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	<updated>2026-08-23T21:53:41Z</updated>
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		<title>EkaSaffronGaruda: minor updated section after review and added references</title>
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		<updated>2026-01-22T11:55:00Z</updated>

		<summary type="html">&lt;p&gt;minor updated section after review and added references&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:25, 22 January 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Multiple issues|&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Multiple issues|&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fanpov&lt;/del&gt;|date=October 2011}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fan POV&lt;/ins&gt;|date=October 2011}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Primary sources|date=November 2014}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Primary sources|date=November 2014}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=August 2014}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=August 2014}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Vilas Sarang&#039;&#039;&#039; (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Devanagari]]: विलास सारंग&lt;/del&gt;) &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(1942–2015) is one of the most significant &lt;/del&gt;[[modernist]] Indian &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;writers&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;critics &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;translators to emerge &lt;/del&gt;in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the post-independence period&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Vilas Sarang&#039;&#039;&#039; (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;11 June 1942 – 14 April 2015&lt;/ins&gt;) &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was a &lt;/ins&gt;[[modernist]] Indian &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;writer&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;critic, translator &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a professor of English who wrote in Marathi and English. He died in 2015 &lt;/ins&gt;in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mahim&#039;s Hinduja hospital&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Vilas Sarang was born in 1942 in [[Karwar]], a coastal town in Karnataka. He died on April 14, 2015. His father, of the non-Brahmin [[Bhandari]] caste, hailed from [[Malwan]] and was a magistrate. His mother came from [[Ratnagiri]] and reared six sons of whom Vilas Sarang is the youngest.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==Life==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;He studied &lt;/del&gt;in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Marathi&lt;/del&gt;, the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;regional language, until high school, then attended [[&lt;/del&gt;Elphinstone College&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]], Bombay&lt;/del&gt;, and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;obtained a doctorate in English Literature &lt;/del&gt;from &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Bombay University&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;From 1971 to 1974, Sarang studied in Bloomington, Indiana, from where he &lt;/del&gt;obtained a second &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;doctorate &lt;/del&gt;in Comparative Literature &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;under the direction of Professor [[Breon Mitchell]].&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sarang was born &lt;/ins&gt;in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Karwar&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Karnataka in &lt;/ins&gt;the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bhandari caste. He earned his undergraduate degree from &lt;/ins&gt;Elphinstone College, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mumbai &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ph.D. &lt;/ins&gt;from Bombay University. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;He &lt;/ins&gt;obtained a second &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ph.D. &lt;/ins&gt;in Comparative Literature &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;from Indiana University &lt;/ins&gt;in 1974.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref name=&quot;webapp1.dlib.indiana.edu&quot;&amp;gt;{{cite web | url=https://webapp1.dlib&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;indiana&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;edu/findingaids/view?doc&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;view=entire_text&amp;amp;docId=InU-Li-VAD7000 | title=&lt;/ins&gt;Sarang &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;MSS&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, 1967-2008 }}&amp;lt;/ref&amp;gt; &lt;/ins&gt;Sarang&#039;s stories have appeared in the UK, US, Canada and India in journals such as &#039;&#039;[[Encounter (magazine)|Encounter]]&#039;&#039;, &#039;&#039;[[The London Magazine]]&#039;&#039;, &#039;&#039;[[TriQuarterly]]&#039;&#039;, &#039;&#039;The Malahat Review&#039;&#039;, and also in the anthologies &#039;&#039;New Writing in India&#039;&#039; (Penguin), &#039;&#039;The Penguin Book of Horror Stories&#039;&#039; and New Directions No. 41&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&amp;lt;ref&amp;gt;&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cite web &lt;/ins&gt;| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;url&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://www.printweek.in/features/salaam-professor-vilas-sarang-17525 | title=Salaam Professor Vilas Sarang &amp;amp;#124; PrintWeekIndia &lt;/ins&gt;}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/ref&amp;gt; His first book of short stories, Soledad&#039; was published in 1975 in Marathi&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In 1978, his English poetry collection, &#039;A Kind of Silence&#039; was published.&amp;lt;ref&amp;gt;{{cite web | url=https://marathi.indiatimes.com/maharashtra/mumbai-news/vilas-sarang/articleshow/46926598.cms | title=विलास सारंग यांचे निधन }}&amp;lt;/ref&amp;gt; &lt;/ins&gt;His published books in English include a collection of stories, &#039;&#039;Fair Tree of the Void&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(translated from Marathi in 1990)&lt;/ins&gt;, and two novels, &#039;&#039;In the Land of Enki&#039;&#039; and &#039;&#039;The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dinosaurship&lt;/ins&gt;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(2005)&lt;/ins&gt;.&amp;lt;ref&amp;gt;[http://www.penguinbooksindia.com/en/content/vilas-sarang accessdate=14 November 2014]&amp;lt;/ref&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt; His short stories have been translated into French and German.&amp;lt;ref name=&quot;webapp1.dlib.indiana.edu&quot;/&lt;/ins&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;He spent five years &lt;/del&gt;in &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Iraq]] (&lt;/del&gt;1974 &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;to 1979), where he taught English at the [[University of Basrah]]&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sarang was head of the English Department at the [[Bombay University]] from 1988 to 1991, during which years he also edited The Bombay Literary Review&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;From 1991 to 2002, he taught at [[Kuwait University]]&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Having returned to India in 1979, he married Reba Dasgupta, of Bengali origin, in 1982, with whom he has two children&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;In June 2002, &lt;/del&gt;Sarang &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;returned to Mumbai where he edits a literary journal called The Post Post Review&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sarang&#039;s stories have appeared in the UK, US, Canada and India in journals such as &#039;&#039;[[Encounter (magazine)|Encounter]]&#039;&#039;, &#039;&#039;[[The London Magazine]]&#039;&#039;, &#039;&#039;[[TriQuarterly]]&#039;&#039;, &#039;&#039;The Malahat Review&#039;&#039;, and also in the anthologies &#039;&#039;New Writing in India&#039;&#039; (Penguin), &#039;&#039;The Penguin Book of Horror Stories&#039;&#039; and New Directions No. 41{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Citation needed&lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;date&lt;/del&gt;=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;October 2011&lt;/del&gt;}}. His published books in English include a collection of stories, &#039;&#039;Fair Tree of the Void&#039;&#039;, and two novels, &#039;&#039;In the Land of Enki&#039;&#039; and &#039;&#039;The &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dinosaur Ship&lt;/del&gt;&#039;&#039;.&amp;lt;ref&amp;gt;[http://www.penguinbooksindia.com/en/content/vilas-sarang accessdate=14 November 2014]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Overview of Sarang&amp;#039;s work==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Overview of Sarang&amp;#039;s work==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;One of the most significant modernist Marathi writers{{Citation needed|date=October 2011}}, Vilas Sarang has written remarkable short stories, poems, a novel and also pieces of criticism in his first language [[Marathi language|Marathi]] as well as in English. His Marathi short story collections are &#039;Soledad&#039; (1975) and &#039;Atank&#039; (1999) and translations of his stories in English are collected in &#039;A Fair Tree of the Void&#039; (1990) and more recently &#039;The Women in the Cages&#039; (2006). A selection of his short stories also appeared in French translation in 1988. His English novel &#039;The Dinosaur Ship&#039; (2005) and his Marathi novel is &#039;Enkichya Rajyat&#039;. His Marathi collection of poems is published under the title Kavita (1969–1984) and his collection of English poems is published as &#039;A Kind of Silence&#039; (1978). He has also written significant criticism in Marathi &#039;Sisyphus ani Bolakka&#039; and &#039;Aksharanchya Shrama Kela&#039; (2000). He has also published The Stylistics of Literary Translation (1988) and edited the anthology [[Indian English Poetry]] since 1950 (1989). He has also edited reputed literary journals like the Bombay Review and The Post Post Review {{Citation needed|date=October 2011}}.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sarang sees himself as &quot;a bilingual writer&quot;. Indeed, as a post-colonial Indian, he has a complex relationship with language. Having published stories and articles in both Marathi and English, he acknowledges that he has a &quot;divided psyche&quot; – while his unconscious is &quot;rooted in Marathi&quot;, leaving him with a sense of greater freedom and inventiveness in Marathi. He nevertheless feels that the &quot;definitive text&quot; of his creations lies invariably in their English versions, since English enables him to bring his works &quot;before the world.&quot;&amp;lt;ref&amp;gt;{{cite journal | title = Confessions of Marathi Writer | journal = World Literature Today | date = Spring 1994 | first = Vilas | last = Sarang | volume = 68 | issue = 2 | pages = 309–312| jstor = 40150157 | doi = 10.2307/40150157 }}&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Various literary influences can be perceived in the writings of Sarang. The &quot;Marathi Navakatha&quot; (New Story) writers of the 1950s and 1960s led Sarang to use the short-story form. The modernisation of Marathi poetry by B. S. Mardhekar in the 1940s and further poetical innovation by unconventional Marathi poets like [[Dilip Chitre]] and [[Arun Kolatkar]] in the post-Independence era enabled Sarang to explore new avenues in his own poetical creations. Western European writers like [[Kafka]], [[Albert Camus|Camus]], [[Sartre]] and [[Samuel Beckett|Beckett]] also offered Sarang &quot;a liberating route to self-realization&quot; as a writer, beyond the narrow, conformist paths that Marathi literature has taken since the 1980s, tending to a closed absorption in nativism and a fundamentalist Indian-versus-Western dichotomy. Sarang, on the contrary, is interested in experimenting with his own creativity by transcending the parameters of Indianness and Westernization.&amp;lt;ref&amp;gt;{{cite journal | title = Confessions of Marathi Writer | journal = World Literature Today | date = Spring 1994 | first = Vilas | last = Sarang | volume = 68 | issue = 2 | pages = 310–311| jstor = 40150157 }}&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His Marathi book &#039;सर्जनशोध आणि लिहिता लेखक&#039; (Pursuit of Creation and Author Engaged in Writing) received an award of Government of Maharashtra in year 2008.&amp;lt;ref name=&quot;lokmat1&quot;&amp;gt;{{cite web|url=http://onlinenews.lokmat.com/php/detailednews.php?id=MumbaiEdition-3-1-14-12-2008-e665b&amp;amp;ndate=2008-12-14&amp;amp;editionname=mumbai|title=Online News}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His Marathi book &#039;सर्जनशोध आणि लिहिता लेखक&#039; (Pursuit of Creation and Author Engaged in Writing) received an award of Government of Maharashtra in year 2008.&amp;lt;ref name=&quot;lokmat1&quot;&amp;gt;{{cite web|url=http://onlinenews.lokmat.com/php/detailednews.php?id=MumbaiEdition-3-1-14-12-2008-e665b&amp;amp;ndate=2008-12-14&amp;amp;editionname=mumbai|title=Online News&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|access-date=23 June 2009|archive-date=24 February 2012|archive-url=https://web.archive.org/web/20120224160536/http://onlinenews.lokmat.com/php/detailednews.php?id=MumbaiEdition-3-1-14-12-2008-e665b&amp;amp;ndate=2008-12-14&amp;amp;editionname=mumbai|url-status=dead&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Authorship==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Authorship==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l56&quot;&gt;Line 56:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 47:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://www.caravanmagazine.in/reviews-essays/laughter-dark-Vilas-Sarang-bilingual-modernism The Bilingual Modernism of Vilas Sarang, Caravan]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://www.caravanmagazine.in/reviews-essays/laughter-dark-Vilas-Sarang-bilingual-modernism The Bilingual Modernism of Vilas Sarang, Caravan] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Webarchive|url=https://web.archive.org/web/20160416163422/http://www.caravanmagazine.in/reviews-essays/laughter-dark-Vilas-Sarang-bilingual-modernism |date=16 April 2016 }}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http&lt;/del&gt;://scroll.in/article/721780/vilas-sarang-the-writer-you-should-have-read-to-understand-post-modern-indian-literature Vilas Sarang: the writer you should have read to understand post-modern Indian literature]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/ins&gt;://scroll.in/article/721780/vilas-sarang-the-writer-you-should-have-read-to-understand-post-modern-indian-literature Vilas Sarang: the writer you should have read to understand post-modern Indian literature]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http&lt;/del&gt;://www.dailyo.in/arts/vilas-sarang-poetry-english-adil-jussawala-marathi-indian-literature-novels/story/1/3225.html Adil Jussawala Obituary for Sarang]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/ins&gt;://www.dailyo.in/arts/vilas-sarang-poetry-english-adil-jussawala-marathi-indian-literature-novels/story/1/3225.html Adil Jussawala Obituary for Sarang]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http&lt;/del&gt;://www.mumbaimirror.com/mumbai/others/The-incomparable-silence-of-Vilas-Sarang/articleshow/46937997.cms Obituary for Vilas Sarang]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/ins&gt;://www.mumbaimirror.com/mumbai/others/The-incomparable-silence-of-Vilas-Sarang/articleshow/46937997.cms Obituary for Vilas Sarang]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://www.outlookindia.com/article.aspx?231656 Outlook Review of Women in Cages]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://www.outlookindia.com/article.aspx?231656 Outlook Review of Women in Cages]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http&lt;/del&gt;://www.thehindu.com/todays-paper/tp-features/tp-literaryreview/overpowering-images/article2274754.ece The Hindu review of Another Life]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/ins&gt;://www.thehindu.com/todays-paper/tp-features/tp-literaryreview/overpowering-images/article2274754.ece The Hindu review of Another Life]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://www.tehelka.com/story_main14.asp?filename=hub091705The_Man.asp Dilip Chitre on Vilas Sarang in Tehelka]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://archive.today/20130204010835/&lt;/ins&gt;http://www.tehelka.com/story_main14.asp?filename=hub091705The_Man.asp Dilip Chitre on Vilas Sarang in Tehelka]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http&lt;/del&gt;://divyamarathi.bhaskar.com/news/MAG-article-about-vilas-sarang-by-vishram-gupte-in-rasik-4968225-NOR.html Marathi Article on Enkichya Rajyaat by Vishram Gupte]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/ins&gt;://divyamarathi.bhaskar.com/news/MAG-article-about-vilas-sarang-by-vishram-gupte-in-rasik-4968225-NOR.html Marathi Article on Enkichya Rajyaat by Vishram Gupte]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http&lt;/del&gt;://sachinketkar.blogspot.in/2014/09/the-age-of-obcs-in-indian-literatures.html Sachin Ketkar&#039;s blog on Sarang&#039;s article on the Age of OBC]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/ins&gt;://sachinketkar.blogspot.in/2014/09/the-age-of-obcs-in-indian-literatures.html Sachin Ketkar&#039;s blog on Sarang&#039;s article on the Age of OBC]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http&lt;/del&gt;://sachinketkar.blogspot.in/2012/10/synaptic-narratives-and-half-bodied.html Sachin Ketkar&#039;s blog on Sarang poetics of fiction]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/ins&gt;://sachinketkar.blogspot.in/2012/10/synaptic-narratives-and-half-bodied.html Sachin Ketkar&#039;s blog on Sarang poetics of fiction]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://www.museindia.com/viewarticle.asp?myr=2008&amp;amp;issid=21&amp;amp;id=1209 Vilas Sarang&#039;s essay Perils of Nativism]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[http://www.museindia.com/viewarticle.asp?myr=2008&amp;amp;issid=21&amp;amp;id=1209 Vilas Sarang&#039;s essay Perils of Nativism] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Webarchive|url=https://web.archive.org/web/20160304123129/http://www.museindia.com/viewarticle.asp?myr=2008&amp;amp;issid=21&amp;amp;id=1209 |date=4 March 2016 }}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://books.google.com/books?lr=&amp;amp;q=inauthor%3A%22Vilas+Sarang%22&amp;amp;btnG=Search+Books Books Authored by Vilas Sarang]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://books.google.com/books?lr=&amp;amp;q=inauthor%3A%22Vilas+Sarang%22&amp;amp;btnG=Search+Books Books Authored by Vilas Sarang]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://books.google.com/books?lr=&amp;amp;q=Vilas+Sarang+-inauthor%3A%22Vilas+Sarang%22&amp;amp;btnG=Search+Books Books that reference Vilas Sarang]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://books.google.com/books?lr=&amp;amp;q=Vilas+Sarang+-inauthor%3A%22Vilas+Sarang%22&amp;amp;btnG=Search+Books Books that reference Vilas Sarang]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l72&quot;&gt;Line 72:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 63:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://www.scribd.com/doc/24475002/Confessions-of-a-Marathi-Writer-Vilas-Sarang Confessions of A Marathi Writer by Vilas Sarang]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://www.scribd.com/doc/24475002/Confessions-of-a-Marathi-Writer-Vilas-Sarang Confessions of A Marathi Writer by Vilas Sarang]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[https://web.archive.org/web/20060813174409/http://www.hindu.com/lr/2006/08/06/stories/2006080600050200.htm The Hindu Book Review of The Women in the Cages]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[https://web.archive.org/web/20060813174409/http://www.hindu.com/lr/2006/08/06/stories/2006080600050200.htm The Hindu Book Review of The Women in the Cages]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http&lt;/del&gt;://searchingforlaugh.blogspot.com/2007/07/twelve-years-ago-everything-was-twelve.html Commentary on his Marathi book Sarjanshodh aani Lihita Lekhak”]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/ins&gt;://searchingforlaugh.blogspot.com/2007/07/twelve-years-ago-everything-was-twelve.html Commentary on his Marathi book Sarjanshodh aani Lihita Lekhak”]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Authority control}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Authority control}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l81&quot;&gt;Line 81:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 72:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Marathi-language poets]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Marathi-language poets]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian literary critics]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian literary critics]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Marathi-language writers]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:People from Uttara Kannada]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:People from Uttara Kannada]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century Indian writers]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century Indian writers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Writers from Karnataka]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Writers from Karnataka]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century Indian male writers]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century Indian male writers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>EkaSaffronGaruda</name></author>
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Vilas Sarang&#039;&#039;&#039; ([[Devanagari]]: विलास सारंग) (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1942-2015&lt;/del&gt;) is one of the most significant [[modernist]] Indian writers, critics and translators to emerge in the post-independence period.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Vilas Sarang&#039;&#039;&#039; ([[Devanagari]]: विलास सारंग) (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1942–2015&lt;/ins&gt;) is one of the most significant [[modernist]] Indian writers, critics and translators to emerge in the post-independence period.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Vilas Sarang was born in 1942 in [[Karwar]], a coastal town in Karnataka. He died on April 14, 2015. His father, of the non-Brahmin [[Bhandari]] caste, hailed from [[Malwan]] and was a magistrate. His mother came from [[Ratnagiri]] and reared six sons of whom Vilas Sarang is the youngest.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Vilas Sarang was born in 1942 in [[Karwar]], a coastal town in Karnataka. He died on April 14, 2015. His father, of the non-Brahmin [[Bhandari]] caste, hailed from [[Malwan]] and was a magistrate. His mother came from [[Ratnagiri]] and reared six sons of whom Vilas Sarang is the youngest.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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		<author><name>-&gt;Dmoore5556</name></author>
	</entry>
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&amp;#039;&amp;#039;&amp;#039;Vilas Sarang&amp;#039;&amp;#039;&amp;#039; ([[Devanagari]]: विलास सारंग) (1942-2015) is one of the most significant [[modernist]] Indian writers, critics and translators to emerge in the post-independence period.&lt;br /&gt;
&lt;br /&gt;
Vilas Sarang was born in 1942 in [[Karwar]], a coastal town in Karnataka. He died on April 14, 2015. His father, of the non-Brahmin [[Bhandari]] caste, hailed from [[Malwan]] and was a magistrate. His mother came from [[Ratnagiri]] and reared six sons of whom Vilas Sarang is the youngest.&lt;br /&gt;
&lt;br /&gt;
He studied in Marathi, the regional language, until high school, then attended [[Elphinstone College]], Bombay, and obtained a doctorate in English Literature from [[Bombay University]]. From 1971 to 1974, Sarang studied in Bloomington, Indiana, from where he obtained a second doctorate in Comparative Literature under the direction of Professor [[Breon Mitchell]].&lt;br /&gt;
&lt;br /&gt;
He spent five years in [[Iraq]] (1974 to 1979), where he taught English at the [[University of Basrah]]. Sarang was head of the English Department at the [[Bombay University]] from 1988 to 1991, during which years he also edited The Bombay Literary Review. From 1991 to 2002, he taught at [[Kuwait University]].&lt;br /&gt;
&lt;br /&gt;
Having returned to India in 1979, he married Reba Dasgupta, of Bengali origin, in 1982, with whom he has two children. In June 2002, Sarang returned to Mumbai where he edits a literary journal called The Post Post Review.&lt;br /&gt;
&lt;br /&gt;
Sarang&amp;#039;s stories have appeared in the UK, US, Canada and India in journals such as &amp;#039;&amp;#039;[[Encounter (magazine)|Encounter]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[The London Magazine]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;[[TriQuarterly]]&amp;#039;&amp;#039;, &amp;#039;&amp;#039;The Malahat Review&amp;#039;&amp;#039;, and also in the anthologies &amp;#039;&amp;#039;New Writing in India&amp;#039;&amp;#039; (Penguin), &amp;#039;&amp;#039;The Penguin Book of Horror Stories&amp;#039;&amp;#039; and New Directions No. 41{{Citation needed|date=October 2011}}. His published books in English include a collection of stories, &amp;#039;&amp;#039;Fair Tree of the Void&amp;#039;&amp;#039;, and two novels, &amp;#039;&amp;#039;In the Land of Enki&amp;#039;&amp;#039; and &amp;#039;&amp;#039;The Dinosaur Ship&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;[http://www.penguinbooksindia.com/en/content/vilas-sarang accessdate=14 November 2014]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Overview of Sarang&amp;#039;s work==&lt;br /&gt;
One of the most significant modernist Marathi writers{{Citation needed|date=October 2011}}, Vilas Sarang has written remarkable short stories, poems, a novel and also pieces of criticism in his first language [[Marathi language|Marathi]] as well as in English. His Marathi short story collections are &amp;#039;Soledad&amp;#039; (1975) and &amp;#039;Atank&amp;#039; (1999) and translations of his stories in English are collected in &amp;#039;A Fair Tree of the Void&amp;#039; (1990) and more recently &amp;#039;The Women in the Cages&amp;#039; (2006). A selection of his short stories also appeared in French translation in 1988. His English novel &amp;#039;The Dinosaur Ship&amp;#039; (2005) and his Marathi novel is &amp;#039;Enkichya Rajyat&amp;#039;. His Marathi collection of poems is published under the title Kavita (1969–1984) and his collection of English poems is published as &amp;#039;A Kind of Silence&amp;#039; (1978). He has also written significant criticism in Marathi &amp;#039;Sisyphus ani Bolakka&amp;#039; and &amp;#039;Aksharanchya Shrama Kela&amp;#039; (2000). He has also published The Stylistics of Literary Translation (1988) and edited the anthology [[Indian English Poetry]] since 1950 (1989). He has also edited reputed literary journals like the Bombay Review and The Post Post Review {{Citation needed|date=October 2011}}.&lt;br /&gt;
&lt;br /&gt;
Sarang sees himself as &amp;quot;a bilingual writer&amp;quot;. Indeed, as a post-colonial Indian, he has a complex relationship with language. Having published stories and articles in both Marathi and English, he acknowledges that he has a &amp;quot;divided psyche&amp;quot; – while his unconscious is &amp;quot;rooted in Marathi&amp;quot;, leaving him with a sense of greater freedom and inventiveness in Marathi. He nevertheless feels that the &amp;quot;definitive text&amp;quot; of his creations lies invariably in their English versions, since English enables him to bring his works &amp;quot;before the world.&amp;quot;&amp;lt;ref&amp;gt;{{cite journal | title = Confessions of Marathi Writer | journal = World Literature Today | date = Spring 1994 | first = Vilas | last = Sarang | volume = 68 | issue = 2 | pages = 309–312| jstor = 40150157 | doi = 10.2307/40150157 }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
Various literary influences can be perceived in the writings of Sarang. The &amp;quot;Marathi Navakatha&amp;quot; (New Story) writers of the 1950s and 1960s led Sarang to use the short-story form. The modernisation of Marathi poetry by B. S. Mardhekar in the 1940s and further poetical innovation by unconventional Marathi poets like [[Dilip Chitre]] and [[Arun Kolatkar]] in the post-Independence era enabled Sarang to explore new avenues in his own poetical creations. Western European writers like [[Kafka]], [[Albert Camus|Camus]], [[Sartre]] and [[Samuel Beckett|Beckett]] also offered Sarang &amp;quot;a liberating route to self-realization&amp;quot; as a writer, beyond the narrow, conformist paths that Marathi literature has taken since the 1980s, tending to a closed absorption in nativism and a fundamentalist Indian-versus-Western dichotomy. Sarang, on the contrary, is interested in experimenting with his own creativity by transcending the parameters of Indianness and Westernization.&amp;lt;ref&amp;gt;{{cite journal | title = Confessions of Marathi Writer | journal = World Literature Today | date = Spring 1994 | first = Vilas | last = Sarang | volume = 68 | issue = 2 | pages = 310–311| jstor = 40150157 }}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
His Marathi book &amp;#039;सर्जनशोध आणि लिहिता लेखक&amp;#039; (Pursuit of Creation and Author Engaged in Writing) received an award of Government of Maharashtra in year 2008.&amp;lt;ref name=&amp;quot;lokmat1&amp;quot;&amp;gt;{{cite web|url=http://onlinenews.lokmat.com/php/detailednews.php?id=MumbaiEdition-3-1-14-12-2008-e665b&amp;amp;ndate=2008-12-14&amp;amp;editionname=mumbai|title=Online News}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==Authorship==&lt;br /&gt;
&amp;lt;ref&amp;gt;{{cite web|url=https://books.google.com/books?lr=&amp;amp;q=inauthor%3A%22Vilas+Sarang%22&amp;amp;btnG=Search+Books |title=inauthor:&amp;quot;Vilas Sarang&amp;quot; – My library – Google Books |access-date=8 March 2012}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
===In English===&lt;br /&gt;
* Tandoor Cinders (2008)&lt;br /&gt;
* Women in Cages (2006) (also translated in Marathi)&lt;br /&gt;
* The Dinosaur Ship (2005)&lt;br /&gt;
* A Fair Tree of the Void (1990) (also translated in Marathi)&lt;br /&gt;
* Editor of the anthology &amp;quot;[[Indian English Poetry]] Since 1950&amp;quot; (1989)&lt;br /&gt;
* The Stylistics of Literary Translation (1988)&lt;br /&gt;
* A Kind of Silence (1978) (a collection of poetry)&lt;br /&gt;
* In the Land of Enki (also translated in Marathi and [[Hindi]])&lt;br /&gt;
* Seven Critical Essays&lt;br /&gt;
&lt;br /&gt;
===In Marathi===&lt;br /&gt;
* अक्षरांचा श्रम केला (2000) (literary criticism)&lt;br /&gt;
* आतंक (1999)&lt;br /&gt;
* मॅनहोलमधला माणूस&lt;br /&gt;
* सिसिफस आणि बेलाक्वा (literary criticism)&lt;br /&gt;
* सोलेदाद (1975)&lt;br /&gt;
* रुद्र&lt;br /&gt;
* सर्जनशोध आणि लिहिता लेखक (received an award from the Government of Maharashtra in 2008&amp;lt;ref name=&amp;quot;lokmat1&amp;quot;/&amp;gt;)&lt;br /&gt;
* चिरंतनाचा गंध&lt;br /&gt;
* कविता: १९६९-१९८४ (a collection of poetry)&lt;br /&gt;
* [http://www.loksatta.com/daily/20070218/lr10.htm Essay by Vilas Sarang (in Marathi)]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*[http://www.caravanmagazine.in/reviews-essays/laughter-dark-Vilas-Sarang-bilingual-modernism The Bilingual Modernism of Vilas Sarang, Caravan]&lt;br /&gt;
*[http://scroll.in/article/721780/vilas-sarang-the-writer-you-should-have-read-to-understand-post-modern-indian-literature Vilas Sarang: the writer you should have read to understand post-modern Indian literature]&lt;br /&gt;
*[http://www.dailyo.in/arts/vilas-sarang-poetry-english-adil-jussawala-marathi-indian-literature-novels/story/1/3225.html Adil Jussawala Obituary for Sarang]&lt;br /&gt;
*[http://www.mumbaimirror.com/mumbai/others/The-incomparable-silence-of-Vilas-Sarang/articleshow/46937997.cms Obituary for Vilas Sarang]&lt;br /&gt;
*[http://www.outlookindia.com/article.aspx?231656 Outlook Review of Women in Cages]&lt;br /&gt;
*[http://www.thehindu.com/todays-paper/tp-features/tp-literaryreview/overpowering-images/article2274754.ece The Hindu review of Another Life]&lt;br /&gt;
*[http://www.tehelka.com/story_main14.asp?filename=hub091705The_Man.asp Dilip Chitre on Vilas Sarang in Tehelka]&lt;br /&gt;
*[http://divyamarathi.bhaskar.com/news/MAG-article-about-vilas-sarang-by-vishram-gupte-in-rasik-4968225-NOR.html Marathi Article on Enkichya Rajyaat by Vishram Gupte]&lt;br /&gt;
*[http://sachinketkar.blogspot.in/2014/09/the-age-of-obcs-in-indian-literatures.html Sachin Ketkar&amp;#039;s blog on Sarang&amp;#039;s article on the Age of OBC]&lt;br /&gt;
*[http://sachinketkar.blogspot.in/2012/10/synaptic-narratives-and-half-bodied.html Sachin Ketkar&amp;#039;s blog on Sarang poetics of fiction]&lt;br /&gt;
*[http://www.museindia.com/viewarticle.asp?myr=2008&amp;amp;issid=21&amp;amp;id=1209 Vilas Sarang&amp;#039;s essay Perils of Nativism]&lt;br /&gt;
* [https://books.google.com/books?lr=&amp;amp;q=inauthor%3A%22Vilas+Sarang%22&amp;amp;btnG=Search+Books Books Authored by Vilas Sarang]&lt;br /&gt;
* [https://books.google.com/books?lr=&amp;amp;q=Vilas+Sarang+-inauthor%3A%22Vilas+Sarang%22&amp;amp;btnG=Search+Books Books that reference Vilas Sarang]&lt;br /&gt;
* [http://www.litencyc.com/php/speople.php?rec=true&amp;amp;UID=4971 Literary Encyclopedia Article on Vilas Sarang]&lt;br /&gt;
* [https://www.scribd.com/doc/24475002/Confessions-of-a-Marathi-Writer-Vilas-Sarang Confessions of A Marathi Writer by Vilas Sarang]&lt;br /&gt;
*[https://web.archive.org/web/20060813174409/http://www.hindu.com/lr/2006/08/06/stories/2006080600050200.htm The Hindu Book Review of The Women in the Cages]&lt;br /&gt;
* [http://searchingforlaugh.blogspot.com/2007/07/twelve-years-ago-everything-was-twelve.html Commentary on his Marathi book Sarjanshodh aani Lihita Lekhak”]&lt;br /&gt;
&lt;br /&gt;
{{Authority control}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Sarang, Vilas}}&lt;br /&gt;
[[Category:1942 births]]&lt;br /&gt;
[[Category:2015 deaths]]&lt;br /&gt;
[[Category:Marathi-language poets]]&lt;br /&gt;
[[Category:Indian literary critics]]&lt;br /&gt;
[[Category:Marathi-language writers]]&lt;br /&gt;
[[Category:People from Uttara Kannada]]&lt;br /&gt;
[[Category:20th-century Indian writers]]&lt;br /&gt;
[[Category:Writers from Karnataka]]&lt;br /&gt;
[[Category:20th-century Indian male writers]]&lt;/div&gt;</summary>
		<author><name>imported&gt;GreenC bot</name></author>
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