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{{Short description|Multilinear filmmaking style}}
{{Short description|Multilinear filmmaking style}}
{{Use mdy dates|date=December 2015}}
{{Use mdy dates|date=December 2015}}
'''Hyperlink cinema''' is a style of filmmaking characterised by complex or multilinear narrative structures, which are used in ways that are informed by the [[World Wide Web]]. The term was coined by author [[Alissa Quart]], who used the term in her review of the film ''[[Happy Endings (film)|Happy Endings]]'' (2005) for the film journal ''[[Film Comment]]'' in 2005.<ref name=quart>{{cite journal
 
'''Hyperlink cinema''' is a style of filmmaking characterized by complex or multilinear narrative structures with multiple characters under one unifying theme.<ref name="eccentriccinematicexperience">[https://movieweb.com/movies-where-several-stories-interconnect/ 10 Movies Where Several Stories Interconnect - MovieWeb]</ref> In spite of the name, these films are not actual [[hypermedia]] and do not have actual [[hyperlink]]s, but are multilinear in a more metaphorical sense.
 
==History==
The term was coined by author [[Alissa Quart]], who used the term in her review of the film ''[[Happy Endings (film)|Happy Endings]]'' (2005) for the film journal ''[[Film Comment]]'' in 2005.<ref name=quart>{{cite journal
  |last=Quart  
  |last=Quart  
  |first=Alissa  
  |first=Alissa  
|author-link=Alissa Quart
  |title=Networked  
  |title=Networked  
  |journal=[[Film Comment]]  
  |journal=[[Film Comment]]  
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  |archive-date=February 3, 2014  
  |archive-date=February 3, 2014  
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}}</ref> Film critic [[Roger Ebert]] popularized the term when reviewing the film ''[[Syriana]]'' in 2005.<ref name=ebert-syriana>{{cite news
}}</ref> Film critic [[Roger Ebert]] popularized the term when reviewing the film ''[[Syriana]]'' in 2005.<ref name="ebert-syriana">{{cite news |last=Ebert |first=Roger |author-link=Roger Ebert |date=December 9, 2005 |title=Syriana |work=Reviews |publisher=rogerebert.com |url=https://www.rogerebert.com/reviews/syriana-2005 |access-date=July 25, 2007}}</ref>  
  | last =Ebert
  | first =Roger
  | author-link =Roger Ebert
  | title =Syriana
  | work =Reviews
  | publisher =rogerebert.com
  | date =December 9, 2005
  | url =http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20051208/REVIEWS/51130002/1023
  | access-date =July 25, 2007 }}</ref> These films are not [[hypermedia]] and do not have actual [[hyperlink]]s, but are multilinear in a more metaphorical sense.


In describing ''Happy Endings'', Quart considers captions acting as [[footnote]]s and [[Split screen (film)|split screen]] as elements of hyperlink cinema and notes the influence of the World Wide Web and [[Human multitasking|multitasking]].<ref name="quart" /> Playing with time and characters' personal history, [[plot twist]]s, interwoven storylines between multiple characters, jumping between the beginning and end ([[Flashback (narrative)|flashback]] and [[flashforward]]) are also elements.<ref name="quart" /> Ebert further described hyperlink cinema as films where the characters or action reside in separate stories, but a connection or influence between those disparate stories is slowly revealed to the audience; illustrated in Mexican director [[Alejandro González Iñárritu|Alejandro González Iñárritu's]] films ''[[Amores perros]]'' (2000), ''[[21 Grams]]'' (2003), and ''[[Babel (film)|Babel]]'' (2006).<ref name="ebert-syriana" /><ref name="ebert-babel" />
In describing ''Happy Endings'', Quart considers captions acting as [[footnote]]s and [[Split screen (film)|split screen]] as elements of hyperlink cinema and notes the influence of the World Wide Web and [[Human multitasking|multitasking]].<ref name="quart"/> Playing with time and characters' personal history, [[plot twist]]s, interwoven storylines between multiple characters, jumping between the beginning and end ([[Flashback (narrative)|flashback]] and [[flashforward]]) are also elements.<ref name="quart"/> Ebert further described hyperlink cinema as films where the characters or action reside in separate stories, but a connection or influence between those disparate stories is slowly revealed to the audience; illustrated in Mexican director [[Alejandro González Iñárritu|Alejandro González Iñárritu's]] films ''[[Amores perros]]'' (2000), ''[[21 Grams]]'' (2003), and ''[[Babel (film)|Babel]]'' (2006).<ref name="ebert-syriana"/><ref name="ebert-babel"/>


Quart suggests that director [[Robert Altman]] created the structure for the genre and demonstrated its usefulness for combining interlocking stories in his films ''[[Nashville (film)|Nashville]]'' (1975) and ''[[Short Cuts]]'' (1993).<ref name="MovieYearbook2007">[[Roger Ebert|Ebert, Roger]] (2006). ''Roger Ebert's Movie Yearbook 2007''. Andrews McMeel Publishing. p. 100. {{ISBN|0-7407-6157-9}}</ref> However, his work was predated by several films, including [[Jean Renoir]]'s ''[[The Rules of the Game]]'' (1939),<ref name="cinemacatharsis.com">[http://www.cinemacatharsis.com/list/ten-classic-hyperlink-films/ Ten Classic Hyperlink Films - CinemaCatharsis]</ref> [[Satyajit Ray]]'s ''[[Kanchenjungha (film)|Kanchenjunga]]'' (1962),<ref name="amc.com">{{cite web|url=http://www.amc.com/movie/1962/Kanchenjungha|title=Kanchenjungha|work=AMC|archive-url=https://web.archive.org/web/20151211105908/http://www.amc.com/movie/1962/Kanchenjungha|archive-date=2015-12-11}}</ref> [[Federico Fellini]]'s ''[[Amarcord]]'' (1973),<ref name="tasteofcinema.com">{{cite web|url=http://www.tasteofcinema.com/2015/20-great-examples-of-hyperlink-cinema-every-film-buff-must-watch/|title=20 Great Examples of Hyperlink Cinema Every Film Buff Must Watch|website=Taste of Cinema - Movie Reviews and Classic Movie Lists}}</ref> and [[Ritwik Ghatak]]'s ''[[Titash Ekti Nadir Naam]]'' (1973),<ref name=Ghatak>{{Cite book | last1 = Ghatak | given1 = Ritwik | year = 2000 | title = Rows and Rows of Fences: Ritwik Ghatak on Cinema | publisher = Ritwik Memorial & Trust Seagull Books | isbn = 81-7046-178-2 | pages= ix & 134–36 }}</ref> all of which use a narrative structure based on multiple characters.
Quart suggests that director [[Robert Altman]] created the structure for the genre and demonstrated its usefulness for combining interlocking stories in his films ''[[Nashville (film)|Nashville]]'' (1975) and ''[[Short Cuts]]'' (1993).<ref name="MovieYearbook2007">[[Roger Ebert|Ebert, Roger]] (2006). ''Roger Ebert's Movie Yearbook 2007''. Andrews McMeel Publishing. p. 100. {{ISBN|0-7407-6157-9}}</ref> However, his work was predated by several films, including [[Satyajit Ray]]'s ''[[Kanchenjungha (film)|Kanchenjunga]]'' (1962),<ref name="amc.com">{{cite web|url=http://www.amc.com/movie/1962/Kanchenjungha|title=Kanchenjungha |archive-url=https://web.archive.org/web/20151211105908/http://www.amc.com/movie/1962/Kanchenjungha |archive-date=2015-12-11|work=[[AMC (TV channel)|AMC]]}}</ref> [[Federico Fellini]]'s ''[[Amarcord]]'' (1973),<ref name="tasteofcinema.com">{{cite web |url=http://www.tasteofcinema.com/2015/20-great-examples-of-hyperlink-cinema-every-film-buff-must-watch/|title=20 Great Examples of Hyperlink Cinema Every Film Buff Must Watch |website=Taste of Cinema |date=September 4, 2015}}</ref> and [[Ritwik Ghatak]]'s ''[[Titash Ekti Nadir Naam]]'' (1973),<ref name=Ghatak>{{Cite book |last1=Ghatak |first1=Ritwik |year=2000 |title=Rows and Rows of Fences: Ritwik Ghatak on Cinema |publisher=Ritwik Memorial & Trust Seagull Books |isbn=81-7046-178-2 |pages=ix & 134–36}}</ref> all of which use a narrative structure based on multiple characters.


Quart also mentions the television series ''[[24 (TV series)|24]]'' and discusses [[Alan Rudolph]]'s film ''[[Welcome to L.A.]]'' (1976) as an early prototype.<ref name="quart"/> ''[[Crash (2004 film)|Crash]]'' (2004) is an example of the genre,<ref>[https://www.ifc.com/2009/02/crossing-over-and-hyperlink-ci “Crossing Over” and Hyperlink Cinema-IFC]</ref> as are [[Steven Soderbergh]]'s ''[[Traffic (2000 film)|Traffic]]'' (2000), [[Fernando Meirelles]]'s ''[[City of God (2002 film)|City of God]]'' (2002), [[Stephen Gaghan]]'s ''[[Syriana]]'' (2005) and [[Rodrigo García (director)|Rodrigo Garcia]]'s ''[[Nine Lives (2005 film)|Nine Lives]]'' (2005).
Quart also mentions the television series ''[[24 (TV series)|24]]'' and discusses [[Alan Rudolph]]'s film ''[[Welcome to L.A.]]'' (1976) as an early prototype.<ref name="quart"/> ''[[Crash (2004 film)|Crash]]'' (2004) is an example of the genre,<ref>{{Cite web |last=Willmore |first=Alison |date=February 23, 2009 |title="Crossing Over" and Hyperlink Cinema |url=https://www.ifc.com/2009/02/crossing-over-and-hyperlink-ci |archive-url=https://web.archive.org/web/20170410023913/https://www.ifc.com/2009/02/crossing-over-and-hyperlink-ci |archive-date=April 10, 2017 |url-status=dead |access-date=July 12, 2022 |website=[[IFC (American TV channel)|IFC]]}}</ref> as are [[Steven Soderbergh]]'s ''[[Traffic (2000 film)|Traffic]]'' (2000), [[Fernando Meirelles]]'s ''[[City of God (2002 film)|City of God]]'' (2002), [[Stephen Gaghan]]'s ''[[Syriana]]'' (2005) and [[Rodrigo García (director)|Rodrigo Garcia]]'s ''[[Nine Lives (2005 film)|Nine Lives]]'' (2005).


It also included the style in video games. All of French video game company [[Quantic Dream]] produce games (aside for ''[[The Nomad Soul]]'' and ''[[Beyond: Two Souls]]'') with hyperlink cinema style storytelling. The style has also influenced role-playing games such as ''[[Suikoden III]]'' (2001) and ''[[Octopath Traveler]]'' (2018).
The style is also used in video games. French video game company [[Quantic Dream]] has produced games, such as ''[[Heavy Rain]]'' and ''[[Detroit: Become Human]]'', with hyperlink cinema style storytelling, and the style has also influenced role-playing games such as ''[[Suikoden III]]'' (2001) and ''[[Octopath Traveler]]'' (2018).{{citation needed|date=September 2024}}


==Analysis==
==Analysis==
The hyperlink cinema narrative and story structure can be compared to social science's [[spatial analysis]]. As described by Edward Soja and Costis Hadjimichalis spatial analysis examines the "'horizontal experience'  of human life, the spatial dimension of individual behavior and social relations, as opposed to the 'vertical experience' of history, tradition, and biography."<ref name="Soja-p59-67">{{cite journal |last1=Soja |first1=Edward W. |last2=Hadjimichalis |first2=Costis |year=1979 |title=Between Geographical Materialism and Spatial Fetishism: Some Observations on the Development of Marxist Spatial Analysis |journal=Antipode |volume=17 |issue=2–3 |pages=59–67 |doi=10.1111/j.1467-8330.1985.tb00334.x }}</ref> English critic [[John Berger]] notes for the novel that "it is scarcely any longer possible to tell a straight story sequentially unfolding in time" for "we are too aware of what is continually traversing the story line laterally."<ref name="Soja-p59-67" />
The hyperlink cinema narrative and story structure can be compared to social science's [[spatial analysis]]. As described by Edward Soja and [[Costis Hadjimichalis]] spatial analysis examines the "'horizontal experience'  of human life, the spatial dimension of individual behavior and social relations, as opposed to the 'vertical experience' of history, tradition, and biography."<ref name="Soja-p59-67">{{cite journal |last1=Soja |first1=Edward W. |last2=Hadjimichalis |first2=Costis |year=1979 |title=Between Geographical Materialism and Spatial Fetishism: Some Observations on the Development of Marxist Spatial Analysis |journal=[[Antipode (journal)|Antipode]] |volume=17 |issue=2–3 |pages=59–67 |doi=10.1111/j.1467-8330.1985.tb00334.x }}</ref> English critic [[John Berger]] notes for the novel that "it is scarcely any longer possible to tell a straight story sequentially unfolding in time" for "we are too aware of what is continually traversing the story line laterally."<ref name="Soja-p59-67"/>


An academic analysis of hyperlink cinema appeared in the journal ''Critical Studies in Media Communication,'' and referred to the films as Global Network Films. Narine's study examines the films ''Traffic'' (2000), ''Amores perros'' (2000), ''21 Grams'' (2003), ''Beyond Borders'' (2003), ''Crash'' (2004; released 2005), ''Syriana'' (2005), ''Babel'' (2006) and others, citing network theorist [[Manuel Castells]] and philosophers [[Michel Foucault]] and [[Slavoj Žižek]]. The study suggests that the films are network narratives that map the [[network society]] and the new connections citizens experience in the age of [[globalization]].<ref>{{cite journal |last=Narine |first=Neil |title=Global Trauma and the Cinematic Network Society |journal=Critical Studies in Media Communication |volume=27 |issue=3 |year=2010 |pages=209–234 |doi=10.1080/15295030903583556 |s2cid=143671583 }}</ref>
An academic analysis of hyperlink cinema appeared in the journal ''[[Critical Studies in Media Communication]]'', and referred to the films as Global Network Films. Narine's study examines the films ''Traffic'' (2000), ''Amores perros'' (2000), ''21 Grams'' (2003), ''Beyond Borders'' (2003), ''Crash'' (2004; released 2005), ''Syriana'' (2005), ''Babel'' (2006) and others, citing network theorist [[Manuel Castells]] and philosophers [[Michel Foucault]] and [[Slavoj Žižek]]. The study suggests that the films are network narratives that map the [[network society]] and the new connections citizens experience in the age of [[globalization]].<ref>{{cite journal |last=Narine |first=Neil |title=Global Trauma and the Cinematic Network Society |journal=[[Critical Studies in Media Communication]] |volume=27 |issue=3 |year=2010 |pages=209–234 |doi=10.1080/15295030903583556 |s2cid=143671583}}</ref>


[[Alberto Toscano]] and Jeff Kinkle have argued that one popular form of hyperlink cinema constitutes a contemporary form of [[it-narrative]], an 18th- and 19th-century genre of fiction written from the imagined perspective of objects as they move between owners and social environments.<ref name=toscano>{{cite book|first1=Alberto|last1=Toscano|author-link=Alberto Toscano|first2=Jeff|last2=Kinkle|title=Cartographies of the Absolute|publisher=[[Zero Books]]|year=2015|page=192}}</ref> In these films, they argue, "the narrative link is the characters' relation to the film's product of choice, whether it be guns, cocaine, oil, or Nile perch."<ref name=toscano/>
[[Alberto Toscano]] and Jeff Kinkle have argued that one popular form of hyperlink cinema constitutes a contemporary form of [[it-narrative]], an 18th- and 19th-century genre of fiction written from the imagined perspective of objects as they move between owners and social environments.<ref name=toscano>{{cite book|first1=Alberto|last1=Toscano|author-link=Alberto Toscano|first2=Jeff|last2=Kinkle|title=Cartographies of the Absolute|publisher=[[Zero Books]]|year=2015|page=192}}</ref> In these films, they argue, "the narrative link is the characters' relation to the film's product of choice, whether it be guns, cocaine, oil, or Nile perch."<ref name=toscano/>


== Examples ==
== Notable examples ==
<!--Per [[WP:INDISCRIMINATE]], don't make this list too big. Only include films that: 1) can be verified with a source, and 2) has a significant impact on their work.-->


=== Films ===
=== Films ===
{{main category|Hyperlink films}}
{{main category|Hyperlink films}}
<!-- Please add a CITATION when adding a film. Films without verifiable citations will be removed. -->
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*''[[The Rules of the Game]]'' (1939)<ref name="cinemacatharsis.com"/>
*''[[Grand Hotel (1932 film)|Grand Hotel]]'' (1932)<ref>{{cite web|url=https://www.flickchart.com/genre/Hyperlink+Film |title=Hyperlink Film |website=[[Flickchart]]}}</ref>
*''[[Dinner at Eight (1933 film)|Dinner at Eight]]'' (1933)<ref>{{cite web|url=https://www.flickchart.com/Charts.aspx?genre=Hyperlink+Film&decade=1930 |title=The Best Hyperlink Films of the 1930s |website=Flickchart}}</ref>
*''[[The Rules of the Game]]'' (1939)<ref>{{cite book|url=https://books.google.com/books?id=4vAp1JNyyQkC&dq=rules+of+the+game+hyperlink+film&pg=PT282 |last=Newman |first=Michael Z. |year=2011 |title=Indie: An American Film Culture |publisher=Columbia University Press|isbn=9780231513524 |via=Google Books}}</ref>
*''[[Kanchenjungha (film)|Kanchenjunga]]'' (1962)<ref name="amc.com"/>
*''[[Kanchenjungha (film)|Kanchenjunga]]'' (1962)<ref name="amc.com"/>
*''[[Is Paris Burning? (film)|Is Paris Burning?]]'' (1966)<ref>{{cite web|url=https://www.flickchart.com/Charts.aspx?genre=Hyperlink+Film&decade=1960 |title=The Best Hyperlink Films of the 1960s |website=Flickchart}}</ref>
*''[[Amarcord]]'' (1973)<ref name="tasteofcinema.com"/>
*''[[Amarcord]]'' (1973)<ref name="tasteofcinema.com"/>
*''[[Titash Ekti Nadir Naam]]'' (1973)<ref name=Ghatak/>
*''[[Titash Ekti Nadir Naam]]'' (1973)<ref name=Ghatak/>
*''[[The Phantom of Liberty]]'' (1974)<ref name="tasteofcinema.com"/>
*''[[The Phantom of Liberty]]'' (1974)<ref name="tasteofcinema.com"/>
*''[[Zavallılar|Zavallilar]]'' (1974)<ref name="Ozguc">Bütün Filmleriyle Yilmaz Güney by Agah Özguc</ref>
*''[[Zavallılar|Zavallilar]]'' (1974)<ref name="Ozguc">{{cite book|last=Özguc |first= Agah |title=Bütün Filmleriyle Yilmaz Güney |language=tr}}</ref>
*''[[Nashville (film)|Nashville]]'' (1975)<ref name=ebert-syriana />
*''[[Nashville (film)|Nashville]]'' (1975)<ref name=ebert-syriana/><ref name="eccentriccinematicexperience"/>
*''[[Welcome to L.A.]]'' (1976)<ref name="quart"/>
*''[[Welcome to L.A.]]'' (1976)<ref name="quart"/>
* ''[[Yol]]'' (1981)<ref name="Ozguc" />
*''[[Ganadevata (film)|Ganadevata]]'' (1978)<ref>{{cite web|title=Ganadevata |publisher=Upperstall.com |url=http://www.upperstall.com/films/1978/ganadevata |access-date=2014-04-26 |url-status=dead |archive-url=https://web.archive.org/web/20140426201107/http://www.upperstall.com/films/1978/ganadevata |archive-date=26 April 2014 |df=dmy }}</ref>
* ''[[After Hours (film)|After Hours]]'' (1985)<ref name="moviebabblereviews.com"/>
* ''[[Yol (film)|Yol]]'' (1982)<ref name="Ozguc"/>
*''[[Hannah and Her Sisters]]'' (1986)<ref name="tasteofcinema.com"/>
*''[[Hannah and Her Sisters]]'' (1986)<ref name="tasteofcinema.com"/>
*''[[Do the Right Thing]]'' (1989)<ref name="cinemacatharsis.com"/>
*''[[Do the Right Thing]]'' (1989)<ref>{{cite web|url=https://www.flickchart.com/Charts.aspx?genre=Hyperlink+Film&decade=1980 |title=The Best Hyperlink Films of the 1980s |website=Flickchart}}</ref>
*''[[Dazed and Confused (film)|Dazed and Confused]]'' (1993)<ref name="tasteofcinema.com1">{{cite web|url=http://www.tasteofcinema.com/2015/20-great-examples-of-hyperlink-cinema-every-film-buff-must-watch/2/|title=20 Great Examples of Hyperlink Cinema Every Film Buff Must Watch|website=Taste of Cinema - Movie Reviews and Classic Movie Lists}}</ref>
*''[[Mystery Train (film)|Mystery Train]]'' (1989)<ref>{{cite web|url=https://www.aperfectprescription.com/blog/its-a-sad-and-beautiful-world-music-from-the-films-of-jim-jarmusch |title=It's a Sad and Beautiful World: Music From the Films of Jim Jarmusch |website=A Perfect Prescription |date=March 15, 2016}}</ref>
*''[[Short Cuts]]'' (1993)<ref name=ebert-syriana />
*''[[Grand Canyon (1991 film)|Grand Canyon]]'' (1991)<ref name=flick90s>{{cite web|url=https://www.flickchart.com/Charts.aspx?genre=Hyperlink+Film&decade=1990 |title=The Best Hyperlink Films of the 1990s |website=Flickchart}}</ref>
*''[[Three Colours: Red]]'' (1993)<ref name="tasteofcinema.com1"/>
*''[[Slacker (film)|Slacker]]'' (1991)<ref name=flick90s/><ref name="eccentriccinematicexperience"/>
*''[[Before the Rain (1994 film)|Before the Rain]]'' (1994)<ref>Kipp, Jeremiah (August 12, 2008). "[https://www.slantmagazine.com/film/review/before-the-rain/3718 Before the Rain | Film Review | Slant Magazine]". Retrieved on March 3, 2010.</ref>
*''[[Dazed and Confused (film)|Dazed and Confused]]'' (1993)<ref name="tasteofcinema.com"/>
*''[[Exotica (film)|Exotica]]'' (1994)<ref>{{cite web|url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20090311/REVIEWS08/903119976|title=Exotica|author=Roger Ebert|date=March 11, 2009}}</ref>
*''[[Short Cuts]]'' (1993)<ref name=ebert-syriana/>
*''[[Pulp Fiction (film)|Pulp Fiction]]'' (1994)<ref name="PostmodernHollywood">Booker, M. Keith. (2007). In ''[https://books.google.com/books?id=QluEtNUBblUC&pg=PA13 Postmodern Hollywood]''. Greenwood Publishing Group. pp. 12–21. {{ISBN|0-275-99900-9}}. Google Book Search. Retrieved on October 18, 2008.</ref>
*''[[Three Colours: Red]]'' (1993)<ref name="tasteofcinema.com"/>
*''[[Gummo]]'' (1997)<ref name="tasteofcinema.com1"/>
*''[[Padma Nadir Majhi]]'' (1993)<ref name="tasteofcinema.com"/>
*''[[Lock, Stock and Two Smoking Barrels]]'' (1998)<ref name=snatch>{{cite book|url=https://books.google.com/books?id=QluEtNUBblUC&q=SNATCH+HYPERLINK+CINEMA&pg=PA13|title=Postmodern Hollywood|isbn=9780275999001|last1=Keith Booker|first1=M.|year=2007}}</ref>
*''[[Before the Rain (1994 film)|Before the Rain]]'' (1994)<ref>{{cite web|last=Kipp |first=Jeremiah |date=August 12, 2008 |url=https://www.slantmagazine.com/film/review/before-the-rain/3718 |title=Before the Rain Film Review |website=[[Slant Magazine]] |access-date=March 3, 2010}}</ref>
*''[[The Opposite of Sex]]'' (1998)<ref name=quart />
*''[[Exotica (film)|Exotica]]'' (1994)<ref>{{Cite web |last=Ebert |first=Roger |date=March 11, 2009 |title=Exotica |url=https://www.rogerebert.com/reviews/exotica-1994}}</ref>
*''[[Happiness (1998 film)|Happiness]]'' (1998)<ref name=quart />
*''[[Pulp Fiction (film)|Pulp Fiction]]'' (1994)<ref name="PostmodernHollywood">{{cite book|last=Booker |first=M. Keith |year=2007 |url=https://books.google.com/books?id=QluEtNUBblUC&pg=PA13 |title=Postmodern Hollywood: What's New in Film and why it Makes Us Feel So Strange |publisher=Greenwood Publishing Group. |pages=12–21 |isbn=978-0-275-99900-1 |via=Google Books |access-date=October 18, 2008}}</ref><ref>[https://www.slashfilm.com/764836/how-quentin-tarantino-broke-the-mold-for-anthology-movies-with-pulp-fiction/ How Quentin Tarantino Broke The Mold For Anthology Movies With Pulp Fiction|/Film]</ref><ref name="eccentriccinematicexperience"/>
*''[[Playing by Heart]]'' (1998)<ref>Holden, Stephen (January 22, 1999). "[https://movies.nytimes.com/movie/review?res=9807E4DE1130F931A15752C0A96F958260 Movie Review – Playing By Heart – FILM REVIEW; In a Cocktail of Romance, Different Flavors of Love – NYTimes.com]". Retrieved on March 3, 2010.</ref>
*''[[Gummo]]'' (1997)<ref name="tasteofcinema.com"/>
*''[[Go (1999 film)|Go]]'' (1999)<ref name="moviebabblereviews.com">{{cite web|url=https://moviebabblereviews.com/2018/03/17/top-10-greatest-films-of-hyperlink-cinema/|title=Top 10 Greatest Films of 'Hyperlink Cinema'|date=March 17, 2018}}</ref>
*''[[Lock, Stock and Two Smoking Barrels]]'' (1998)<ref name="PostmodernHollywood"/>
*''[[Magnolia (film)|Magnolia]]'' (1999)<ref name=quart /><ref name="the-artifice.com">[https://the-artifice.com/hyperlink-cinema-stories/ Hyperlink Cinema and the Prevalence of Intertwining Stories|The Artifice]</ref>
*''[[The Opposite of Sex]]'' (1998)<ref name=quart/>
*''[[Code Unknown]]'' (2000)<ref>{{cite web|url=http://www.festival-cannes.com/en/archives/ficheFilm/id/5141/year/2000.html|title=CODE INCONNU|work=Festival de Cannes}}</ref>
*''[[Happiness (1998 film)|Happiness]]'' (1998)<ref name=quart/>
*''[[Timecode (film)|Timecode]]'' (2000)<ref name=quart />
*''[[Playing by Heart]]'' (1998)<ref>{{cite web|last=Holden |first=Stephen |author-link=Stephen Holden |date=January 22, 1999 |url=https://archive.nytimes.com/www.nytimes.com/library/film/012299heart-film-review.html |title='Playing By Heart': In a Cocktail of Romance, Different Flavors of Love |website=[[The New York Times]] |access-date=March 3, 2010}}</ref>
*''[[Amores perros]]'' (2000)<ref name=ebert-babel />
*''[[Run Lola Run]]'' (1998)<ref>{{cite web |last1=Macfarlane |first1=Steve |title=Heavy Rotation: 'Run Lola Run' at 25 |url=https://mubi.com/en/notebook/posts/heavy-rotation-run-lola-run-at-25 |website=MUBI |access-date=31 August 2025 |date=10 June 2024}}</ref>
*''[[Snatch (film)|Snatch]]'' (2000)<ref name=snatch />
*''[[Go (1999 film)|Go]]'' (1999)<ref name="moviebabblereviews.com">{{Cite web |date=March 17, 2018 |title=Top 10 Greatest Films of 'Hyperlink Cinema' |url=https://moviebabblereviews.com/2018/03/17/top-10-greatest-films-of-hyperlink-cinema/ |website=moviebabble.com}}</ref>
*''[[Traffic (2000 film)|Traffic]]'' (2000)<ref name=ebert-cape />
*''[[Magnolia (film)|Magnolia]]'' (1999)<ref name=quart/><ref name="the-artifice.com">{{cite web|url=https://the-artifice.com/hyperlink-cinema-stories/ |title=Hyperlink Cinema and the Prevalence of Intertwining Stories |date=January 17, 2017 |website=[[The Artifice (magazine)|The Artifice]]}}</ref>
*''[[Lantana (film)|Lantana]]'' (2001)<ref name=ebert-lantana >{{cite news
*''[[Code Unknown]]'' (2000)<ref>{{Cite web |title=CODE INCONNU |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/5141/year/2000.html |website=Festival de Cannes}}</ref>
  | last =Ebert
*''[[Timecode (film)|Timecode]]'' (2000)<ref name=quart/>
  | first =Roger
*''[[Amores perros]]'' (2000)<ref name=ebert-babel/><ref name="eccentriccinematicexperience"/>
  | author-link =Roger Ebert
*''[[Snatch (film)|Snatch]]'' (2000)<ref name="PostmodernHollywood"/>
  | title = Lantana
*''[[Traffic (2000 film)|Traffic]]'' (2000)<ref name=ebert-cape/>
  | work =Reviews
*''[[Lantana (film)|Lantana]]'' (2001)<ref name="ebert-lantana">{{Cite news |last=Ebert |first=Roger |date=January 18, 2002 |title=Lantana |work=Reviews |publisher=rogerebert.com |url=https://www.rogerebert.com/reviews/lantana-2002 |access-date=February 14, 2009}}</ref>
  | publisher =rogerebert.com
  | date =January 18, 2002
  | url =http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20020118/REVIEWS/201180303/1023
  | access-date =February 14, 2009}}</ref>
*''[[Thirteen Conversations About One Thing]]'' (2001)<ref name="moviebabblereviews.com"/>
*''[[Thirteen Conversations About One Thing]]'' (2001)<ref name="moviebabblereviews.com"/>
*''[[City of God (2002 film)|City of God]]'' (2002)<ref name=ebert-cape /><ref name="the-artifice.com"/>
*''[[City of God (2002 film)|City of God]]'' (2002)<ref name=ebert-cape/><ref name="the-artifice.com"/>
*''[[11:14]]'' (2003)<ref>{{cite web|url=http://www.devon-cornwall-film.co.uk/2012/04/12/1114-an-obscure-gem-of-a-movie-review/|title=11:14, an obscure gem of a movie (review)|author=Declan Cochran|work=D&CFilm}}</ref>
*''[[11:14]]'' (2003)<ref>{{Cite web |last=Cochran, Dechlan |title=11:14, an obscure gem of a movie (review) |url=http://www.devon-cornwall-film.co.uk/2012/04/12/1114-an-obscure-gem-of-a-movie-review/ |website=D&CFilm|date=April 12, 2012}}</ref>
*''[[Elephant (2003 film)|Elephant]]'' (2003)<ref name=quart />
*''[[Elephant (2003 film)|Elephant]]'' (2003)<ref name=quart/>
*''[[Love, Actually]]'' (2003)<ref>{{cite web|url=https://www.theguardian.com/film/2015/mar/17/portmanteau-films-wild-tales-pulp-fiction-short-cuts|title=Fragmentation games: the return of the portmanteau film|first=Nicholas|last=Barber|date=March 17, 2015|via=www.theguardian.com}}</ref>
*''[[Love Actually]]'' (2003)<ref>{{Cite web |last=Barber |first=Nicholas |date=March 17, 2015 |title=Fragmentation games: the return of the portmanteau film |work=The Guardian |url=https://www.theguardian.com/film/2015/mar/17/portmanteau-films-wild-tales-pulp-fiction-short-cuts}}</ref><ref name="eccentriccinematicexperience"/>
*''[[21 Grams]]'' (2003)<ref name=ebert-babel />
*''[[21 Grams]]'' (2003)<ref name=ebert-babel/>
*''[[Cape of Good Hope (film)|Cape of Good Hope]]'' (2004)<ref name=ebert-cape>{{cite news
*''[[Cape of Good Hope (film)|Cape of Good Hope]]'' (2004)<ref name="ebert-cape">{{Cite news |last=Ebert |first=Roger |date=January 6, 2006 |title=Cape of Good Hope |work=Reviews |publisher=rogerebert.com |url=https://www.rogerebert.com/reviews/cape-of-good-hope-2006 |access-date=February 8, 2008}}</ref>
  | last =Ebert
*''[[Crash (2004 film)|Crash]]'' (2004)<ref name=quart/><ref name="the-artifice.com"/><ref name="eccentriccinematicexperience"/>
  | first =Roger
*''[[Happy Endings (film)|Happy Endings]]'' (2005)<ref name=quart/><ref name="the-artifice.com"/>
  | author-link =Roger Ebert
*''[[Syriana]]'' (2005)<ref name=ebert-syriana/><ref name="the-artifice.com"/>
  | title =Cape of Good Hope
*''[[Nine Lives (2005 film)|Nine Lives]]'' (2005)<ref name=ebert-syriana/><ref>{{cite web|url=http://www.tasteofcinema.com/2019/the-15-best-glenn-close-movie-performances |date=March 8, 2019 |title=The 15 Best Glenn Close Movie Performances |website=Taste of Cinema}}</ref>
  | work =Reviews
*''[[Sin City (film)|Sin City]]'' (2005)<ref>{{cite web|last=Page |first=Matt |date=June 20, 2005 |url=http://www.openheaven.org/news/243 |title=Film Review: ''Sin City'' |url-status=dead |archive-url=https://web.archive.org/web/20080725031520/http://www.openheaven.org/news/243 |archive-date=July 25, 2008 |website=Open Heaven Church |access-date=January 8, 2011}}</ref>
  | publisher =rogerebert.com
*''[[Inland Empire (film)|Inland Empire]]'' (2006)<ref>{{Cite news |last=Jerslev |first=Anne |title=The post-perspectival: Screens and time in David Lynch's Inland Empire |journal=Journal of Aesthetics and Culture |url=https://www.researchgate.net/publication/273009950 |date=March 2012}}</ref>
  | date =January 6, 2006
*''[[Look Both Ways (2005 film)|Look Both Ways]]'' (2006)<ref>{{Cite news |last=Ebert |first=Roger |title=Look Both Ways |work=Chicago Sun-Times |url=https://www.rogerebert.com/reviews/look-both-ways-2006 |date=April 27, 2006 |access-date=July 12, 2022}}</ref>
  | url =http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20060105/REVIEWS/60103003/1023
*''[[Babel (film)|Babel]]'' (2006)<ref name="ebert-babel">{{Cite news |last=Ebert |first=Roger |author-link=Roger Ebert |date=September 22, 2007 |title=Babel |work=Reviews |publisher=rogerebert.com |url=https://www.rogerebert.com/reviews/babel-2006 |access-date=February 8, 2008}}</ref><ref name="the-artifice.com"/><ref name="eccentriccinematicexperience"/>
  | access-date =February 8, 2008}}</ref>
*''[[The Edge of Heaven (film)|The Edge of Heaven]]'' (2007)<ref>{{cite web|last=Skinner |first=Marjorie |date=September 4, 2008 |url=http://www.portlandmercury.com/film/the_celestial_prophecy/Content?oid=886902 |access-date=September 5, 2008 |title=The Celestial Prophecy : Living on The Edge of Heaven |archive-url=https://web.archive.org/web/20081215075725/http://www.portlandmercury.com/film/the_celestial_prophecy/Content?oid=886902 |archive-date=December 15, 2008 |url-status=dead |website=[[Portland Mercury]]}}</ref>
*''[[Crash (2004 film)|Crash]]'' (2004)<ref name=quart /><ref name="the-artifice.com"/>
*''[[Rendition (film)|Rendition]]'' (2007)<ref>{{cite web |last=Gandert |first=Sean |date=October 18, 2007 |url=https://www.pastemagazine.com/action/article/5503/review/film/rendition |title=Rendition |archive-url=https://web.archive.org/web/20080224064922/http://www.pastemagazine.com/action/article/5503/review/film/rendition |archive-date=February 24, 2008 |work=[[Paste (magazine)|Paste]] |access-date=February 8, 2008}}</ref>
*''[[Aaytha Ezhuthu|Aayutha Ezhuthu]]'' (2004)<ref name=quart />
*''[[You, the Living]]'' (2007)<ref name="tasteofcinema.com"/>
*''[[Happy Endings (film)|Happy Endings]]'' (2005)<ref name=quart /><ref name="the-artifice.com"/>
*''[[The Air I Breathe]]'' (2008)<ref>{{cite news|last=Holden |first=Stephen |url=https://movies.nytimes.com/2008/01/25/movies/25brea.html |title=The Air I Breathe – Movie – Review |work=The New York Times |date=January 25, 2008 |access-date=May 13, 2008}}</ref>
*''[[Syriana]]'' (2005)<ref name=ebert-syriana /><ref name="the-artifice.com"/>
*''[[Gomorra (film)|Gomorrah]]'' (2008)<ref name="tasteofcinema.com"/>
*''[[Nine Lives (2005 film)|Nine Lives]]'' (2005)<ref name=ebert-syriana /><ref>[http://www.tasteofcinema.com/2019/the-15-best-glenn-close-movie-performances/ The 15 Best Glenn Close Movie Performances - Taste of Cinema]</ref>
*''[[Vantage Point (film)|Vantage Point]]'' (2008)<ref>{{cite web|last=Chang |first=Justin |author-link=Justin Chang |date=February 21, 2008 |url=https://www.variety.com/review/VE1117936282?refcatid=31 |title=Vantage Point |website=[[Variety (magazine)|Variety]] |access-date=January 3, 2011}}</ref>
*''[[Sin City (film)|Sin City]]'' (2005)<ref>Page, Matt. (2005-06-20). "[http://www.openheaven.org/news/243 Film Review: ''Sin City'']". Open Heaven Church. Retrieved on January 8, 2011.</ref>
*''[[Ajami (film)|Ajami]]'' (2009)<ref>{{cite web|last=Snider |first=Eric D. |date=February 16, 2010 |url=http://www.cinematical.com/2010/02/16/portland-film-fest-review-ajami/ |title=Portland Film Fest Review: Ajami |website=Cinematical |access-date=March 3, 2010 |url-status=dead |archive-url=https://web.archive.org/web/20100218124337/http://www.cinematical.com/2010/02/16/portland-film-fest-review-ajami/ |archive-date=February 18, 2010}}</ref>
*''[[Look Both Ways]]'' (2006)<ref>{{cite news| url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20060427/REVIEWS/60421005/1023 | work=Chicago Sun-Times | title=Look Both Ways}}</ref>
*''[[Powder Blue (film)|Powder Blue]]'' (2009)<ref>{{cite web|last=Anderson |first=Melissa |date=May 8, 2009 |url=https://variety.com/2009/film/reviews/powder-blue-1200507170/ |title=Powder Blue Review |website=Variety |access-date=July 21, 2010}}</ref>
*''[[Babel (film)|Babel]]'' (2006)<ref name=ebert-babel>{{cite news
*''[[Watchmen (2009 film)|Watchmen]]'' (2009)<ref>{{cite news|last=Hiscock |first=John |date=February 25, 2009 |url=https://www.telegraph.co.uk/culture/film/filmreviews/4804627/Watchmen-film-review.html |title=Watchmen: the 'unfilmable' on screen |work=[[The Daily Telegraph]] |access-date=January 8, 2011 |url-access=registration}}</ref><ref>{{cite web|last=Perkis |first=Ed |date=May 17, 2016 |url=https://www.cinemablend.com/dvds/Watchmen-Director-Cut-Blu-ray-4038.html |title=Watchmen Director's Cut Blu-ray Review |website=CinemaBlend |access-date=January 8, 2011}}</ref>
  | last =Ebert
*''[[Hereafter (film)|Hereafter]]'' (2010)<ref>{{Cite news |title=REVIEW: Hereafter |work=Marshall and the Movies |url=http://marshallandthemovies.com/2010/11/04/hereafter/ |date=November 4, 2010}}</ref>
  | first =Roger
*''[[Answers to Nothing (film)|Answers to Nothing]]'' (2011)<ref>{{Cite news |last=Osenlund |first=R. Kurt |date=December 2, 2011 |title=Answers to Nothing |work=Slant Magazine |url=https://www.slantmagazine.com/film/answers-to-nothing/ |access-date=October 16, 2019}}</ref>
  | author-link =Roger Ebert
* '' [[Traffic (2011 film) | Traffic]]'' (2011) <ref> {{cite web|url=http://www.indiaglitz.com/channels/malayalam/article/57917.html|archive-url=https://web.archive.org/web/20100621080807/http://www.indiaglitz.com/channels/malayalam/article/57917.html|url-status=dead|archive-date=21 June 2010|title='Traffic' to start this July|accessdate=18 June 2010|work=Indiaglitz}}</ref>
  | title =Babel
*''[[Contagion (2011 film)|Contagion]]'' (2011)<ref>{{Cite web |last=Wickman |first=Forrest |date=September 9, 2011 |title=Steven Soderbergh's Contagion |url=http://www.slate.com/id/2303397/ |website=[[Slate (magazine)|Slate]]}}</ref>
  | work =Reviews
*''[[Cloud Atlas (film)|Cloud Atlas]]'' (2012)<ref>{{cite news|last=LaSalle |first=Mick |author-link=Mick LaSalle |date=October 25, 2012 |url=http://www.sfgate.com/movies/article/Cloud-Atlas-review-Baring-your-soul-3981566.php |title='Cloud Atlas' review: Baring your soul |work=[[San Francisco Chronicle]] |access-date=June 8, 2013}}</ref><ref name="the-artifice.com"/>
  | publisher =rogerebert.com
*''[[Disconnect (2012 film)|Disconnect]]'' (2012)<ref>{{Cite news |last=Hachard |first=Thomas |date=April 7, 2013 |title=Disconnect |work=Slant Magazine |url=https://www.slantmagazine.com/film/review/disconnect |access-date=August 16, 2016}}</ref>
  | date =September 22, 2007
*''[[The Big Short (film)|The Big Short]]'' (2015)<ref>{{Cite web |last1=Kermode |first1=Mark |author-link=Mark Kermode |date=January 24, 2016 |title=The Big Short review – life with the Wall Street sharks |url=https://www.theguardian.com/film/2016/jan/24/the-big-short-review-crash-riveting-steve-carell-christian-bale |work=The Guardian}}</ref>
  | url =http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20070922/REVIEWS08/70922001/1023
*''[[Masaan]]'' (2015)<ref name="eccentriccinematicexperience"/>
  | access-date =February 8, 2008}}</ref><ref name="the-artifice.com"/>
*''[[The Edge of Heaven (film)|The Edge of Heaven]]'' (2007)<ref>Skinner, Marjorie. (September 4, 2008). "[http://www.portlandmercury.com/film/the_celestial_prophecy/Content?oid=886902 The Celestial Prophecy :: Living on The Edge of Heaven]". ''[[Portland Mercury]]''. Retrieved on September 5, 2008.</ref>
*''[[Rendition (film)|Rendition]]'' (2007)<ref>Gandert, Sean. (October 18, 2007). "[https://www.pastemagazine.com/action/article/5503/review/film/rendition Paste Magazine  :: Review :: Rendition] {{webarchive|url=https://web.archive.org/web/20080224064922/http://www.pastemagazine.com/action/article/5503/review/film/rendition |date=February 24, 2008 }}". ''[[Paste (magazine)|Paste]]''. Retrieved on February 8, 2008.</ref>
*''[[You, the Living]]'' (2007)<ref>[http://www.tasteofcinema.com/2015/20-great-examples-of-hyperlink-cinema-every-film-buff-must-watch/ 20 Great Examples of Hyperlink Cinema Every Film Buff Must Watch - Taste of Cinema]</ref>
*''[[The Air I Breathe]]'' (2008)<ref>"[https://movies.nytimes.com/2008/01/25/movies/25brea.html The Air I Breathe – Movie – Review]". ''[[The New York Times]]''. Retrieved on May 13, 2008.</ref>
*''[[Gomorra (film)|Gomorrah]]'' (2008)<ref>{{cite web|url=http://www.tasteofcinema.com/2015/20-great-examples-of-hyperlink-cinema-every-film-buff-must-watch/3/|title=20 Great Examples of Hyperlink Cinema Every Film Buff Must Watch|website=Taste of Cinema - Movie Reviews and Classic Movie Lists}}</ref>
*''[[Mumbai Meri Jaan]]'' (2008)<ref>Gupta, Shubra (August 23, 2008). "[http://www.screenindia.com/news/Mumbai-Meri-Jaan--Hindi-/352483/ Mumbai Meri Jaan (Hindi)] {{webarchive|url=https://web.archive.org/web/20091104045342/http://www.screenindia.com/news/Mumbai-Meri-Jaan--Hindi-/352483 |date=November 4, 2009 }}". Retrieved on August 8, 2009.</ref>
*''[[Vantage Point (film)|Vantage Point]]'' (2008)<ref>Chang, Justin (21 February 2008). [https://www.variety.com/review/VE1117936282?refcatid=31 Vantage Point]. ''[[Variety (magazine)|Variety]]''. Retrieved 2011-01-03.</ref>
*''[[Ajami (film)|Ajami]]'' (2009)<ref>Snider, Eric D. (February 16, 2010).
"[http://www.cinematical.com/2010/02/16/portland-film-fest-review-ajami/ Portland Film Fest Review: Ajami – Cinematical]". Retrieved on March 3, 2010.</ref>
*''[[Powder Blue (film)|Powder Blue]]'' (2009)<ref>Anderson, Melissa. (May 8, 2009). "[https://www.variety.com/review/VE1117940219.html?categoryid=31&cs=1 Powder Blue Review – Read Variety's Analysis Of The Movie Powder Blue]". Retrieved on July 21, 2010.</ref>
*''[[Watchmen (film)|Watchmen]]'' (2009)<ref>Hiscock, John. (2009-02-25). "[https://www.telegraph.co.uk/culture/film/filmreviews/4804627/Watchmen-film-review.html ''Watchmen'': the 'unfilmable' on screen]". ''[[The Daily Telegraph]]''. Retrieved on January 8, 2011.</ref><ref>Perkis, Ed. (2009–12). "[http://www.filmhobbit.com/dvds/Watchmen-Director-s-Cut-Blu-ray-4038.html ''Watchmen'' Director's Cut Blu-ray Review]". ''Cinema Blend''. Retrieved on January 8, 2011.</ref>
*''[[Hereafter (film)|Hereafter]]'' (2010)<ref>{{cite news| url=http://marshallandthemovies.com/2010/11/04/hereafter/ | work=Marshall and the Movies | title=REVIEW: Hereafter « Marshall and the Movies}}</ref>
*''[[Vedam (film)|Vedam]]'' (2010)<ref>{{cite web|url=https://madaboutmoviez.com/2012/12/02/revisiting-vedam-probably-the-best-telugu-film-of-recent-times/|title=Revisiting Vedam: Probably the best Telugu film of recent times?|date=December 2, 2012}}</ref>
*''[[Answers to Nothing (film)|Answers to Nothing]]'' (2011)<ref>{{cite news|url=https://www.slantmagazine.com/film/answers-to-nothing/|title=Answers to Nothing|last=Osenlund|first=R. Kurt|work=[[Slant Magazine]]|date=December 2, 2011|access-date=October 16, 2019}}</ref>
*''[[Bombay March 12]]'' (2011)<ref>{{cite web|url=http://www.nowrunning.com/movie/8593/malayalam/bombay-march-12/3185/review.htm|title=Bombay March 12 Review|date=July 3, 2011|work=nowrunning}}</ref>
*''[[Contagion (2011 film)|Contagion]]'' (2011)<ref>{{cite web|url=http://www.slate.com/id/2303397/ |title=Steven Soderbergh's Contagion |last=Wickman |first=Forrest |date=September 9, 2011 |work=Slate.com}}</ref>
*''[[Cloud Atlas (film)|Cloud Atlas]]'' (2012)<ref>LaSalle, Mick (October 25, 2012). "[http://www.sfgate.com/movies/article/Cloud-Atlas-review-Baring-your-soul-3981566.php 'Cloud Atlas' review: Baring your soul - SFGate]". ''[[SFGate]]''. Retrieved on June 8, 2013.</ref><ref name="the-artifice.com"/>
*''[[Disconnect (2012 film)|Disconnect]]'' (2012)<ref>{{cite news|last=Hachard|first=Thomas|date=April 7, 2013|url=https://www.slantmagazine.com/film/review/disconnect|title=Disconnect|work=Slant Magazine|access-date=August 16, 2016}}</ref>
*''[[The Big Short (film)|The Big Short]]'' (2015)<ref>{{cite web|url=https://www.theguardian.com/film/2016/jan/24/the-big-short-review-crash-riveting-steve-carell-christian-bale|title=The Big Short review – life with the Wall Street sharks|first1=Mark|last1=Kermode|first2=Observer film|last2=critic|date=January 24, 2016|via=www.theguardian.com}}</ref>
*''[[Dunkirk (2017 film)|Dunkirk]]'' (2017)<ref name="moviebabblereviews.com"/>
*''[[Dunkirk (2017 film)|Dunkirk]]'' (2017)<ref name="moviebabblereviews.com"/>
*''[[Maanagaram]]'' (2017)<ref>{{cite web|url=https://www.deccanchronicle.com/entertainment/kollywood/170716/sree-regina-film-maanagaram-with-a-hyperlink-narration.html|title=Sree-Regina film Maanagaram with a hyperlink narration|first=Anupama|last=Subramanian|date=July 17, 2016|website=Deccan Chronicle}}</ref>
*''[[Everything Everywhere All at Once]]'' (2022)<ref>{{cite web|url=https://www.nytimes.com/2022/03/24/movies/everything-everywhere-all-at-once-review.html |title='Everything Everywhere All at Once' Review: It's Messy, and Glorious |website=NY Times |date=March 24, 2022}}</ref>
*''[[Odu Raja Odu]]'' (2018)<ref>{{cite web|url=http://www.sify.com/movies/odu-raja-odu--a-black-comedy-that-is-watchable-review-tamil-siqvNtidjiifd.html|title=Review : Odu Raja Odu -A black comedy that is watchable (2018)|website=www.sify.com}}</ref>
*''[[Bullet Train (film)|Bullet Train]]'' (2022)<ref>{{cite web|url=https://screenhub.blog/2022/08/11/bullet-train-spoiler-free-review-screenhub-review/|title='Bullet Train' Spoiler Free Review - ScrenHub Review - ScreenHub Entertainment|date=August 11, 2022 }}</ref>
*''[[Super Deluxe (film)|Super Deluxe]]'' (2019)<ref>[https://www.imdb.com/title/tt7019942/ Super Deluxe (2019)-IMDB]</ref>
*''[[Sila Nerangalil Sila Manidhargal (2022 film)|Sila Nerangalil Sila Manidhargal]]'' (2022)<ref>{{cite web|url=https://timesofindia.indiatimes.com/entertainment/tamil/movie-reviews/sila-nerangalil-sila-manidhargal/movie-review/89138704.cms|title='Sila Nerangalil Sila Manidhargal' Review:A heartwarming tale about regret, remorse and realisation |website=[[The Times of India]] }}</ref>
*''[[The Devil All the Time (film)|The Devil All the Time]]'' (2020)<ref>[https://m.imdb.com/title/tt7395114/]</ref>
*''[[Chow Chow Bath]]'' (2024)<ref>[https://www.timesnownews.com/entertainment-news/kannada/exclusive-kannadas-first-hyperlink-romcom-chow-chow-bath-completes-50-days-article Exclusive! Kannada's First Hyper-Link Rom-Com, Chow Chow Bath, Completes 50 Days - Times Now]</ref><ref>[https://www.thehindu.com/entertainment/movies/kenja-chethan-kumar-on-his-kannada-film-chow-chow-bath-it-is-a-hyperlink-film/article67941865.ece Kenja Chethan Kumar on ‘Chow Chow Bath’: It is a hyperlink film - The Hindu]</ref>
*''[[The French Dispatch]]'' (2021)<ref>[https://www.gq.com/story/wes-anderson-the-french-dispatch Wes Anderson’s The French Dispatch Looks Like the Most Wes Anderson-y Film Yet|CQ]</ref>
*''[[Weapons]]'' (2025)<ref>{{Cite web |last=Slankard |first=Jacob |date=2025-08-13 |title=Zach Cregger's 'Weapons' Brilliantly Dodged This Clichéd Cinematic Trap |url=https://collider.com/weapons-narrative-structure-character-perspectives-rashomon/ |access-date=2026-03-11 |website=Collider |language=en}}</ref>
 
{{div col end}}
{{div col end}}


=== Video Games ===
=== Video games ===


* ''[[Suikoden III]]'' (2001)<ref>{{Cite web|title=Suikoden III in-depth review|url=https://www.ignboards.com/threads/suikoden-iii-in-depth-review.28745817/|access-date=2020-12-28|website=IGN Boards|language=en-US}}</ref>
* ''[[Suikoden III]]'' (2001)<ref>{{Cite web|title=Suikoden III in-depth review|url=https://www.ignboards.com/threads/suikoden-iii-in-depth-review.28745817/|access-date=December 28, 2020|website=IGN Boards|date=October 11, 2002 |language=en-US}}</ref>
*''[[Fahrenheit (2005 video game)|Indigo Prophecy]]'' (2005)<ref>{{Cite web|title=Indigo Prophecy Review|url=https://www.gamespot.com/reviews/indigo-prophecy-review/1900-6134083/|access-date=2020-12-28|website=GameSpot|language=en-US}}</ref>
*''[[Fahrenheit (2005 video game)|Indigo Prophecy]]'' (2005)<ref>{{Cite web|title=Indigo Prophecy Review|url=https://www.gamespot.com/reviews/indigo-prophecy-review/1900-6134083/|date=September 21, 2005|access-date=December 28, 2020|website=[[GameSpot]]|language=en-US}}</ref>
*''[[Heavy Rain]]'' (2010)<ref>{{Cite web|title=Interview: David Cage of Quantic Dream and Heavy Rain|url=https://www.engadget.com/2009-05-27-interview-david-cage-of-quantic-dream-and-heavy-rain.html|access-date=2020-11-04|website=Engadget|language=en}}</ref>
*''[[Heavy Rain]]'' (2010)<ref>{{Cite web|title=Interview: David Cage of Quantic Dream and Heavy Rain|url=https://www.engadget.com/2009-05-27-interview-david-cage-of-quantic-dream-and-heavy-rain.html|date=May 27, 2009|access-date=November 4, 2020|website=Engadget|language=en}}</ref>
*''[[Resident Evil 6]]'' (2012)<ref>{{Cite web|title=Resident Evil 6 HD Remaster Review – Not Worth The Replay Value|url=https://gamingbolt.com/resident-evil-6-hd-remaster-review/amp|access-date=2021-01-26|website=gamingbolt.com}}</ref>
*''[[Resident Evil 6]]'' (2012)<ref>{{Cite web|title=Resident Evil 6 HD Remaster Review – Not Worth The Replay Value|url=https://gamingbolt.com/resident-evil-6-hd-remaster-review|date=April 4, 2016|access-date=January 26, 2021|website=gamingbolt.com}}</ref>
*''[[Until Dawn]]'' (2015)<ref>{{Cite web|date=2015-08-31|title=Tips on how to save, or lose, all eight characters in Until Dawn|url=https://venturebeat.com/2015/08/31/tips-on-how-to-save-or-lose-all-eight-characters-in-until-dawn-massive-spoilers/|access-date=2020-11-04|website=VentureBeat|language=en-US}}</ref>
*''[[Until Dawn]]'' (2015)<ref>{{Cite web|date=August 31, 2015|title=Tips on how to save, or lose, all eight characters in Until Dawn|url=https://venturebeat.com/2015/08/31/tips-on-how-to-save-or-lose-all-eight-characters-in-until-dawn-massive-spoilers/|access-date=November 4, 2020|website=[[VentureBeat]]|language=en-US}}</ref>
*''[[Octopath Traveler]]'' (2018)<ref>[https://www.digitaltrends.com/gaming/octopath-traveler-forgettable-stories/ ‘Octopath Traveler’ tells eight stories, and they’re all forgettable|Digital Trends]</ref>
*''[[Octopath Traveler]]'' (2018)<ref>{{cite web|url=https://www.digitaltrends.com/gaming/octopath-traveler-forgettable-stories/ |title='Octopath Traveler' tells eight stories, and they're all forgettable |website=[[Digital Trends]] |date=July 18, 2018}}</ref>
*''[[Detroit: Become Human]]'' (2018)<ref>{{Cite web|title=Detroit: Become Human Story and Ending Explained - Here's What Happened|url=https://gadgets.ndtv.com/games/features/detroit-plot-story-ending-spoilers-ps4-detroit-become-human-1857515|access-date=2020-10-31|website=NDTV Gadgets 360|language=en}}</ref>
*''[[Detroit: Become Human]]'' (2018)<ref>{{Cite web|title=Detroit: Become Human Story and Ending Explained - Here's What Happened|url=https://gadgets.ndtv.com/games/features/detroit-plot-story-ending-spoilers-ps4-detroit-become-human-1857515|date=May 28, 2018|access-date=October 31, 2020|website=[[NDTV|NDTV Gadgets 360]]|language=en}}</ref>


===Directors associated with hyperlink cinema===
===Directors associated with hyperlink cinema===
*[[Paul Thomas Anderson]]<ref name="hyperlinkcinema">[https://the-artifice.com/hyperlink-cinema-stories/ Hyperlink Cinema and the Prevalence of Intertwining Stories], [[The Artifice (magazine)|The Artifice]]</ref><ref name="the-artifice.com"/>
*[[Paul Thomas Anderson]]<ref name="the-artifice.com"/>
*[[Satyajit Ray]]<ref>{{Cite book|last=Ray|first=Satyajit|title=Prabandha Sangraha|publisher=Ananda Publishers|year=2015|isbn=978-93-5040-553-6|location=Kolkata|pages=120–121}}</ref>
*[[Satyajit Ray]]<ref>{{Cite book|last=Ray|first=Satyajit|title=Prabandha Sangraha|publisher=Ananda Publishers|year=2015|isbn=978-93-5040-553-6|location=Kolkata|pages=120–121}}</ref>
*[[Alejandro González Iñárritu]]<ref name="hyperlinkcinema" /><ref name="the-artifice.com"/>
*[[Alejandro González Iñárritu]]<ref name="the-artifice.com"/><ref name="eccentriccinematicexperience"/>
*[[Quentin Tarantino]]<ref name="hyperlinkcinema" /><ref name="cinemacatharsis.com"/><ref name="the-artifice.com"/><ref name="laweekly.com">[https://www.laweekly.com/20-worst-hipster-movies-of-all-time/ 20 Worst Hipster Movies of All Time - LA Weekly]</ref>
*[[Quentin Tarantino]]<ref name="the-artifice.com"/><ref name="laweekly.com">{{cite web |title=20 Worst Hipster Movies of All Time |website=[[LA Weekly]] |date=July 17, 2014 |url=https://www.laweekly.com/20-worst-hipster-movies-of-all-time/}}</ref><ref name="eccentriccinematicexperience"/>
*[[Robert Altman]]<ref name="ebert-syriana" /><ref name="cinemacatharsis.com"/>
*[[Goutam Ghose]]<ref>{{cite web|title=Interview: Weight of the world|url=http://www.hindu.com/mag/2008/03/16/stories/2008031650130500.htm|archive-url=https://web.archive.org/web/20080319232223/http://www.hindu.com/mag/2008/03/16/stories/2008031650130500.htm|url-status=dead|archive-date=19 March 2008|date=16 March 2008|work=[[The Hindu]]|access-date=8 March 2016}}</ref>
*[[The Wachowskis]]<ref name="hyperlinkcinema" /><ref name="the-artifice.com"/>
*[[Tarun Majumdar]]<ref>{{Cite web|date=2011-12-29|title=Narrative of Tagore's songs used in Tarun Majumdar's Alo (2003)|url=https://learningandcreativity.com/silhouette/narrative-tagores-songs-used-tarun-majumdars-alo-2003/|access-date=2020-08-02|website=Silhouette Magazine}}</ref>
*[[Tom Tykwer]]<ref name="hyperlinkcinema" />
*[[Garry Marshall]]<ref name="eccentriccinematicexperience"/>
*[[Steven Soderbergh]]<ref name="cinemacatharsis.com"/><ref name="laweekly.com"/>
*[[Robert Altman]]<ref name="ebert-syriana"/><ref name=flick90s/>
*[[Richard Linklater]]<ref name="cinemacatharsis.com"/>
*[[The Wachowskis]]<ref name="the-artifice.com"/>
*[[Tom Tykwer]]<ref name="the-artifice.com"/>
*[[Steven Soderbergh]]<ref name="laweekly.com"/>
*[[Richard Linklater]]<ref name=flick90s/><ref name="eccentriccinematicexperience"/>
*[[Paul Haggis]]<ref name="eccentriccinematicexperience"/>


== See also ==
== See also ==
* [[Anthology film]]
* [[Anthology film]]
* [[Composite film]]
* [[Composite film]]
* [[Ensemble cast]]
* [[Nonlinear (arts)]]
* [[Nonlinear (arts)]]
* [[Cinema of India]]
* [[Ensemble cast]]


==References==
==References==
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[[Category:2000s neologisms]]
[[Category:2005 neologisms]]
[[Category:2005 neologisms]]
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[[Category:1960s in film]]
[[Category:1970s in film]]
[[Category:1970s in film]]
[[Category:1980s in film]]
[[Category:1980s in film]]
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[[Category:2010s in film]]
[[Category:2010s in film]]
[[Category:2020s in film]]
[[Category:2020s in film]]
[[Category:Postmodern art]]

Latest revision as of 13:22, 11 March 2026



Hyperlink cinema is a style of filmmaking characterized by complex or multilinear narrative structures with multiple characters under one unifying theme.[1] In spite of the name, these films are not actual hypermedia and do not have actual hyperlinks, but are multilinear in a more metaphorical sense.

History[edit | edit source]

The term was coined by author Alissa Quart, who used the term in her review of the film Happy Endings (2005) for the film journal Film Comment in 2005.[2] Film critic Roger Ebert popularized the term when reviewing the film Syriana in 2005.[3]

In describing Happy Endings, Quart considers captions acting as footnotes and split screen as elements of hyperlink cinema and notes the influence of the World Wide Web and multitasking.[2] Playing with time and characters' personal history, plot twists, interwoven storylines between multiple characters, jumping between the beginning and end (flashback and flashforward) are also elements.[2] Ebert further described hyperlink cinema as films where the characters or action reside in separate stories, but a connection or influence between those disparate stories is slowly revealed to the audience; illustrated in Mexican director Alejandro González Iñárritu's films Amores perros (2000), 21 Grams (2003), and Babel (2006).[3][4]

Quart suggests that director Robert Altman created the structure for the genre and demonstrated its usefulness for combining interlocking stories in his films Nashville (1975) and Short Cuts (1993).[5] However, his work was predated by several films, including Satyajit Ray's Kanchenjunga (1962),[6] Federico Fellini's Amarcord (1973),[7] and Ritwik Ghatak's Titash Ekti Nadir Naam (1973),[8] all of which use a narrative structure based on multiple characters.

Quart also mentions the television series 24 and discusses Alan Rudolph's film Welcome to L.A. (1976) as an early prototype.[2] Crash (2004) is an example of the genre,[9] as are Steven Soderbergh's Traffic (2000), Fernando Meirelles's City of God (2002), Stephen Gaghan's Syriana (2005) and Rodrigo Garcia's Nine Lives (2005).

The style is also used in video games. French video game company Quantic Dream has produced games, such as Heavy Rain and Detroit: Become Human, with hyperlink cinema style storytelling, and the style has also influenced role-playing games such as Suikoden III (2001) and Octopath Traveler (2018).[citation needed]

Analysis[edit | edit source]

The hyperlink cinema narrative and story structure can be compared to social science's spatial analysis. As described by Edward Soja and Costis Hadjimichalis spatial analysis examines the "'horizontal experience' of human life, the spatial dimension of individual behavior and social relations, as opposed to the 'vertical experience' of history, tradition, and biography."[10] English critic John Berger notes for the novel that "it is scarcely any longer possible to tell a straight story sequentially unfolding in time" for "we are too aware of what is continually traversing the story line laterally."[10]

An academic analysis of hyperlink cinema appeared in the journal Critical Studies in Media Communication, and referred to the films as Global Network Films. Narine's study examines the films Traffic (2000), Amores perros (2000), 21 Grams (2003), Beyond Borders (2003), Crash (2004; released 2005), Syriana (2005), Babel (2006) and others, citing network theorist Manuel Castells and philosophers Michel Foucault and Slavoj Žižek. The study suggests that the films are network narratives that map the network society and the new connections citizens experience in the age of globalization.[11]

Alberto Toscano and Jeff Kinkle have argued that one popular form of hyperlink cinema constitutes a contemporary form of it-narrative, an 18th- and 19th-century genre of fiction written from the imagined perspective of objects as they move between owners and social environments.[12] In these films, they argue, "the narrative link is the characters' relation to the film's product of choice, whether it be guns, cocaine, oil, or Nile perch."[12]

Notable examples[edit | edit source]

Films[edit | edit source]

Main category: Hyperlink films

Video games[edit | edit source]

Directors associated with hyperlink cinema[edit | edit source]

See also[edit | edit source]

References[edit | edit source]

  1. ↑ 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 1.12 1.13 10 Movies Where Several Stories Interconnect - MovieWeb
  2. ↑ 2.00 2.01 2.02 2.03 2.04 2.05 2.06 2.07 2.08 2.09 2.10 2.11 Quart, Alissa (July–August 2005). "Networked". Film Comment. 41 (4): 48–5. Archived from the original on February 3, 2014. Retrieved January 28, 2014.
  3. ↑ 3.0 3.1 3.2 3.3 3.4 3.5 3.6 Ebert, Roger (December 9, 2005). "Syriana". Reviews. rogerebert.com. Retrieved July 25, 2007.
  4. ↑ 4.0 4.1 4.2 4.3 Ebert, Roger (September 22, 2007). "Babel". Reviews. rogerebert.com. Retrieved February 8, 2008.
  5. ↑ Ebert, Roger (2006). Roger Ebert's Movie Yearbook 2007. Andrews McMeel Publishing. p. 100. ISBN 0-7407-6157-9
  6. ↑ 6.0 6.1 "Kanchenjungha". AMC. Archived from the original on December 11, 2015.
  7. ↑ 7.00 7.01 7.02 7.03 7.04 7.05 7.06 7.07 7.08 7.09 "20 Great Examples of Hyperlink Cinema Every Film Buff Must Watch". Taste of Cinema. September 4, 2015.
  8. ↑ 8.0 8.1 Ghatak, Ritwik (2000). Rows and Rows of Fences: Ritwik Ghatak on Cinema. Ritwik Memorial & Trust Seagull Books. pp. ix & 134–36. ISBN 81-7046-178-2.
  9. ↑ Willmore, Alison (February 23, 2009). ""Crossing Over" and Hyperlink Cinema". IFC. Archived from the original on April 10, 2017. Retrieved July 12, 2022.
  10. ↑ 10.0 10.1 Soja, Edward W.; Hadjimichalis, Costis (1979). "Between Geographical Materialism and Spatial Fetishism: Some Observations on the Development of Marxist Spatial Analysis". Antipode. 17 (2–3): 59–67. doi:10.1111/j.1467-8330.1985.tb00334.x.
  11. ↑ Narine, Neil (2010). "Global Trauma and the Cinematic Network Society". Critical Studies in Media Communication. 27 (3): 209–234. doi:10.1080/15295030903583556. S2CID 143671583.
  12. ↑ 12.0 12.1 Toscano, Alberto; Kinkle, Jeff (2015). Cartographies of the Absolute. Zero Books. p. 192.
  13. ↑ "Hyperlink Film". Flickchart.
  14. ↑ "The Best Hyperlink Films of the 1930s". Flickchart.
  15. ↑ Newman, Michael Z. (2011). Indie: An American Film Culture. Columbia University Press. ISBN 9780231513524 – via Google Books.
  16. ↑ "The Best Hyperlink Films of the 1960s". Flickchart.
  17. ↑ 17.0 17.1 Özguc, Agah. Bütün Filmleriyle Yilmaz Güney (in Türkçe).
  18. ↑ "Ganadevata". Upperstall.com. Archived from the original on 26 April 2014. Retrieved 2014-04-26.
  19. ↑ "The Best Hyperlink Films of the 1980s". Flickchart.
  20. ↑ "It's a Sad and Beautiful World: Music From the Films of Jim Jarmusch". A Perfect Prescription. March 15, 2016.
  21. ↑ 21.0 21.1 21.2 21.3 "The Best Hyperlink Films of the 1990s". Flickchart.
  22. ↑ Kipp, Jeremiah (August 12, 2008). "Before the Rain Film Review". Slant Magazine. Retrieved March 3, 2010.
  23. ↑ Ebert, Roger (March 11, 2009). "Exotica".
  24. ↑ 24.0 24.1 24.2 Booker, M. Keith (2007). Postmodern Hollywood: What's New in Film and why it Makes Us Feel So Strange. Greenwood Publishing Group. pp. 12–21. ISBN 978-0-275-99900-1. Retrieved October 18, 2008 – via Google Books.
  25. ↑ How Quentin Tarantino Broke The Mold For Anthology Movies With Pulp Fiction|/Film
  26. ↑ Holden, Stephen (January 22, 1999). "'Playing By Heart': In a Cocktail of Romance, Different Flavors of Love". The New York Times. Retrieved March 3, 2010.
  27. ↑ Macfarlane, Steve (June 10, 2024). "Heavy Rotation: 'Run Lola Run' at 25". MUBI. Retrieved August 31, 2025.
  28. ↑ 28.0 28.1 28.2 "Top 10 Greatest Films of 'Hyperlink Cinema'". moviebabble.com. March 17, 2018.
  29. ↑ 29.00 29.01 29.02 29.03 29.04 29.05 29.06 29.07 29.08 29.09 29.10 29.11 "Hyperlink Cinema and the Prevalence of Intertwining Stories". The Artifice. January 17, 2017.
  30. ↑ "CODE INCONNU". Festival de Cannes.
  31. ↑ 31.0 31.1 31.2 Ebert, Roger (January 6, 2006). "Cape of Good Hope". Reviews. rogerebert.com. Retrieved February 8, 2008.
  32. ↑ Ebert, Roger (January 18, 2002). "Lantana". Reviews. rogerebert.com. Retrieved February 14, 2009.
  33. ↑ Cochran, Dechlan (April 12, 2012). "11:14, an obscure gem of a movie (review)". D&CFilm.
  34. ↑ Barber, Nicholas (March 17, 2015). "Fragmentation games: the return of the portmanteau film". The Guardian.
  35. ↑ "The 15 Best Glenn Close Movie Performances". Taste of Cinema. March 8, 2019.
  36. ↑ Page, Matt (June 20, 2005). "Film Review: Sin City". Open Heaven Church. Archived from the original on July 25, 2008. Retrieved January 8, 2011.
  37. ↑ Jerslev, Anne (March 2012). "The post-perspectival: Screens and time in David Lynch's Inland Empire". Journal of Aesthetics and Culture.
  38. ↑ Ebert, Roger (April 27, 2006). "Look Both Ways". Chicago Sun-Times. Retrieved July 12, 2022.
  39. ↑ Skinner, Marjorie (September 4, 2008). "The Celestial Prophecy : Living on The Edge of Heaven". Portland Mercury. Archived from the original on December 15, 2008. Retrieved September 5, 2008.
  40. ↑ Gandert, Sean (October 18, 2007). "Rendition". Paste. Archived from the original on February 24, 2008. Retrieved February 8, 2008.
  41. ↑ Holden, Stephen (January 25, 2008). "The Air I Breathe – Movie – Review". The New York Times. Retrieved May 13, 2008.
  42. ↑ Chang, Justin (February 21, 2008). "Vantage Point". Variety. Retrieved January 3, 2011.
  43. ↑ Snider, Eric D. (February 16, 2010). "Portland Film Fest Review: Ajami". Cinematical. Archived from the original on February 18, 2010. Retrieved March 3, 2010.
  44. ↑ Anderson, Melissa (May 8, 2009). "Powder Blue Review". Variety. Retrieved July 21, 2010.
  45. ↑ Hiscock, John (February 25, 2009). "Watchmen: the 'unfilmable' on screen". The Daily Telegraph. Retrieved January 8, 2011.
  46. ↑ Perkis, Ed (May 17, 2016). "Watchmen Director's Cut Blu-ray Review". CinemaBlend. Retrieved January 8, 2011.
  47. ↑ "REVIEW: Hereafter". Marshall and the Movies. November 4, 2010.
  48. ↑ Osenlund, R. Kurt (December 2, 2011). "Answers to Nothing". Slant Magazine. Retrieved October 16, 2019.
  49. ↑ "'Traffic' to start this July". Indiaglitz. Archived from the original on June 21, 2010. Retrieved June 18, 2010.
  50. ↑ Wickman, Forrest (September 9, 2011). "Steven Soderbergh's Contagion". Slate.
  51. ↑ LaSalle, Mick (October 25, 2012). "'Cloud Atlas' review: Baring your soul". San Francisco Chronicle. Retrieved June 8, 2013.
  52. ↑ Hachard, Thomas (April 7, 2013). "Disconnect". Slant Magazine. Retrieved August 16, 2016.
  53. ↑ Kermode, Mark (January 24, 2016). "The Big Short review – life with the Wall Street sharks". The Guardian.
  54. ↑ "'Everything Everywhere All at Once' Review: It's Messy, and Glorious". NY Times. March 24, 2022.
  55. ↑ "'Bullet Train' Spoiler Free Review - ScrenHub Review - ScreenHub Entertainment". August 11, 2022.
  56. ↑ "'Sila Nerangalil Sila Manidhargal' Review:A heartwarming tale about regret, remorse and realisation". The Times of India.
  57. ↑ Exclusive! Kannada's First Hyper-Link Rom-Com, Chow Chow Bath, Completes 50 Days - Times Now
  58. ↑ Kenja Chethan Kumar on ‘Chow Chow Bath’: It is a hyperlink film - The Hindu
  59. ↑ Slankard, Jacob (August 13, 2025). "Zach Cregger's 'Weapons' Brilliantly Dodged This Clichéd Cinematic Trap". Collider. Retrieved March 11, 2026.
  60. ↑ "Suikoden III in-depth review". IGN Boards. October 11, 2002. Retrieved December 28, 2020.
  61. ↑ "Indigo Prophecy Review". GameSpot. September 21, 2005. Retrieved December 28, 2020.
  62. ↑ "Interview: David Cage of Quantic Dream and Heavy Rain". Engadget. May 27, 2009. Retrieved November 4, 2020.
  63. ↑ "Resident Evil 6 HD Remaster Review – Not Worth The Replay Value". gamingbolt.com. April 4, 2016. Retrieved January 26, 2021.
  64. ↑ "Tips on how to save, or lose, all eight characters in Until Dawn". VentureBeat. August 31, 2015. Retrieved November 4, 2020.
  65. ↑ "'Octopath Traveler' tells eight stories, and they're all forgettable". Digital Trends. July 18, 2018.
  66. ↑ "Detroit: Become Human Story and Ending Explained - Here's What Happened". NDTV Gadgets 360. May 28, 2018. Retrieved October 31, 2020.
  67. ↑ Ray, Satyajit (2015). Prabandha Sangraha. Kolkata: Ananda Publishers. pp. 120–121. ISBN 978-93-5040-553-6.
  68. ↑ 68.0 68.1 "20 Worst Hipster Movies of All Time". LA Weekly. July 17, 2014.
  69. ↑ "Interview: Weight of the world". The Hindu. March 16, 2008. Archived from the original on March 19, 2008. Retrieved March 8, 2016.
  70. ↑ "Narrative of Tagore's songs used in Tarun Majumdar's Alo (2003)". Silhouette Magazine. December 29, 2011. Retrieved August 2, 2020.

External links[edit | edit source]

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