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	<title>T. B. Narasimhachar - Revision history</title>
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	<updated>2026-08-18T13:51:32Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<title>LucileBrownbill: improved article</title>
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		<updated>2025-07-16T23:35:18Z</updated>

		<summary type="html">&lt;p&gt;improved article&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:05, 17 July 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot;&gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Music writer ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Music writer ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From his childhood, he had a keen interest in music, [[harikatha]], dance and drama forms of South India. Although he qualified to be a lawyer, Narasimhachar took up a clerical job at the Comptrollers’ Office in Bangalore due to family circumstances. While in this job, he started his musical journalism by writing a weekly column on music and musicians in the Kannada magazine &#039;&#039;Thaai Nadu&#039;&#039;. He later assumed the pen name &quot;Saragrahi&quot; and contributed music reviews, articles on Carnatic musicians and Carnatic Music history in many Kannada and English language journals like [[Samyukta Karnataka]] (1978–80), [[Kannada Prabha]], [[The Indian Express]], The Evening Herald, The Hindu, Shanmukha Magazine.&amp;lt;ref&amp;gt;[http://musicresearchlibrary.net/omeka/files/original/e8c4e944a0832d0a4281da1c85c8e4a4.pdf &quot;Cultural Scene in Karnataka&quot; Shanmukha Magazine, Jul 1985]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[http://musicresearchlibrary.net/omeka/files/original/5b559c6e4311ab6c130bffe82bba3071.pdf &quot;Cultural Scene in Karnataka&quot; Shanmukha Magazine, Oct 1988]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[http://musicresearchlibrary.net/omeka/files/original/d7ab5a7b4659995f0667db2835a2c863.pdf &quot;Memories of a Master of Lakshyagnana&quot; Shanmukha Magazine, Apr 1986]&amp;lt;/ref&amp;gt; (quarterly journal, published by Sri Shanmukhananda Fine Arts &amp;amp; Sangeetha Sabha), Nadopasana (Published by Malleswaram Sangeetha Sabha).&amp;lt;ref&amp;gt;[http://musicresearchlibrary.net/omeka/files/original/7573af8c23609db67fc47b5a50751199.pdf &quot;T.B.Narasimhachar, an Obituary&quot; by K.S.M Pg 35, Shanmukha Magazine, Jan 1989]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Taranga, Kannada Magazine - Introduction and Interview with Saragrahi 1986&amp;lt;/ref&amp;gt; Commissioned by the [[Karnataka Sangeeta Nritya Academy]], he compiled and edited a series of books on artists of various music genres hailing from Karnataka, titled Namma Sangita Kalavidaru.&amp;lt;ref&amp;gt;[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http&lt;/del&gt;://www.worldcat.org&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;/title/namma-sangita-kalavidaru&lt;/del&gt;/oclc/12821724&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;referer=brief_results &lt;/del&gt;&#039;&#039;Namma Sangita Kalavidaru&#039;&#039;]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[https://www.karnataka.gov.in/gazetteer/GazetteerMandya2009/Bibiliography.pdf Karnataka Govt. Gazette]&amp;lt;/ref&amp;gt; He also compiled the &quot;Namma Sugama Sangeetha Kalavidaru&quot; and &quot;Namma Nritya Kalavidaru&quot; for the same organization.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From his childhood, he had a keen interest in music, [[harikatha]], dance and drama forms of South India. Although he qualified to be a lawyer, Narasimhachar took up a clerical job at the Comptrollers’ Office in Bangalore due to family circumstances. While in this job, he started his musical journalism by writing a weekly column on music and musicians in the Kannada magazine &#039;&#039;Thaai Nadu&#039;&#039;. He later assumed the pen name &quot;Saragrahi&quot; and contributed music reviews, articles on Carnatic musicians and Carnatic Music history in many Kannada and English language journals like [[Samyukta Karnataka]] (1978–80), [[Kannada Prabha]], [[The Indian Express]], The Evening Herald, The Hindu, Shanmukha Magazine.&amp;lt;ref&amp;gt;[http://musicresearchlibrary.net/omeka/files/original/e8c4e944a0832d0a4281da1c85c8e4a4.pdf &quot;Cultural Scene in Karnataka&quot; Shanmukha Magazine, Jul 1985]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[http://musicresearchlibrary.net/omeka/files/original/5b559c6e4311ab6c130bffe82bba3071.pdf &quot;Cultural Scene in Karnataka&quot; Shanmukha Magazine, Oct 1988]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[http://musicresearchlibrary.net/omeka/files/original/d7ab5a7b4659995f0667db2835a2c863.pdf &quot;Memories of a Master of Lakshyagnana&quot; Shanmukha Magazine, Apr 1986]&amp;lt;/ref&amp;gt; (quarterly journal, published by Sri Shanmukhananda Fine Arts &amp;amp; Sangeetha Sabha), Nadopasana (Published by Malleswaram Sangeetha Sabha).&amp;lt;ref&amp;gt;[http://musicresearchlibrary.net/omeka/files/original/7573af8c23609db67fc47b5a50751199.pdf &quot;T.B.Narasimhachar, an Obituary&quot; by K.S.M Pg 35, Shanmukha Magazine, Jan 1989]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Taranga, Kannada Magazine - Introduction and Interview with Saragrahi 1986&amp;lt;/ref&amp;gt; Commissioned by the [[Karnataka Sangeeta Nritya Academy]], he compiled and edited a series of books on artists of various music genres hailing from Karnataka, titled Namma Sangita Kalavidaru.&amp;lt;ref&amp;gt;[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/ins&gt;://www.worldcat.org/oclc/12821724 &#039;&#039;Namma Sangita Kalavidaru&#039;&#039;]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[https://www.karnataka.gov.in/gazetteer/GazetteerMandya2009/Bibiliography.pdf Karnataka Govt. Gazette]&amp;lt;/ref&amp;gt; He also compiled the &quot;Namma Sugama Sangeetha Kalavidaru&quot; and &quot;Namma Nritya Kalavidaru&quot; for the same organization.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Founder of Malleswaram Sangeetha Sabha ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Founder of Malleswaram Sangeetha Sabha ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l20&quot;&gt;Line 20:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Awards ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Awards ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His contribution to the field of music criticism was acknowledged with the award of &quot;Karnataka Kala Tilaka&quot; title by the [[Karnataka Sangeeta Nritya Academy]] for the year 1985-86.&amp;lt;ref&amp;gt;Namma Prashasti Puraskrutaru (Introduction of Academy awardees from 1959-2007, Publisher: Registrar, [http://www.karnatakasangeetanrityaacademy.org/ Karnataka Sangeeta Nrutya Academy], Kannada Bhavana, J.C Road, Bangalore, Edition 2009)(page 22)&amp;lt;/ref&amp;gt; He was also given the [[Karnataka state]] [[Rajyotsava award]] the same year.{{fact|date=February 2019}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His contribution to the field of music criticism was acknowledged with the award of &quot;Karnataka Kala Tilaka&quot; title by the [[Karnataka Sangeeta Nritya Academy]] for the year 1985-86.&amp;lt;ref&amp;gt;Namma Prashasti Puraskrutaru (Introduction of Academy awardees from 1959-2007, Publisher: Registrar, [http://www.karnatakasangeetanrityaacademy.org/ Karnataka Sangeeta Nrutya Academy] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Webarchive|url=https://web.archive.org/web/20121206010643/http://www.karnatakasangeetanrityaacademy.org/ |date=6 December 2012 }}&lt;/ins&gt;, Kannada Bhavana, J.C Road, Bangalore, Edition 2009)(page 22)&amp;lt;/ref&amp;gt; He was also given the [[Karnataka state]] [[Rajyotsava award]] the same year.{{fact|date=February 2019}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l29&quot;&gt;Line 29:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 29:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Narasimhachar, Tirumazhisai Bhashyam}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Narasimhachar, Tirumazhisai Bhashyam}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Singers from &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bangalore&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Singers from &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Bengaluru&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Male Carnatic singers]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Male Carnatic singers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Carnatic singers]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian music critics]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian music critics]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1915 births]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1915 births]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1988 deaths]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1988 deaths]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century Indian &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;singers]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:20th-century Indian &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/ins&gt;male &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;classical &lt;/ins&gt;singers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:20th-century &lt;/del&gt;male singers]]&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>LucileBrownbill</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=T._B._Narasimhachar&amp;diff=154759&amp;oldid=prev</id>
		<title>imported&gt;Dkkbsnbpalak: Typo</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=T._B._Narasimhachar&amp;diff=154759&amp;oldid=prev"/>
		<updated>2021-07-21T00:20:43Z</updated>

		<summary type="html">&lt;p&gt;Typo&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=February 2019}}&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039; Tirumazhisai Bhashyam Narasimhachar &amp;quot;Saragrahi&amp;quot;&amp;#039;&amp;#039;&amp;#039; (15 April 1915 – 23 November 1988) was a well-known [[Carnatic music]] critic from [[Bangalore]], [[India]]. He was born to Bhashyam Ramachar and Srirangamma in a [[Sri Vaishnava]] family.&lt;br /&gt;
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{{short description|Indian singer and lyricist}}&lt;br /&gt;
{{Unreliable sources|date=April 2021}}&lt;br /&gt;
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== Contributions to Carnatic music ==&lt;br /&gt;
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=== Music writer ===&lt;br /&gt;
From his childhood, he had a keen interest in music, [[harikatha]], dance and drama forms of South India. Although he qualified to be a lawyer, Narasimhachar took up a clerical job at the Comptrollers’ Office in Bangalore due to family circumstances. While in this job, he started his musical journalism by writing a weekly column on music and musicians in the Kannada magazine &amp;#039;&amp;#039;Thaai Nadu&amp;#039;&amp;#039;. He later assumed the pen name &amp;quot;Saragrahi&amp;quot; and contributed music reviews, articles on Carnatic musicians and Carnatic Music history in many Kannada and English language journals like [[Samyukta Karnataka]] (1978–80), [[Kannada Prabha]], [[The Indian Express]], The Evening Herald, The Hindu, Shanmukha Magazine.&amp;lt;ref&amp;gt;[http://musicresearchlibrary.net/omeka/files/original/e8c4e944a0832d0a4281da1c85c8e4a4.pdf &amp;quot;Cultural Scene in Karnataka&amp;quot; Shanmukha Magazine, Jul 1985]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[http://musicresearchlibrary.net/omeka/files/original/5b559c6e4311ab6c130bffe82bba3071.pdf &amp;quot;Cultural Scene in Karnataka&amp;quot; Shanmukha Magazine, Oct 1988]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[http://musicresearchlibrary.net/omeka/files/original/d7ab5a7b4659995f0667db2835a2c863.pdf &amp;quot;Memories of a Master of Lakshyagnana&amp;quot; Shanmukha Magazine, Apr 1986]&amp;lt;/ref&amp;gt; (quarterly journal, published by Sri Shanmukhananda Fine Arts &amp;amp; Sangeetha Sabha), Nadopasana (Published by Malleswaram Sangeetha Sabha).&amp;lt;ref&amp;gt;[http://musicresearchlibrary.net/omeka/files/original/7573af8c23609db67fc47b5a50751199.pdf &amp;quot;T.B.Narasimhachar, an Obituary&amp;quot; by K.S.M Pg 35, Shanmukha Magazine, Jan 1989]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Taranga, Kannada Magazine - Introduction and Interview with Saragrahi 1986&amp;lt;/ref&amp;gt; Commissioned by the [[Karnataka Sangeeta Nritya Academy]], he compiled and edited a series of books on artists of various music genres hailing from Karnataka, titled Namma Sangita Kalavidaru.&amp;lt;ref&amp;gt;[http://www.worldcat.org/title/namma-sangita-kalavidaru/oclc/12821724&amp;amp;referer=brief_results &amp;#039;&amp;#039;Namma Sangita Kalavidaru&amp;#039;&amp;#039;]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[https://www.karnataka.gov.in/gazetteer/GazetteerMandya2009/Bibiliography.pdf Karnataka Govt. Gazette]&amp;lt;/ref&amp;gt; He also compiled the &amp;quot;Namma Sugama Sangeetha Kalavidaru&amp;quot; and &amp;quot;Namma Nritya Kalavidaru&amp;quot; for the same organization.&lt;br /&gt;
&lt;br /&gt;
=== Founder of Malleswaram Sangeetha Sabha ===&lt;br /&gt;
T. B.Narasimhachar was instrumental in establishing [[Malleswaram Sangeetha Sabha]] in 1948. This [[Sabha (music school)|Sabha]] is the second oldest registered in Bangalore, the oldest being [[Gayana Samaja]]. He was its first secretary and continued to serve in various honorary capacities till he died. He established the Sabha firmly in the music scene by bringing in stalwarts to perform on a regular basis. Many up and coming musicians showcased their talent through this Sabha&amp;lt;ref&amp;gt;[http://musicresearchlibrary.net/omeka/files/original/7573af8c23609db67fc47b5a50751199.pdf T.B.Narasimhachar - An Obituary by K.S.M]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Obituary in Nadopasana Vol 6, Iss 7, Pub. Malleswaram Sangeetha Sabha&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;&amp;#039;A Peep into the Past&amp;#039; by TBN, Nadopasana Vol 3, Iss 1&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;&amp;quot;History of the Sabha&amp;quot; series of articles by T.B.Narasimhachar Nadopasana Magazine Vol 5,6&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Talent scout ===&lt;br /&gt;
Many talented young musicians were discovered or given a push in the right direction by him. He often held [[chamber music]] concerts at his own residence to promote new talent. Artists like [[R. Vedavalli]], [[Bombay Sisters]], [[T. A. S. Mani]] and [[T. S. Satyavati]] have acknowledged the vital role he played in bringing their talent to the notice of the cognoscenti.&amp;lt;ref&amp;gt;T.B. Narasimhachar, Ondu Nenapu - Nadopasana Nov 1996&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[http://pramodinirao.blogspot.in/2012_06_01_archive.html An evening with Sangeetha Kalanidhi R.Vedavalli]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[http://saragrahitbn.wordpress.com Saragrahi T.B.Narasimhachar, A tribute website]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Awards ==&lt;br /&gt;
His contribution to the field of music criticism was acknowledged with the award of &amp;quot;Karnataka Kala Tilaka&amp;quot; title by the [[Karnataka Sangeeta Nritya Academy]] for the year 1985-86.&amp;lt;ref&amp;gt;Namma Prashasti Puraskrutaru (Introduction of Academy awardees from 1959-2007, Publisher: Registrar, [http://www.karnatakasangeetanrityaacademy.org/ Karnataka Sangeeta Nrutya Academy], Kannada Bhavana, J.C Road, Bangalore, Edition 2009)(page 22)&amp;lt;/ref&amp;gt; He was also given the [[Karnataka state]] [[Rajyotsava award]] the same year.{{fact|date=February 2019}}&lt;br /&gt;
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== References ==&lt;br /&gt;
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{{reflist}}&lt;br /&gt;
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{{authority control}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Narasimhachar, Tirumazhisai Bhashyam}}&lt;br /&gt;
[[Category:Singers from Bangalore]]&lt;br /&gt;
[[Category:Male Carnatic singers]]&lt;br /&gt;
[[Category:Indian music critics]]&lt;br /&gt;
[[Category:1915 births]]&lt;br /&gt;
[[Category:1988 deaths]]&lt;br /&gt;
[[Category:20th-century Indian singers]]&lt;br /&gt;
[[Category:20th-century male singers]]&lt;/div&gt;</summary>
		<author><name>imported&gt;Dkkbsnbpalak</name></author>
	</entry>
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