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{{Culture of Assam}} | {{Culture of Assam}} | ||
{{Contains Asamiya text}} | |||
The '''culture of Assam''' is traditionally a hybrid one, developed due to [[cultural assimilation]] of different ethno-cultural groups under various political-economic systems in different periods of its [[History of Assam|history]]. | The '''culture of Assam''' is traditionally a hybrid one, developed due to [[cultural assimilation]] of different ethno-cultural groups under various political-economic systems in different periods of its [[History of Assam|history]]. | ||
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== Historical perspective == | == Historical perspective == | ||
{{see also|People of Assam}} | {{see also|People of Assam}} | ||
The roots of culture in Assam goes back almost five thousand years when the first wave of humans, the [[ | The roots of culture in Assam goes back almost five thousand years when the first wave of humans, the [[People of Assam#Austroasiatic|Austroasiatic]] people reached the Brahmaputra valley. They mixed with the later immigrant [[People of Assam#Tibeto-Burman|Tibeto-Burman]] and the [[People of Assam#Indo-Aryan|Indo-Aryan]] peoples in prehistoric times. The last wave of migration was that of the Tai/Shan who later formed the idea of Assamese culture and its identity. The Ahoms, later on, brought some more Indo-Aryans like the Assamese Brahmins and Ganaks and Assamese Kayasthas to Assam.<ref name=" Assamese People and Their Culture">{{cite web | url = http://www.assam.org/pages/assamese-people-and-their-culture | title = Assam People and Their Culture}}</ref> | ||
[[File:Assamese Drama 3.jpg|thumb|left|Actors of Abinaswar Gosthi performs the play"[[Surjya Mandirot Surjyasta]]"]] | [[File:Assamese Drama 3.jpg|thumb|left|Actors of Abinaswar Gosthi performs the play"[[Surjya Mandirot Surjyasta]]"]] | ||
According to the epic ''[[Mahabharata]]'' and on the basis of local folklore, people of Assam (Kiratas) probably lived in a strong kingdom under the Himalayas in the era before [[Jesus Christ]], which led to early assimilation of various Tibeto-Burman and Autro- | According to the epic ''[[Mahabharata]]'' and on the basis of local folklore, people of Assam (Kiratas) probably lived in a strong kingdom under the Himalayas in the era before [[Jesus Christ]], which led to early assimilation of various Tibeto-Burman and Autro-Asiatic ethnic groups on a greater scale. Typical naming of the rivers and spatial distribution of related ethno-cultural groups also support this theory. Thereafter, western migrations of Indo-Aryans such as those of various branches of Irano-Scythians and [[Nordic race|Nordics]] along with mixed northern Indians (the ancient cultural mix already present in [[India|northern Indian]] states such as Magadha enriched the aboriginal culture and under certain stronger politico-economic systems, Sanskritisation and Hinduisation intensified and became prominent. Such an assimilated culture, therefore, carries many elements of source cultures, of which exact roots are difficult to trace and are a matter for research. However, in each of the elements of cultures in Assam, i.e. language, traditional crafts, performing arts, festivities, and beliefs, either indigenous local elements or the indigenous local elements in Sanskritised forms are always present. | ||
It is believed that Assamese culture developed its roots over 750 years as the country of [[Kamarupa]] during the first millennium AD of [[Bodo-Kachari people|Bodo-Kachari]] people assimilation with [[Aryan race|Aryan]] which is debatable as the idea of Assam as an entity was not present. The first 300 years of [[Kamarupa]] was under the great [[Varman dynasty]], 250 years under the [[Mlechchha dynasty]] and 200 years under the [[Pala dynasty (Kamarupa)|Pala dynasty]]. The records of many aspects of the language, traditional crafts (silk, lace, gold, bronze, etc.) are available in different forms. When the [[Ahom people|Tai-Shans]] entered the region in 1228 under the leadership of [[Sukaphaa]] to establish [[Ahom kingdom]] in Assam for the next 600 years, again a new chapter of cultural assimilation was written, and thus the modern form of Assamese culture developed. The original Tai-Shans assimilated with the local culture adopted the language on one hand and on the other also influenced the culture with the elements from their own. Similarly, the [[Chutiya kingdom]] in eastern Assam, the [[Koch Kingdom]] in western Assam and the medieval [[Kachari Kingdom|Kachari]] and [[Jaintia kingdom]]s in southern Assam provided stages for assimilation at different intensities and with different cultural-mixes. | It is believed that Assamese culture developed its roots over 750 years as the country of [[Kamarupa]] during the first millennium AD of [[Bodo-Kachari people|Bodo-Kachari]] people assimilation with [[Aryan race|Aryan]] which is debatable as the idea of Assam as an entity was not present. The first 300 years of [[Kamarupa]] was under the great [[Varman dynasty]], 250 years under the [[Mlechchha dynasty]] and 200 years under the [[Pala dynasty (Kamarupa)|Pala dynasty]]. The records of many aspects of the language, traditional crafts (silk, lace, gold, bronze, etc.) are available in different forms. When the [[Ahom people|Tai-Shans]] entered the region in 1228 under the leadership of [[Sukaphaa]] to establish [[Ahom kingdom]] in Assam for the next 600 years, again a new chapter of cultural assimilation was written, and thus the modern form of Assamese culture developed. The original Tai-Shans assimilated with the local culture adopted the language on one hand and on the other also influenced the culture with the elements from their own. Similarly, the [[Chutiya kingdom]] in eastern Assam, the [[Koch Kingdom]] in western Assam and the medieval [[Kachari Kingdom|Kachari]] and [[Jaintia kingdom]]s in southern Assam provided stages for assimilation at different intensities and with different cultural-mixes. | ||
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<gallery class="center"> | <gallery class="center"> | ||
File:Dunori.jpg| | File:Dunori.jpg|{{center|''Dunori from Assam''.}} | ||
File:Traditional painting, Assam.JPG| | File:Traditional painting, Assam.JPG|{{center|''Traditional painting of Assam''.}} | ||
File:Gamosa pari.jpg| | File:Gamosa pari.jpg|{{center|''Asamiya textile print design of [[Gamosa]]''.}} | ||
File:Tamulpanor Xorai Assam.JPG| | File:Tamulpanor Xorai Assam.JPG|{{center|''Tamul-paan of Assam''.}} | ||
File:Bihu dancer with a horn.jpg| | File:Bihu dancer with a horn.jpg|{{center|''A Bihu dancer with a horn''.}} | ||
</gallery> | </gallery> | ||
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===Symbolism=== | ===Symbolism=== | ||
{{unreferenced section|date=October 2017}} | {{unreferenced section|date=October 2017}} | ||
[[File:Assam Xorai.png|thumb|right| | [[File:Assam Xorai.png|thumb|right|{{center|'''''[[Xorai]]''', a traditional symbol of Assam''.}}]] | ||
Symbolism is an important part of culture in Assam. Various elements are being used to represent beliefs, feelings, pride, identity, etc. Symbolism is an ancient cultural practice in Assam, which is still very important for the people. ''Tamulpan'', ''[[Xorai]]'' and ''[[Gamosa]]'' are three important symbolic elements in Assamese culture. | Symbolism is an important part of culture in Assam. Various elements are being used to represent beliefs, feelings, pride, identity, etc. Symbolism is an ancient cultural practice in Assam, which is still very important for the people. ''Tamulpan'', ''[[Xorai]]'' and ''[[Gamosa]]'' are three important symbolic elements in Assamese culture. | ||
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: as a gift to a person of honor during felicitations. | : as a gift to a person of honor during felicitations. | ||
[[File:Jaapi with Gamosa.jpg|thumb|right| | [[File:Jaapi with Gamosa.jpg|thumb|right|{{center|'''''[[Gamosa]]''', an honorary piece of cloth commonly used for Felicitation in Assam'' very similar to other traditional headgears of East and South East Asia.}}]] | ||
The '''[[Gamosa]]''' is an article of great significance for the people of Assam. Literally translated, it means 'something to wipe the body with' (''Ga''=body, ''mosa''=to wipe), Its original term is Gamcha; interpreting the word "gamosa" as the body-wiping towel is misleading. It is generally a white rectangular piece of cloth with primarily a red border on three sides and red woven motifs on the fourth (in addition to red, other colors are also used). Though it is used daily to wipe the body after a bath (an act of purification), the use is not restricted to this. It is used by the farmer as a waistcloth (''tongali'') or a loincloth (''suriya''); a Bihu dancer wraps it around the head with a fluffy knot. It is hung around the neck at the prayer hall and was thrown over the shoulder in the past to signify social status. Guests are welcomed with the offering of a ''gamosa'' and ''tamul'' ([[betel nut]]) and elders are offered ''gamosas'' (''bihuwaan'') during [[Bihu]]. It is used to cover the altar at the prayer hall or cover the scriptures. An object of reverence is never placed on the bare ground, but always on a ''gamosa''. One can, therefore, very well say that the ''gamosa'' symbolizes the life and culture of Assam. | The '''[[Gamosa]]''' is an article of great significance for the people of Assam. Literally translated, it means 'something to wipe the body with' (''Ga''=body, ''mosa''=to wipe), Its original term is Gamcha; interpreting the word "gamosa" as the body-wiping towel is misleading. It is generally a white rectangular piece of cloth with primarily a red border on three sides and red woven motifs on the fourth (in addition to red, other colors are also used). Though it is used daily to wipe the body after a bath (an act of purification), the use is not restricted to this. It is used by the farmer as a waistcloth (''tongali'') or a loincloth (''suriya''); a Bihu dancer wraps it around the head with a fluffy knot. It is hung around the neck at the prayer hall and was thrown over the shoulder in the past to signify social status. Guests are welcomed with the offering of a ''gamosa'' and ''tamul'' ([[betel nut]]) and elders are offered ''gamosas'' (''bihuwaan'') during [[Bihu]]. It is used to cover the altar at the prayer hall or cover the scriptures. An object of reverence is never placed on the bare ground, but always on a ''gamosa''. One can, therefore, very well say that the ''gamosa'' symbolizes the life and culture of Assam. | ||
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=== Bihu === | === Bihu === | ||
{{main|Bihu}} | {{main|Bihu}} | ||
[[File:Bihu dance at Nagaon.jpg|180px|thumb|right| | [[File:Bihu dance at Nagaon.jpg|180px|thumb|right|{{center|''A group of '''[[Bihu]]''' dancers''.}}]] | ||
[[File:Assamese traditional costumes.jpg|thumb|left|Youth wearing [[Assam]]ese traditional costumes]] | [[File:Assamese traditional costumes.jpg|thumb|left|Youth wearing [[Assam]]ese traditional costumes]] | ||
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=== Baisagu === | === Baisagu === | ||
{{main|Bwisagu}} | {{main|Bwisagu}} | ||
Bwisagu is a very popular seasonal festival of the [[Bodo people|Bodo]] of Assam. Bwisagu means the start of the new year. Bwisagu is a Boro word which originated from the word "Bwisa" which means year or age, and "Agu" that means New | Bwisagu is a very popular seasonal festival of the [[Bodo people|Bodo]] of Assam. Bwisagu means the start of the new year. Bwisagu is a Boro word which originated from the word "Bwisa" which means year or age, and "Agu" that means New Year. | ||
=== Chunbîl Melâ (Jonbeel Mela) === | |||
[[Jonbeel Mela]] (pron:ˈʤɒnˌbi:l ˈmeɪlə) (Tiwa: Chunbîl Melâ) is a three-day annual indigenous Tiwa Community fair held the weekend of Magh Bihu at a historic place known as Dayang Belguri at Joonbeel. It is 3 km from Jagiroad in Morigaon district of Assam and 32 km from Guwahati. The National Highway connecting the mela is NH 37. The Joonbeel (Joon and Beel are Assamese terms for the Moon and a wetland respectively) is so-called because a large natural water body is shaped like a crescent moon. | |||
=== Beshoma === | === Beshoma === | ||
Beshoma is a festival of Deshi people.<ref>{{Cite web|url=https://nenow.in/north-east-news/bihu-myriad-colours.html|title=Bihu – Its Myriad Colours|website=NORTHEAST NOW|language=en-US|access-date=2019-09-08}}</ref> It is a celebration of sowing crop. The Beshoma starts on the last day of Chaitra and goes on | Beshoma is a festival of Deshi people.<ref>{{Cite web|url=https://nenow.in/north-east-news/bihu-myriad-colours.html|title=Bihu – Its Myriad Colours|website=NORTHEAST NOW|language=en-US|access-date=2019-09-08}}</ref> It is a celebration of sowing crop. The Beshoma starts on the last day of Chaitra and goes on until the sixth of Baisakh. With varying locations it is also called ''Bishma'' or ''Chait-Boishne.''<ref>{{Cite web|url=http://www.thethumbprintmag.com/beshoma-the-rongali-bihu-of-deshi-muslims/|title=Beshoma: The 'Rongali Bihu' of Deshi Muslims {{!}} The Thumb Print - A magazine from the East|language=en-US|access-date=2019-09-08}}</ref> | ||
=== Ali Ai Ligang === | === Ali Ai Ligang === | ||
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{{see also|Assam silk|Textiles and dresses of Assam}} | {{see also|Assam silk|Textiles and dresses of Assam}} | ||
{{unreferenced section|date=October 2017}} | {{unreferenced section|date=October 2017}} | ||
[[File:Assamese Muga With Japi.jpg|200px|thumb|right|<center>'''''Mekhela''', the traditional attire of women in Assam.<br> | [[File:Assamese Muga With Japi.jpg|200px|thumb|right|<div class="center">'''''Mekhela''', the traditional attire of women in Assam.<br> | ||
<small>Pictured, one of the most exclusive variants, '''[[Muga silk|Muga]]''' '''[[Mekhela chador|Mekhela]]'''</small>''.</ | <small>Pictured, one of the most exclusive variants, '''[[Muga silk|Muga]]''' '''[[Mekhela chador|Mekhela]]'''</small>''.</div>]] | ||
Assam has maintained a rich tradition of various traditional [[crafts]] for more than two thousand years. Presently, [[Arundo|Cane]] and [[bamboo]] craft, [[bell metal]] and [[brass]] craft, [[silk]] and [[cotton]] [[weaving]], [[toy]] and [[mask]] making, [[pottery]] and [[terracotta]] work, wood craft, [[jewellery]] making, musical instruments making, etc. are remained as major traditions. Historically, Assam also excelled in making [[boat]]s, traditional [[gun]]s and [[gunpowder]], colours and [[paint]]s, articles of [[lac]], traditional building materials, utilities from iron, etc. | Assam has maintained a rich tradition of various traditional [[crafts]] for more than two thousand years. Presently, [[Arundo|Cane]] and [[bamboo]] craft, [[bell metal]] and [[brass]] craft, [[silk]] and [[cotton]] [[weaving]], [[toy]] and [[mask]] making, [[pottery]] and [[terracotta]] work, wood craft, [[jewellery]] making, musical instruments making, etc. are remained as major traditions. Historically, Assam also excelled in making [[boat]]s, traditional [[gun]]s and [[gunpowder]], colours and [[paint]]s, articles of [[lac]], traditional building materials, utilities from iron, etc. | ||
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==See also== | ==See also== | ||
*[[Ambubachi Mela]] | *[[Ambubachi Mela]] | ||
*[[Jonbeel Mela]] | *[[Jonbeel Mela]] (Chunbîl Melâ) | ||
*[[List of Ancient games of Assam]] | *[[List of Ancient games of Assam]] | ||