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<p><b>New page</b></p><div>{{Infobox ragam<br />
| name = Sunadavinodini<br />
| synonym =<br />
| image_name =<br />
| image_alt =<br />
| mela =<br />
| chakra =<br />
| type =<br />
| arohanam = {{svaraC|S|G3|M2|D2|N3|S'}}<br />
| avarohanam = {{svaraC|S'|N3|D2|M2|G3|S}}<br />
| jeeva =<br />
| chhaya =<br />
| nyasa =<br />
| vishesha =<br />
| equivalent =<br />
| similar =<br />
}}<br />
{{Use British English|date=November 2011}}<br />
{{Use dmy dates|date=November 2011}}<br />
{{Carnatic}}<br />
'''Sunadavinodini''' is a [[rāga]]m in [[Carnatic music]] (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''[[janya]]'' rāgam (derived scale), as it does not have all the seven ''[[swara]]s'' (musical notes). This raga was discovered by Mysore Vasudevachar.<br />
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==Structure and Lakshana==<br />
[[Image:Sunadavinodini scale.svg|thumb|right|300px|''Sunadavinodini'' scale with shadjam at C]]<br />
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''Sunadavinodini'' is a symmetric rāgam that does not contain ''rishabham'' and ''panchamam''. It is a pentatonic scale (''audava-audava'' ragam <ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref><ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref> in Carnatic music classification – ''audava'' meaning 'of 5'). Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure (ascending and descending scale) is as follows (see [[Swara#Swaras in Carnatic music|''swaras'' in Carnatic music]] for details on below notation and terms):<br />
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*[[Arohana|{{IAST|ārohaṇa}}]] : {{svaraC|S|G3|M2|D2|N3|S'|foot=yes}}<br />
*[[Avarohana|{{IAST|avarohaṇa}}]] : {{svaraC|S'|N3|D2|M2|G3|S|foot=yes}}<br />
(notes used in this scale are ''antara gandharam, prati madhyamam, chathusruthi dhaivatham, kakali nishadham'')<br />
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''Sunadavinodini'' is considered a ''janya'' rāgam of ''[[Mechakalyani|Kalyani]]'', the 65th ''[[Melakarta]]'' rāgam, though it can be derived from 2 other melakarta rāgams, ''[[Gamanashrama]]'' or ''[[Kosalam]]'', by dropping both ''rishabham'' and ''panchamam''.<br />
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==Popular compositions==<br />
''Sunadavinodini'' rāgam lends itself for elaboration and exploration and has many compositions. Here are some popular ''[[kriti]]s'' composed in ''Sunadavinodini''.<br />
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*''Devadhi deva sri vasudeva'' by [[Mysore Vasudevacharya]]<br />
*''Samagana sunadavinodini'' by G Gururakacharya<br />
*''Sanatani sri sunadavinodini by [[Kalyani Varadarajan|Mrs Kalyani Varadarajan]]''<br />
*''[[Sri Venugopala]]'' by ''[[Anonymous work|Anonymous]]''<br />
*''vagadhishvari devi vara-muni-gana-vandite'' by Bharani<br />
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== Film Songs ==<br />
=== Language:[[Tamil language|Tamil]] ===<br />
{| class="wikitable"<br />
!Song<br />
!Movie<br />
!Composer<br />
!Singer<br />
|-<br />
|Engeyo Etho<br />
|[[Nadhiyai Thedi Vandha Kadal]]<br />
|[[Ilaiyaraaja]]<br />
|[[S. P. Balasubrahmanyam]], [[P. Susheela]]<br />
|}<br />
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==Effect==<br />
This raaga can induce the presence of being under parental care for children and experience their affection<br />
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==Related rāgams==<br />
This section covers the theoretical and scientific aspect of this rāgam.<br />
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=== ''Graha bhedam'' ===<br />
''Sunadavinodini's'' notes when shifted using ''[[Graha bhedam]]'', yields 2 other pentatonic rāgams, namely, ''[[Shivaranjani]]'' and ''[[Revati (ragam)|Revati]]''. ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam. See ''[[Graha bhedam#Shivaranjani|Graha bhedam on Shivaranjani]]'' for more details and an illustration.<br />
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===Scale similarities===<br />
*''[[Hamsanandi|Hamsānandi]]'' is a popular rāgam which sounds similar to ''Sunadavinodini'' and has the ''shuddha rishabham'' extra when compared to it. Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure is {{svaraC|S|R1|G3|M2|D2|N3|S'}}: {{svaraC|S'|N3|D2|M2|G3|R1|S}}<br />
*''[[Amritavarshini]]'' is another popular rāgam which has the ''panchamam'' in place of the ''dhaivatam'' when compared to ''Sunadavinodini''. Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure is {{svaraC|S|G3|M2|P|N3|S'}}: {{svaraC|S'|N3|P|M2|G3|S}}<br />
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==Notes==<br />
{{notelist|30em}}<br />
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==References==<br />
{{reflist|colwidth=30em}}<br />
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{{Melakarta ragas|state=collapsed}}<br />
{{Janya}}<br />
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[[Category:Janya ragas]]</div>imported>Ser Amantio di Nicolao