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{{Infobox film<br />
| name = Tarang<br />तरंग<br />
| image = Tarang fim poster.jpg <br />
| caption = <br />
| director = [[Kumar Shahani]]<br />
| producer = <br />
| writer = [[Kumar Shahani]]<br />Roshan Shahani<br />
| starring = [[Amol Palekar]]<br />[[Smita Patil]]<br />[[Shreeram Lagoo]]<br />[[Om Puri]]<br />[[Girish Karnad]]<br />
| music = [[Vanraj Bhatia]]<br />
| cinematography = [[K. K. Mahajan]]<br />
| editing = [[Ashok Tyagi]]<br />
| distributor = [[National Film Development Corporation of India|National Film Development Corporation]] (NFDC)<br />
| released = {{Film date|1984|df=yes}}<br />
| runtime = 171 minutes<br />
| country = India<br />
| language = Hindi<br />
| budget = <br />
}}<br />
<br />
'''''Tarang''''' (Hindi: तरंग "wave") English title '''''Wages and Profits''''', is a 1984 Indian Hindi-language [[drama film]] written and directed by [[Kumar Shahani]]. The film is Shahani's second feature film after his most famous work, ''[[Maya Darpan]]'', and took him more than 12 years to raise funding for.<ref>{{cite web|title=Tarang |url=http://mubi.com/films/wages-and-profits |publisher=MUBI}}</ref> The movie is considered, along with Shahani's other features, to be a seminal work of India's [[Parallel Cinema]] movement. The movie stars several big actors who were prominent in the Indian art cinema scene of the early '80s, including [[Amol Palekar]], [[Smita Patil]], [[Girish Karnad]], [[Om Puri]], and [[Shreeram Lagoo]].<ref>{{cite web|title=Tarang IMDb Page |url=https://www.imdb.com/title/tt0088227/fullcredits?ref_=tt_cl_sm#cast|publisher=IMDb }}</ref><br />
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==Synopsis==<br />
Sethji (Shreeram Lagoo) is a widowed businessman who lives a comfortable life with his only daughter, Hansa, his son-in-law, Rahul (Amol Palekar), and a grandson, Munna. Rahul is Sethji's right-hand man, and his nephew Dinesh (Girish Karnad) is his assistant. Over time, petty rivalries and jealousies have grown in the family, and Sethji and Rahul feel that Dinesh is trying to undermine the business. They make a plan to get rid of him without attracting any attention to themselves and succeed, but the after-effects are not kind towards Sethji's health, which grows worse eventually leading to his untimely death. Shortly thereafter, Hansa also dies, leaving her husband Rahul to look after the business on his own. Things start to turn controversial once Rahul begins an affair with the maidservant Janki (Smita Patil), and it is soon revealed that Hansa's death may not have been a suicide, but was a cover-up. As the mysteries start to unfold, they leave a scarring emotional impact on Rahul, and test his relationship with his late wife's family and his new lover.<ref>{{cite web|title=Tarang IMDb Page |url=https://www.imdb.com/title/tt0088227/plotsummary?ref_=tt_ov_pl|publisher=IMDb }}</ref><br />
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==Music==<br />
Music is composed by [[Vanraj Bhatia]] with lyrics by Raghuveer Sahay.<br />
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*"Barse Ghan Saari Raat" - [[Lata Mangeshkar]]<br />
*"Tarang Tarang" - [[Asha Bhosle]]<br />
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== Analysis and criticism ==<br />
Unlike ''Maya Darpan'', ''Tarang'' is considered to be uncharacteristically traditional and conventional for a Kumar Shahani film. Its storyline follows a typical arch, and the film also features several song sequences, considered normal for mainstream [[Bollywood]] films, but very abnormal for an independent parallel cinema film. In an interview on the film, Shahani stated his approach was to "take into account the way our traditions are surviving in popular art. Both folk and [[popular art]] always have [[epic (genre)|epic]] elements. Even pulp literature is a distortion of the epic form."<ref>{{cite web|title=Interview with Kumar Shahani |url=http://projectorhead.in/archives/four/interview-with-kumar-shahani/|publisher=Projectorhead Film Magazine}}</ref><br />
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''The Seventh Art'' film blog reviewed the film positively stating, "A staunch [[Marxist]], Shahani examines the [[class struggle]] on multiple fronts: in the writing that nearly recites the [[Labor theory of value|labour theory of value]], in the densely layered soundtrack where various voices vie for power and the casting, where the star value of the actors is in conflict with the characters they play."<ref>{{cite web|title=Tarang Review |url=http://theseventhart.info/tag/kumar-shahani/|publisher=The Seventh Art}}</ref><br />
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Film blog ''The Case for Global Film'', in a piece of Indian Parallel Cinema stated that "Kumar Shahni felt while making ''Tarang'', ''It is a pity that societies tend to make museum pieces of art when, in fact, the need for it is as natural and as instinctive in people as eating and drinking.'' That is probably why Tarang comes through to the discerning viewer as a moving experience, even if he is completely unaware of the intricacies of Shahani’s personal imagination."<ref>{{cite web|title=Indian Parallel Cinema |date=10 October 2008 |url=http://itpworld.wordpress.com/2008/10/10/parallel-or-new-cinema-in-india/|publisher=The Case for Global Film}}</ref><br />
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== References ==<br />
{{reflist}}<br />
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== External links ==<br />
*{{IMDb title|0088227|Tarang}}<br />
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{{DEFAULTSORT:Tarang (film)}}<br />
[[Category:1984 films]]<br />
[[Category:1984 drama films]]<br />
[[Category:Indian drama films]]<br />
[[Category:1984 Hindi-language films]]<br />
[[Category:Hindi-language drama films]]<br />
[[Category:Films scored by Vanraj Bhatia]]</div>Tumita7029