[Lata Mangeshkar]]
|1973||''[[Bobby (1973 film)|Bobby]]''||"Hum Tum Ek Kamre Mein Band Ho"||[[Lata Mangeshkar]], [[Shailendra Singh (singer)|Shailendra Singh]]
|-
|-
|1974||''[[Roti Kapda Aur Makaan]]''||"Mehngai Maar Gayi"||Jani Babu Quwal, Lata Mangeshkar, Mukesh & Chanchal
|1974||''[[Roti Kapda Aur Makaan]]''||"Mehngai Maar Gayi"||[[Lata Mangeshkar]], Jani Babu Quwal, Mukesh & Chanchal
|-
|-
|1977||''[[Amar Akbar Anthony]]''||"Humko Tumse Ho Gaya Hai Pyaar"||[[Mohammad Rafi]], [[Kishore Kumar]], [[Mukesh (singer)|Mukesh]] & [[Lata Mangeshkar]]
|1977||''[[Amar Akbar Anthony]]''||"Humko Tumse Ho Gaya Hai Pyaar"||[[Lata Mangeshkar]], [[Mohammad Rafi]], [[Kishore Kumar]] & [[Mukesh (singer)|Mukesh]]  
|-
|-
|1977||''[[Dream Girl (1977 film)|Dream Girl]]''||"Dream Girl"||[[Kishore Kumar]]
|1977||''[[Dream Girl (1977 film)|Dream Girl]]''||"Dream Girl"||[[Kishore Kumar]]
|-
|-
|1980||''[[Sargam (1979 film)|Sargam]]''||"Dafali Wale"|| [[Mohammed Rafi]], Lata Mangeshkar
|1980||''[[Sargam (1979 film)|Sargam]]''||"Dafali Wale"|| Lata Mangeshkar, [[Mohammed Rafi]]
|-
|-
|1980||''[[Dostana (1980 film)|Dostana]]''||"Salamat Rahe Dostana Humara"|| [[Mohammed Rafi]] & [[Kishore Kumar]]
|1980||''[[Dostana (1980 film)|Dostana]]''||"Salamat Rahe Dostana Humara"|| [[Mohammed Rafi]] & [[Kishore Kumar]]
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|1989||''[[ChaalBaaz|Chaalbaaz]]''||"Na Jaane Kahan Se Aayi Hai"||[[Amit Kumar (singer)|Amit Kumar]] & [[Kavita Krishnamoorthy]]
|1989||''[[ChaalBaaz|Chaalbaaz]]''||"Na Jaane Kahan Se Aayi Hai"||[[Amit Kumar (singer)|Amit Kumar]] & [[Kavita Krishnamoorthy]]
|-
|-
|1989||''[[Ram Lakhan]]''||"My Name Is Lakhan"||[[Mohammad Aziz]], Anuradha Paudwal, [[Nitin Mukesh]], [[Anuradha Sriram]]
|1989||rowspan=2|''[[Ram Lakhan]]''||"My Name Is Lakhan"||[[Mohammad Aziz]], Anuradha Paudwal, [[Nitin Mukesh]], [[Anuradha Sriram]]
|-
|1989||"Bada dukh dina"||[[Lata Mangeshkar]]
|-
|-
|1990||''[[Kroadh]]''||"Bombay Bombay"||[[Amit Kumar (singer)|Amit Kumar]] & [[Mohammad Aziz]]
|1990||''[[Kroadh]]''||"Bombay Bombay"||[[Amit Kumar (singer)|Amit Kumar]] & [[Mohammad Aziz]]
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|1991||''[[Hum (film) |Hum]]''||"Jumma Chumma De De"||[[Sudesh Bhonsle]] & [[Kavita Krishnamurthy]]
|1991||''[[Hum (film) |Hum]]''||"Jumma Chumma De De"||[[Sudesh Bhonsle]] & [[Kavita Krishnamurthy]]
|-
|-
|1992||''[[Khuda Gawah]]''||"Tu Mujhe Kabool"||[[Mohammed Aziz]] & [[Kavita Krishnamurthy]]
|1992||''[[Khuda Gawah]]''||"Tu Mujhe Kabool"||[[Lata Mangeshkar]], [[Mohammed Aziz]] & [[Kavita Krishnamurthy]]
|-
|-
|1993||''[[Khalnayak]]''||"[[Choli Ke Peeche Kya Hai]]"||Alka Yagnik, [[Ila Arun]]
|1993||''[[Khalnayak]]''||"[[Choli Ke Peeche Kya Hai]]"||Alka Yagnik, [[Ila Arun]]
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''Sati Savitri'' (1964), ''Lootera'' (1965), ''Intaquam'' (1969), ''Sharafat'' (1970), ''Abhinetri'' (1970), ''Mera Gaon Mera Desh'' (1971), ''Jal Bin Machhali Nritya Bin Bijlee'' (1971), ''Raja Jani'' (1972), ''Bobby'' (1973), ''Satyam Shivam Sundaram'' and ''Ek Duje Ke Liye'' (1981)... all have different styles.
''Sati Savitri'' (1964), ''Lootera'' (1965), ''Intaquam'' (1969), ''Sharafat'' (1970), ''Abhinetri'' (1970), ''Mera Gaon Mera Desh'' (1971), ''Jal Bin Machhali Nritya Bin Bijlee'' (1971), ''Raja Jani'' (1972), ''Bobby'' (1973), ''Satyam Shivam Sundaram'' and ''Ek Duje Ke Liye'' (1981)... all have different styles.


[[Asha Bhosle]] recorded almost 494 songs for Laxmikant–Pyarelal. Their collaboration lasted almost 35 years, 1963–1998. They gave Asha hits after hits. They made Asha Bhosle the numero uno singer of the 1970s with chart toppers like "Hungama Ho Gaya", "Dhal Gaya Din", "Koi Shahari Babu', "Ek Haseena Thi" etc.
[[Asha Bhosle]] recorded almost 494 songs for Laxmikant–Pyarelal. Their collaboration lasted almost 35 years, 1963–1998. They gave Asha multiple hits and made Asha Bhosle one of the most sought after singer of the 1970s with chart toppers like "Hungama Ho Gaya", "Dhal Gaya Din", "Koi Shahari Babu', "Ek Haseena Thi" etc.


Singer [[Mohammed Rafi]] has sung as many as 379 songs under Laxmikant–Pyarelal. This is the highest number of songs sung by Mohammed Rafi with any of the music directors in Hindi film music. Songs from ''[[Dosti]]'', ''[[Aaye Din Bahar Ke]]'', ''[[Aya Sawan Jhoom Ke]]'', ''[[Mere Hamdam Mere Dost]]'', ''[[Jeene Ki Raah]]'', ''[[Dharam Veer (film)|Dharam Veer]]'', ''[[Amar Akbar Anthony]]'' and ''[[Sargam (1979 film)|Sargam]]'' etc. have the dominance of Rafi. Mohammed Rafi played a very important role in the Music Duo's career. Laxmikant–Pyarelal started their career with a song of Rafi in the film Parasmani (1963). Rafi Sahab sang for L-P for free and blessed them that - "This music Duo may work together to their last breath." Therefore, Laxmikant–Pyarelal always respected Rafi till the end and Rafi sang his last song- "Tere Aane Ki Aas Hai Dost..." under direction of L-P, which was recorded on 31 July 1980 in Mahboob studio at 10:00 PM. Shortly afterwards Mohd. Rafi died at 10:25 PM.
Singer [[Mohammed Rafi]] has sung as many as 379 songs under Laxmikant–Pyarelal. This is the highest number of songs sung by Mohammed Rafi with any of the music directors in Hindi film music. Songs from ''[[Dosti]]'', ''[[Aaye Din Bahar Ke]]'', ''[[Aya Sawan Jhoom Ke]]'', ''[[Mere Hamdam Mere Dost]]'', ''[[Jeene Ki Raah]]'', ''[[Dharam Veer (film)|Dharam Veer]]'', ''[[Amar Akbar Anthony]]'' and ''[[Sargam (1979 film)|Sargam]]'' etc. have the dominance of Rafi. Mohammed Rafi played a very important role in the Music Duo's career. Laxmikant–Pyarelal started their career with a song of Rafi in the film Parasmani (1963). Rafi Sahab sang for L-P for free and blessed them that - "This music Duo may work together to their last breath." Therefore, Laxmikant–Pyarelal always respected Rafi till the end and Rafi sang his last song- "Tere Aane Ki Aas Hai Dost..." under direction of L-P, which was recorded on 31 July 1980 in Mahboob studio at 10:00 PM. Shortly afterwards Mohd. Rafi died at 10:25 PM.