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	<title>Visha Kanya - Revision history</title>
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	<updated>2026-08-20T13:50:15Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<title>ScarlettFlannaga: expand structure additionally after review</title>
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		<updated>2023-03-24T09:12:16Z</updated>

		<summary type="html">&lt;p&gt;expand structure additionally after review&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:42, 24 March 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{for|the 1991 film|Vishkanya (film)}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;#REDIRECT &lt;/ins&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Vishakanya&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The &#039;&#039;&#039;&#039;&#039;Visha Kanya&#039;&#039;&#039;&#039;&#039; (&lt;/del&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sanskrit&lt;/del&gt;]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{lang|sa| विष कन्या}}; {{lang-en|Poison girl}}) were young women reportedly used as [[Assassination|assassins]], often against powerful enemies, during the times of the [[Ancient India]].&amp;lt;ref name=&quot;:0&quot;&amp;gt;{{Cite book|url=https://books.google.com/books?id=jpXijlqeRpIC|title=India&#039;s Historic Battles: From Alexander the Great to Kargil|last=Roy|first=Kaushik|date=2004-01-01|publisher=Orient Blackswan|isbn=9788178241098|page=24|language=en}}&amp;lt;/ref&amp;gt; Their blood and bodily fluids were purportedly poisonous to other humans, as was mentioned in the ancient Indian treatise on [[public policy|statecraft]], &#039;&#039;[[Arthashastra]]&#039;&#039;, written by [[Chanakya]], an adviser and a prime minister to the first Maurya Emperor [[Chandragupta Maurya|Chandragupta]] (c. 340–293 BCE).&amp;lt;ref name=&quot;Chaurasia2002&quot;&amp;gt;{{cite book|author=Radhey Shyam Chaurasia|title=History of ancient India: earliest times to 1000 A.D.|url=https://books.google.com/books?id=cWmsQQ2smXIC&amp;amp;pg=PA100|access-date=20 June 2011|date=1 January 2002|publisher=Atlantic Publishers &amp;amp; Dist|isbn=978-81-269-0027-5|page=100}}&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==In literature==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Redirect category shell&lt;/ins&gt;|&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A [[Hindu mythology]] text, the &#039;&#039;[[Kalki Purana]]&#039;&#039;, mentions that they can kill a person just by looking at them, and talks about a Visha Kanya named Sulochana, the wife of a [[Gandharva]], Chitragreeva.&amp;lt;ref name=&quot;Chaturvedi2004&quot;&amp;gt;{{cite book|author=B.K. Chaturvedi|title=Kalki Purana|url=https://books.google.com/books?id=yjPXRCCUvk4C&amp;amp;pg=PA74|access-date=20 June 2011|year=2004|publisher=Diamond Pocket Books (P) Ltd.|isbn=978-81-288-0588-2|page=74}}&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;R &lt;/ins&gt;from &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;move&lt;/ins&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;However, in time, &quot;poison damsel&quot; passed into [[folklore]], became an [[archetype]] explored by many writers, resulting in a popular [[literary character]] that appears in many works, including classical [[Sanskrit]] texts such as &#039;&#039;[[Sukasaptati]]&#039;&#039;.&amp;lt;ref&amp;gt;&#039;&#039;Erotic Indian tales from the Sanskrit classic Suksaptati&#039;&#039;, by G.L. Mathur. Hind Pocket Books, 1971. &#039;&#039;Page 26–27&#039;&#039;&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==History==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The Poison Damsel (Sanskrit Viṣakanyā) is a literary figure that appears in Sanskrit literature as a type of assassin used by kings to destroy enemies. The story goes that young girls were raised on a carefully crafted diet of [[poison]] and antidote from a very young age, a practice referred to as [[mithridatism]]. Although many would not survive, those that did were immune to other poisons and their [[body fluid]]s would be poisonous to others; sexual contact would thus be lethal to other humans. There also exists a myth that says a Visha Kanya can cause instant death with just a touch.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;According to Kaushik Roy, Visha Kanyas would kill their targets by seducing them and giving them poisoned alcohol.&amp;lt;ref name=&quot;:0&quot; /&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Some Sanskrit sources narrate that a &#039;&#039;Visha Kanya&#039;&#039; was sent by [[Mahapadma Nanda|Nanda]]&#039;s minister Amatyarakshasa to kill [[Chandragupta Maurya]] and Chanakya diverted them to kill Parvatak.&amp;lt;ref name=&quot;PenzerBhatta1980&quot;&amp;gt;&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cite book|author1=Norman Mosley Penzer|author2=Somadeva Bhatta|title=Poison-damsels: Folklore of the World&lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;url=https://books.google.com/books?id=EWEhbry3WBUC&amp;amp;pg=PA17|access-date=20 June 2011|date=November 1980|publisher=Ayer Publishing|isbn=978-0-405-13336-7|page=17}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;Thakur1997&quot;&amp;gt;{{cite book|author=Molu Ram Thakur|title=Myths, rituals, and beliefs in Himachal Pradesh|url=https://books.google.com/books?id=JH-gI4ncuZ4C&amp;amp;pg=PA17|access-date=20 June 2011|year=1997|publisher=Indus Publishing|isbn=978-81-7387-071-2|page=17}}&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;According to the Indian Historical sources Vish kanya was used by [[Nanda Empire|Nanda Dynasty]] founder [[Mahapadma Nanda]] to kill the last ruler of [[Shaishunaga dynasty|Shishunaga Dynasty]] [[Kalashoka]] both of which belonged to mighty [[Magadha|Magadha Kingdom]].&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cn|date=October 2019}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== Contemporary treatments of the theme ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Visha Kanya&#039;&#039; has been a popular theme in [[Indian literature]] and [[folklore]], and apart &lt;/del&gt;from &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;appearing in classical [[Sanskrit]] texts, it has appeared repeatedly in various works like &#039;&#039;Vishkanya&#039;&#039; by [[Shivani]] and &#039;&#039;Ek Aur Vish Kanya?&#039;&#039; by Om Prakash Sharma, who use &#039;&#039;Visha Kanya&#039;&#039; as an [[archetype]] in their stories—a beautiful girl who kills when she comes too close. More recently, the archetype has taken a new hue in the HIV/AIDS era, for example in &#039;&#039;Vishkanya&#039;&#039;, a 2007 novel, based on the [[AIDS]] epidemic in society. &#039;&#039;Vishakanya&#039;&#039;s have also been depicted as important characters in the book &#039;&#039;[[Chanakya&#039;s Chant]]&#039;&#039;. In 2009, Vibha Rahi, a lower caste woman has written an autobiography &#039;Vishkanya: Untold Secrets&#039; in Marathi, in which she portrays how upper caste women make intimate relationships with lower caste people of high profile and destroy their families and social relationships.&amp;lt;ref name=&quot;Vibha Rahi&quot;&amp;gt;{{cite book|last=Rahi|first=Vibha|title=Vishkanya: Untold Secrets|year=2009|publisher=Karuvaki Prakashan|location=Pune}}&amp;lt;/ref&amp;gt;        &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Over the years, many Hindi films have been made on the subject. The first film, &#039;&#039;Visha Kanya&#039;&#039;, was made in 1943, starring [[Leela Mishra]],&amp;lt;ref&amp;gt;[https://www.imdb.com/title/tt0376308/ Vish Kanya (1943)] [[IMDb]].&amp;lt;/ref&amp;gt; and more recently, [[Vishkanya (1991)|&#039;&#039;Vishkanya&#039;&#039; (1991)]], starring [[Pooja Bedi]] in the lead role.&amp;lt;ref&amp;gt;[https://www.imdb.com/title/tt0318812/ Vishkanya (1991)] [[IMDb]].&amp;lt;/ref&amp;gt; [[Vishkanya Ek Anokhi Prem Kahani]] is a [[soap opera]] TV series which aired on [[Zee TV]]; it starred [[Aishwarya Khare]] as Aparajita Ghosh, a Visha Kanya, in the main role.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In the story &#039;&#039;Beeshkanya&#039;&#039;, [[Sharadindu Bandyopadhyay]] wrote about a girl who was supposed to be a Vishkanya and was sent to [[Magadha]] in order to assassinate the members of [[Shaishunaga dynasty]].&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In &#039;&#039;The Real Life of Sebastian Knight&#039;&#039; the author Nabokov treats his affair with Irina Guadanini through allusions to the myth of the poison damsel. In the 2015 novel, &#039;&#039;The Entropy of Bones&#039;&#039; by [[Ayize Jama-Everett]], the main character fights a group of &#039;&#039;Visha Kanya&#039;&#039;.  The trope also appears in a set of Nathaniel Hawthorne&#039;s stories.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==See also==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Femme fatale]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*&quot;[[Rappaccini&#039;s Daughter]]&quot;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[[Nāga]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==References==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Reflist&lt;/del&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Further reading==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;The Vish-Kanya or Poison Damsel of Ancient India&#039;&#039;, Illustrated by the story of Susan Ramashgar. Folklore Society, Britain, 1927.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;Poison-damsels: Folklore of the world&#039;&#039;, by Norman Mosley Penzer, Somadeva Bhatt. Ayer Publishing, 1980. {{ISBN|0-405-13336-7&lt;/del&gt;}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. [https://books.google.com/books?id=EWEhbry3WBUC&amp;amp;pg=PA17&amp;amp;dq=Vishkanya&amp;amp;lr=&amp;amp;as_brr=0#v=onepage&amp;amp;q=&amp;amp;f=false Excerpts]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;Vishkanya: True stories of famous women spies of the world in story form. by Yashvant Mehta. Publisher: Gurjar, 1996.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;Vishkanya&#039;&#039;, by Esa Mehta. Rajasthani Granthagar, 2007.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Warfare by type]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Characters in Hindu mythology]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Literary archetypes]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Folklore characters]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Poisoners]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Indian assassins]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>ScarlettFlannaga</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Visha_Kanya&amp;diff=148949&amp;oldid=prev</id>
		<title>imported&gt;Marcocapelle: /* Further reading */more specific categorization</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Visha_Kanya&amp;diff=148949&amp;oldid=prev"/>
		<updated>2021-07-15T05:55:59Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Further reading: &lt;/span&gt;more specific categorization&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{for|the 1991 film|Vishkanya (film)}}&lt;br /&gt;
The &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Visha Kanya&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ([[Sanskrit]] {{lang|sa| विष कन्या}}; {{lang-en|Poison girl}}) were young women reportedly used as [[Assassination|assassins]], often against powerful enemies, during the times of the [[Ancient India]].&amp;lt;ref name=&amp;quot;:0&amp;quot;&amp;gt;{{Cite book|url=https://books.google.com/books?id=jpXijlqeRpIC|title=India&amp;#039;s Historic Battles: From Alexander the Great to Kargil|last=Roy|first=Kaushik|date=2004-01-01|publisher=Orient Blackswan|isbn=9788178241098|page=24|language=en}}&amp;lt;/ref&amp;gt; Their blood and bodily fluids were purportedly poisonous to other humans, as was mentioned in the ancient Indian treatise on [[public policy|statecraft]], &amp;#039;&amp;#039;[[Arthashastra]]&amp;#039;&amp;#039;, written by [[Chanakya]], an adviser and a prime minister to the first Maurya Emperor [[Chandragupta Maurya|Chandragupta]] (c. 340–293 BCE).&amp;lt;ref name=&amp;quot;Chaurasia2002&amp;quot;&amp;gt;{{cite book|author=Radhey Shyam Chaurasia|title=History of ancient India: earliest times to 1000 A.D.|url=https://books.google.com/books?id=cWmsQQ2smXIC&amp;amp;pg=PA100|access-date=20 June 2011|date=1 January 2002|publisher=Atlantic Publishers &amp;amp; Dist|isbn=978-81-269-0027-5|page=100}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==In literature==&lt;br /&gt;
A [[Hindu mythology]] text, the &amp;#039;&amp;#039;[[Kalki Purana]]&amp;#039;&amp;#039;, mentions that they can kill a person just by looking at them, and talks about a Visha Kanya named Sulochana, the wife of a [[Gandharva]], Chitragreeva.&amp;lt;ref name=&amp;quot;Chaturvedi2004&amp;quot;&amp;gt;{{cite book|author=B.K. Chaturvedi|title=Kalki Purana|url=https://books.google.com/books?id=yjPXRCCUvk4C&amp;amp;pg=PA74|access-date=20 June 2011|year=2004|publisher=Diamond Pocket Books (P) Ltd.|isbn=978-81-288-0588-2|page=74}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
However, in time, &amp;quot;poison damsel&amp;quot; passed into [[folklore]], became an [[archetype]] explored by many writers, resulting in a popular [[literary character]] that appears in many works, including classical [[Sanskrit]] texts such as &amp;#039;&amp;#039;[[Sukasaptati]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;&amp;#039;&amp;#039;Erotic Indian tales from the Sanskrit classic Suksaptati&amp;#039;&amp;#039;, by G.L. Mathur. Hind Pocket Books, 1971. &amp;#039;&amp;#039;Page 26–27&amp;#039;&amp;#039;&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
The Poison Damsel (Sanskrit Viṣakanyā) is a literary figure that appears in Sanskrit literature as a type of assassin used by kings to destroy enemies. The story goes that young girls were raised on a carefully crafted diet of [[poison]] and antidote from a very young age, a practice referred to as [[mithridatism]]. Although many would not survive, those that did were immune to other poisons and their [[body fluid]]s would be poisonous to others; sexual contact would thus be lethal to other humans. There also exists a myth that says a Visha Kanya can cause instant death with just a touch.&lt;br /&gt;
&lt;br /&gt;
According to Kaushik Roy, Visha Kanyas would kill their targets by seducing them and giving them poisoned alcohol.&amp;lt;ref name=&amp;quot;:0&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Some Sanskrit sources narrate that a &amp;#039;&amp;#039;Visha Kanya&amp;#039;&amp;#039; was sent by [[Mahapadma Nanda|Nanda]]&amp;#039;s minister Amatyarakshasa to kill [[Chandragupta Maurya]] and Chanakya diverted them to kill Parvatak.&amp;lt;ref name=&amp;quot;PenzerBhatta1980&amp;quot;&amp;gt;{{cite book|author1=Norman Mosley Penzer|author2=Somadeva Bhatta|title=Poison-damsels: Folklore of the World|url=https://books.google.com/books?id=EWEhbry3WBUC&amp;amp;pg=PA17|access-date=20 June 2011|date=November 1980|publisher=Ayer Publishing|isbn=978-0-405-13336-7|page=17}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;Thakur1997&amp;quot;&amp;gt;{{cite book|author=Molu Ram Thakur|title=Myths, rituals, and beliefs in Himachal Pradesh|url=https://books.google.com/books?id=JH-gI4ncuZ4C&amp;amp;pg=PA17|access-date=20 June 2011|year=1997|publisher=Indus Publishing|isbn=978-81-7387-071-2|page=17}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
According to the Indian Historical sources Vish kanya was used by [[Nanda Empire|Nanda Dynasty]] founder [[Mahapadma Nanda]] to kill the last ruler of [[Shaishunaga dynasty|Shishunaga Dynasty]] [[Kalashoka]] both of which belonged to mighty [[Magadha|Magadha Kingdom]].{{cn|date=October 2019}}&lt;br /&gt;
&lt;br /&gt;
== Contemporary treatments of the theme ==&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Visha Kanya&amp;#039;&amp;#039; has been a popular theme in [[Indian literature]] and [[folklore]], and apart from appearing in classical [[Sanskrit]] texts, it has appeared repeatedly in various works like &amp;#039;&amp;#039;Vishkanya&amp;#039;&amp;#039; by [[Shivani]] and &amp;#039;&amp;#039;Ek Aur Vish Kanya?&amp;#039;&amp;#039; by Om Prakash Sharma, who use &amp;#039;&amp;#039;Visha Kanya&amp;#039;&amp;#039; as an [[archetype]] in their stories—a beautiful girl who kills when she comes too close. More recently, the archetype has taken a new hue in the HIV/AIDS era, for example in &amp;#039;&amp;#039;Vishkanya&amp;#039;&amp;#039;, a 2007 novel, based on the [[AIDS]] epidemic in society. &amp;#039;&amp;#039;Vishakanya&amp;#039;&amp;#039;s have also been depicted as important characters in the book &amp;#039;&amp;#039;[[Chanakya&amp;#039;s Chant]]&amp;#039;&amp;#039;. In 2009, Vibha Rahi, a lower caste woman has written an autobiography &amp;#039;Vishkanya: Untold Secrets&amp;#039; in Marathi, in which she portrays how upper caste women make intimate relationships with lower caste people of high profile and destroy their families and social relationships.&amp;lt;ref name=&amp;quot;Vibha Rahi&amp;quot;&amp;gt;{{cite book|last=Rahi|first=Vibha|title=Vishkanya: Untold Secrets|year=2009|publisher=Karuvaki Prakashan|location=Pune}}&amp;lt;/ref&amp;gt;        &lt;br /&gt;
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Over the years, many Hindi films have been made on the subject. The first film, &amp;#039;&amp;#039;Visha Kanya&amp;#039;&amp;#039;, was made in 1943, starring [[Leela Mishra]],&amp;lt;ref&amp;gt;[https://www.imdb.com/title/tt0376308/ Vish Kanya (1943)] [[IMDb]].&amp;lt;/ref&amp;gt; and more recently, [[Vishkanya (1991)|&amp;#039;&amp;#039;Vishkanya&amp;#039;&amp;#039; (1991)]], starring [[Pooja Bedi]] in the lead role.&amp;lt;ref&amp;gt;[https://www.imdb.com/title/tt0318812/ Vishkanya (1991)] [[IMDb]].&amp;lt;/ref&amp;gt; [[Vishkanya Ek Anokhi Prem Kahani]] is a [[soap opera]] TV series which aired on [[Zee TV]]; it starred [[Aishwarya Khare]] as Aparajita Ghosh, a Visha Kanya, in the main role.&lt;br /&gt;
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In the story &amp;#039;&amp;#039;Beeshkanya&amp;#039;&amp;#039;, [[Sharadindu Bandyopadhyay]] wrote about a girl who was supposed to be a Vishkanya and was sent to [[Magadha]] in order to assassinate the members of [[Shaishunaga dynasty]].&lt;br /&gt;
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In &amp;#039;&amp;#039;The Real Life of Sebastian Knight&amp;#039;&amp;#039; the author Nabokov treats his affair with Irina Guadanini through allusions to the myth of the poison damsel. In the 2015 novel, &amp;#039;&amp;#039;The Entropy of Bones&amp;#039;&amp;#039; by [[Ayize Jama-Everett]], the main character fights a group of &amp;#039;&amp;#039;Visha Kanya&amp;#039;&amp;#039;.  The trope also appears in a set of Nathaniel Hawthorne&amp;#039;s stories.&lt;br /&gt;
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==See also==&lt;br /&gt;
*[[Femme fatale]]&lt;br /&gt;
*&amp;quot;[[Rappaccini&amp;#039;s Daughter]]&amp;quot;&lt;br /&gt;
*[[Nāga]]&lt;br /&gt;
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==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
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==Further reading==&lt;br /&gt;
* &amp;#039;&amp;#039;The Vish-Kanya or Poison Damsel of Ancient India&amp;#039;&amp;#039;, Illustrated by the story of Susan Ramashgar. Folklore Society, Britain, 1927.&lt;br /&gt;
* &amp;#039;&amp;#039;Poison-damsels: Folklore of the world&amp;#039;&amp;#039;, by Norman Mosley Penzer, Somadeva Bhatt. Ayer Publishing, 1980. {{ISBN|0-405-13336-7}}. [https://books.google.com/books?id=EWEhbry3WBUC&amp;amp;pg=PA17&amp;amp;dq=Vishkanya&amp;amp;lr=&amp;amp;as_brr=0#v=onepage&amp;amp;q=&amp;amp;f=false Excerpts]&lt;br /&gt;
* &amp;#039;&amp;#039;Vishkanya: True stories of famous women spies of the world in story form. by Yashvant Mehta. Publisher: Gurjar, 1996.&lt;br /&gt;
* &amp;#039;&amp;#039;Vishkanya&amp;#039;&amp;#039;, by Esa Mehta. Rajasthani Granthagar, 2007.&lt;br /&gt;
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[[Category:Warfare by type]]&lt;br /&gt;
[[Category:Characters in Hindu mythology]]&lt;br /&gt;
[[Category:Literary archetypes]]&lt;br /&gt;
[[Category:Folklore characters]]&lt;br /&gt;
[[Category:Poisoners]]&lt;br /&gt;
[[Category:Indian assassins]]&lt;/div&gt;</summary>
		<author><name>imported&gt;Marcocapelle</name></author>
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