<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Yaathrayude_Anthyam</id>
	<title>Yaathrayude Anthyam - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Yaathrayude_Anthyam"/>
	<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Yaathrayude_Anthyam&amp;action=history"/>
	<updated>2026-11-14T18:59:27Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.6</generator>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Yaathrayude_Anthyam&amp;diff=278405&amp;oldid=prev</id>
		<title>-&gt;Niceguyedc: v2.04 - Repaired 1 link to disambiguation page - (You can help) - Shyama (actress) / Fix errors for CW project (Reference duplication - Spelling and typography)</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Yaathrayude_Anthyam&amp;diff=278405&amp;oldid=prev"/>
		<updated>2021-09-01T07:10:18Z</updated>

		<summary type="html">&lt;p&gt;v2.04 - Repaired 1 link to disambiguation page - &lt;a href=&quot;https://en.bharatpedia.org/wiki/BP:DPL&quot; class=&quot;extiw&quot; title=&quot;wp:DPL&quot;&gt;(You can help)&lt;/a&gt; - &lt;a href=&quot;/w/index.php?title=Shyama_(actress)&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;Shyama (actress) (page does not exist)&quot;&gt;Shyama (actress)&lt;/a&gt; / Fix errors for &lt;a href=&quot;https://en.bharatpedia.org/wiki/BP:WCW&quot; class=&quot;extiw&quot; title=&quot;wp:WCW&quot;&gt;CW project&lt;/a&gt; (Reference duplication - Spelling and typography)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:40, 1 September 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| screenplay     = [[K. G. George]]&amp;lt;br/&amp;gt;John Samuel&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| screenplay     = [[K. G. George]]&amp;lt;br/&amp;gt;John Samuel&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| story          = [[Parappurath]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| story          = [[Parappurath]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| based_on       = &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A &lt;/del&gt;short story by [[Parappurath]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| based_on       = &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kottayam Mananthavady, a &lt;/ins&gt;short story by [[Parappurath]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| starring       = [[Murali (Malayalam actor)|Murali]]&amp;lt;br/&amp;gt;[[M.G. Soman]]&amp;lt;br/&amp;gt;[[Karamana Janardanan Nair]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| starring       = [[Murali (Malayalam actor)|Murali]]&amp;lt;br/&amp;gt;[[M.G. Soman]]&amp;lt;br/&amp;gt;[[Karamana Janardanan Nair]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| narrator       = Murali&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| narrator       = Murali&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l25&quot;&gt;Line 25:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 25:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Yaathrayude Anthyam&#039;&#039;&#039;&#039;&#039; is a [[Malayalam films of 1989|1989]] Television [[Malayalam language|Malayalam]] film co-written and directed by [[K. G. George]] for Doordarshan. &amp;lt;ref&amp;gt;{{cite web|url=http://www.malayalachalachithram.com/movie.php?i=2532|title=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Oru &lt;/del&gt;Yaathrayude Anthyam|access-date=2014-10-11|publisher=www.malayalachalachithram.com}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=http://en.msidb.org/m.php?6694|title=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Oru &lt;/del&gt;Yaathrayude Anthyam|access-date=2014-10-11|publisher=malayalasangeetham.info}}&amp;lt;/ref&amp;gt; National award winning actor Murali appears as a famous Malayalam writer. The film depicts his intellectual and emotional relationship with an intellectual who leads the life of a simple farmer in a remote village. The story unfolds through the writer&#039;s bus journey to visit him. This film never released in theaters.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Yaathrayude Anthyam&#039;&#039;&#039;&#039;&#039; is a [[Malayalam films of 1989|1989]] Television [[Malayalam language|Malayalam]] film co-written and directed by [[K. G. George]] for Doordarshan. &amp;lt;ref&amp;gt;{{cite web|url=http://www.malayalachalachithram.com/movie.php?i=2532|title=Yaathrayude Anthyam|access-date=2014-10-11|publisher=www.malayalachalachithram.com}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=http://en.msidb.org/m.php?6694|title=Yaathrayude Anthyam|access-date=2014-10-11|publisher=malayalasangeetham.info}}&amp;lt;/ref&amp;gt; National award&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-&lt;/ins&gt;winning actor Murali appears as a famous Malayalam writer. The film depicts his intellectual and emotional relationship with an intellectual who leads the life of a simple farmer in a remote village. The story unfolds through the writer&#039;s bus journey to visit him. This film never released in theaters. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The film is based on the short story titled, Kottayam Manathavadi, by [[Parappurath]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l33&quot;&gt;Line 33:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 33:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Anand as Thomaskutty&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Anand as Thomaskutty&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Asha Jayaram as Molly&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Asha Jayaram as Molly&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Shyama (actress)|Shyama]] as Molykutty&#039;s sister&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Shyama (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Malayalam &lt;/ins&gt;actress)|Shyama]] as Molykutty&#039;s sister&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Aliyar as Man in the bus&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Aliyar as Man in the bus&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Kaveri (actress)|Kaveri]] as Child in the bus&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[Kaveri (actress)|Kaveri]] as Child in the bus&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l39&quot;&gt;Line 39:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 39:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Plot==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;VKV [[Murali]] sets out for an overnight journey to meet his friend Abraham &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sir &lt;/del&gt;[[MG Soman]] following the receipt of a telegram from Abraham sir&#039;s side. Perplexed on why such a telegram was sent instead of a letter, VKV recounts their relationship and how they inspired each other, throughout the journey. The journey focuses on the lives of fellow travelers also. An NRI in the bus, a wedding party etc. At the fag end of the journey, VKV sees the man sitting next to him, bride&#039;s father [[Karamana]] die. VKV reaches his destination only to find Abraham sir&#039;s dead body. Abraham sir&#039;s daughter tells VKV that her father was waiting for him on his dead bed and said VKV would be travelling in bus and will see him die while travelling. VKV gets shocked. Abraham sir in one of their old discussions had said life is a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;repeatition &lt;/del&gt;of the set of same images, though the characters essentially only the people change.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;VKV&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(&lt;/ins&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Murali (Malayalam actor)|&lt;/ins&gt;Murali]]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;) &lt;/ins&gt;sets out for an overnight journey to meet his friend Abraham &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(&lt;/ins&gt;[[MG Soman]]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;) &lt;/ins&gt;following the receipt of a telegram from Abraham sir&#039;s side. Perplexed on why such a telegram was sent instead of a letter, VKV recounts their relationship and how they inspired each other, throughout the journey. The journey focuses on the lives of fellow travelers also. An NRI in the bus, a wedding party etc. At the fag end of the journey, VKV sees the man sitting next to him, bride&#039;s father&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(&lt;/ins&gt;[[Karamana]]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;) &lt;/ins&gt;die. VKV reaches his destination only to find Abraham sir&#039;s dead body. Abraham sir&#039;s daughter tells VKV that her father was waiting for him on his dead bed and said VKV would be travelling in bus and will see him die while travelling. VKV gets shocked. Abraham sir in one of their old discussions had said life is a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;repetition &lt;/ins&gt;of the set of same images, though the characters essentially only the people change.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical response==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical response==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;For [https://Plumeriamovies.com plumeriamovies]  Arjun Anand &amp;lt;ref name=&quot;:0&quot;&amp;gt;{{Cite web|date=2020-06-21|title=&#039;Yaathrayude Anthyam&#039; ponders on Death and grief through the radical lens|url=https://www.plumeriamovies.com/yaathrayude-anthyam-ponders-on-death-and-grief-through-the-radical-lens/|access-date=2020-08-29|website=Plumeria Movies|language=en-GB}}&amp;lt;/ref&amp;gt; wrote, &#039;&#039;Yaathrayude Anthyam&#039;&#039; is the most simplest film of the writer, it almost feels like a stretched out slice-of-life episode. But the filmmaking is quietly engaging. Death is a very melodramatic subject. If his contemporaries, Padmarajan in his [[Moonnam Pakkam]], Lohithadas in [[Bharatham]] or Dennis Joseph in [[Akashadoothu]] among others, treated death and grief with melodrama and exuberant poignance, KG &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;George’s &lt;/del&gt;take on the subject―just like any other work of his―is subdued, objective and intellectual. The profoundness in his writing is not literary like MT/Lohi, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;it’s &lt;/del&gt;rather rational.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;For [https://Plumeriamovies.com plumeriamovies]  Arjun Anand &amp;lt;ref name=&quot;:0&quot;&amp;gt;{{Cite web|date=2020-06-21|title=&#039;Yaathrayude Anthyam&#039; ponders on Death and grief through the radical lens|url=https://www.plumeriamovies.com/yaathrayude-anthyam-ponders-on-death-and-grief-through-the-radical-lens/|access-date=2020-08-29|website=Plumeria Movies|language=en-GB}}&amp;lt;/ref&amp;gt; wrote, &#039;&#039;Yaathrayude Anthyam&#039;&#039; is the most simplest film of the writer, it almost feels like a stretched out slice-of-life episode. But the filmmaking is quietly engaging. Death is a very melodramatic subject. If his contemporaries, Padmarajan in his [[Moonnam Pakkam]], Lohithadas in [[Bharatham]] or Dennis Joseph in [[Akashadoothu]] among others, treated death and grief with melodrama and exuberant poignance, KG &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;George&#039;s &lt;/ins&gt;take on the subject―just like any other work of his―is subdued, objective and intellectual. The profoundness in his writing is not literary like MT/Lohi, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;it&#039;s &lt;/ins&gt;rather rational.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{reflist}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;{{Cite web|date=2020-06-21|title=&#039;Yaathrayude Anthyam&#039; ponders on Death and grief through the radical lens|url=https://www.plumeriamovies.com/yaathrayude-anthyam-ponders-on-death-and-grief-through-the-radical-lens/|access-date=2020-08-29|website=Plumeria Movies|language=en-GB}}&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{reflist}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>-&gt;Niceguyedc</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Yaathrayude_Anthyam&amp;diff=74712&amp;oldid=prev</id>
		<title>2405:201:F00A:2099:4427:D0C6:672A:4955: /* Plot */</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Yaathrayude_Anthyam&amp;diff=74712&amp;oldid=prev"/>
		<updated>2021-05-03T03:47:24Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Plot&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=November 2015}}&lt;br /&gt;
{{Use Indian English|date=November 2015}}&lt;br /&gt;
{{Infobox film&lt;br /&gt;
| name           = Yaathrayude Anthyam (Journey Ends)&lt;br /&gt;
| image          = https://m3db.com/sites/default/files/styles/poster_node/public/posters/yaathrayude-anthyam-m3db.jpg?itok=OvKDIocZ&lt;br /&gt;
| caption        = Yaathrayude Anthyam (Journey Ends)&lt;br /&gt;
| director       = [[K. G. George]]&lt;br /&gt;
| producer       = [[Doordarshan]]&lt;br /&gt;
| writer         = [[K. G. George]]&lt;br /&gt;
| screenplay     = [[K. G. George]]&amp;lt;br/&amp;gt;John Samuel&lt;br /&gt;
| story          = [[Parappurath]]&lt;br /&gt;
| based_on       = A short story by [[Parappurath]]&lt;br /&gt;
| starring       = [[Murali (Malayalam actor)|Murali]]&amp;lt;br/&amp;gt;[[M.G. Soman]]&amp;lt;br/&amp;gt;[[Karamana Janardanan Nair]]&lt;br /&gt;
| narrator       = Murali&lt;br /&gt;
| music          = [[M.G. Radhakrishnan]]&lt;br /&gt;
| cinematography = [[Venu (cinematographer)|Venu]]&amp;lt;br/&amp;gt;[[Sunny Joseph]]&lt;br /&gt;
| editing        = Rajasekharan&lt;br /&gt;
| studio         = [[Doordarshan]]&lt;br /&gt;
| distributor    = &lt;br /&gt;
| released       = 1989&lt;br /&gt;
| country        = [[India]]&lt;br /&gt;
| language       = [[Malayalam Language|Malayalam]]&lt;br /&gt;
| budget         = &lt;br /&gt;
| gross          = &lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Yaathrayude Anthyam&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; is a [[Malayalam films of 1989|1989]] Television [[Malayalam language|Malayalam]] film co-written and directed by [[K. G. George]] for Doordarshan. &amp;lt;ref&amp;gt;{{cite web|url=http://www.malayalachalachithram.com/movie.php?i=2532|title=Oru Yaathrayude Anthyam|access-date=2014-10-11|publisher=www.malayalachalachithram.com}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web|url=http://en.msidb.org/m.php?6694|title=Oru Yaathrayude Anthyam|access-date=2014-10-11|publisher=malayalasangeetham.info}}&amp;lt;/ref&amp;gt; National award winning actor Murali appears as a famous Malayalam writer. The film depicts his intellectual and emotional relationship with an intellectual who leads the life of a simple farmer in a remote village. The story unfolds through the writer&amp;#039;s bus journey to visit him. This film never released in theaters.&lt;br /&gt;
&lt;br /&gt;
==Cast==&lt;br /&gt;
* [[Murali (Malayalam actor)|Murali]] as Writer VKV&lt;br /&gt;
* [[M.G. Soman]] as Abraham Sir&lt;br /&gt;
* [[Karamana Janardhanan Nair]] as Kariyachan&lt;br /&gt;
* Anand as Thomaskutty&lt;br /&gt;
* Asha Jayaram as Molly&lt;br /&gt;
* [[Shyama (actress)|Shyama]] as Molykutty&amp;#039;s sister&lt;br /&gt;
* Aliyar as Man in the bus&lt;br /&gt;
*[[Kaveri (actress)|Kaveri]] as Child in the bus&lt;br /&gt;
&lt;br /&gt;
==Plot==&lt;br /&gt;
&lt;br /&gt;
VKV [[Murali]] sets out for an overnight journey to meet his friend Abraham sir [[MG Soman]] following the receipt of a telegram from Abraham sir&amp;#039;s side. Perplexed on why such a telegram was sent instead of a letter, VKV recounts their relationship and how they inspired each other, throughout the journey. The journey focuses on the lives of fellow travelers also. An NRI in the bus, a wedding party etc. At the fag end of the journey, VKV sees the man sitting next to him, bride&amp;#039;s father [[Karamana]] die. VKV reaches his destination only to find Abraham sir&amp;#039;s dead body. Abraham sir&amp;#039;s daughter tells VKV that her father was waiting for him on his dead bed and said VKV would be travelling in bus and will see him die while travelling. VKV gets shocked. Abraham sir in one of their old discussions had said life is a repeatition of the set of same images, though the characters essentially only the people change.&lt;br /&gt;
&lt;br /&gt;
==Critical response==&lt;br /&gt;
For [https://Plumeriamovies.com plumeriamovies]  Arjun Anand &amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{Cite web|date=2020-06-21|title=&amp;#039;Yaathrayude Anthyam&amp;#039; ponders on Death and grief through the radical lens|url=https://www.plumeriamovies.com/yaathrayude-anthyam-ponders-on-death-and-grief-through-the-radical-lens/|access-date=2020-08-29|website=Plumeria Movies|language=en-GB}}&amp;lt;/ref&amp;gt; wrote, &amp;#039;&amp;#039;Yaathrayude Anthyam&amp;#039;&amp;#039; is the most simplest film of the writer, it almost feels like a stretched out slice-of-life episode. But the filmmaking is quietly engaging. Death is a very melodramatic subject. If his contemporaries, Padmarajan in his [[Moonnam Pakkam]], Lohithadas in [[Bharatham]] or Dennis Joseph in [[Akashadoothu]] among others, treated death and grief with melodrama and exuberant poignance, KG George’s take on the subject―just like any other work of his―is subdued, objective and intellectual. The profoundness in his writing is not literary like MT/Lohi, it’s rather rational. &lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&amp;lt;ref&amp;gt;{{Cite web|date=2020-06-21|title=&amp;#039;Yaathrayude Anthyam&amp;#039; ponders on Death and grief through the radical lens|url=https://www.plumeriamovies.com/yaathrayude-anthyam-ponders-on-death-and-grief-through-the-radical-lens/|access-date=2020-08-29|website=Plumeria Movies|language=en-GB}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*{{IMDb title|0215016}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Indian films]]&lt;br /&gt;
[[Category:1990s Malayalam-language films]]&lt;br /&gt;
[[Category:Films directed by K. G. George]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{1990s-Malayalam-film-stub}}&lt;/div&gt;</summary>
		<author><name>2405:201:F00A:2099:4427:D0C6:672A:4955</name></author>
	</entry>
</feed>