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	<title>Soumendu Roy - Revision history</title>
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	<updated>2026-09-07T13:59:45Z</updated>
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		<title>UpdateBot: robot: Update article (please report if you notice any mistake or error in this edit)</title>
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		<updated>2022-06-28T17:24:39Z</updated>

		<summary type="html">&lt;p&gt;robot: Update article (please &lt;a href=&quot;/wiki/User_talk:UpdateBot&quot; title=&quot;User talk:UpdateBot&quot;&gt;report&lt;/a&gt; if you notice any mistake or error in this edit)&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:54, 28 June 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot;&gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 17:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Soumendu Roy&#039;&#039;&#039; (born 1933) is an &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[India]]n &lt;/del&gt;cinematographer most known for his work with noted director [[Satyajit Ray]]&#039;s films, starting with &#039;&#039;[[Teen Kanya]]&#039;&#039; (1961), when [[Subrata Mitra]] developed an eye-problem, though he has earlier shot Ray&#039;s documentary &#039;&#039;[[Rabindranath Tagore (film)|Rabindranath Tagore]]&#039;&#039; (1961) and has been an assistant to Subrata in post &#039;&#039;[[Pather Panchali]]&#039;&#039; films.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Soumendu Roy&#039;&#039;&#039; (born 1933) is an &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Indian &lt;/ins&gt;cinematographer most known for his work with noted director [[Satyajit Ray]]&#039;s films, starting with &#039;&#039;[[Teen Kanya]]&#039;&#039; (1961), when [[Subrata Mitra]] developed an eye-problem, though he has earlier shot Ray&#039;s documentary &#039;&#039;[[Rabindranath Tagore (film)|Rabindranath Tagore]]&#039;&#039; (1961) and has been an assistant to Subrata in post &#039;&#039;[[Pather Panchali]]&#039;&#039; films.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Career==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Career==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Starting has a handler of trolley and lighting in early Ray film, Roy went on to work on 21 of Ray&#039;s films including 15 features, [[Golden Bear]] winning film, &#039;&#039;[[Ashani Sanket]]&#039;&#039; (1973) and &#039;&#039;[[Aranyer Din Ratri]]&#039;&#039; (1969). He also worked with directors, [[Tapan Sinha]], [[Tarun Majumdar]], [[Buddhadeb Dasgupta]] and [[MS Sathyu]].&amp;lt;ref name=in&amp;gt;{{cite news |title=Shadow Play |url=http://www.indianexpress.com/oldStory/85417/ |archive-url=https://archive.today/20130126151653/http://www.indianexpress.com/oldStory/85417/ |url-status=dead |archive-date=26 January 2013 |publisher=[[Indian Express]] |date=8 January 2006}} &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Starting has a handler of trolley and lighting in early Ray film, Roy went on to work on 21 of Ray&#039;s films including 15 features, [[Golden Bear]] winning film, &#039;&#039;[[Ashani Sanket]]&#039;&#039; (1973) and &#039;&#039;[[Aranyer Din Ratri]]&#039;&#039; (1969). He also worked with directors, [[Tapan Sinha]], [[Tarun Majumdar]], [[Buddhadeb Dasgupta]] and [[MS Sathyu]].&amp;lt;ref name=in&amp;gt;{{cite news |title=Shadow Play |url=http://www.indianexpress.com/oldStory/85417/ |archive-url=https://archive.today/20130126151653/http://www.indianexpress.com/oldStory/85417/ |url-status=dead |archive-date=26 January 2013 |publisher=[[Indian Express]] |date=8 January 2006}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In his long career, Roy won the [[National Film Award (India)|National Film Award]] for [[National Film Award for Best Cinematography|Best Cinematography]] three times, plus one [[National Film Award for Best Non-Feature Film Cinematography|Best Non-Feature Film Cinematography]] award for documentary film, &amp;#039;&amp;#039;Suchitra Mitra&amp;#039;&amp;#039; in 1993, directed by [[Raja Sen]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In his long career, Roy won the [[National Film Award (India)|National Film Award]] for [[National Film Award for Best Cinematography|Best Cinematography]] three times, plus one [[National Film Award for Best Non-Feature Film Cinematography|Best Non-Feature Film Cinematography]] award for documentary film, &amp;#039;&amp;#039;Suchitra Mitra&amp;#039;&amp;#039; in 1993, directed by [[Raja Sen]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 2006, a 30-minute documentary on him, &amp;quot;Portrait of a Cinematographer&amp;quot;, was screened at the [[International Film Festival of India]] (IFFI) in Goa, directed by Papia Roy,&amp;lt;ref name=in/&amp;gt;&amp;lt;ref&amp;gt;{{YouTube|4VSBx029cR8|Portrait of a Cinematographer}}&amp;lt;/ref&amp;gt; and subsequently, &amp;#039;&amp;#039;Soumendu Ray&amp;#039;&amp;#039;, a 70 min. documentary by Arindam Saha Sardar&amp;lt;ref&amp;gt;{{YouTube|uQ8GuW-ZEoQ|Soumendu Ray documentary}}.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 2006, a 30-minute documentary on him, &amp;quot;Portrait of a Cinematographer&amp;quot;, was screened at the [[International Film Festival of India]] (IFFI) in Goa, directed by Papia Roy,&amp;lt;ref name=in/&amp;gt;&amp;lt;ref&amp;gt;{{YouTube|4VSBx029cR8|Portrait of a Cinematographer}}&amp;lt;/ref&amp;gt; and subsequently, &amp;#039;&amp;#039;Soumendu Ray&amp;#039;&amp;#039;, a 70 min. documentary by Arindam Saha Sardar&amp;lt;ref&amp;gt;{{YouTube|uQ8GuW-ZEoQ|Soumendu Ray documentary}}.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Now Roy is advisor of cinematography department of &quot;[[ROOPKALA KENDRO]]&quot; an indo Italian film institute under the information and cultural ministry of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;govt. &lt;/del&gt;of west Bengal.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Now Roy is advisor of cinematography department of &quot;[[ROOPKALA KENDRO]]&quot; an indo Italian film institute under the information and cultural ministry of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;government &lt;/ins&gt;of west Bengal.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Filmography==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Filmography==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l63&quot;&gt;Line 63:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 63:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;[[Piku]]&amp;#039;&amp;#039; (Short Film )(1983)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;[[Piku]]&amp;#039;&amp;#039; (Short Film )(1983)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;[[Islam In India]]&amp;#039;&amp;#039;(Documentary)  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;[[Islam In India]]&amp;#039;&amp;#039;(Documentary)  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;[[Ghare Baire]]&#039;&#039; (1985)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Ghare Baire (film)|&lt;/ins&gt;Ghare Baire]]&#039;&#039; (1985)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;[[Sundarban]]&amp;#039;&amp;#039; (Documentary)(1985)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;[[Sundarban]]&amp;#039;&amp;#039; (Documentary)(1985)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;[[Bhombal Sardar]]&amp;#039;&amp;#039; (Short Film)(1988)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;[[Bhombal Sardar]]&amp;#039;&amp;#039; (Short Film)(1988)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>UpdateBot</name></author>
	</entry>
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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=January 2019}}&lt;br /&gt;
{{Use Indian English|date=January 2019}}&lt;br /&gt;
{{Infobox person&lt;br /&gt;
| name         = Soumendu Roy&lt;br /&gt;
| image        = &lt;br /&gt;
| alt          = &lt;br /&gt;
| caption      = &lt;br /&gt;
| birth_date   = {{birth year |7 February 1933}}&lt;br /&gt;
| birth_place  = &lt;br /&gt;
| death_date   = &amp;lt;!-- {{death date and age|df=yes|YYYY|MM|DD|YYYY|MM|DD}} --&amp;gt;&lt;br /&gt;
| death_place  = &lt;br /&gt;
| nationality  = &lt;br /&gt;
| other_names  = Soumendu Ray&lt;br /&gt;
| known_for    = &lt;br /&gt;
| occupation   = [[cinematographer]]&lt;br /&gt;
| years_active = 1960-2000&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Soumendu Roy&amp;#039;&amp;#039;&amp;#039; (born 1933) is an [[India]]n cinematographer most known for his work with noted director [[Satyajit Ray]]&amp;#039;s films, starting with &amp;#039;&amp;#039;[[Teen Kanya]]&amp;#039;&amp;#039; (1961), when [[Subrata Mitra]] developed an eye-problem, though he has earlier shot Ray&amp;#039;s documentary &amp;#039;&amp;#039;[[Rabindranath Tagore (film)|Rabindranath Tagore]]&amp;#039;&amp;#039; (1961) and has been an assistant to Subrata in post &amp;#039;&amp;#039;[[Pather Panchali]]&amp;#039;&amp;#039; films.&lt;br /&gt;
&lt;br /&gt;
==Career==&lt;br /&gt;
Starting has a handler of trolley and lighting in early Ray film, Roy went on to work on 21 of Ray&amp;#039;s films including 15 features, [[Golden Bear]] winning film, &amp;#039;&amp;#039;[[Ashani Sanket]]&amp;#039;&amp;#039; (1973) and &amp;#039;&amp;#039;[[Aranyer Din Ratri]]&amp;#039;&amp;#039; (1969). He also worked with directors, [[Tapan Sinha]], [[Tarun Majumdar]], [[Buddhadeb Dasgupta]] and [[MS Sathyu]].&amp;lt;ref name=in&amp;gt;{{cite news |title=Shadow Play |url=http://www.indianexpress.com/oldStory/85417/ |archive-url=https://archive.today/20130126151653/http://www.indianexpress.com/oldStory/85417/ |url-status=dead |archive-date=26 January 2013 |publisher=[[Indian Express]] |date=8 January 2006}} &amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In his long career, Roy won the [[National Film Award (India)|National Film Award]] for [[National Film Award for Best Cinematography|Best Cinematography]] three times, plus one [[National Film Award for Best Non-Feature Film Cinematography|Best Non-Feature Film Cinematography]] award for documentary film, &amp;#039;&amp;#039;Suchitra Mitra&amp;#039;&amp;#039; in 1993, directed by [[Raja Sen]].&lt;br /&gt;
&lt;br /&gt;
In 2006, a 30-minute documentary on him, &amp;quot;Portrait of a Cinematographer&amp;quot;, was screened at the [[International Film Festival of India]] (IFFI) in Goa, directed by Papia Roy,&amp;lt;ref name=in/&amp;gt;&amp;lt;ref&amp;gt;{{YouTube|4VSBx029cR8|Portrait of a Cinematographer}}&amp;lt;/ref&amp;gt; and subsequently, &amp;#039;&amp;#039;Soumendu Ray&amp;#039;&amp;#039;, a 70 min. documentary by Arindam Saha Sardar&amp;lt;ref&amp;gt;{{YouTube|uQ8GuW-ZEoQ|Soumendu Ray documentary}}.&amp;lt;/ref&amp;gt;&lt;br /&gt;
Now Roy is advisor of cinematography department of &amp;quot;[[ROOPKALA KENDRO]]&amp;quot; an indo Italian film institute under the information and cultural ministry of govt. of west Bengal.&lt;br /&gt;
&lt;br /&gt;
==Filmography==&lt;br /&gt;
* &amp;#039;&amp;#039;[[Rabindranath Tagore (film)|Rabindranath Tagore]]&amp;#039;&amp;#039; (1961)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Teen Kanya]]&amp;#039;&amp;#039; (1961)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Abhijaan]]&amp;#039;&amp;#039; (1962)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Palatak]]&amp;#039;&amp;#039; (1963)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Two (1964 film)|Two]]&amp;#039;&amp;#039; (Short Film)(1964)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Alor Pipasha]]&amp;#039;&amp;#039;  (1965)  &lt;br /&gt;
* &amp;#039;&amp;#039;[[Abhoya O Srikanta]]&amp;#039;&amp;#039;  (1965)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Baksabadal]]&amp;#039;&amp;#039;  (1965)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Mahapurush]]&amp;#039;&amp;#039; (1965)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Kapurush]]&amp;#039;&amp;#039; (1965)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Ektuku Basa]]&amp;#039;&amp;#039; (1965)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Chiriyakhana]]&amp;#039;&amp;#039; (1967)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Balika Badhu (1967 film)|Balika Badhu]]&amp;#039;&amp;#039; (1967 film)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Badhubaran]]&amp;#039;&amp;#039; (1967 film)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Goopy Gyne Bagha Byne]]&amp;#039;&amp;#039; (1969) &lt;br /&gt;
* &amp;#039;&amp;#039;[[Aranyer Din Ratri]]&amp;#039;&amp;#039; (1970)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Pratidwandi]]&amp;#039;&amp;#039; (1970)&lt;br /&gt;
* &amp;#039;&amp;#039;Kuheli&amp;#039;&amp;#039; (1971)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Sikkim (Docu.film)|Sikkim]]&amp;#039;&amp;#039; (1971)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Seemabaddha]]&amp;#039;&amp;#039; (1971)&lt;br /&gt;
* &amp;#039;&amp;#039;[[The Inner Eye]]&amp;#039;&amp;#039; (1972)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Ashani Sanket]]&amp;#039;&amp;#039; (1973)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Sadhu Judhishthirer Karcha]]&amp;#039;&amp;#039; (1974)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Sonar Kella]]&amp;#039;&amp;#039;(1974)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Jana Aranya]]&amp;#039;&amp;#039;(1976)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Nidhiram Sardar]]&amp;#039;&amp;#039;(1976)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Shatranj Ke Khilari]]&amp;#039;&amp;#039; (1977)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Joybaba Felunath]]&amp;#039;&amp;#039; (1979)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Heerak Rajar Deshe]]&amp;#039;&amp;#039; (1980)&lt;br /&gt;
* &amp;#039;&amp;#039;Bala&amp;#039;&amp;#039; (Short Film)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Sadgati]]&amp;#039;&amp;#039; (1981) (Tele Film)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Kann Sivanthaal Mann Sivakkum]]&amp;#039;&amp;#039; (1982)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Phatik Chand]]&amp;#039;&amp;#039; (1983)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Piku]]&amp;#039;&amp;#039; (Short Film )(1983)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Islam In India]]&amp;#039;&amp;#039;(Documentary) &lt;br /&gt;
* &amp;#039;&amp;#039;[[Ghare Baire]]&amp;#039;&amp;#039; (1985)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Sundarban]]&amp;#039;&amp;#039; (Documentary)(1985)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Bhombal Sardar]]&amp;#039;&amp;#039; (Short Film)(1988)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Agun (film)|Agun]]&amp;#039;&amp;#039;(1988)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Debata]]&amp;#039;&amp;#039; (1990)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Wiil To Live]]&amp;#039;&amp;#039;(English) &lt;br /&gt;
* &amp;#039;&amp;#039;[[Anokha Moti]]&amp;#039;&amp;#039;&lt;br /&gt;
* &amp;#039;&amp;#039;[[Ek Doctor Ki Maut]]&amp;#039;&amp;#039; (1991)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Antardhyan]]&amp;#039;&amp;#039; (1992)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Potli Baba Ki]]&amp;#039;&amp;#039; (1991) (TV series)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Charachar]]&amp;#039;&amp;#039; (1993) &lt;br /&gt;
* &amp;#039;&amp;#039;[[Wheelchair]]&amp;#039;&amp;#039;(1994)&lt;br /&gt;
* &amp;#039;&amp;#039;[[Satabdirkanya]]&amp;#039;&amp;#039;&amp;lt;ref&amp;gt;[https://web.archive.org/web/20121026113549/http://movies.nytimes.com/person/109149/Soumendu-Roy Filmography] [[New York Times]]&amp;lt;/ref&amp;gt;&lt;br /&gt;
* &amp;#039;&amp;#039;[[Ajab Gayer Ajab Katha]]&amp;#039;&amp;#039; (1998)&lt;br /&gt;
&lt;br /&gt;
==Awards==&lt;br /&gt;
* [[National Film Award (India)|National Film Award]]&lt;br /&gt;
** 1974: [[National Film Award for Best Cinematography|Best Cinematography]]: &amp;#039;&amp;#039;[[Ashani Sanket]]&amp;#039;&amp;#039;&lt;br /&gt;
** 1975: [[National Film Award for Best Cinematography|Best Cinematography]]: &amp;#039;&amp;#039;[[Sonar Kella]]&amp;#039;&amp;#039;&lt;br /&gt;
** 1978: [[National Film Award for Best Cinematography|Best Cinematography]]: &amp;#039;&amp;#039;[[Shatranj Ke Khiladi (film)|Shatranj Ke Khiladi]]&amp;#039;&amp;#039;&lt;br /&gt;
** 1993: [[National Film Award for Best Non-Feature Film Cinematography|Best Non-Feature Film Cinematography]] : &amp;#039;&amp;#039;Sucitra Mitra&amp;#039;&amp;#039;&lt;br /&gt;
* [[Tamil Nadu State Film Awards]]&lt;br /&gt;
** 1982: [[Tamil Nadu State Film Award for Best Cinematographer|Best Cinematographer]]: &amp;#039;&amp;#039;[[Kann Sivanthaal Mann Sivakkum]]&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* {{IMDb name|0747185}}&lt;br /&gt;
* {{AllMovie name|109149|Soumendu Roy}}&lt;br /&gt;
* [http://theatrepasta.com/?p=74 Soumendu Roy Interview]&lt;br /&gt;
&lt;br /&gt;
{{National Film Award Best Cinematography}}&lt;br /&gt;
{{Tamil Nadu State Film Award Best Cinematography}}&lt;br /&gt;
&lt;br /&gt;
{{Authority control}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Roy, Soumendu}}&lt;br /&gt;
[[Category:Bengali film cinematographers]]&lt;br /&gt;
[[Category:1933 births]]&lt;br /&gt;
[[Category:Living people]]&lt;br /&gt;
[[Category:Artists from Kolkata]]&lt;br /&gt;
[[Category:Best Cinematography National Film Award winners]]&lt;br /&gt;
[[Category:University of Calcutta alumni]]&lt;br /&gt;
[[Category:Satyajit Ray]]&lt;br /&gt;
[[Category:Tamil Nadu State Film Awards winners]]&lt;br /&gt;
[[Category:Date of birth missing (living people)]]&lt;br /&gt;
[[Category:Place of birth missing (living people)]]&lt;br /&gt;
[[Category:20th-century Indian photographers]]&lt;br /&gt;
[[Category:Cinematographers from West Bengal]]&lt;/div&gt;</summary>
		<author><name>imported&gt;GreenC bot</name></author>
	</entry>
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