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	<updated>2026-08-02T07:10:37Z</updated>
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		<title>Vilianaizi at 02:28, 19 December 2025</title>
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		<updated>2025-12-19T02:28:04Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 07:58, 19 December 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{more footnotes|date=April 2012}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Short description|Dance and music critic}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:&lt;/del&gt;A portrait of Shri P.V. Subramaniam &#039;Subbudu&#039; who will be presented with the Sangeet Natak Akademi Award for Scholarship Overall Contribution in performing Arts by the President Dr. A.P.J Abdul Kalam in New Delhi on October 26.jpg|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;thumb|&lt;/del&gt;A portrait of Shri P.V. Subramaniam &#039;Subbudu&#039; was presented with the Sangeet Natak Akademi Award for Scholarship Overall Contribution in performing Arts by the President Dr. A.P.J Abdul Kalam in New Delhi on October &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;26, &lt;/del&gt;2004&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{more footnotes &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;needed&lt;/ins&gt;|date=April 2012}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;P. V. Subramaniam&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;popularly known as &#039;&#039;&#039;Subbudu&#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, was one of the most important dance and music critics of India. He was born on &lt;/del&gt;27 March 1917&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, and died in [[New Delhi]] on &lt;/del&gt;29 March 2007&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, only two days after his 90th birthday&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Use dmy dates|date=May 2023}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Use Indian English|date=May 2023}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{infobox person&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|name=Subbudu&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|birth_name=P. V. Subramaniam&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|image=&lt;/ins&gt;A portrait of Shri P.V. Subramaniam &#039;Subbudu&#039; who will be presented with the Sangeet Natak Akademi Award for Scholarship Overall Contribution in performing Arts by the President Dr. A.P.J Abdul Kalam in New Delhi on October 26.jpg&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;caption=&lt;/ins&gt;A portrait of Shri P.V. Subramaniam &#039;Subbudu&#039; was presented with the Sangeet Natak Akademi Award for Scholarship Overall Contribution in performing Arts by the President Dr. A.P.J Abdul Kalam in New Delhi on &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;26 &lt;/ins&gt;October 2004&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|occupation=critic&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|birth_date=27 March 1917&amp;lt;ref name=su&amp;gt;{{cite web|url=http://www.thestatesman.net/page.arcview.php?clid=1&amp;amp;id=178793&amp;amp;usrsess=1|title=Veteran critic Subbudu dead|access-date=9 December 2023|archive-url=https://web.archive.org/web/20070929103029/http://www.thestatesman.net/page.arcview.php?clid=1&amp;amp;id=178793&amp;amp;usrsess=1|archive-date=29 September 2007}}&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|death_date={{death date and age|2007|3|29|1917|3|27}}&amp;lt;ref&amp;gt;{{cite web|url=http://www.tribuneindia.com/2007/20070408/spectrum/main6.htm|title=Critic with a cutting edge|access-date=9 December 2023|work=Tribune India|date=8 April 2007}}&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;P. V. Subramaniam&#039;&#039;&#039; popularly known as &#039;&#039;&#039;Subbudu&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(&lt;/ins&gt;27 March 1917 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;– &lt;/ins&gt;29 March 2007&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;) was an Indian dance and music critic&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Early life==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Early life==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Subbudu spent his early life in [[Burma]] (present name [[Myanmar]]). In the wake of the World War II,  under general evacuation orders by the British, his family left Burma, undertaking a long and hard journey on foot through the [[North-East India]]. In India, first he moved to [[Shimla]] and soon blossomed into a cultural critic, when he started commenting local [[carnatic music]] soirees. Soon [[Kalki]] the Tamil magazine started by [[Kalki Krishnamurthy]] and [[T. Sadasivam]]. published his first full-fledged review. A chance meeting with [[V K Narayana Menon]], the then &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Deputy Director &lt;/del&gt;of [[All India Radio]] resulted in Subbudu&#039;s appointment as dance and music critic for the newspaper [[The Statesman (India)|The Statesman]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Subbudu &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was born in a [[brahmin]] family&amp;lt;ref&amp;gt;{{Cite web|date=2017-04-10|title=Kishori Amonkar soared despite media neglect of classical music|url=https://zeenews.india.com/blogs/kishori-amonkar-soared-despite-media-neglect-of-classical-music-1994627.html|access-date=2022-02-16|website=Zee News|language=en}}&amp;lt;/ref&amp;gt; who &lt;/ins&gt;spent his early life in [[Burma]] (present name [[Myanmar]]).&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref name=su /&amp;gt; &lt;/ins&gt;In the wake of the World War II,  under general evacuation orders by the British, his family left Burma, undertaking a long and hard journey on foot through the [[North-East India]]. In India, first he moved to [[Shimla]] and soon blossomed into a cultural critic, when he started commenting &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;on &lt;/ins&gt;local [[carnatic music]] soirees. Soon [[Kalki]] the Tamil magazine started by [[Kalki Krishnamurthy]] and [[T. Sadasivam]]. published his first full-fledged review. A chance meeting with [[V K Narayana Menon]], the then &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;deputy director &lt;/ins&gt;of [[All India Radio]] resulted in Subbudu&#039;s appointment as dance and music critic for the newspaper [[The Statesman (India)|The Statesman]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Music and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dance Critic&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Music and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dance critic&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- Deleted image removed: [[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Image&lt;/del&gt;:Subbudu.jpg|thumb|165px|right|Subbudu]] --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- Deleted image removed: [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;File&lt;/ins&gt;:Subbudu.jpg|thumb|165px|right|Subbudu]] --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In a career that spanned more than 50 years, Subbudu&#039;s acerbic wit and deep knowledge of music made many readers look forward to his views. But he also made many enemies. A board saying &quot;Dogs and Subbudu not allowed,&quot; was hung outside the [[Madras Music Academy]] in [[Chennai]] during the 1980s.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[http://www.thestatesman.net/page.arcview.php?clid=1&amp;amp;id=178793&amp;amp;usrsess=1] &lt;/del&gt; An example of his commenting is what Subbudu said about the doyen of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Karnatic &lt;/del&gt;Music, [[Semmangudi Srinivasa Iyer]]: &quot;Even the dreaded [[Emergency]] has come to an end, but there seems to be no end of Semmangudi&quot; . Madras Music Academy convened an emergency meeting to condemn Subbudu and reaffirm their faith in the greatness of Semmangudi. He was no mere wielder of an acid pen; he had deep insight into both arts—dance and music—he commented upon. For example, he compared the Hindustani and Carnatic Systems of Music and brought out strengths and weaknesses of both system in the following few words:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In a career that spanned more than 50 years, Subbudu&#039;s acerbic wit and deep knowledge of music made many readers look forward to his views. But he also made many enemies. A board saying &quot;Dogs and Subbudu not allowed,&quot; was hung outside the [[Madras Music Academy]] in [[Chennai]] during the 1980s.  An example of his commenting is what Subbudu said about the doyen of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Carnatic &lt;/ins&gt;Music, [[Semmangudi Srinivasa Iyer]]: &quot;Even the dreaded [[Emergency]] has come to an end, but there seems to be no end of Semmangudi&quot;. Madras Music Academy convened an emergency meeting to condemn Subbudu and reaffirm their faith in the greatness of Semmangudi. He was no mere wielder of an acid pen; he had deep insight into both arts—dance and music—he commented upon. For example, he compared the Hindustani and Carnatic Systems of Music and brought out strengths and weaknesses of both system in the following few words:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;I am also listening Hindustani music from my birth. I am also commenting upon them in Delhi papers. I am writing without being afraid of&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;I am also listening Hindustani music from my birth. I am also commenting upon them in Delhi papers. I am writing without being afraid of any one. In fact, there is nothing great in Hindustani music apart from the purity of the&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;any one. In fact, there is nothing great in Hindustani music apart from the purity of the&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;shruti. It is because of the lack of purity of [[śruti]] that South Indian music is not perhaps&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;shruti. It is because of the lack of purity of [[śruti]] that South Indian music is not perhaps&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;appreciated in the North. Further in Hindustani music, every artist specializes in specific&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;appreciated in the North. Further in Hindustani music, every artist specializes in specific&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot;&gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 26:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;are still at an elementary level&amp;quot;.&amp;lt;ref&amp;gt;Subramaniam P V &amp;#039;&amp;#039;Isai Thukatai&amp;#039;&amp;#039; (Tamil), p. 153&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;are still at an elementary level&amp;quot;.&amp;lt;ref&amp;gt;Subramaniam P V &amp;#039;&amp;#039;Isai Thukatai&amp;#039;&amp;#039; (Tamil), p. 153&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the early 1990s, Subbudu was the prominent critic of [[A.R.Rahman]]&#039;s [[syncretic]] music style. He lambasted the maestro for &#039;&#039;drowning the lyrics with gadgetry&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the early 1990s, Subbudu was the prominent critic of [[A.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;amp;nbsp;&lt;/ins&gt;R. Rahman]]&#039;s [[syncretic]] music style. He lambasted the maestro for &#039;&#039;drowning the lyrics with gadgetry&#039;&#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;have &lt;/del&gt;appeared as himself in the Tamil film [[Ivan (2002 film)|Ivan]].&amp;lt;ref&amp;gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cite &lt;/del&gt;web|url=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/del&gt;://www.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sify&lt;/del&gt;.com/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;movies&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;evan-review-tamil-pclusGgjchdeg&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;html&lt;/del&gt;|title=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Evan&lt;/del&gt;|website=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sify|language=en&lt;/del&gt;|access-date=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2020&lt;/del&gt;-04-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;09&lt;/del&gt;}}&amp;lt;/ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;has &lt;/ins&gt;appeared as himself in the Tamil film [[Ivan (2002 film)|Ivan]].&amp;lt;ref&amp;gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cite &lt;/ins&gt;web |url=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http&lt;/ins&gt;://www.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;thehindu&lt;/ins&gt;.com/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;thehindu/fr/2002/04/26&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;stories/2002042600970400&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;htm &lt;/ins&gt;|title=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The Hindu : A success team reunites &lt;/ins&gt;|website=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;www.thehindu.com &lt;/ins&gt;|access-date=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;17 January 2022 |archive&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;url=https://web.archive.org/web/20020621130404/http://www.thehindu.com/thehindu/fr/2002/&lt;/ins&gt;04&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;/26/stories/2002042600970400.htm |archive-date=21 June 2002 |url&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;status=dead&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;br /&lt;/del&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Notes==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l39&quot;&gt;Line 39:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 47:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian music critics]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian music critics]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Dance critics]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Dance critics]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Recipients of the Sangeet Natak Akademi Award]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Vilianaizi</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Subbudu&amp;diff=143334&amp;oldid=prev</id>
		<title>imported&gt;Universalrahu: Fimogrpahy</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Subbudu&amp;diff=143334&amp;oldid=prev"/>
		<updated>2020-04-09T08:39:56Z</updated>

		<summary type="html">&lt;p&gt;Fimogrpahy&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{more footnotes|date=April 2012}}&lt;br /&gt;
[[File:A portrait of Shri P.V. Subramaniam &amp;#039;Subbudu&amp;#039; who will be presented with the Sangeet Natak Akademi Award for Scholarship Overall Contribution in performing Arts by the President Dr. A.P.J Abdul Kalam in New Delhi on October 26.jpg|thumb|A portrait of Shri P.V. Subramaniam &amp;#039;Subbudu&amp;#039; was presented with the Sangeet Natak Akademi Award for Scholarship Overall Contribution in performing Arts by the President Dr. A.P.J Abdul Kalam in New Delhi on October 26, 2004]]&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;P. V. Subramaniam&amp;#039;&amp;#039;&amp;#039;, popularly known as &amp;#039;&amp;#039;&amp;#039;Subbudu&amp;#039;&amp;#039;&amp;#039;, was one of the most important dance and music critics of India. He was born on 27 March 1917, and died in [[New Delhi]] on 29 March 2007, only two days after his 90th birthday.&lt;br /&gt;
&lt;br /&gt;
==Early life==&lt;br /&gt;
Subbudu spent his early life in [[Burma]] (present name [[Myanmar]]). In the wake of the World War II,  under general evacuation orders by the British, his family left Burma, undertaking a long and hard journey on foot through the [[North-East India]]. In India, first he moved to [[Shimla]] and soon blossomed into a cultural critic, when he started commenting local [[carnatic music]] soirees. Soon [[Kalki]] the Tamil magazine started by [[Kalki Krishnamurthy]] and [[T. Sadasivam]]. published his first full-fledged review. A chance meeting with [[V K Narayana Menon]], the then Deputy Director of [[All India Radio]] resulted in Subbudu&amp;#039;s appointment as dance and music critic for the newspaper [[The Statesman (India)|The Statesman]].&lt;br /&gt;
&lt;br /&gt;
==Music and Dance Critic==&lt;br /&gt;
&amp;lt;!-- Deleted image removed: [[Image:Subbudu.jpg|thumb|165px|right|Subbudu]] --&amp;gt;&lt;br /&gt;
In a career that spanned more than 50 years, Subbudu&amp;#039;s acerbic wit and deep knowledge of music made many readers look forward to his views. But he also made many enemies. A board saying &amp;quot;Dogs and Subbudu not allowed,&amp;quot; was hung outside the [[Madras Music Academy]] in [[Chennai]] during the 1980s.[http://www.thestatesman.net/page.arcview.php?clid=1&amp;amp;id=178793&amp;amp;usrsess=1]  An example of his commenting is what Subbudu said about the doyen of Karnatic Music, [[Semmangudi Srinivasa Iyer]]: &amp;quot;Even the dreaded [[Emergency]] has come to an end, but there seems to be no end of Semmangudi&amp;quot; . Madras Music Academy convened an emergency meeting to condemn Subbudu and reaffirm their faith in the greatness of Semmangudi. He was no mere wielder of an acid pen; he had deep insight into both arts—dance and music—he commented upon. For example, he compared the Hindustani and Carnatic Systems of Music and brought out strengths and weaknesses of both system in the following few words:&lt;br /&gt;
&amp;quot;I am also listening Hindustani music from my birth. I am also commenting upon them in Delhi papers. I am writing without being afraid of&lt;br /&gt;
any one. In fact, there is nothing great in Hindustani music apart from the purity of the&lt;br /&gt;
shruti. It is because of the lack of purity of [[śruti]] that South Indian music is not perhaps&lt;br /&gt;
appreciated in the North. Further in Hindustani music, every artist specializes in specific&lt;br /&gt;
aspect – khayal, dhrupad, thapa, thumri etc. So far as rhythm ([[Tala (music)|tala]]) is concerned, they&lt;br /&gt;
are still at an elementary level&amp;quot;.&amp;lt;ref&amp;gt;Subramaniam P V &amp;#039;&amp;#039;Isai Thukatai&amp;#039;&amp;#039; (Tamil), p. 153&amp;lt;/ref&amp;gt;&lt;br /&gt;
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In the early 1990s, Subbudu was the prominent critic of [[A.R.Rahman]]&amp;#039;s [[syncretic]] music style. He lambasted the maestro for &amp;#039;&amp;#039;drowning the lyrics with gadgetry&amp;#039;&amp;#039;.&lt;br /&gt;
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He have appeared as himself in the Tamil film [[Ivan (2002 film)|Ivan]].&amp;lt;ref&amp;gt;{{Cite web|url=https://www.sify.com/movies/evan-review-tamil-pclusGgjchdeg.html|title=Evan|website=Sify|language=en|access-date=2020-04-09}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==Notes==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
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==External links==&lt;br /&gt;
* [http://www.tribuneindia.com/2007/20070408/spectrum/main6.htm] TRIBUTE TO SUBBUDU&lt;br /&gt;
* [http://www.thestatesman.net/page.arcview.php?clid=2&amp;amp;id=178806&amp;amp;usrsess=1]. Fearless Pioneer of Art Criticism: &amp;#039;&amp;#039;The Statesman&amp;#039;&amp;#039; &lt;br /&gt;
* [http://cvc.nic.in/vscvc/cvcspeeches/sp5apr02.pdf] Subbudu: A Tribute by N Vittal&lt;br /&gt;
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===Books on Subbudu===&lt;br /&gt;
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&amp;#039;&amp;#039;&amp;#039;Biography&amp;#039;&amp;#039;&amp;#039;: Beyond Destiny : Singh, Lada Guruden, &amp;#039;&amp;#039;The Life and Times of Subbudu&amp;#039;&amp;#039; Bharatiya Vidya Bhavan, Mumbai. 2005. 265 p.&lt;br /&gt;
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{{DEFAULTSORT:Subramaniam (Subbudu), P.V.}}&lt;br /&gt;
[[Category:1917 births]]&lt;br /&gt;
[[Category:2007 deaths]]&lt;br /&gt;
[[Category:Indian music critics]]&lt;br /&gt;
[[Category:Dance critics]]&lt;/div&gt;</summary>
		<author><name>imported&gt;Universalrahu</name></author>
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