Darbar (raga): Difference between revisions
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The notes used are shadjam, chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, panchamam, chathusruthi dhaivatham, kaisiki nishadham. | The notes used are shadjam, chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, panchamam, chathusruthi dhaivatham, kaisiki nishadham. | ||
== Popular compositions == | == Popular compositions == | ||
| Line 63: | Line 63: | ||
== See also == | == See also == | ||
* [[List of film songs based on ragas]] | * [[List of film songs based on ragas]] | ||
Latest revision as of 02:52, 14 August 2023
Darbar (pronounced darbār) is a ragam in Carnatic music and has been adapted from Hindustani music.[2] The raga is a comparatively recent entry to Carnatic Music, possibly in the earlier part of the 18th century.[3][4][5]
| Mela | 22nd, Kharaharapriya[1] |
|---|---|
| Arohanam | S R₂ M₁ P D₂ N₂ Ṡ |
| Avarohanam | Ṡ N₂ D₂ P M₁ R₂ G₂ G₂ R₂ S |
| Chhaya svaras | G₂, N₂[1] |
| Similar | Nayaki |
Structure and lakshanaEdit
It is a Vakra ragam derived from the 22nd Melakarta rāgam Kharaharapriya. Nishadham and ghandharam used as long in the Avarohana. Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):
- ārohaṇa: S R₂ M₁ P D₂ N₂ Ṡ[lower-alpha 1][1]
- avarohaṇa: Ṡ N₂ D₂ P M₁ R₂ G₂ G₂ R₂ S[lower-alpha 2][1]
The notes used are shadjam, chathusruthi rishabham, sadharana gandharam, shuddha madhyamam, panchamam, chathusruthi dhaivatham, kaisiki nishadham.
Popular compositionsEdit
Darbar is a scale that is used for compositions in a medium to fast tempo. This scale has been used by many composers and there are many compositions in classical music. It has been used to score film music, too. Here are some popular compositions in Darbar.
- Chalamela, an Adi tala varnam, and Ne vedhikkani by Veena Kuppayyar
- Thyagarajadhanyam and Halasyanadham bhajami by Muthuswami Dikshitar
ThyagarajaEdit
- Aparathamulaman piyadukovayya – Jhampa
- Yocana Kamalalochana – Adi
- Enthundi Vedalithivo – Triputa
- Ela Theliyalero – Triputa
- Naradhaguruswami Ikanaina – Adi
- Mundhuvenuka Niruprakkalathodai – Adi
- Ramabhirama Ramaneeyarama – Triputa
- Nithyaroopa Evaripandithyamemi – Roopaka
- Paripalayamam Kodantapanaii – Triputa
- Ramalobhamela Nanurakshimchu – Adi
Other compositionsEdit
- Smaramanasa pathmanabacharanam – Roopaka by Swathi Thirunal Rama Varma
- Adiya Patham – Adi by Gopalakrishna Bharathi
- Raghavendra guru – Kanta jadi triputa by Mysore Vasudevachar
- Sree Venugopala by Koteeswara Iyer
- Dhaari Theliyaka – Ata tala varnam by Patnam Subramania Iyer
- Meena Nayanana Neevunamidha – Rupaka by Subbaraya Sastri
- Nayaganai nindra – Thiruppavai No. 16 – by Andal
- Vezha Mugatharase by Ambujam Krishna
Related ragamsEdit
Darbar resembles Nayaki.[1]
See alsoEdit
NotesEdit
ReferencesEdit
SourcesEdit
- Darbār Rāga (Kar), The Oxford Encyclopaedia of the Music of India. Oxford University Press. ISBN 978-0-19-565098-3. Retrieved 8 October 2018.