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	<title>Songs of realization - Revision history</title>
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	<updated>2026-08-17T19:56:03Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<title>SanjayMurugesan2221: improve section per standard format</title>
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		<updated>2025-12-21T13:23:01Z</updated>

		<summary type="html">&lt;p&gt;improve section per standard format&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:53, 21 December 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Tibetan Buddhism}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Tibetan Buddhism}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Songs of realization&#039;&#039;&#039;, or &#039;&#039;&#039;Songs of Experience&#039;&#039;&#039; ({{bo|t=ཉམས་མགུར|w=nyams mgur}}; [[Devanagari|Devanāgarī]]: दोहा; Romanized Sanskrit: &#039;&#039;Dohā&#039;&#039;; [[Oriya language|Oriya]]: ପଦ), are sung poetry forms characteristic of the [[tantric movement]] in both [[Vajrayana]] [[Buddhism]] and in [[Hinduism]]. [[Doha (poetry)|Doha]] is also a specific poetic form. Various forms of these songs exist, including &#039;&#039;&#039;caryagiti&#039;&#039;&#039; ({{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang-&lt;/del&gt;sa|caryāgīti}}), or &#039;performance songs&#039; and &#039;&#039;&#039;vajragiti&#039;&#039;&#039; (Sanskrit: &#039;&#039;vajragīti&#039;&#039;, Tibetan: &#039;&#039;rDo-rje &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;gan-sung&lt;/del&gt;&#039;&#039; ), or &#039;diamond songs&#039;, sometimes translated as &#039;&#039;&#039;vajra songs&#039;&#039;&#039; and &#039;&#039;&#039;doha&#039;&#039;&#039; (Sanskrit: &#039;&#039;dohā&#039;&#039;, दोह, &#039;that which results from milking the cow&#039;), also called &#039;&#039;&#039;doha songs&#039;&#039;&#039;, distinguishing them from the unsung Indian poetry form of the [[doha (poetry)|doha]]. According to [[Roger R. Jackson|Roger Jackson]], caryagiti and vajragiti &quot;differ generically from dohās because of their different context and function&quot;; the doha being primarily spiritual [[aphorism]]s expressed in the form of [[rhyming couplet]]s whilst caryagiti are stand-alone performance songs and vajragiti are songs that can only be understood in the context of a [[ganachakra]] or [[vajrayana|tantric]] feast.&amp;lt;ref&amp;gt;{{cite book|last=Jackson |first=Roger R.|authorlink=Roger R. Jackson|title=Tantric Treasures:Three Collections of Mystical Verse from Buddhist India|publisher=Oxford University Press |location=USA|year=2004|pages=10|url=https://books.google.com/books?id=06K69W9V7c4C&amp;amp; | isbn=978-0-19-516640-8}}&amp;lt;/ref&amp;gt; Many collections of songs of realization are preserved in the [[Tibetan Buddhist canon]], however many of these texts have yet to be translated from the [[Standard Tibetan|Tibetan language]].&amp;lt;ref&amp;gt;{{cite book|last=Shaw|first=Miranda|title=Passionate Enlightenment::Women in Tantric Buddhism|publisher=Princeton University Press|year=1995|pages=[https://archive.org/details/passionateenligh00shaw/page/225 225 n.97]|isbn=0-691-01090-0|url=https://archive.org/details/passionateenligh00shaw/page/225}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Songs of realization&#039;&#039;&#039;, or &#039;&#039;&#039;Songs of Experience&#039;&#039;&#039; ({{bo|t=ཉམས་མགུར|w=nyams mgur}}; [[Devanagari|Devanāgarī]]: दोहा; Romanized Sanskrit: &#039;&#039;Dohā&#039;&#039;; [[Oriya language|Oriya]]: ପଦ), are sung poetry forms characteristic of the [[tantric movement]] in both [[Vajrayana]] [[Buddhism]] and in [[Hinduism]]. [[Doha (poetry)|Doha]] is also a specific poetic form. Various forms of these songs exist, including &#039;&#039;&#039;caryagiti&#039;&#039;&#039; ({{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;langx|&lt;/ins&gt;sa|caryāgīti}}), or &#039;performance songs&#039; and &#039;&#039;&#039;vajragiti&#039;&#039;&#039; (Sanskrit: &#039;&#039;vajragīti&#039;&#039;, Tibetan: &#039;&#039;rDo-rje &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;mgur&lt;/ins&gt;&#039;&#039; ), or &#039;diamond songs&#039;, sometimes translated as &#039;&#039;&#039;vajra songs&#039;&#039;&#039; and &#039;&#039;&#039;doha&#039;&#039;&#039; (Sanskrit: &#039;&#039;dohā&#039;&#039;, दोह, &#039;that which results from milking the cow&#039;), also called &#039;&#039;&#039;doha songs&#039;&#039;&#039;, distinguishing them from the unsung Indian poetry form of the [[doha (poetry)|doha]]. According to [[Roger R. Jackson|Roger Jackson]], caryagiti and vajragiti &quot;differ generically from dohās because of their different context and function&quot;; the doha being primarily spiritual [[aphorism]]s expressed in the form of [[rhyming couplet]]s whilst caryagiti are stand-alone performance songs and vajragiti are songs that can only be understood in the context of a [[ganachakra]] or [[vajrayana|tantric]] feast.&amp;lt;ref&amp;gt;{{cite book|last=Jackson |first=Roger R.|authorlink=Roger R. Jackson|title=Tantric Treasures:Three Collections of Mystical Verse from Buddhist India|publisher=Oxford University Press |location=USA|year=2004|pages=10|url=https://books.google.com/books?id=06K69W9V7c4C&amp;amp; | isbn=978-0-19-516640-8}}&amp;lt;/ref&amp;gt; Many collections of songs of realization are preserved in the [[Tibetan Buddhist canon]], however many of these texts have yet to be translated from the [[Standard Tibetan|Tibetan language]].&amp;lt;ref&amp;gt;{{cite book|last=Shaw|first=Miranda|title=Passionate Enlightenment::Women in Tantric Buddhism|publisher=Princeton University Press|year=1995|pages=[https://archive.org/details/passionateenligh00shaw/page/225 225 n.97]|isbn=0-691-01090-0|url=https://archive.org/details/passionateenligh00shaw/page/225}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although many of the songs of realization date from the [[mahasiddha]] of India, the tradition of composing mystical songs continued to be practiced by [[vajrayana|tantric]] adepts in later times and examples of spontaneously composed verses by Tibetan [[lama]]s exist up to the present day, an example being [[Khenpo Tsultrim Gyamtso Rinpoche]].&amp;lt;ref&amp;gt;{{cite web|url=https://www.youtube.com/watch?v=EC9M2XogJ6I|title=Songs of Realization|last=Gyamtso|first=Khenpo Tsultrim |accessdate=2008-09-14}}&amp;lt;/ref&amp;gt; The most famous Tibetan composer of songs of realization is [[Milarepa]], the 11th century Tibetan [[yogi]] whose &amp;#039;&amp;#039;mgur bum&amp;#039;&amp;#039;, or &amp;#039;The Hundred Thousand Songs of Milarepa&amp;#039; remains a source of instruction and inspiration for [[Tibetan Buddhist]]s, particularly those of the [[kagyu]] school.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although many of the songs of realization date from the [[mahasiddha]] of India, the tradition of composing mystical songs continued to be practiced by [[vajrayana|tantric]] adepts in later times and examples of spontaneously composed verses by Tibetan [[lama]]s exist up to the present day, an example being [[Khenpo Tsultrim Gyamtso Rinpoche]].&amp;lt;ref&amp;gt;{{cite web|url=https://www.youtube.com/watch?v=EC9M2XogJ6I|title=Songs of Realization|last=Gyamtso|first=Khenpo Tsultrim |accessdate=2008-09-14}}&amp;lt;/ref&amp;gt; The most famous Tibetan composer of songs of realization is [[Milarepa]], the 11th century Tibetan [[yogi]] whose &amp;#039;&amp;#039;mgur bum&amp;#039;&amp;#039;, or &amp;#039;The Hundred Thousand Songs of Milarepa&amp;#039; remains a source of instruction and inspiration for [[Tibetan Buddhist]]s, particularly those of the [[kagyu]] school.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot;&gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{cite book|last=Jackson |first=Roger|title=Tantric Treasures:Three Collections of Mystical Verse from Buddhist India|publisher=Oxford University Press |location=USA|year=2004|pages=10|url=https://books.google.com/books?id=06K69W9V7c4C&amp;amp; | isbn=978-0-19-516640-8}}  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{cite book|last=Jackson |first=Roger|title=Tantric Treasures:Three Collections of Mystical Verse from Buddhist India|publisher=Oxford University Press |location=USA|year=2004|pages=10|url=https://books.google.com/books?id=06K69W9V7c4C&amp;amp; | isbn=978-0-19-516640-8}}  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*{{cite book|last=Dowman |first=Keith|title=Masters of Mahamudra: Songs and Histories of the Eighty-four Buddhist Siddhas|publisher=SUNY Press|location=New York|year=1986|url=https://books.google.com/books?id=EONQw5zYm10C&amp;amp; | isbn=978-0-88706-160-8}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*{{cite book|last=Dowman |first=Keith|title=Masters of Mahamudra: Songs and Histories of the Eighty-four Buddhist Siddhas|publisher=SUNY Press|location=New York|year=1986|url=https://books.google.com/books?id=EONQw5zYm10C&amp;amp; | isbn=978-0-88706-160-8}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;Milarepa: Songs on the Spot&#039;&#039;, translated by Nicole Riggs, Dharma Cloud Press, 2003, {{ISBN|0-9705639-30}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &#039;&#039;Milarepa: Songs on the Spot&#039;&#039;, translated by Nicole Riggs, Dharma Cloud Press, 2003, {{ISBN|0-9705639-30}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Milarepa, The Hundred Thousand Songs of Milarepa&amp;#039;&amp;#039;, translated by Garma C.C. Chang, City Lights Books, 1999, {{ISBN|1-57062-476-3}}  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;Milarepa, The Hundred Thousand Songs of Milarepa&amp;#039;&amp;#039;, translated by Garma C.C. Chang, City Lights Books, 1999, {{ISBN|1-57062-476-3}}  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;The Yogi&amp;#039;s Joy: Songs of Milarepa&amp;#039;&amp;#039; Sangharakshita, Windhorse Publications, 2006, {{ISBN|1-899579-66-4}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&amp;#039;&amp;#039;The Yogi&amp;#039;s Joy: Songs of Milarepa&amp;#039;&amp;#039; Sangharakshita, Windhorse Publications, 2006, {{ISBN|1-899579-66-4}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&#039;&#039;Drinking the Mountain Stream: Songs of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tibet’s &lt;/del&gt;Beloved Saint&#039;&#039;, Wisdom Publications, {{ISBN|0-86171-063-0}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&#039;&#039;Drinking the Mountain Stream: Songs of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tibet&#039;s &lt;/ins&gt;Beloved Saint&#039;&#039;, Wisdom Publications, {{ISBN|0-86171-063-0}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*{{cite book|last=Rinpoche|first=Thrangu |title=Songs of Naropa:Commentaries on Songs of Realization|publisher=Rangjung Yeshe Publications|year=1997|isbn=978-962-7341-28-4|url=https://books.google.com/books?id=3QuwJwz6nNAC&amp;amp;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*{{cite book|last=Rinpoche|first=Thrangu |title=Songs of Naropa:Commentaries on Songs of Realization|publisher=Rangjung Yeshe Publications|year=1997|isbn=978-962-7341-28-4|url=https://books.google.com/books?id=3QuwJwz6nNAC&amp;amp;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Herbert V. Günther|Guenther, Herbert V.]] &amp;#039;&amp;#039;The Royal Song of Saraha: A Study in the History of Buddhist Thought.&amp;#039;&amp;#039; a.) University of Washington Press, 1970. {{ISBN|0-295-78552-7}} b.) New paperback edition, Shambhala Publications, 1973. {{ISBN|0-394-73007-0}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Herbert V. Günther|Guenther, Herbert V.]] &amp;#039;&amp;#039;The Royal Song of Saraha: A Study in the History of Buddhist Thought.&amp;#039;&amp;#039; a.) University of Washington Press, 1970. {{ISBN|0-295-78552-7}} b.) New paperback edition, Shambhala Publications, 1973. {{ISBN|0-394-73007-0}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Guenther, Herbert V.; &#039;&#039;Ecstatic Spontaneity: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Saraha’s &lt;/del&gt;Three Cycles of Doha&#039;&#039; Asian Humanities Press,  1993. {{ISBN|0-89581-933-3}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Guenther, Herbert V.; &#039;&#039;Ecstatic Spontaneity: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Saraha&#039;s &lt;/ins&gt;Three Cycles of Doha&#039;&#039; Asian Humanities Press,  1993. {{ISBN|0-89581-933-3}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l43&quot;&gt;Line 43:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 43:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.quietmountain.org/links/teachings/yogi_chen/87.htm Text, The Essential Songs of Milarepa]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.quietmountain.org/links/teachings/yogi_chen/87.htm Text, The Essential Songs of Milarepa]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://web.archive.org/web/20081004221219/http://www.shambhala.org/ntc/offerings/iron-hook-devotion.htm The Iron Hook of Devotion: A Melodious Feast Song]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [https://web.archive.org/web/20081004221219/http://www.shambhala.org/ntc/offerings/iron-hook-devotion.htm The Iron Hook of Devotion: A Melodious Feast Song]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [http://www.kagyu-asia.com/l_tilo_t_song_mahamudra.html The Song of Mahamudra] by [[Tilopa]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{usurped|1=&lt;/ins&gt;[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://web.archive.org/web/20030815075608/&lt;/ins&gt;http://www.kagyu-asia.com/l_tilo_t_song_mahamudra.html The Song of Mahamudra]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}} &lt;/ins&gt;by [[Tilopa]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Buddhist poetry]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Genres of poetry]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Hindu poetry]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Hindu tantra]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Tantra]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Tantra]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Vajrayana]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Buddhist poetry]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Tibetan Buddhist practices]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Tibetan Buddhist literature]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Tibetan Buddhist literature]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Genres of poetry]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Mystic poets]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Tibetan poetry]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Tibetan poetry]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Vajrayana]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>SanjayMurugesan2221</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Songs_of_realization&amp;diff=147378&amp;oldid=prev</id>
		<title>imported&gt;WOSlinker: fix external link</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Songs_of_realization&amp;diff=147378&amp;oldid=prev"/>
		<updated>2021-01-09T13:08:39Z</updated>

		<summary type="html">&lt;p&gt;fix external link&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Tibetan Buddhism}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Songs of realization&amp;#039;&amp;#039;&amp;#039;, or &amp;#039;&amp;#039;&amp;#039;Songs of Experience&amp;#039;&amp;#039;&amp;#039; ({{bo|t=ཉམས་མགུར|w=nyams mgur}}; [[Devanagari|Devanāgarī]]: दोहा; Romanized Sanskrit: &amp;#039;&amp;#039;Dohā&amp;#039;&amp;#039;; [[Oriya language|Oriya]]: ପଦ), are sung poetry forms characteristic of the [[tantric movement]] in both [[Vajrayana]] [[Buddhism]] and in [[Hinduism]]. [[Doha (poetry)|Doha]] is also a specific poetic form. Various forms of these songs exist, including &amp;#039;&amp;#039;&amp;#039;caryagiti&amp;#039;&amp;#039;&amp;#039; ({{lang-sa|caryāgīti}}), or &amp;#039;performance songs&amp;#039; and &amp;#039;&amp;#039;&amp;#039;vajragiti&amp;#039;&amp;#039;&amp;#039; (Sanskrit: &amp;#039;&amp;#039;vajragīti&amp;#039;&amp;#039;, Tibetan: &amp;#039;&amp;#039;rDo-rje gan-sung&amp;#039;&amp;#039; ), or &amp;#039;diamond songs&amp;#039;, sometimes translated as &amp;#039;&amp;#039;&amp;#039;vajra songs&amp;#039;&amp;#039;&amp;#039; and &amp;#039;&amp;#039;&amp;#039;doha&amp;#039;&amp;#039;&amp;#039; (Sanskrit: &amp;#039;&amp;#039;dohā&amp;#039;&amp;#039;, दोह, &amp;#039;that which results from milking the cow&amp;#039;), also called &amp;#039;&amp;#039;&amp;#039;doha songs&amp;#039;&amp;#039;&amp;#039;, distinguishing them from the unsung Indian poetry form of the [[doha (poetry)|doha]]. According to [[Roger R. Jackson|Roger Jackson]], caryagiti and vajragiti &amp;quot;differ generically from dohās because of their different context and function&amp;quot;; the doha being primarily spiritual [[aphorism]]s expressed in the form of [[rhyming couplet]]s whilst caryagiti are stand-alone performance songs and vajragiti are songs that can only be understood in the context of a [[ganachakra]] or [[vajrayana|tantric]] feast.&amp;lt;ref&amp;gt;{{cite book|last=Jackson |first=Roger R.|authorlink=Roger R. Jackson|title=Tantric Treasures:Three Collections of Mystical Verse from Buddhist India|publisher=Oxford University Press |location=USA|year=2004|pages=10|url=https://books.google.com/books?id=06K69W9V7c4C&amp;amp; | isbn=978-0-19-516640-8}}&amp;lt;/ref&amp;gt; Many collections of songs of realization are preserved in the [[Tibetan Buddhist canon]], however many of these texts have yet to be translated from the [[Standard Tibetan|Tibetan language]].&amp;lt;ref&amp;gt;{{cite book|last=Shaw|first=Miranda|title=Passionate Enlightenment::Women in Tantric Buddhism|publisher=Princeton University Press|year=1995|pages=[https://archive.org/details/passionateenligh00shaw/page/225 225 n.97]|isbn=0-691-01090-0|url=https://archive.org/details/passionateenligh00shaw/page/225}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Although many of the songs of realization date from the [[mahasiddha]] of India, the tradition of composing mystical songs continued to be practiced by [[vajrayana|tantric]] adepts in later times and examples of spontaneously composed verses by Tibetan [[lama]]s exist up to the present day, an example being [[Khenpo Tsultrim Gyamtso Rinpoche]].&amp;lt;ref&amp;gt;{{cite web|url=https://www.youtube.com/watch?v=EC9M2XogJ6I|title=Songs of Realization|last=Gyamtso|first=Khenpo Tsultrim |accessdate=2008-09-14}}&amp;lt;/ref&amp;gt; The most famous Tibetan composer of songs of realization is [[Milarepa]], the 11th century Tibetan [[yogi]] whose &amp;#039;&amp;#039;mgur bum&amp;#039;&amp;#039;, or &amp;#039;The Hundred Thousand Songs of Milarepa&amp;#039; remains a source of instruction and inspiration for [[Tibetan Buddhist]]s, particularly those of the [[kagyu]] school.&lt;br /&gt;
&lt;br /&gt;
==Caryagiti songs==&lt;br /&gt;
A renowned collection of Buddhist caryagiti, or mystical songs, is the [[Charyapada]], a palm-leaf manuscript of the 8th-12th century text having been found in the early 20th century in Nepal. Another copy of the Charyapada was preserved in the [[Tibetan Buddhist canon]]. Miranda Shaw describes how caryagiti were an element of the ritual gathering of practitioners in a [[ganachakra|tantric feast]]:&amp;lt;blockquote&amp;gt;The feast culminates in the performance of tantric dances and music that must never be disclosed to outsiders. The revelers may also improvise &amp;quot;songs of realization&amp;quot; (&amp;#039;&amp;#039;caryagiti&amp;#039;&amp;#039;) to express their heightened clarity and blissful raptures in spontaneous verse.&amp;lt;ref&amp;gt;{{cite book|last=Shaw|first=Miranda|title=Passionate Enlightenment::Women in Tantric Buddhism|publisher=Princeton University Press|year=1995|pages=[https://archive.org/details/passionateenligh00shaw/page/81 81]|isbn=0-691-01090-0|url=https://archive.org/details/passionateenligh00shaw/page/81}}&amp;lt;/ref&amp;gt; &lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Doha songs==&lt;br /&gt;
Ann Waldman describes this poetry form: &amp;lt;blockquote&amp;gt;the &amp;#039;&amp;#039;doha&amp;#039;&amp;#039;, a song of realization that acknowledges an encounter with a master teacher, traditionally a guru or lama, and explores a particular wisdom or teaching transmitted through a kind of call-and-response duet format.&amp;lt;ref&amp;gt;{{cite book|last=Waldman|first=Anne|title=Buddhist Women on the Edge:Contemporary Perspectives from the Western Frontier|editor=Marianne Dresser|publisher=North Atlantic Books|year=1996|pages=264|chapter=Poetry as Siddhi|isbn=978-1-55643-203-3|url=https://books.google.com/books?id=gJN25nZ4xRoC&amp;amp;}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
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An example of a Doha song available in English translation, is by [[Rangjung Dorje]] (1284–1339). The Doha song is entitled &amp;#039;&amp;#039;Distinguishing Consciousness from Wisdom&amp;#039;&amp;#039; (Wylie: rnam shes ye shes ‘byed pa).&amp;lt;ref&amp;gt;[[Rangjung Dorje]] (root text); Venerable Khenchen Thrangu Rinpoche (commentary); Peter Roberts (translator)  (2001). &amp;#039;&amp;#039;Transcending Ego - Distinguishing Consciousness from Wisdom (Wylie: rnam shes ye shes ‘byed pa).&amp;#039;&amp;#039; Source:  [http://www.rinpoche.com/teachings/conwisdom.pdf] (accessed: Wednesday April 1, 2009)&amp;lt;/ref&amp;gt; The 2001 translation includes a commentary by [[Thrangu Rinpoche]].&lt;br /&gt;
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==See also==&lt;br /&gt;
*[[Charyapada]]&lt;br /&gt;
*[[Lawapa]]&lt;br /&gt;
*[[Mahamudra]]&lt;br /&gt;
*[[Mahasiddha]]&lt;br /&gt;
*[[Milarepa]]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
==Bibliography==&lt;br /&gt;
Collections of songs of realization:&lt;br /&gt;
* {{cite book|last=Jackson |first=Roger|title=Tantric Treasures:Three Collections of Mystical Verse from Buddhist India|publisher=Oxford University Press |location=USA|year=2004|pages=10|url=https://books.google.com/books?id=06K69W9V7c4C&amp;amp; | isbn=978-0-19-516640-8}} &lt;br /&gt;
*{{cite book|last=Dowman |first=Keith|title=Masters of Mahamudra: Songs and Histories of the Eighty-four Buddhist Siddhas|publisher=SUNY Press|location=New York|year=1986|url=https://books.google.com/books?id=EONQw5zYm10C&amp;amp; | isbn=978-0-88706-160-8}}&lt;br /&gt;
* &amp;#039;&amp;#039;Milarepa: Songs on the Spot&amp;#039;&amp;#039;, translated by Nicole Riggs, Dharma Cloud Press, 2003, {{ISBN|0-9705639-30}}&amp;#039;&amp;#039; &lt;br /&gt;
* &amp;#039;&amp;#039;Milarepa, The Hundred Thousand Songs of Milarepa&amp;#039;&amp;#039;, translated by Garma C.C. Chang, City Lights Books, 1999, {{ISBN|1-57062-476-3}} &lt;br /&gt;
*&amp;#039;&amp;#039;The Yogi&amp;#039;s Joy: Songs of Milarepa&amp;#039;&amp;#039; Sangharakshita, Windhorse Publications, 2006, {{ISBN|1-899579-66-4}}&lt;br /&gt;
*&amp;#039;&amp;#039;Drinking the Mountain Stream: Songs of Tibet’s Beloved Saint&amp;#039;&amp;#039;, Wisdom Publications, {{ISBN|0-86171-063-0}}&lt;br /&gt;
*{{cite book|last=Rinpoche|first=Thrangu |title=Songs of Naropa:Commentaries on Songs of Realization|publisher=Rangjung Yeshe Publications|year=1997|isbn=978-962-7341-28-4|url=https://books.google.com/books?id=3QuwJwz6nNAC&amp;amp;}}&lt;br /&gt;
* [[Herbert V. Günther|Guenther, Herbert V.]] &amp;#039;&amp;#039;The Royal Song of Saraha: A Study in the History of Buddhist Thought.&amp;#039;&amp;#039; a.) University of Washington Press, 1970. {{ISBN|0-295-78552-7}} b.) New paperback edition, Shambhala Publications, 1973. {{ISBN|0-394-73007-0}}&lt;br /&gt;
* Guenther, Herbert V.; &amp;#039;&amp;#039;Ecstatic Spontaneity: Saraha’s Three Cycles of Doha&amp;#039;&amp;#039; Asian Humanities Press,  1993. {{ISBN|0-89581-933-3}}&lt;br /&gt;
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==External links==&lt;br /&gt;
* [https://web.archive.org/web/20081206043819/http://www.kagyuoffice.org/karmapa.background.16thkarmapasongs.html Songs of the 16th Karmapa (1940 - 1962)] &lt;br /&gt;
* [https://web.archive.org/web/20081204234513/http://www.nalandabodhi.org/songsandpoems.html Index to Songs, Poems and Prayers, by author]&lt;br /&gt;
* [http://www.thdl.org/collections/journal/jiats/index.php?doc=jiats03rev_sujata.xml Review of Tibetan Songs of Realization: Echoes from a Seventeenth-Century Scholar and Siddha in Amdo]&lt;br /&gt;
* [http://www.bps.lk/wheels_library/wh_095_097.html Text of &amp;#039;Sixty Songs of Milarepa&amp;#039;]&lt;br /&gt;
* [http://www.quietmountain.org/links/teachings/yogi_chen/87.htm Text, The Essential Songs of Milarepa]&lt;br /&gt;
* [https://web.archive.org/web/20081004221219/http://www.shambhala.org/ntc/offerings/iron-hook-devotion.htm The Iron Hook of Devotion: A Melodious Feast Song]&lt;br /&gt;
* [http://www.kagyu-asia.com/l_tilo_t_song_mahamudra.html The Song of Mahamudra] by [[Tilopa]]&lt;br /&gt;
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[[Category:Tantra]]&lt;br /&gt;
[[Category:Vajrayana]]&lt;br /&gt;
[[Category:Buddhist poetry]]&lt;br /&gt;
[[Category:Tibetan Buddhist practices]]&lt;br /&gt;
[[Category:Tibetan Buddhist literature]]&lt;br /&gt;
[[Category:Genres of poetry]]&lt;br /&gt;
[[Category:Mystic poets]]&lt;br /&gt;
[[Category:Tibetan poetry]]&lt;/div&gt;</summary>
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