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	<title>YouTube poop - Revision history</title>
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		<title>KirstenCyv: Video genre</title>
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		<updated>2023-10-02T13:00:50Z</updated>

		<summary type="html">&lt;p&gt;Video genre&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Short description|Video genre consisting of edited pre-existing media}}&lt;br /&gt;
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{{Use mdy dates|date=June 2019}}&lt;br /&gt;
{{Use American English|date=May 2020}}&lt;br /&gt;
A &amp;#039;&amp;#039;&amp;#039;YouTube poop&amp;#039;&amp;#039;&amp;#039; (&amp;#039;&amp;#039;&amp;#039;YTP&amp;#039;&amp;#039;&amp;#039;) is a type of [[video mashup]] or edit created by remixing/editing pre-existing media sources often carrying [[Subculture|subcultural]] significance into a new video for humorous, satirical, obscene, absurd, and profane—as well as annoying, confusing, or dramatic purposes. YouTube poops are traditionally uploaded to the American [[video sharing website]] [[YouTube]], hence the name.&amp;lt;ref&amp;gt;{{cite web |last1=Blackard |first1=Cat |title=Break Yo&amp;#039; TV: YouTube Poop |url=https://consequenceofsound.net/2009/07/break-yo-tv-youtube-poop/ |website=Consequence of Sound |date=July 22, 2009 |access-date=July 22, 2009}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==History==&lt;br /&gt;
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===Precursors and influences===&lt;br /&gt;
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YouTube Poop is a subset of [[remix culture]],&amp;lt;ref&amp;gt;{{harvtxt|Coppa|2022|page=4}}&amp;lt;/ref&amp;gt; in which existing ideas and media are modified and reinterpreted to create new art and media in various contexts.&amp;lt;ref&amp;gt;{{cite news|url=https://techcrunch.com/2015/03/22/from-artistic-to-technological-mash-up/|title=Remixing Culture And Why The Art Of The Mash-Up Matters|first=Ben |last=Murray|date=March 22, 2015|newspaper=[[Tech Crunch]]}}&amp;lt;/ref&amp;gt; Forms of remix culture have existed long before the internet, with DigitalTrends&amp;#039;s Luke Dormehl listing the [[cut-up technique]] of [[William Burroughs]] and [[Sampling (music)|sampling]] in [[hip-hop]] as examples.&amp;lt;ref name=punk/&amp;gt; Dormehl also says that &amp;quot;aesthetically&amp;quot;, YouTube Poop is similar to the &amp;quot;frenetic editing style&amp;quot; of [[MTV]] in the 1980s, which featured &amp;quot;fast, non-linear cuts&amp;quot; that focused less on character or plot than on evoking a feeling.&amp;lt;ref name=punk/&amp;gt;&lt;br /&gt;
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YouTube Poop also draws on elements from the [[vidding]] scene,&amp;lt;ref name=&amp;quot;Yale&amp;quot;&amp;gt;{{cite web| title = YouTube Poop: Memes and Community|url=http://www.yalelawtech.org/fair-use-remix-culture/youtube-poop-meme-as-art-community| date = November 3, 2012| publisher = Yale University, Law and Technology| access-date = November 4, 2013| archive-url=https://web.archive.org/web/20160412222642/http://www.yalelawtech.org/fair-use-remix-culture/youtube-poop-meme-as-art-community| archive-date = April 12, 2016| url-status = live}}&amp;lt;/ref&amp;gt; in which fans of a piece of media would create music videos using footage from the work.&amp;lt;ref&amp;gt;{{harvtxt|Coppa|2022|page=1}}&amp;lt;/ref&amp;gt; Observers have also proposed influences from a more modern, internet-based practice similar to vidding, the [[Anime music video]] (AMV) – particularly from more comedic variations of the AMV.&amp;lt;ref name=ferrini/&amp;gt;&lt;br /&gt;
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===Early history and &amp;quot;golden age&amp;quot;===&lt;br /&gt;
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The genre began in the early 2000s.&amp;lt;ref name=statesman&amp;gt;{{Cite magazine |last=Tait |first=Amelia |date=2016-11-29 |title=The art of the YouTube Poop |url=https://www.newstatesman.com/science-tech/2016/11/art-youtube-poop |access-date=2023-07-13 |magazine=[[New Statesman]]}}&amp;lt;/ref&amp;gt; The video regarded as the first YouTube poop is &amp;quot;The Adventures of Super Mario Bros. 3 REMIXED!!!&amp;quot; (now commonly known as &amp;quot;I&amp;#039;D SAY HE&amp;#039;S HOT ON OUR TAIL&amp;quot;) by the creator SuperYoshi, originally uploaded on December 22, 2004, preceding the creation of YouTube by a few months.&amp;lt;ref name=punk&amp;gt;{{Cite news|last=Dormehl|first=Luke|date=March 30, 2019|title=YouTube Poop is punk rock for the internet age, and you probably don&amp;#039;t get it|work=Digital Trends|url=https://www.digitaltrends.com/cool-tech/youtube-poop-worthy-respect/|access-date=May 29, 2020}}&amp;lt;/ref&amp;gt; It remixes clips from the 1989 animated television series &amp;#039;&amp;#039;[[The Adventures of Super Mario Bros. 3]]&amp;#039;&amp;#039; as a primary source,&amp;lt;ref name=punk/&amp;gt; using the video editing software [[Windows Movie Maker]].&amp;lt;ref name=halle&amp;gt;{{cite book|chapter-url=https://books.google.com/books?id=Oc0fEAAAQBAJ&amp;amp;dq=%22i%27d+say+he%27s+hot+on+our+tail%22&amp;amp;pg=PT162|title= Visual Alterity: Seeing Difference in Cinema|chapter=Heterotactic Community Formation: YouTube Pooping|date=March 30, 2021|first=Randall|last=Halle|publisher=University of Illinois Press|isbn= 9780252052590|via=Google Books}}&amp;lt;/ref&amp;gt; Media scholar Randall Halle suggests that the name &amp;quot;poop&amp;quot; as used to refer to videos like SuperYoshi&amp;#039;s referred to the purported low quality of these early works.&amp;lt;ref name=halle/&amp;gt;&lt;br /&gt;
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In the mid-2000s, YTP became one of the most popular types of video on YouTube.&amp;lt;ref name=pingas&amp;gt;{{cite magazine|url=https://nymag.com/intelligencer/2020/02/how-pingas-became-a-famous-sonic-the-hedgehog-meme.html|title=How Pingas Became One of Sonic the Hedgehog&amp;#039;s Most Famous Memes|first=Brian|last=Feldman|date=February 10, 2020|access-date=December 21, 2020|magazine=[[New York Magazine]]}}&amp;lt;/ref&amp;gt; YouTuber EmpLemon describes this era as being characterized by popular recurring memes and in-jokes in the community.&amp;lt;ref name=punk/&amp;gt; According to Halle, the 2010 video &amp;quot;jonathan swift returns from the dead to eat a cheese sandwich&amp;quot; has been cited as &amp;quot;a work that moved YTP towards artistry&amp;quot;, with heavy use of video in video editing and other methods of distortion.&amp;lt;ref name=halle/&amp;gt;&lt;br /&gt;
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===Decline in mainstream popularity===&lt;br /&gt;
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The YouTube Poop genre declined in popularity during the 2010s.&amp;lt;ref name=statesman/&amp;gt; [[eMarketer]] principal analyst Nicole Perrin speculated that the reason why the genre had &amp;quot;fallen to the wayside&amp;quot; was as part of a larger YouTube &amp;quot;shift to glossier more corporate-friendly content.&amp;quot;&amp;lt;ref name=green&amp;gt;{{Cite news |last=Greenburg |first=Zack O&amp;#039;Malley |title=YouTube Poop And The &amp;#039;Sanic&amp;#039; Boom: Digesting The Strangest Slice Of Google&amp;#039;s $15B Video Business |url=https://www.forbes.com/sites/zackomalleygreenburg/2020/03/03/youtube-poop-and-the-sanic-boom-digesting-the-strangest-slice-of-googles-15b-video-business/ |access-date=2023-07-13|work=[[Forbes]]}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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Luke Dormehl wrote in 2019 in relation to this loss of mainstream popularity that &amp;quot;as with every other corner of the internet&amp;quot;, YTP had undergone fragmentization from a large single community with a shared set of sources into a series of sub-communities, each with their own preferred source material. However, this has also allowed each individual sub-community to develop its own set of convoluted &amp;quot;references-within-references&amp;quot; even further.&amp;lt;ref name=punk/&amp;gt; Additionally, YTP has followed the general YouTube trend of increasing professionalization and editing, with lots of special effects and elaborate writing.&amp;lt;ref name=punk/&amp;gt;&amp;lt;ref name=numerama&amp;gt;{{Cite news |work=[[Numerama]] |date=2020-02-02 |title=Grandeur et décadence du YouTube Poop, pilier de la culture mème française |language=fr-FR |url=https://www.numerama.com/pop-culture/602727-pilier-de-la-culture-meme-francaise-en-un-peu-plus-de-dix-ans-les-youtube-poop-ont-bien-change.html |access-date=2023-07-12}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
YTP has had a large influence on much of modern meme culture and internet culture as a whole.&amp;lt;ref name=punk/&amp;gt; Many stylistic traits of YTP have entered the editing vocabulary of mainstream YouTubers, such as rapid editing and sudden drastic changes in volume for comedic effect.&amp;lt;ref name=numerama/&amp;gt; Many mainstream YouTubers even hire YTP editors to edit their normal videos.&amp;lt;ref name=numerama/&amp;gt;&lt;br /&gt;
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==Style and techniques==&lt;br /&gt;
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===Structure, culture and subgenres===&lt;br /&gt;
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Some videos may involve completely or partially repurposing sources to create or convey an often self-aware story, while others follow a [[non-linear narrative]], and some may contain no storyline at all, instead regarded among the lines of [[surreal humour|surreal humor]] and artistic experimentation.&amp;lt;ref name=&amp;quot;Yale&amp;quot; /&amp;gt; To this degree, a YouTube poop may even consist solely of an existing video, sometimes modified, repeated in a slowed or remixed loop.&amp;lt;ref name=&amp;quot;demorgen&amp;quot;&amp;gt;{{cite news|title = Slow TV: Youtube doet het op zijn manier|first = Tommy|last = Van Damme|work = De Morgen|language = nl|date = November 8, 2013|access-date = November 18, 2013|url=http://www.demorgen.be/dm/nl/994/opmerkelijk/article/detail/1737136/2013/11/08/Slow-TV-Youtube-doet-het-op-zijn-manier.dhtml|archive-url=https://web.archive.org/web/20131111035914/http://www.demorgen.be/dm/nl/994/opmerkelijk/article/detail/1737136/2013/11/08/Slow-TV-Youtube-doet-het-op-zijn-manier.dhtml|archive-date = November 11, 2013|url-status = live}}&amp;lt;/ref&amp;gt; Associate professor of [[cultural anthropology]] at [[Kansas State University]], [[Michael Wesch]], has defined YouTube poops as &amp;quot;absurdist remixes that ape and mock the lowest technical and aesthetic standards of [[remix culture]] to comment on remix culture itself&amp;quot;.&amp;lt;ref name=&amp;quot;EFF&amp;quot;&amp;gt;{{cite web|title = In the matter of exemption to prohibition on circumvention of copyright protection systems for access control technologies|url=https://www.eff.org/files/filenode/2012_dmca_exemption_requests_Final_1.pdf|author = Electronic Frontier Foundation|author-link = Electronic Frontier Foundation|access-date = November 11, 2013|archive-url=https://web.archive.org/web/20160912135137/https://www.eff.org/files/filenode/2012_dmca_exemption_requests_final_1.pdf|archive-date = September 12, 2016|url-status = live}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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YTP can often be derivative in the sense that the work of one creator (or, within the community, &amp;#039;&amp;#039;pooper&amp;#039;&amp;#039;) is sometimes used as the underlying work for another video; this can be recirculated and lead to the creation of &amp;quot;YTP tennis&amp;quot; videos, named for how they exist in rounds where the original video accumulates edits and alterations. [[Lawrence Lessig]], Professor of Law at [[Harvard Law School]], compared this aspect to a form of [[call and response]], here seen as being prominent within [[remix culture]].&amp;lt;ref name=&amp;quot;Lessig&amp;quot;&amp;gt;{{cite web| last = Lessig| first = Lawrence| title = REMIX at Computer History Museum|url=http://blip.tv/lessig/remix-at-computer-history-museum-1600233| archive-url=https://web.archive.org/web/20150804164854/http://blip.tv/lessig/remix-at-computer-history-museum-1600233| archive-date = August 4, 2015}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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A YTP &amp;quot;collab&amp;quot;, or collaboration, is a common practice, and  involves various creators joining together to produce a single, sometimes very long, video.&amp;lt;ref name=halle/&amp;gt;&lt;br /&gt;
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A subgenre of YouTube poops is YouTube Poop Music Video (YTPMV), which involves clips from different forms of media remixed in a musical form, often in a fast-paced and editing-intensive manner.&amp;lt;ref name=ferrini&amp;gt;{{Cite news |last=Ferrini |first=Francesca |date=28 February 2023 |title=La storia degli AMV, gli Anime Music Video |language=it |quote=Vista la tipologia dei montaggi, possiamo ipotizzare che questo genere di video dalla comicità caotica e nonsense abbia avuto una grossa influenza sulle cosiddette YouTube Poop (abbreviate in YTP), create proprio in quel periodo. Pochi anni dopo nacquero le YTPMV, video comici con remix di musiche e scene di film, anime, videogiochi o talk-show, spesso fatti con un ottimo livello di editing e con un ritmo frenetico.|url= https://www.akibagamers.it/28-02-2023/storia-degli-amv-anime-music-video/}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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===Source material===&lt;br /&gt;
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While essentially any audiovisual media is &amp;quot;fair game&amp;quot; for source material,&amp;lt;ref name=green/&amp;gt; some of the most sources of YouTube poops include [[Television program|television shows]],  [[anime]], [[commercials]], other YouTube [[videos]].&amp;lt;ref name=burgFull/&amp;gt;&lt;br /&gt;
In particular, YouTube Poops often use 1990s cartoons, particularly critically disregarded ones such as &amp;#039;&amp;#039;[[The Super Mario Bros. Super Show!]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[Adventures of Sonic the Hedgehog]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;{{harvtxt|Burgess|Green|Jenkins|Hartley|2013|page=53}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=pingas/&amp;gt; The work of children&amp;#039;s poet [[Michael Rosen]] has also been used.&amp;lt;ref name=randall&amp;gt;{{Cite news |first=Harvey |last=Randall |date=2023-07-13 |title=The internet shitposted too close to the sun, and now we&amp;#039;re getting a spiritual successor to the most cursed Zelda games of all time |language=en |work=PC Gamer |url=https://www.pcgamer.com/the-internet-shitposted-too-close-to-the-sun-and-now-were-getting-a-spiritual-successor-to-the-most-cursed-zelda-games-of-all-time/ |access-date=2023-07-13}}&amp;lt;/ref&amp;gt; These diverse media sources, from different time periods and styles, are often combined in YTPs.&amp;lt;ref&amp;gt;{{harvtxt|Moran|2017|page=25}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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The [[cutscenes]] from Nintendo games released on the [[Philips CD-i]] - most notably &amp;#039;&amp;#039;[[Hotel Mario]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[Link: The Faces of Evil and Zelda: The Wand of Gamelon]]&amp;#039;&amp;#039; - which have been widely criticized for their bizarre animation, voice acting, and scripts, are also frequently used, and have achieved more widespread notoriety as a result.&amp;lt;ref name=&amp;quot;Yale&amp;quot; /&amp;gt;&amp;lt;ref&amp;gt;{{Cite news |last=Donohoo |first=Timothy |date=2023-04-05 |title=Super Mario&amp;#039;s Worst Game Will Never Be Rereleased by Nintendo |work=CBR |url=https://www.cbr.com/hotel-mario-worst-game-cdi-nintendo/ |access-date=2023-07-13}}&amp;lt;/ref&amp;gt;&amp;lt;!--Please refrain from adding to the list of common YouTube poop sources without reliable sourcing.--&amp;gt;&lt;br /&gt;
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===Editing techniques===&lt;br /&gt;
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A typical YouTube poop uses visual and auditory effects to alter the [[underlying work]], as well as rearrangement of individual clips.&amp;lt;ref name=&amp;quot;Yale&amp;quot; /&amp;gt; The edits are often &amp;quot;abrupt and jarring&amp;quot;, with lots of quick [[Cut (transition)|cut]]s and time stretching leading to an &amp;quot;often-frenetic&amp;quot; pace.&amp;lt;ref name=burgFull&amp;gt;{{harvtxt|Burgess|Green|Jenkins|Hartley|2013|pages=52–53}}&amp;lt;/ref&amp;gt; Ruth Alexandra Moran interprets the style as producing &amp;quot;aesthetics of malfunction&amp;quot;.&amp;lt;ref&amp;gt;{{harvtxt|Moran|2017|page=31}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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The most common type of rearrangement is &amp;quot;sentence-mixing&amp;quot;, a form of editing in which dialogue is rearranged or chopped up to form new, often humorous or vulgar dialogue.&amp;lt;ref name=punk/&amp;gt;&amp;lt;ref name=statesman/&amp;gt; One famous sentence-mix from the YouTube Poop &amp;quot;Robotnik Has a Viagra Overdose&amp;quot; by creator Stegblob takes a scene from &amp;#039;&amp;#039;Adventures of Sonic the Hedgehog&amp;#039;&amp;#039; in which [[Doctor Robotnik]] accuses his henchmen of &amp;quot;snooping as usual&amp;quot; and cuts out everything but the second and third [[syllable]] to leave only the nonsensical word &amp;quot;pingas&amp;quot;, which was construed to resemble the word &amp;quot;[[penis]]&amp;quot;. Over the years, &amp;quot;Pingas&amp;quot; has since become one of the biggest memes related to the &amp;#039;&amp;#039;[[Sonic the Hedgehog]]&amp;#039;&amp;#039; franchise in general and has been referenced in both the [[Sonic the Hedgehog (Archie Comics)|Archie comic]] and the &amp;#039;&amp;#039;[[Sonic Boom (TV series)|Sonic Boom]]&amp;#039;&amp;#039; television series.&amp;lt;ref name=pingas/&amp;gt; In an interview, &amp;#039;&amp;#039;[[Sonic the Hedgehog (film)|Sonic the Hedgehog]]&amp;#039;&amp;#039; co-star [[James Marsden]] was asked a question about the word, in which he erroneously guessed that it was Doctor Robotnik&amp;#039;s original catchphrase.&amp;lt;ref&amp;gt;{{Cite web |date=2020-02-07 |title=James Marsden Takes the Ultimate Sonic Quiz |url=https://www.ign.com/videos/james-marsden-takes-the-ultimate-sonic-quiz |access-date=2023-07-13 |website=IGN |language=en}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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Some techniques are more abrasive, like the &amp;quot;stutter loop&amp;quot;, in which a short clip of video is repeated over and over.&amp;lt;ref name=punk/&amp;gt;&amp;lt;ref name=statesman/&amp;gt; An abrasive auditory trope is the sudden extreme increase in volume to shock the viewer, known as &amp;quot;ear-rape&amp;quot; or &amp;quot;ear rape&amp;quot;.&amp;lt;ref name=statesman/&amp;gt;&amp;lt;ref name=pingas/&amp;gt;&amp;lt;ref name=numerama/&amp;gt; This term has entered general [[internet slang]] referring to a loud or unpleasant unexpected noise in any medium, intentional or otherwise.&amp;lt;ref&amp;gt;{{Cite news |date=2023-07-13 |title=Bungie wins lawsuit against Destiny 2 player, following racist harassment and threats to employee |work=Eurogamer.net |url=https://www.eurogamer.net/bungie-wins-lawsuit-against-destiny-2-player-following-racist-harassment-and-threats-to-employee |access-date=2023-07-13}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{Cite news |first=Matt |last=Fowler|title=Wrestling Wrap Up: From 04/06 - 04/12 2010 |url=https://www.ign.com/articles/2010/04/13/wrestling-wrap-up-from-0406-0412-2010 |access-date=2023-07-13|work=IGN}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==Copyright and fair use==&lt;br /&gt;
As YTP is a medium built on repurposing copyrighted media, it has been particularly vulnerable to copyright law.&amp;lt;ref name=punk/&amp;gt; YouTube poops have often been subject to copyright claims on YouTube.&amp;lt;ref name=statesman/&amp;gt; Political scientist and author Trajce Cvetkovski noted in 2013 that, despite [[Viacom (2005–2019)|Viacom]] filing a [[copyright infringement]] [[lawsuit]] against YouTube in 2007 explicitly concerning YouTube poops, in particular &amp;quot;The Sky Had a Weegee&amp;quot; by Hurricoaster, which features scenes from the animated series &amp;#039;&amp;#039;[[SpongeBob SquarePants]]&amp;#039;&amp;#039; episode &amp;quot;[[Shanghaied (SpongeBob SquarePants) |Shanghaied]]&amp;quot; and Weegee (a satiric caricature based on [[Nintendo]]&amp;#039;s [[Luigi]] as he appears in the DOS version of &amp;#039;&amp;#039;[[Mario Is Missing!]]&amp;#039;&amp;#039;), it and many others have remained on YouTube.&amp;lt;ref&amp;gt;{{cite book| title = Copyright and Popular Media: Liberal Villains and Technological Change|url=https://books.google.com/books?id=i7Bd0BTfmN4C&amp;amp;q=%22youtube+poop&amp;amp;pg=PT175| first = Trajce| last = Cvetkovski| page = 175| publisher = Palgrave Macmillan| year = 2013| isbn = 9781137172372| access-date = May 14, 2016| archive-url=https://web.archive.org/web/20190803124727/https://books.google.com/books?id=i7Bd0BTfmN4C&amp;amp;pg=PT175&amp;amp;dq=%22youtube+poop| archive-date = August 3, 2019| url-status = live|via=Google Books}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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Copyright law in the [[United Kingdom]] allows people to use copyrighted material for the purposes of [[parody]], [[pastiche]], and [[caricature]] without being seen as infringing on the copyright of the material.&amp;lt;ref&amp;gt;{{cite web|url=http://www.legislation.gov.uk/ukdsi/2014/9780111116029|title=The Copyright and Rights in Performances (Quotation and Parody) Regulations 2014|work=legislation.gov.uk|access-date=August 26, 2015|archive-url=https://web.archive.org/web/20170127181904/http://www.legislation.gov.uk/ukdsi/2014/9780111116029|archive-date=January 27, 2017|url-status=live}}&amp;lt;/ref&amp;gt; Copyright owners are only able to sue the parodist if the work is perceived as communicating hateful or discriminative messages, and modifying the intended purpose of the copyright owner&amp;#039;s material. If the case is then taken to court, judges are advised in jurisdictional terms to decide whether the video meets these criteria.&amp;lt;ref&amp;gt;{{cite news|url=https://www.bbc.co.uk/news/entertainment-arts-29408121|title=Parody copyright laws set to come into effect|date=October 20, 2014|work=[[BBC News]]|access-date=July 21, 2018|archive-url=https://web.archive.org/web/20180917183332/https://www.bbc.co.uk/news/entertainment-arts-29408121|archive-date=September 17, 2018|url-status=live}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==Individual responses==&lt;br /&gt;
[[File:Michael Rosen.jpg|thumb|248x248px|British children&amp;#039;s poet [[Michael Rosen]] has issued multiple statements concerning his appearances in YouTube Poops.]]&lt;br /&gt;
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British children&amp;#039;s poet [[Michael Rosen]] issued a warning on his website in 2012, saying, &amp;quot;Quite a few people have fun taking my videos and making new versions of them, known as &amp;#039;YouTube Poops&amp;#039;. Many of these are not suitable for young children. I am not responsible for either the words or pictures of these.&amp;quot;&amp;lt;ref&amp;gt;{{cite web|author1=Rosen, Michael|author-link1=Michael Rosen|title=News - For Adults|url=http://www.michaelrosen.co.uk/foradults_news.html|website=michaelrosen.co.uk|access-date=25 October 2015|archive-url=https://web.archive.org/web/20150311053545/http://www.michaelrosen.co.uk/foradults_news.html|archive-date=March 11, 2015 |date=29 May 2012|url-status=live}}&amp;lt;/ref&amp;gt; Circa 2015, Rosen put a similar warning on his YouTube channel&amp;#039;s &amp;quot;about&amp;quot; page.&amp;lt;ref&amp;gt;{{cite web|title=artificedesign - YouTube|url=https://www.youtube.com/user/artificedesign/about|website=YouTube|publisher=Michael Rosen|access-date=June 11, 2015|archive-url=https://web.archive.org/web/20160309160847/https://www.youtube.com/user/artificedesign/about|archive-date=March 9, 2016|url-status=live}}&amp;lt;/ref&amp;gt; In 2021, a British teacher accidentally sent her students an extremely vulgar YouTube Poop of Rosen&amp;#039;s poem &amp;quot;The Car Trip&amp;quot; instead of the original poem, mistaking it for the original.&amp;lt;ref&amp;gt;{{Cite news |last=Lovell |first=Joanna |date=2021-01-14 |title=Hull teacher shares vile parody video to class of nine year olds |url=https://www.hulldailymail.co.uk/news/hull-east-yorkshire-news/hull-teacher-michael-rosen-video-4884349 |access-date=2023-07-13|work= Hull Daily Mail}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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In 2019, Rosen claimed there were &amp;quot;about 4,000 YTPs&amp;quot; of Rosen performing his poems and stories.&amp;lt;ref&amp;gt;{{Cite tweet |last=Rosen |first=Michael |user=MichaelRosenYes|date=January 19, 2019 |title=A YouTube Poop - that is a mash-up of another YouTube vid. There are now about 4000 YTPs on YouTube of the videos that @J0e_R0sen makes of my poems and stories. Some are very funny and innocent, some are obscene, some are defamatory, some are racist, some are anti-semitic.|number=1086608646434361344 |access-date=2022-11-05}}&amp;lt;/ref&amp;gt; He stated, &amp;quot;Some are very funny... I&amp;#039;m fond of the funny ones. I have tried to get the racist, antisemitic ones taken down.&amp;quot;&amp;lt;ref&amp;gt;{{Cite tweet |last=Rosen |first=Michael |user=MichaelRosenYes |date=January 19, 2019 |title=Some are very funny.  Some are not so funny but funny all the same. Some are naff. Some are foul, racist, antisemitic rubbish. I&amp;#039;m fond of the funny ones. I have tried to get the racist, antisemitic ones taken down. |number=1086606067042344960 |access-date=2022-11-05 }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==See also==&lt;br /&gt;
* [[Animutation]]&lt;br /&gt;
* &amp;#039;&amp;#039;[[Cult Toons]]&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;[[Daffy Duck in Hollywood]]&amp;#039;&amp;#039; – a 1938 &amp;#039;&amp;#039;[[Merrie Melodies]]&amp;#039;&amp;#039; short with similarities to YouTube poop&lt;br /&gt;
* [[Downfall Parodies|&amp;#039;&amp;#039;Downfall&amp;#039;&amp;#039; (2004 film) § Parodies]]&lt;br /&gt;
* [[Netdisaster]]&lt;br /&gt;
* [[Remix album]] – an album with remixes, first used in Harry Nilsson&amp;#039;s album &amp;#039;&amp;#039;[[Aerial Pandemonium Ballet]]&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;[[Schichlegruber Doing the Lambeth Walk]]&amp;#039;&amp;#039; – a 1942 British propaganda short with similarities to YouTube poop&lt;br /&gt;
* [[Weird SoundCloud]]&lt;br /&gt;
* [[YTMND]]&lt;br /&gt;
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==References==&lt;br /&gt;
{{Reflist|30em}}&lt;br /&gt;
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==Bibliography==&lt;br /&gt;
*{{cite book |url=https://books.google.com/books?id=0NsWtPHNl88C | title=YouTube: Online Video and Participatory Culture | publisher=John Wiley &amp;amp; Sons | date=2013 | access-date=March 28, 2016 | first1=Jean |last1=Burgess |first2=Joshua |last2=Green |first3=Henry |last3=Jenkins |first4= John |last4=Hartley| author-link1=Jean Burgess |author-link3=Henry Jenkins |author-link4=John Hartley (academic)| isbn=9780745675350 | archive-url=https://web.archive.org/web/20170303125741/https://books.google.com/books?id=0NsWtPHNl88C | archive-date=March 3, 2017 | url-status=live }}&lt;br /&gt;
* {{Cite journal |last=Coppa |first=Francesca |author-link=Francesca Coppa|title=Introduction: Vidding and the Rise of Remix Culture |date=2022 |url=https://www.jstor.org/stable/10.3998/mpub.10069132.6 |journal=Vidding |pages=1–22 |series=A History |publisher=University of Michigan Press |doi=10.3998/mpub.10069132 |jstor=10.3998/mpub.10069132 |isbn=978-0-472-03852-7 |access-date=July 13, 2023}}&lt;br /&gt;
* {{Cite journal|title=Concepts of the database in contemporary media practice|first=Ruth Alexandra |last=Moran|date=April 1, 2017|doi=10.1386/iscc.8.1.21_1|url=https://intellectdiscover.com/content/journals/10.1386/iscc.8.1.21_1|journal= Interactions: Studies in Communication &amp;amp; Culture|volume=8|issue=1|pages=21–34}}&lt;br /&gt;
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==External links==&lt;br /&gt;
{{YouTube navbox|state=collapsed}}&lt;br /&gt;
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[[Category:YouTube]]&lt;br /&gt;
[[Category:Internet slang]]&lt;br /&gt;
[[Category:2000s neologisms]]&lt;br /&gt;
[[Category:Computer-related introductions in 2004]]&lt;br /&gt;
[[Category:2004 introductions]]&lt;br /&gt;
[[Category:Internet memes introduced in 2004]]&lt;br /&gt;
[[Category:2004 neologisms]]&lt;br /&gt;
[[Category:Unofficial adaptations]]&lt;br /&gt;
[[Category:Fan labor]]&lt;br /&gt;
[[Category:Internet humor]]&lt;br /&gt;
[[Category:Off-color humor]]&lt;br /&gt;
[[Category:Surreal comedy]]&lt;br /&gt;
[[Category:Parodies]]&lt;br /&gt;
[[Category:Internet memes]]&lt;/div&gt;</summary>
		<author><name>KirstenCyv</name></author>
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