Vakulabharanam - Revision history

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← Older revision		Revision as of 19:22, 30 June 2022
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	[[Image:Vakulabharanam scale.svg\|thumb\|right\|300px\|''Vakulabharanam'' scale with ''shadjam'' at C]]		[[Image:Vakulabharanam scale.svg\|thumb\|right\|300px\|''Vakulabharanam'' scale with ''shadjam'' at C]]

	It is the 2nd rāgam in the 3rd ''chakra Agni''. The mnemonic name is ''Agni-Sri''. The mnemonic phrase is ''sa ra gu ma pa dha ni''.<ref name="ragas" /> Its ''{{IAST\|ārohaṇa-avarohaṇa}}'' structure (ascending and descending scale) is as follows (see [[Swara#~~Swaras~~ in Carnatic music\|''swaras'' in Carnatic music]] for details on below notation and terms):		It is the 2nd rāgam in the 3rd ''chakra Agni''. The mnemonic name is ''Agni-Sri''. The mnemonic phrase is ''sa ra gu ma pa dha ni''.<ref name="ragas" /> Its ''{{IAST\|ārohaṇa-avarohaṇa}}'' structure (ascending and descending scale) is as follows (see [[Swara#Svaras in Carnatic music\|''swaras'' in Carnatic music]] for details on below notation and terms):
	*[[Arohana\|{{IAST\|ārohaṇa}}]]: {{svaraC\|S\|R1\|G3\|M1\|P\|D1\|N2\|S'\|foot=yes}}		*[[Arohana\|{{IAST\|ārohaṇa}}]]: {{svaraC\|S\|R1\|G3\|M1\|P\|D1\|N2\|S'\|foot=yes}}
	*[[Avarohana\|{{IAST\|avarohaṇa}}]]: {{svaraC\|S'\|N2\|D1\|P\|M1\|G3\|R1\|S\|foot=yes}}		*[[Avarohana\|{{IAST\|avarohaṇa}}]]: {{svaraC\|S'\|N2\|D1\|P\|M1\|G3\|R1\|S\|foot=yes}}

	''Shuddha rishabham, antara gandharam, shuddha madhyamam, shuddha dhaivatham'' and ''kaisiki nishadham'' are the ''swaras'' used in this scale. As this scale is a ''melakarta'' rāgam, by definition it is a [[sampoorna raga\|''sampoorna'' rāgam]] (has all seven notes in ascending and descending scale). It is the ''shuddha madhyamam'' equivalent of ''[[Namanarayani\|{{IAST\|Nāmanārāyaṇi}}]]'', which is the 50th ''melakarta'' scale.<ref>{{cite web \|last1=S \|first1=Aravind \|title=Vakulabharanam, Pathos bounding at just 14 \|url=https://melakartamelodies.blogspot.com/2021/03/vakulabharanam-pathos-bounding-at-just.html \|website=Melakartha Melodies \|ref=4}}</ref>		''Shuddha rishabham, antara gandharam, shuddha madhyamam, shuddha dhaivatham'' and ''[[kaisiki nishadham]]'' are the ''swaras'' used in this scale. As this scale is a ''melakarta'' rāgam, by definition it is a [[sampoorna raga\|''sampoorna'' rāgam]] (has all seven notes in ascending and descending scale). It is the ''shuddha madhyamam'' equivalent of ''[[Namanarayani\|{{IAST\|Nāmanārāyaṇi}}]]'', which is the 50th ''melakarta'' scale.<ref>{{cite web \|last1=S \|first1=Aravind \|title=Vakulabharanam, Pathos bounding at just 14 \|url=https://melakartamelodies.blogspot.com/2021/03/vakulabharanam-pathos-bounding-at-just.html \|website=Melakartha Melodies \|ref=4}}</ref>

	== Asampurna Melakarta ==		== Asampurna Melakarta ==
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	\|-		\|-
	\|Naam Oruvarai Oruvar		\|Naam Oruvarai Oruvar
	\|[[~~Ragasiya Police 115~~]]		\|[[Kumari Kottam]]
	\|-		\|-
	\|Sambo Sivasambo		\|Sambo Sivasambo
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	\|-		\|-
	\|Nethurathiri Yemma		\|Nethurathiri Yemma
	\|[[Sakalakala Vallavan]]		\|[[Sakalakala Vallavan (1982 film)\|Sakalakala Vallavan]]
	\|rowspan="2"\|[[S. P. Balasubrahmanyam]], [[S. Janaki]]		\|rowspan="2"\|[[S. P. Balasubrahmanyam]], [[S. Janaki]]
	\|-		\|-
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	\|[[Sirpy]]		\|[[Sirpy]]
	\|[[S. P. Balasubrahmanyam]], [[Uma Ramanan]]		\|[[S. P. Balasubrahmanyam]], [[Uma Ramanan]]
			\|-
			\|Megangal Ennai Thottu
			\|[[Amarkalam]]
			\|[[Bharadwaj (music director)\|Bharadwaj]]
			\|[[S. P. Balasubrahmanyam]]
	\|-		\|-
	\|Theeye Theeye		\|Theeye Theeye
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	\|[[Harris Jayaraj]]		\|[[Harris Jayaraj]]
	\|Franco Simon, [[Charulatha Mani]], [[Sathyan (singer)\|Sathyan]], [[Aalap Raju]], [[Suchitra]]		\|Franco Simon, [[Charulatha Mani]], [[Sathyan (singer)\|Sathyan]], [[Aalap Raju]], [[Suchitra]]
			\|}

			=== Language:[[Hindi language\|Hindi]] ===
			{\| class="wikitable"
			!Song
			!Movie
			!Composer
			!Singer
			\|-
			\|Gulaabi Aankhein
			\|[[The Train (1970 film)]]
			\|[[R D Burman]]
			\|[[Mohammad Rafi]]
	\|}		\|}

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	This section covers the theoretical and scientific aspect of this rāgam.		This section covers the theoretical and scientific aspect of this rāgam.

	''Vakulabharanam's'' notes when shifted using ''[[Graha bhedam]]'', yields 2 major ''melakarta'' rāgams, namely ''[[Keeravani]]'' and ''[[Hemavati (ragam)\|Hemavati]]'' along with 1 minor ''melakarta'' rāgam ''[[Kosalam]]''~~. ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam~~. For further details and an illustration refer ''[[Graha bhedam#Keeravani\|Graha bhedam on Keeravani]]''.		''Vakulabharanam's'' notes when shifted using ''[[Graha bhedam]]'', yields 2 major ''melakarta'' rāgams, namely ''[[Keeravani]]'' and ''[[Hemavati (ragam)\|Hemavati]]'' along with 1 minor ''melakarta'' rāgam ''[[Kosalam]]''. For further details and an illustration refer ''[[Graha bhedam#Keeravani\|Graha bhedam on Keeravani]]''.

	Vakulabharanam corresponds to [[Phrygian dominant scale]] in Western music.		Vakulabharanam corresponds to [[Phrygian dominant scale]] in Western music.

imported>Ser Amantio di Nicolao: Moving from Category:Melakarta Ragas to Category:Melakarta ragas using Cat-a-lot

2021-08-28T09:17:26Z

Moving from Category:Melakarta Ragas to Category:Melakarta ragas using Cat-a-lot

New page

{{Infobox ragam
| name = Vakulabharanam
| synonym =
| image_name =
| image_alt =
| mela =
| chakra =
| type =
| arohanam = {{svaraC|S|R1|G3|M1|P|D1|N2|S'}}
| avarohanam = {{svaraC|S'|N2|D1|P|M1|G3|R1|S}}
| jeeva =
| chhaya =
| nyasa =
| vishesha =
| equivalent = [[Phrygian dominant scale]]
| similar =
}}
{{Carnatic}}
'''Vakulabharanam''' (pronounced {{IAST|vakuḷābharaṇam}}) is a [[rāga]]m in [[Carnatic music]] (musical scale of South Indian classical music). It is the 14th ''[[melakarta]]'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called '''Dhātivasantabhairavi'''<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref> or '''Vātivasantabhairavi'''<ref>''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A. Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai, India</ref> in [[Muthuswami Dikshitar]] school of Carnatic music.

==Structure and Lakshana==
[[Image:Vakulabharanam scale.svg|thumb|right|300px|''Vakulabharanam'' scale with ''shadjam'' at C]]

It is the 2nd rāgam in the 3rd ''chakra Agni''. The mnemonic name is ''Agni-Sri''. The mnemonic phrase is ''sa ra gu ma pa dha ni''.<ref name="ragas" /> Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure (ascending and descending scale) is as follows (see [[Swara#Swaras in Carnatic music|''swaras'' in Carnatic music]] for details on below notation and terms):
*[[Arohana|{{IAST|ārohaṇa}}]]: {{svaraC|S|R1|G3|M1|P|D1|N2|S'|foot=yes}}
*[[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S'|N2|D1|P|M1|G3|R1|S|foot=yes}}

''Shuddha rishabham, antara gandharam, shuddha madhyamam, shuddha dhaivatham'' and ''kaisiki nishadham'' are the ''swaras'' used in this scale. As this scale is a ''melakarta'' rāgam, by definition it is a [[sampoorna raga|''sampoorna'' rāgam]] (has all seven notes in ascending and descending scale). It is the ''shuddha madhyamam'' equivalent of ''[[Namanarayani|{{IAST|Nāmanārāyaṇi}}]]'', which is the 50th ''melakarta'' scale.<ref>{{cite web |last1=S |first1=Aravind |title=Vakulabharanam, Pathos bounding at just 14 |url=https://melakartamelodies.blogspot.com/2021/03/vakulabharanam-pathos-bounding-at-just.html |website=Melakartha Melodies |ref=4}}</ref>

== Asampurna Melakarta ==
'''Vātivasantabhairavi''' is the 14th ''Melakarta'' in the original list compiled by [[Venkatamakhin]]. The notes used in the scale are the same, but the descending scale has notes used in zig-zag manner (''vakra prayoga'').<ref name="dikshitar">Shree Muthuswami Dikshitar Keerthanaigal, by A Sundaram Iyer, Music Book Publishers, Mylapore, Chennai</ref>
*[[Arohana|{{IAST|ārohaṇa}}]]: {{svaraC|S|R1|G3|M1|P|D1|N2|S'|foot=yes}}
*[[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S'|N2|D1|M1|G3|M1|P|M1|G3|R1|S|foot=yes}}

== ''Janya'' rāgams ==
''Vakulabharanam'' has a few minor ''[[janya]]'' rāgams (derived scales) associated with it, of which ''Vasantabhairavi'' is heard occasionally in concerts. See [[List of Janya Ragas#Vakulabharanam|List of ''janya'' rāgams]] for full list of rāgams associated with ''Vakulabharanam''.

==Compositions==
Here are a few common compositions sung in concerts, set to ''Vakulabharanam''.
*''Gowrinatham'' by [[Oottukkadu Venkata Kavi]]
*''Ye ramuni nammitino'' by [[Thyagaraja]]
*''Nambinen ayya'' by [[Koteeswara Iyer]]
*''Rama namamai'' by [[Mysore Vasudevachar]]
*''KumĀruni valenu kĀvavĒ'' by [[Dr. M. Balamuralikrishna]]
*''Saadhu tada'', a composition by Maharaja Swati Tirunal of Travancore, tuned by Prince Rama Varma.
*''Paripaahimaam siddhivinayaka'' by [[Mysuru Maharaja Jayachamarajendra Wodeyar]]

== Film Songs ==
=== Language:[[Tamil language|Tamil]] ===
{| class="wikitable"
!Song
!Movie
!Composer
!Singer
|-
|Ninaithen Vanthai
|[[Kaavalkaaran]]
| rowspan="5" |[[M. S. Viswanathan]]
|[[T. M. Soundararajan]], [[P. Susheela]]
|-
|Pattathu Rani
|[[Sivandha Mann]]
|[[L. R. Eswari]]
|-
|Thuluvadho Ilamai
|[[Kudiyirundha Koyil]]
| rowspan="2" |[[T. M. Soundararajan]], [[L. R. Eswari]]
|-
|Naam Oruvarai Oruvar
|[[Ragasiya Police 115]]
|-
|Sambo Sivasambo
|[[Ninaithale Inikkum (1979 film)|Ninaithale Inikkum]]
|[[M. S. Viswanathan]]
|-
|Kinnaththil Then
|[[Ilamai Oonjal Aadukirathu]]
|rowspan="11"|[[Illayaraja]]
|[[K.J. Yesudas]], [[S. Janaki]]
|-
|Aarum Athu Aalam Illa
|[[Muthal Vasantham]]
|[[Illayaraja]]
|-
|Aasai Nooruvagai
|[[Adutha Varisu]]
|rowspan=2|[[Malaysia Vasudevan]]
|-
|Oru Thendral
|[[Pudhumai Penn (1984 film)|Pudhumai Penn]]
|-
|Pachondiyyeh Kelada
|[[Andha Oru Nimidam]]
|[[S. P. Balasubrahmanyam]]
|-
|Thai Pongalum Vandhadhu
|[[Mahanadi (film)|Mahanadi]]
|rowspan="2"|[[K.S. Chitra]]
|-
|Pangunikkappuram Sithiraiye
|[[Vanna Vanna Pookkal]]
|-
|Unakkum Enakkum
|[[Sri Raghavendrar]]
|[[Malaysia Vasudevan]], [[S. Janaki]]
|-
|Jigan Jinakku
|[[Veetla Visheshanga]]
|[[Swarnalatha]]
|-
|Pitchai Paathiram
|[[Naan Kadavul]]
|[[Madhu Balakrishnan]]
|-
|Nethurathiri Yemma
|[[Sakalakala Vallavan]]
|rowspan="2"|[[S. P. Balasubrahmanyam]], [[S. Janaki]]
|-
|Chekka Chekka Sevantha
|[[Vallarasu]]
|[[Deva (composer)|Deva]]
|-
|Ada Moondrezhuthu
|[[Paarthale Paravasam]]
|rowspan="4"|[[A. R. Rahman]]
|[[Karthik (singer)|Karthik]], [[Harini (singer)|Harini]]
|-
|Enuyire
|[[Dil Se..|Uyire]]
|[[Srinivas (singer)|Srinivas]], [[Kavita Krishnamurthy]]
|-
|Oh Nanba
|[[Lingaa]]
|[[S.P.Balasubramanyam]], [[Aaryan Dinesh Kanagaratnam]]
|-
|Mayya Mayya
|[[Guru (2007 film)|Guru]]
|[[Maryem Tollar]], [[Chinmayi]] & [[Keerthi Sagathia]]
|-
|Naan Aalana Thamarai
|[[Idhu Namma Aalu (1988 film)|Idhu Namma Aalu]]
|[[K. Bhagyaraj]]
|[[S. Janaki]]
|-
|En Kannai
|[[Bala (2002 film)|Bala]]
|rowspan="5"|[[Yuvan Shankar Raja]]
|[[Shankar Mahadevan]]
|-
|Thottu Thottu
|[[Kaadhal Kondein]]
|[[Harish Raghavendra]]
|-
|Shaheeba Shaheeba
|[[Daas (2005 film)|Daas]]
|[[Hariharan (singer)|Hariharan]], [[Sujatha Mohan]]
|-
|[[Vilaiyaadu Mankatha]]
|[[Mankatha]]
|[[Ranjith (singer)|Ranjith]], [[Yuvan Shankar Raja]],Anitha Karthikeyan, [[Premgi Amaren]], [[Rita Thyagarajan|Rita]]
|-
|Vathikuchi Pathikadhuda
|[[Dheena]]
|rowspan=2|[[S. P. Balasubrahmanyam]]
|-
|Enga Poi Solluven
|[[Kudaikul Mazhai]]
|[[Karthik Raja]]
|-
|Dilruba Dilruba
|[[Priyam (film)|Priyam]]
|rowspan=3|[[Vidyasagar (composer)|Vidyasagar]]
|Gopal Rao, [[Anuradha Sriram]]
|-
|Aai Shabba
|[[Karnaa]]
|[[Mano (singer)|Mano]], [[Swarnalatha]]
|-
|Yelai Imayamalai
|[[Thavasi]]
|[[Manickka Vinayakam]]
|-
|Ava Kannapaatha
|[[Charlie Chaplin (2002 film)|Charlie Chaplin]]
|[[Bharani (composer)|Bharani]]
|[[S. P. Balasubrahmanyam]], [[Harish Raghavendra]]
|-
|Megam Mazhai Thooral Poduthu
|En Mamanukku Nalla Manasu
|[[Sirpy]]
|[[S. P. Balasubrahmanyam]], [[Uma Ramanan]]
|-
|Theeye Theeye
|[[Maattrraan]]
|[[Harris Jayaraj]]
|Franco Simon, [[Charulatha Mani]], [[Sathyan (singer)|Sathyan]], [[Aalap Raju]], [[Suchitra]]
|}

==Related rāgams==
This section covers the theoretical and scientific aspect of this rāgam.

''Vakulabharanam's'' notes when shifted using ''[[Graha bhedam]]'', yields 2 major ''melakarta'' rāgams, namely ''[[Keeravani]]'' and ''[[Hemavati (ragam)|Hemavati]]'' along with 1 minor ''melakarta'' rāgam ''[[Kosalam]]''. ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam. For further details and an illustration refer ''[[Graha bhedam#Keeravani|Graha bhedam on Keeravani]]''.

Vakulabharanam corresponds to [[Phrygian dominant scale]] in Western music.

==Notes==
{{notelist|30em}}

==References==
{{Reflist}}

{{Melakarta ragas|state=collapsed}}
{{Janya|state=collapsed}}

[[Category:Melakarta ragas]]