Tillana - Revision history

->Arunram: removed Category:Bharatanatyam; added Category:Elements of a Bharatanatyam performance using HotCat

2021-12-20T11:27:56Z

removed Category:Bharatanatyam; added Category:Elements of a Bharatanatyam performance using HotCat

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	A '''Tillana''' or '''thillana''' is a rhythmic piece in [[Carnatic music]] that is generally performed at the end of a concert and widely used in [[classical indian dance]] performances. It was popularised by Dr.[[M. Balamuralikrishna\|M Balamuralikrishna]] and some other musicians<ref>{{cite news \|title= Pure aural feast\|url= http://www.thehindu.com/arts/music/article2896241.ece\|newspaper= The Hindu\|date= 16 February 2012\|access-date=18 February 2012}}</ref><ref>{{cite news \|title= Master holds in hypnotic spell\|url= http://www.thehindu.com/arts/music/article2853125.ece\|newspaper= The Hindu\|date= 2 February 2012\|access-date=18 February 2012 \|first=Velcheti \|last=Subrahmanyam}}</ref><ref>{{cite news \|title= Resonant repertoire\|url= http://www.thehindu.com/arts/music/article2896211.ece\|newspaper= The Hindu\|date= 16 February 2012\|access-date=18 February 2012 \|first=Ranee \|last=Kumar}}</ref> A Tillana uses tala-like phrases in the [[pallavi]] and [[anupallavi]], and lyrics in the [[charanam]]. Some have theorized that it is based on the [[Hindustani music\|Hindustani]] [[tarana]].<ref>according to [[Balasaraswati]], from a discussion with [[Amir Khan (singer)\|Amir Khan]] from the AIR archives, commercially unpublished. While listening to a Tillana in Madras, Khansahib asked Balasaraswati how the Tillana developed, to which she replied that it came from the North.</ref>		A '''Tillana''' or '''thillana''' is a rhythmic piece in [[Carnatic music]] that is generally performed at the end of a concert and widely used in [[classical indian dance]] performances. It was popularised by Dr. [[M. Balamuralikrishna\|M Balamuralikrishna]] and some other musicians<ref>{{cite news \|title= Pure aural feast\|url= http://www.thehindu.com/arts/music/article2896241.ece\|newspaper= The Hindu\|date= 16 February 2012\|access-date=18 February 2012}}</ref><ref>{{cite news \|title= Master holds in hypnotic spell\|url= http://www.thehindu.com/arts/music/article2853125.ece\|newspaper= The Hindu\|date= 2 February 2012\|access-date=18 February 2012 \|first=Velcheti \|last=Subrahmanyam}}</ref><ref>{{cite news \|title= Resonant repertoire\|url= http://www.thehindu.com/arts/music/article2896211.ece\|newspaper= The Hindu\|date= 16 February 2012\|access-date=18 February 2012 \|first=Ranee \|last=Kumar}}</ref> A Tillana uses tala-like phrases in the [[pallavi]] and [[anupallavi]], and lyrics in the [[charanam]].

	==References==		==References==
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	[[Category:Carnatic music terminology]]		[[Category:Carnatic music terminology]]
			[[Category:Elements of a Bharatanatyam performance]]


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{{short description|Rhythmic piece in Carnatic music}}
{{Use dmy dates|date=July 2019}}
{{Carnatic}}
A '''Tillana''' or '''thillana''' is a rhythmic piece in [[Carnatic music]] that is generally performed at the end of a concert and widely used in [[classical indian dance]] performances. It was popularised by Dr.[[M. Balamuralikrishna|M Balamuralikrishna]] and some other musicians<ref>{{cite news |title= Pure aural feast|url= http://www.thehindu.com/arts/music/article2896241.ece|newspaper= The Hindu|date= 16 February 2012|access-date=18 February 2012}}</ref><ref>{{cite news |title= Master holds in hypnotic spell|url= http://www.thehindu.com/arts/music/article2853125.ece|newspaper= The Hindu|date= 2 February 2012|access-date=18 February 2012 |first=Velcheti |last=Subrahmanyam}}</ref><ref>{{cite news |title= Resonant repertoire|url= http://www.thehindu.com/arts/music/article2896211.ece|newspaper= The Hindu|date= 16 February 2012|access-date=18 February 2012 |first=Ranee |last=Kumar}}</ref> A Tillana uses tala-like phrases in the [[pallavi]] and [[anupallavi]], and lyrics in the [[charanam]]. Some have theorized that it is based on the [[Hindustani music|Hindustani]] [[tarana]].<ref>according to [[Balasaraswati]], from a discussion with [[Amir Khan (singer)|Amir Khan]] from the AIR archives, commercially unpublished. While listening to a Tillana in Madras, Khansahib asked Balasaraswati how the Tillana developed, to which she replied that it came from the North.</ref>

==References==
{{Reflist}}

[[Category:Carnatic music terminology]]

{{Carnatic-music-stub}}