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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{About|the community|their language|Varli language|the art style|Warli painting}}&lt;br /&gt;
{{Use dmy dates|date=July 2017}}&lt;br /&gt;
{{Use Indian English|date=July 2017}}&lt;br /&gt;
{{infobox ethnic group&lt;br /&gt;
| group = Warli&lt;br /&gt;
| image = Warli population in Bombay Presidency.jpg&lt;br /&gt;
| image_caption = Distribution of Warli population in the then Bombay Presidency, 1945&lt;br /&gt;
| flag = &lt;br /&gt;
| caption = &lt;br /&gt;
| population = &lt;br /&gt;
| popplace = [[Maharashtra]] •[[Gujarat]]&lt;br /&gt;
| langs = [[Varli language|Varli]]&lt;br /&gt;
| religions = [[Animism]]• [[Hinduism]]&lt;br /&gt;
| related = &amp;lt;br&amp;gt;{{hlist| [[Indo-Aryan peoples]] | [[Marathi people]]  | [[Bhil people]] | [[Konkani people]]&lt;br /&gt;
}}&amp;lt;br&amp;gt;&lt;br /&gt;
| native_name = &lt;br /&gt;
| native_name_lang = &lt;br /&gt;
}}&lt;br /&gt;
The &amp;#039;&amp;#039;&amp;#039;Warli&amp;#039;&amp;#039;&amp;#039; or &amp;#039;&amp;#039;Varli&amp;#039;&amp;#039; are an [[indigenous people|indigenous]] [[tribe]] ([[Adivasi]]) of western India, living in mountainous as well as coastal areas along the [[Maharashtra]]-[[Gujarat]] border and surrounding areas. They have their own [[animistic]] beliefs, life, customs and traditions, and as a result of [[acculturation]] they have adopted many [[Hindu belief]]s. The Warli speak the unwritten Varli language which belongs to the southern zone of the [[Indo-Aryan languages]].&lt;br /&gt;
&lt;br /&gt;
==Demographics==&lt;br /&gt;
Warlis are found in [[Jawhar]], Vikramgad, Mokhada, [[Dahanu]] and [[Talasari]] talukas of the northern [[Palghar district]], parts of [[Nashik district|Nashik]] and [[Dhule district|Dhule]] districts of [[Maharashtra]], [[Valsad]], [[Dang District, India|Dangs]], [[Navsari]] and [[Surat]] districts of [[Gujarat]],&amp;lt;ref&amp;gt;[http://www.censusindia.gov.in/Tables_Published/SCST/dh_st_gujarat.pdf Census of India 2001, The Scheduled Tribes of Gujarat]&amp;lt;/ref&amp;gt; and the [[union territory]] of [[Dadra and Nagar Haveli and Daman and Diu]].&amp;lt;ref&amp;gt;[http://www.censusindia.gov.in/Tables_Published/SCST/dh_st_dnh.pdf Census of India 2001, The Scheduled Tribes of Dadra and Nagar Haveli]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Language==&lt;br /&gt;
The Warli speak the [[Varli language]],  classified as [[Marathi–Konkani languages|Konkani]], with some degree&lt;br /&gt;
of influence from [[Marathi language|Marathi]].&lt;br /&gt;
&lt;br /&gt;
Varli is classified under Marathi by Grierson (Grierson&amp;#039;s Linguistic Survey of India) as well as A.M. Ghatage (Warli of Thana, vol. VII of A Survey of Marathi dialects)&lt;br /&gt;
&lt;br /&gt;
==Warli painting==&lt;br /&gt;
{{Main article|Warli painting}}&lt;br /&gt;
[[File:Painted prayers, Warli paintings, at Sanskriti Kendra, Anandagram, New Delhi.jpg|240px|thumb|left|Warli paintings, at [[Sanskriti Kendra Museum]], Anandagram, New Delhi]] &lt;br /&gt;
In the book &amp;#039;&amp;#039;The Painted World of the Warlis&amp;#039;&amp;#039; [[Yashodhara Dalmia]] claimed that the Warli carry on a tradition stretching back to 2500 or 3000 BCE. Their mural paintings are similar to those done between 500 and 10,000 BCE in the [[Rock Shelters of Bhimbetka]], in [[Madhya Pradesh]].&lt;br /&gt;
&lt;br /&gt;
Their extremely rudimentary wall paintings use a very basic graphic vocabulary: a circle, a triangle and a square. Their paintings were monosyllabic. The circle and triangle come from their observation of nature, the circle representing the sun and the moon, the triangle derived from mountains and pointed trees. Only the square seems to obey a different logic and seems to be a human invention, indicating a sacred enclosure or a piece of land. So the central motive in each ritual painting is the square, known as the &amp;quot;chauk&amp;quot; or &amp;quot;chaukat&amp;quot;, mostly of two types: &amp;#039;&amp;#039;Devchauk&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Lagnachauk&amp;#039;&amp;#039;. Inside a &amp;#039;&amp;#039;Devchauk&amp;#039;&amp;#039;, we find [[Palaghata]], the mother goddess, symbolizing fertility.&amp;lt;ref&amp;gt;{{cite book|last1=Tribhuwan |first1=Robin D.|last2=Finkenauer|first2=Maike|title=Threads Together: A Comparative Study of Tribal and Pre-historic Rock Paintings|url=https://books.google.com/books?id=lBXdIQVeIS0C&amp;amp;q=Dev+Chowk&amp;amp;pg=PA13|year=2003|publisher=Discovery Publishing House|location=Delhi|isbn=81-7141-644-6|pages=13–15}}&amp;lt;/ref&amp;gt; Significantly, male gods are unusual among the Warli and are frequently related to spirits which have taken human shape. The central motive in these ritual paintings is surrounded by scenes portraying hunting, fishing and farming, festivals and dances, trees and animals. Human and animal bodies are represented by two triangles joined at the tip; the upper triangle depicts the trunk and the lower triangle the pelvis. Their precarious equilibrium symbolizes the balance of the universe, and of the couple, and has the practical and amusing advantage of animating the bodies.&lt;br /&gt;
&lt;br /&gt;
[[File:Warli Paintings, Mysore.jpg|thumb|265px|Warli paintings in Mysore, India]]&lt;br /&gt;
The pared down pictorial language is matched by a rudimentary technique. The ritual paintings are usually done inside the huts. The walls are made of a mixture of branches, earth and cow dung, making a [[Red Ochre]] background for the wall paintings. The Warli use only white for their paintings. Their white pigment is a mixture of rice paste and water with gum as a binding. They use a bamboo stick chewed at the end to make it as supple as a paintbrush. The wall paintings are done only for special occasions such as weddings or harvests. The lack of regular artistic activity explains the very crude style of their paintings, which were the preserve of the womenfolk until the late 1970s. But in the 1970s this ritual art took a radical turn, when [[Jivya Soma Mashe]] and his son [[Balu Mashe]] started to paint, not for any special ritual, but because of his artistic pursuits. Warli painting also featured in Coca-Cola&amp;#039;s &amp;#039;Come home on Diwali&amp;#039; ad campaign in 2010 was a tribute to the spirit of India’s youth and a recognition of the distinct lifestyle of the Warli tribe of Western India.&amp;lt;ref&amp;gt;{{Cite news|url=http://www.business-standard.com/article/press-releases/coca-cola-india-celebrates-ancient-warli-folk-art-form-launches-110101200123_1.html|title = Coca-Cola India celebrates ancient Warli folk art form - Launches|newspaper = Business Standard India|date = 12 October 2010}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Tribal Cultural Intellectual Property==&lt;br /&gt;
[[Warli Painting]] is the cultural intellectual property of the tribal community. Today, there is an urgent need for preserving this traditional knowledge in tribal communities across the globe. Understanding the need for intellectual property rights, the tribal non-profit Organisation &amp;quot;Adivasi Yuva Seva Sangh&amp;quot; initiated efforts to start a registration process in 2011. Now, Warli Painting is registered with a [[Geographical Indication]] under the intellectual property rights act. With the use of technology and the concept of social entrepreneurship, Tribals established the Warli Art Foundation, a non-profit company dedicated to Warli art and related activities.&lt;br /&gt;
&lt;br /&gt;
== Culture ==&lt;br /&gt;
The Warli were traditionally semi-nomadic. They lived together in small-scale groups with a headman leading them. However, recent demographic changes have transformed the Warli today into mainly agriculturists. They cultivate many crops like rice and wheat. Warli women wear toe-rings and necklaces as a sign of being married. Some Warli practice [[polygyny]].&amp;lt;ref&amp;gt;{{Cite book|title=Human: The Definitive Visual Guide|publisher=[[Dorling Kindersley]]|year=2004|isbn=0-7566-0520-2|editor-last=Winston|editor-first=Robert|location=New York|pages=438}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
{{commons category|Warli people}}&lt;br /&gt;
* [http://www.warli.in Warli art home page] Warli Art is Tribal Cultural Intellectual Property&lt;br /&gt;
* [http://www.biodiversityofindia.org/index.php?title=Warli_tribe_and_their_tribal_art History of the Warli community and their art]&lt;br /&gt;
* [http://ignca.nic.in/cd_07013.htm The Warlis and the Dhangars: The Context of the Commons]&lt;br /&gt;
* [http://india.gov.in/knowindia/warlifolkpaintings.php Warli Folk Painting] Summary of Warli art by the Indian government&lt;br /&gt;
* [http://www.yashada.org/pdfs/Merg_Warali1.pdf The Warlis by K. V. Save]&lt;br /&gt;
&lt;br /&gt;
==Further reading==&lt;br /&gt;
* Dalmia, Yashodhara, (1988). &amp;#039;&amp;#039;Painted World of the Warlis: Art and Ritual of the Warli Tribes of Maharashtra&amp;#039;&amp;#039;, New Delhi: [[Lalit Kala Akademi]].&lt;br /&gt;
* Dandekar, Ajay (ed.) (1998). &amp;#039;&amp;#039;Mythos and Logos of the Warlis: A Tribal Worldview&amp;#039;&amp;#039;, New Delhi: Concept Publishing Company, {{ISBN|81-7022-692-9}}.&lt;br /&gt;
&lt;br /&gt;
{{Scheduled Tribes in Maharashtra}}&lt;br /&gt;
{{Social groups of Gujarat}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Scheduled Tribes of India]]&lt;br /&gt;
[[Category:Culture of Maharashtra]]&lt;br /&gt;
[[Category:Social groups of Maharashtra]]&lt;br /&gt;
[[Category:Social groups of Gujarat]]&lt;br /&gt;
[[Category:Tribal communities of Gujarat]]&lt;br /&gt;
[[Category:Tribal communities of Maharashtra]]&lt;br /&gt;
[[Category:Palghar district]]&lt;br /&gt;
[[Category:Arts by culture]]&lt;br /&gt;
[[Category:Indian folk art]]&lt;/div&gt;</summary>
		<author><name>imported&gt;Citation bot</name></author>
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