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	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Zindagi_50-50</id>
	<title>Zindagi 50-50 - Revision history</title>
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	<updated>2026-08-18T18:07:40Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Zindagi_50-50&amp;diff=464751&amp;oldid=prev</id>
		<title>Jimmy6788: brief expanded content for accuracy and cleaned formatting</title>
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		<updated>2026-03-02T09:26:46Z</updated>

		<summary type="html">&lt;p&gt;brief expanded content for accuracy and cleaned formatting&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:56, 2 March 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox film&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox film&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name           = Zindagi 50–50&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name           = Zindagi 50–50&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| image          =&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| image          = &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Zindagi 50-50.jpg&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption        =  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption        = &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Poster&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| director       = [[Rajiv S Ruia]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| director       = [[Rajiv S Ruia]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| producer       = Veeraj Kumar&amp;lt;br&amp;gt;[[Rajiv S Ruia]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| producer       = Veeraj Kumar&amp;lt;br&amp;gt;[[Rajiv S Ruia]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot;&gt;Line 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| country        = India&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| country        = India&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| language       = Hindi&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| language       = Hindi&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| budget         = {{INRConvert|45|m}}&amp;lt;ref&amp;gt;{{cite news |url=http://www.business-standard.com/india/news/%3Ci%3Edabangg-%3Ci%3Ealreadyhit-say-exhibitors/407654/%7C |title=Dabangg already a hit, say exhibitors |work=[[Business Standard]] |access-date=4 December 2011 |date=10 September 2010 |author=Swarup Chakraborty}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| budget         = {{INRConvert|45|m}}&amp;lt;ref&amp;gt;{{cite news |url=http://www.business-standard.com/india/news/%3Ci%3Edabangg-%3Ci%3Ealreadyhit-say-exhibitors/407654/%7C |title=Dabangg already a hit, say exhibitors |work=[[Business Standard]] |access-date=4 December 2011 |date=10 September 2010 |author=Swarup Chakraborty &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|archive-date=27 July 2012 |archive-url=https://web.archive.org/web/20120727013551/http://www.business-standard.com/india/news/%3Ci%3Edabangg-%3Ci%3Ealreadyhit-say-exhibitors/407654/%7C |url-status=live &lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          = {{INRConvert|110|m}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          = {{INRConvert|110|m}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Zindagi 50–50&#039;&#039;&#039;&#039;&#039; ({{Translation|Life 50–50}}) is a 2013 Indian [[Hindi language|Hindi]] [[erotic film|erotic]] film directed by [[Rajiv S Ruia]]. It stars [[Veena Malik]], [[Rajan Verma]], [[Supriya Kumari]], [[Arya Babbar]], [[Riya Sen]] and [[Rajpal Yadav]]. This film dubbed is in Tamil titled &#039;&#039;Mutham Thara Vaa&#039;&#039; and in Telugu as &#039;&#039;Rangeela&#039;&#039;.&amp;lt;ref name=&quot;movie&quot;&amp;gt;{{cite web |url=http://moviegalleri.net/2013/04/mutham-thara-vaa-movie-stills-riya-sen-veena-malik.html |title=Mutham Thara Vaa Tamil Movie Stills}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Zindagi 50–50&#039;&#039;&#039;&#039;&#039; ({{Translation|Life 50–50}}) is a 2013 Indian [[Hindi language|Hindi]] [[erotic film|erotic]] film directed by [[Rajiv S Ruia]]. It stars [[Veena Malik]], [[Rajan Verma]], [[Supriya Kumari]], [[Arya Babbar]], [[Riya Sen]] and [[Rajpal Yadav]]. This film dubbed is in Tamil titled &#039;&#039;Mutham Thara Vaa&#039;&#039; and in Telugu as &#039;&#039;Rangeela&#039;&#039;.&amp;lt;ref name=&quot;movie&quot;&amp;gt;{{cite web |url=http://moviegalleri.net/2013/04/mutham-thara-vaa-movie-stills-riya-sen-veena-malik.html |title=Mutham Thara Vaa Tamil Movie Stills &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|access-date=13 April 2013 |archive-date=14 April 2013 |archive-url=https://web.archive.org/web/20130414102357/http://moviegalleri.net/2013/04/mutham-thara-vaa-movie-stills-riya-sen-veena-malik.html |url-status=dead &lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*&lt;/del&gt;Zindagi 50-50 revolves around three different stories . Zindagi means &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Life - &lt;/del&gt;Sometimes it&#039;s fun, and sometimes it&#039;s a curse &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- &lt;/del&gt;but it&#039;s just a point of view. People &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;prays &lt;/del&gt;to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;god &lt;/del&gt;for happiness&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;so that they can enjoy their &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;life&lt;/del&gt;. But &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/del&gt;God says that he had already given a life to them, to enjoy all the happiness. It has been said that&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;the way you &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;asks question to &lt;/del&gt;your life, it answers you in the same manner. &quot;Zindagi 50:50&quot; is the same story of such &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;question &lt;/del&gt;and answers &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- It&lt;/del&gt;&#039;s a story of Rupa (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A Housewife&lt;/del&gt;), Madhuri (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Prostitute_ &lt;/del&gt;and Naina (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A Struggling Actress&lt;/del&gt;). Rupa&#039;s husband, Birju (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Auto Driver&lt;/del&gt;) has a dream of getting a house. To fulfill his dream, Rupa breaks all the limits of her life. To complete her dream of house, CR Lele (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Government Servant&lt;/del&gt;) pushes her in a dark side of her life, where she gets the house, but also gets a smirch on her respect. Zindagi 50:50 is a story of special dreams of a common man. And to fulfill those dreams, he has to struggle a lot, but sometimes they &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;gets &lt;/del&gt;it easily and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sometime &lt;/del&gt;he has to lose everything&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;&quot;Zindagi 50:50&quot; has this same of losing and getting.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Zindagi 50-50 revolves around three different stories. Zindagi means &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;life. &lt;/ins&gt;Sometimes it&#039;s fun, and sometimes it&#039;s a curse&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;but it&#039;s just a point of view. People &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pray &lt;/ins&gt;to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;God &lt;/ins&gt;for happiness so that they can enjoy their &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lives&lt;/ins&gt;. But God says that he had already given a life to them, to enjoy all the happiness. It has been said that the way you &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ask questions about &lt;/ins&gt;your life, it answers you in the same manner.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Zindagi 50:50&quot; is the same story of such &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;questions &lt;/ins&gt;and answers&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;: it&lt;/ins&gt;&#039;s a story of Rupa (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a housewife&lt;/ins&gt;), Madhuri (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a prostitute), &lt;/ins&gt;and Naina (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a struggling actress&lt;/ins&gt;). Rupa&#039;s husband, Birju (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;an auto driver&lt;/ins&gt;)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;has a dream of getting a house. To fulfill his dream, Rupa breaks all the limits of her life. To complete her dream of house, CR Lele (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a government servant&lt;/ins&gt;) pushes her in a dark side of her life, where she gets the house, but also gets a smirch on her respect.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Zindagi 50:50 is a story of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the &lt;/ins&gt;special dreams of a common man. And to fulfill those dreams, he has to struggle a lot, but sometimes they &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;get &lt;/ins&gt;it easily&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sometimes &lt;/ins&gt;he has to lose everything&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/ins&gt;&quot;Zindagi 50:50&quot; has this same &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;feeling &lt;/ins&gt;of losing and getting.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l64&quot;&gt;Line 64:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 68:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| next_year  =&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| next_year  =&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[T-Series (company)|T-Series]] acquired the music rights for &#039;&#039;Zindagi 50–50&#039;&#039;&amp;lt;ref&amp;gt;{{cite news |url=http://www.tseries.com/music/zindagi-50-50 |title=Zindagi 50–50 |work=tseries.com}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[T-Series (company)|T-Series]] acquired the music rights for &#039;&#039;Zindagi 50–50&#039;&#039;&amp;lt;ref&amp;gt;{{cite news |url=http://www.tseries.com/music/zindagi-50-50 |title=Zindagi 50–50 |work=tseries.com &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|access-date=5 February 2013 |archive-date=11 February 2013 |archive-url=https://web.archive.org/web/20130211152707/http://www.tseries.com/music/zindagi-50-50 |url-status=live &lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Track listing&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Track listing&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| extra_column = Artist(s)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| extra_column = Artist(s)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l112&quot;&gt;Line 112:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 116:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Prasanna D Zore for [[Rediff.com]] has given 2/5 stars and says &#039;&#039;Zindagi 50–50&#039;&#039; makes a brave but half-hearted effort to depict the dark cruelty that surrounds ordinary lives of three women. It fails miserably as sleaze—of language as well as skin—overtakes the proceedings.&amp;lt;ref name=&quot;Zindagi 50-50 Review&quot;&amp;gt;{{cite web |url=http://www.rediff.com/movies/review/review-zindagi-50-50-is-a-sleaze-fest/20130524.htm |title=Review: Zindagi 50–50 is a sleaze fest |author=Prasanna D Zore |work=Rediff.com |access-date=24 May 2013}}{{Rating|2|5}}&amp;lt;/ref&amp;gt; In Short, The movie is ok for a one time watch.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Prasanna D Zore for [[Rediff.com]] has given 2/5 stars and says &#039;&#039;Zindagi 50–50&#039;&#039; makes a brave but half-hearted effort to depict the dark cruelty that surrounds ordinary lives of three women. It fails miserably as sleaze—of language as well as skin—overtakes the proceedings.&amp;lt;ref name=&quot;Zindagi 50-50 Review&quot;&amp;gt;{{cite web |url=http://www.rediff.com/movies/review/review-zindagi-50-50-is-a-sleaze-fest/20130524.htm |title=Review: Zindagi 50–50 is a sleaze fest |author=Prasanna D Zore |work=Rediff.com |access-date=24 May 2013 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|archive-date=7 June 2013 |archive-url=https://web.archive.org/web/20130607100044/http://www.rediff.com/movies/review/review-zindagi-50-50-is-a-sleaze-fest/20130524.htm |url-status=live &lt;/ins&gt;}}{{Rating|2|5}}&amp;lt;/ref&amp;gt; In Short, The movie is ok for a one time watch.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This movie earned 20–40&amp;amp;nbsp;million in opening.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This movie earned 20–40&amp;amp;nbsp;million in opening.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l127&quot;&gt;Line 127:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 131:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films scored by Amjad Nadeem]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films scored by Amjad Nadeem]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2010s erotic drama films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:2010s erotic drama films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2010s &lt;/del&gt;Hindi-language films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2013 &lt;/ins&gt;Hindi-language films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>Jimmy6788</name></author>
	</entry>
	<entry>
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		<title>Ajay Kumar: Created a new article</title>
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		<updated>2023-08-20T10:34:59Z</updated>

		<summary type="html">&lt;p&gt;Created a new article&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{short description|2013 film by Rajiv S Ruia}}&lt;br /&gt;
{{EngvarB|date=January 2014}}&lt;br /&gt;
{{Use dmy dates|date=August 2020}}&lt;br /&gt;
&lt;br /&gt;
{{Infobox film&lt;br /&gt;
| name           = Zindagi 50–50&lt;br /&gt;
| image          =&lt;br /&gt;
| caption        = &lt;br /&gt;
| director       = [[Rajiv S Ruia]]&lt;br /&gt;
| producer       = Veeraj Kumar&amp;lt;br&amp;gt;[[Rajiv S Ruia]]&lt;br /&gt;
| screenplay     = S Machinery&lt;br /&gt;
| story          = [[Rajiv S Ruia]]&lt;br /&gt;
| starring       = [[Veena Malik]]&amp;lt;br&amp;gt;[[Riya Sen]]&amp;lt;br&amp;gt;[[Rajan Verma]]&amp;lt;br&amp;gt;[[Arya Babbar]]&amp;lt;br&amp;gt;[[Supriya Kumari]]&amp;lt;br&amp;gt;[[Rajpal Yadav]]&amp;lt;br&amp;gt; Swati Aggarwal&amp;lt;br&amp;gt;[[Murli Sharma]]&amp;lt;br /&amp;gt;[[Atul Parchure]]&amp;lt;br /&amp;gt;ABC&lt;br /&gt;
| music          = [[Vivek Kar]] &amp;lt;br&amp;gt; Amjad Nadeem&lt;br /&gt;
| cinematography = Mukesh Maru&lt;br /&gt;
| editing        = Satish Patil&lt;br /&gt;
| studio         = Ram Gopal Productions, Spotlight International Film&lt;br /&gt;
| distributor    = &lt;br /&gt;
| released       = {{Film date|2013|05|24|df=y}}&lt;br /&gt;
| runtime        = 130 minutes&lt;br /&gt;
| country        = India&lt;br /&gt;
| language       = Hindi&lt;br /&gt;
| budget         = {{INRConvert|45|m}}&amp;lt;ref&amp;gt;{{cite news |url=http://www.business-standard.com/india/news/%3Ci%3Edabangg-%3Ci%3Ealreadyhit-say-exhibitors/407654/%7C |title=Dabangg already a hit, say exhibitors |work=[[Business Standard]] |access-date=4 December 2011 |date=10 September 2010 |author=Swarup Chakraborty}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
| gross          = {{INRConvert|110|m}}&lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Zindagi 50–50&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ({{Translation|Life 50–50}}) is a 2013 Indian [[Hindi language|Hindi]] [[erotic film|erotic]] film directed by [[Rajiv S Ruia]]. It stars [[Veena Malik]], [[Rajan Verma]], [[Supriya Kumari]], [[Arya Babbar]], [[Riya Sen]] and [[Rajpal Yadav]]. This film dubbed is in Tamil titled &amp;#039;&amp;#039;Mutham Thara Vaa&amp;#039;&amp;#039; and in Telugu as &amp;#039;&amp;#039;Rangeela&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;movie&amp;quot;&amp;gt;{{cite web |url=http://moviegalleri.net/2013/04/mutham-thara-vaa-movie-stills-riya-sen-veena-malik.html |title=Mutham Thara Vaa Tamil Movie Stills}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Plot==&lt;br /&gt;
*Zindagi 50-50 revolves around three different stories . Zindagi means Life - Sometimes it&amp;#039;s fun, and sometimes it&amp;#039;s a curse - but it&amp;#039;s just a point of view. People prays to god for happiness, so that they can enjoy their life. But the God says that he had already given a life to them, to enjoy all the happiness. It has been said that, the way you asks question to your life, it answers you in the same manner. &amp;quot;Zindagi 50:50&amp;quot; is the same story of such question and answers - It&amp;#039;s a story of Rupa (A Housewife), Madhuri (Prostitute_ and Naina (A Struggling Actress). Rupa&amp;#039;s husband, Birju (Auto Driver) has a dream of getting a house. To fulfill his dream, Rupa breaks all the limits of her life. To complete her dream of house, CR Lele (Government Servant) pushes her in a dark side of her life, where she gets the house, but also gets a smirch on her respect. Zindagi 50:50 is a story of special dreams of a common man. And to fulfill those dreams, he has to struggle a lot, but sometimes they gets it easily and sometime he has to lose everything, &amp;quot;Zindagi 50:50&amp;quot; has this same of losing and getting.&lt;br /&gt;
&lt;br /&gt;
==Cast==&lt;br /&gt;
*[[Veena Malik]] – Madhuri&lt;br /&gt;
*[[Riya Sen]] – Naina&lt;br /&gt;
*[[Rajan Verma]] – Birju&lt;br /&gt;
*[[Arya Babbar]] – Addy&lt;br /&gt;
*[[Supriya Kumari]] – Rupa&lt;br /&gt;
*[[Rajpal Yadav]] – PK Lele&lt;br /&gt;
*[[Murli Sharma]] – INS Pawar&lt;br /&gt;
*[[Atul Parchure]] – Mota&lt;br /&gt;
*[[Adi Irani]]&lt;br /&gt;
*[[Kurush Deboo]] – Director Subhash Kapoor&lt;br /&gt;
&lt;br /&gt;
==Music==&lt;br /&gt;
The music for &amp;#039;&amp;#039;Zindagi 50–50&amp;#039;&amp;#039; is given by Amjad Nadeem and [[Vivek Kar]] consist of following Audio List. Veteran composer [[Bappi Lahiri]] sung for [[Vivek Kar]] in this film title track.&lt;br /&gt;
&lt;br /&gt;
==Soundtrack==&lt;br /&gt;
{{Infobox album&lt;br /&gt;
| name       = Zindagi 50–50&lt;br /&gt;
| type       = Soundtrack&lt;br /&gt;
| artist     = Amzad-Nadeem&lt;br /&gt;
| cover      =&lt;br /&gt;
| alt        =&lt;br /&gt;
| released   = 2013&lt;br /&gt;
| recorded   =&lt;br /&gt;
| venue      =&lt;br /&gt;
| studio     =&lt;br /&gt;
| genre      = [[Film soundtrack|Feature film soundtrack]]&lt;br /&gt;
| length     =&lt;br /&gt;
| label      = [[T-Series (company)|T-Series]]&lt;br /&gt;
| producer   = Veeraj Kumar&lt;br /&gt;
| prev_title = [[Zilla Ghaziabad]]&lt;br /&gt;
| prev_year  = 2013&lt;br /&gt;
| next_title =&lt;br /&gt;
| next_year  =&lt;br /&gt;
}}&lt;br /&gt;
[[T-Series (company)|T-Series]] acquired the music rights for &amp;#039;&amp;#039;Zindagi 50–50&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;{{cite news |url=http://www.tseries.com/music/zindagi-50-50 |title=Zindagi 50–50 |work=tseries.com}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
{{Track listing&lt;br /&gt;
| extra_column = Artist(s)&lt;br /&gt;
| title1 = Zindagi 50–50 &lt;br /&gt;
| note1  = Title track&lt;br /&gt;
| extra1 = [[Bappi Lahiri]], [[Antara Mitra]] &amp;amp; Gufy&lt;br /&gt;
| music1 = [[Vivek Kar]]&lt;br /&gt;
| lyrics1 =  Deepak Agrawal&lt;br /&gt;
| length1 =&lt;br /&gt;
&lt;br /&gt;
| title2 = Tu Saamne Jo Aaye&lt;br /&gt;
| extra2 = [[Mika Singh]]&lt;br /&gt;
| music2 = Amjad-Nadeem&lt;br /&gt;
| lyrics2 = [[Shabbir Ahmed (lyricist)|Shabbir Ahmed]]&lt;br /&gt;
| length2 =&lt;br /&gt;
&lt;br /&gt;
| title3 = Sadde Naal aaja&lt;br /&gt;
| extra3 = Manak-E, Neha Batra &amp;amp; Gufy&lt;br /&gt;
| music3 = Vivek Kar&lt;br /&gt;
| lyrics3 = Ashish Pandit&lt;br /&gt;
| length3 =&lt;br /&gt;
&lt;br /&gt;
| title4 = Toh Se Naina&lt;br /&gt;
| extra4 = [[Rekha Bhardwaj]]&lt;br /&gt;
| music4 = Amjad-Nadeem&lt;br /&gt;
| lyrics4 = Shabbir Ahmed&lt;br /&gt;
| length4 =&lt;br /&gt;
&lt;br /&gt;
| title5 = Rabba&lt;br /&gt;
| extra5 = [[Rahat Fateh Ali Khan]]&lt;br /&gt;
| music5 = Vivek Kar&lt;br /&gt;
| lyrics5 = Shabbir Ahmed&lt;br /&gt;
| length5 =&lt;br /&gt;
&lt;br /&gt;
| title6 = Delhi Delhi&lt;br /&gt;
| note6 = &lt;br /&gt;
| extra6 = [[Dev Negi]]&lt;br /&gt;
| music6 = Vivek Kar&lt;br /&gt;
| lyrics6 = Dev Negi, Vivek Kar&lt;br /&gt;
| length6 =&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
==Critical reception==&lt;br /&gt;
{{film and game ratings&lt;br /&gt;
| rev1 =[[Rediff.com]]&lt;br /&gt;
| rev1score ={{Rating|2|5}}&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
Prasanna D Zore for [[Rediff.com]] has given 2/5 stars and says &amp;#039;&amp;#039;Zindagi 50–50&amp;#039;&amp;#039; makes a brave but half-hearted effort to depict the dark cruelty that surrounds ordinary lives of three women. It fails miserably as sleaze—of language as well as skin—overtakes the proceedings.&amp;lt;ref name=&amp;quot;Zindagi 50-50 Review&amp;quot;&amp;gt;{{cite web |url=http://www.rediff.com/movies/review/review-zindagi-50-50-is-a-sleaze-fest/20130524.htm |title=Review: Zindagi 50–50 is a sleaze fest |author=Prasanna D Zore |work=Rediff.com |access-date=24 May 2013}}{{Rating|2|5}}&amp;lt;/ref&amp;gt; In Short, The movie is ok for a one time watch.&lt;br /&gt;
&lt;br /&gt;
This movie earned 20–40&amp;amp;nbsp;million in opening.&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* {{IMDb title|id=2929840}}&lt;br /&gt;
&lt;br /&gt;
[[Category:2013 films]]&lt;br /&gt;
[[Category:Indian erotic drama films]]&lt;br /&gt;
[[Category:Films scored by Vivek Kar]]&lt;br /&gt;
[[Category:Films scored by Amjad Nadeem]]&lt;br /&gt;
[[Category:2010s erotic drama films]]&lt;br /&gt;
[[Category:2010s Hindi-language films]]&lt;/div&gt;</summary>
		<author><name>Ajay Kumar</name></author>
	</entry>
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