<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Siddheshwari</id>
	<title>Siddheshwari - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Siddheshwari"/>
	<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Siddheshwari&amp;action=history"/>
	<updated>2026-09-07T01:18:43Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.6</generator>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Siddheshwari&amp;diff=263825&amp;oldid=prev</id>
		<title>-&gt;Citation bot: Add: title, date. Changed bare reference to CS1/2. | Use this bot. Report bugs. | Suggested by BrownHairedGirl | Linked from User:BrownHairedGirl/Articles_with_bare_links | #UCB_webform_linked 397/2193</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Siddheshwari&amp;diff=263825&amp;oldid=prev"/>
		<updated>2021-10-09T02:56:09Z</updated>

		<summary type="html">&lt;p&gt;Add: title, date. Changed bare reference to CS1/2. | &lt;a href=&quot;https://en.bharatpedia.org/wiki/BP:UCB&quot; class=&quot;extiw&quot; title=&quot;wp:UCB&quot;&gt;Use this bot&lt;/a&gt;. &lt;a href=&quot;https://en.bharatpedia.org/wiki/BP:DBUG&quot; class=&quot;extiw&quot; title=&quot;wp:DBUG&quot;&gt;Report bugs&lt;/a&gt;. | Suggested by BrownHairedGirl | Linked from User:BrownHairedGirl/Articles_with_bare_links | #UCB_webform_linked 397/2193&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:26, 9 October 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot;&gt;Line 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| language       = Hindi&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| language       = Hindi&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Siddheshwari&#039;&#039;&#039;&#039;&#039; (Hindi: सिद्देश्वरी) is a 1989 [[Hindi]] [[documentary]] directed film by [[Mani Kaul]]. It is a cinematic portrait of [[Siddheshwari Devi]], a [[Hindustani classical music]] singer from [[Varanasi]], [[India]].&amp;lt;ref&amp;gt;{{cite web|url=https://www.imdb.com/title/tt0232641/?ref_=ttfc_fc_tt|publisher=[[IMDb]]|title= &#039;&#039;Siddheshwari&#039;&#039;|accessdate=2 July 2015}}&amp;lt;/ref&amp;gt; It was produced by the [[Films Division of India]]. The film was awarded the National Award for the Best Documentary for that year in [[India]].&amp;lt;ref&amp;gt;{{cite web|url=http://filmsdivision.org/the-fd-zone/111th-edition-mani-kauls-siddheshwari.html|publisher=Films Division|title=111th Edition – Mani &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kaul’s &lt;/del&gt;&#039;&#039;Siddheshwari&#039;&#039;|accessdate=2 July 2015}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Siddheshwari&#039;&#039;&#039;&#039;&#039; (Hindi: सिद्देश्वरी) is a 1989 [[Hindi]] [[documentary]] directed film by [[Mani Kaul]]. It is a cinematic portrait of [[Siddheshwari Devi]], a [[Hindustani classical music]] singer from [[Varanasi]], [[India]].&amp;lt;ref&amp;gt;{{cite web|url=https://www.imdb.com/title/tt0232641/?ref_=ttfc_fc_tt|publisher=[[IMDb]]|title= &#039;&#039;Siddheshwari&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|date=30 September 1990&lt;/ins&gt;|accessdate=2 July 2015}}&amp;lt;/ref&amp;gt; It was produced by the [[Films Division of India]]. The film was awarded the National Award for the Best Documentary for that year in [[India]].&amp;lt;ref&amp;gt;{{cite web|url=http://filmsdivision.org/the-fd-zone/111th-edition-mani-kauls-siddheshwari.html|publisher=Films Division|title=111th Edition – Mani &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Kaul&#039;s &lt;/ins&gt;&#039;&#039;Siddheshwari&#039;&#039;|accessdate=2 July 2015}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although the film defies a linear plot structure, it begins with a bilingual scrolling text in Hindi and English that indicates the dominant thematic that film is knitted with. The narrative meanders between the biographic moments of [[Siddheshwari Devi]]&#039;s life, that describes her relationship with her guru and her benefactor, intertwined with the mythic history of [[thumri]] and [[tappa]] as a musical form located in the medieval [[ghats]], gullies and mansions of [[Varanasi]]. For Mani Kaul this film, was a “poetic documentary,” &amp;lt;ref&amp;gt;https://www.anilcherukupalli.com/blog/2005/11/an-interview-with-mani-kaul&amp;lt;/ref&amp;gt; in an interview he says: “in my own way, I have tried to bring poetry, documentary and fiction together. We would call it non-linear narrative.” &amp;lt;ref&amp;gt;https://www.courtisane.be/sites/default/files/Cahier%20-%20The%20Rambling%20Figures%20of%20Mani%20Kaul.pdf&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although the film defies a linear plot structure, it begins with a bilingual scrolling text in Hindi and English that indicates the dominant thematic that film is knitted with. The narrative meanders between the biographic moments of [[Siddheshwari Devi]]&#039;s life, that describes her relationship with her guru and her benefactor, intertwined with the mythic history of [[thumri]] and [[tappa]] as a musical form located in the medieval [[ghats]], gullies and mansions of [[Varanasi]]. For Mani Kaul this film, was a “poetic documentary,” &amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web|url=&lt;/ins&gt;https://www.anilcherukupalli.com/blog/2005/11/an-interview-with-mani-kaul&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|title = An Interview with Mani Kaul|date = 16 November 2005}}&lt;/ins&gt;&amp;lt;/ref&amp;gt; in an interview he says: “in my own way, I have tried to bring poetry, documentary and fiction together. We would call it non-linear narrative.” &amp;lt;ref&amp;gt;https://www.courtisane.be/sites/default/files/Cahier%20-%20The%20Rambling%20Figures%20of%20Mani%20Kaul.pdf&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Cast==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l41&quot;&gt;Line 41:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 41:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical Appreciation==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Critical Appreciation==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Srikanth Srinivisan wrote in &#039;&#039;[[The Hindu]]&#039;&#039; that in &#039;&#039;Siddheshwari&#039;&#039;, instead of simply presenting biographical details or passively documenting the singer&#039;s artistry, Kaul turns the genre of cine-profile inside out, amalgamating literary, theatrical, musical and cinematic forms together to construct an experience of music. &quot;The sprawling film blends multiple timelines, realities and geographies to sketch a unique portrait of the artist,&quot; he wrote.&amp;lt;ref&amp;gt;{{cite web|url=http://filmsdivision.org/the-fd-zone/111th-edition-mani-kauls-siddheshwari.html|title=Outtakes – Mani Kaul|author=Srikanth Srinivasan|date=9 April 2013|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;publisher&lt;/del&gt;=[[The Hindu]]|accessdate=2 July 2015}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Srikanth Srinivisan wrote in &#039;&#039;[[The Hindu]]&#039;&#039; that in &#039;&#039;Siddheshwari&#039;&#039;, instead of simply presenting biographical details or passively documenting the singer&#039;s artistry, Kaul turns the genre of cine-profile inside out, amalgamating literary, theatrical, musical and cinematic forms together to construct an experience of music. &quot;The sprawling film blends multiple timelines, realities and geographies to sketch a unique portrait of the artist,&quot; he wrote.&amp;lt;ref&amp;gt;{{cite web|url=http://filmsdivision.org/the-fd-zone/111th-edition-mani-kauls-siddheshwari.html|title=Outtakes – Mani Kaul|author=Srikanth Srinivasan|date=9 April 2013|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;work&lt;/ins&gt;=[[The Hindu]]|accessdate=2 July 2015}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In a review for &#039;&#039;[[The New York Times]]&#039;&#039;, Caryn James compared the film  with an abstract painting, &quot;wildly open to interpretation&quot;. &#039;&#039;Siddheshwari&#039;&#039; is &quot;beautifully photographed but impenetrable,&quot; he wrote.&amp;lt;ref&amp;gt;{{cite web|url=https://www.nytimes.com/movie/review?res=9C0CE3DA1131F933A0575AC0A966958260|title=A Modernist Approach to Biography|author=Caryn James|date=30 September 1990|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;publisher&lt;/del&gt;=[[The New York Times]]|accessdate=2 July 2015}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In a review for &#039;&#039;[[The New York Times]]&#039;&#039;, Caryn James compared the film  with an abstract painting, &quot;wildly open to interpretation&quot;. &#039;&#039;Siddheshwari&#039;&#039; is &quot;beautifully photographed but impenetrable,&quot; he wrote.&amp;lt;ref&amp;gt;{{cite web|url=https://www.nytimes.com/movie/review?res=9C0CE3DA1131F933A0575AC0A966958260|title=A Modernist Approach to Biography|author=Caryn James|date=30 September 1990|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;work&lt;/ins&gt;=[[The New York Times]]|accessdate=2 July 2015}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Legacy ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Legacy ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 2014, critic [[Mark Cousins (film critic)|Mark Cousins]] and filmmaker [[John Akomfrah]] voted for &amp;#039;&amp;#039;Siddheshwari&amp;#039;&amp;#039; on &amp;#039;&amp;#039;[[Sight &amp;amp; Sound]]&amp;#039;&amp;#039;&amp;lt;nowiki/&amp;gt;&amp;#039;s list of &amp;quot;The Greatest Documentaries of All Time&amp;quot;, with the former describing the film as &amp;quot;[[Luchino Visconti|Visconti]] meets [[Satyajit Ray]]&amp;quot;.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.bfi.org.uk/sight-sound-magazine/greatest-docs-full-poll/#/?poll=combined&amp;amp;voter=23f01c|title=The Greatest Documentaries of All Time – all the votes {{!}} Sight &amp;amp; Sound {{!}} BFI|website=www.bfi.org.uk|access-date=2019-03-10}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 2014, critic [[Mark Cousins (film critic)|Mark Cousins]] and filmmaker [[John Akomfrah]] voted for &amp;#039;&amp;#039;Siddheshwari&amp;#039;&amp;#039; on &amp;#039;&amp;#039;[[Sight &amp;amp; Sound]]&amp;#039;&amp;#039;&amp;lt;nowiki/&amp;gt;&amp;#039;s list of &amp;quot;The Greatest Documentaries of All Time&amp;quot;, with the former describing the film as &amp;quot;[[Luchino Visconti|Visconti]] meets [[Satyajit Ray]]&amp;quot;.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.bfi.org.uk/sight-sound-magazine/greatest-docs-full-poll/#/?poll=combined&amp;amp;voter=23f01c|title=The Greatest Documentaries of All Time – all the votes {{!}} Sight &amp;amp; Sound {{!}} BFI|website=www.bfi.org.uk|access-date=2019-03-10}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This film has been categorized by [[Amrit Gangar]] as a Cinema of Prayoga film.&amp;lt;ref&amp;gt;{{Cite web|title = THEIR EXPERIMENTS WITH TRUTH « &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;The Big Indian Picture|url = http://thebigindianpicture.com/2013/06/their-experiments-with-truth/|accessdate = 2019-07-10}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This film has been categorized by [[Amrit Gangar]] as a Cinema of Prayoga film.&amp;lt;ref&amp;gt;{{Cite web|title = THEIR EXPERIMENTS WITH TRUTH « The Big Indian Picture|url = http://thebigindianpicture.com/2013/06/their-experiments-with-truth/|accessdate = 2019-07-10}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

&lt;!-- diff cache key bharatpedia-enwiki:diff:1.41:old-68278:rev-263825:php=table --&gt;
&lt;/table&gt;</summary>
		<author><name>-&gt;Citation bot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Siddheshwari&amp;diff=68278&amp;oldid=prev</id>
		<title>&gt;Aspects: Fixed infobox</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Siddheshwari&amp;diff=68278&amp;oldid=prev"/>
		<updated>2021-04-10T23:33:50Z</updated>

		<summary type="html">&lt;p&gt;Fixed infobox&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Use dmy dates|date=November 2015}}&lt;br /&gt;
{{Use Indian English|date=November 2015}}&lt;br /&gt;
{{Infobox film&lt;br /&gt;
| name           = Siddheshwari&lt;br /&gt;
| image          = &lt;br /&gt;
| caption        = &lt;br /&gt;
| director       = [[Mani Kaul]]&lt;br /&gt;
| producer       = [[Films Division]]&lt;br /&gt;
| writer         = Mani Kaul&lt;br /&gt;
| starring       = [[Meeta Vashisht]], Muhar Biswas, Ranjana Srivastava, Shravani Mukherjee &lt;br /&gt;
| music          = &lt;br /&gt;
| cinematography = Piyush Shah&lt;br /&gt;
| editing        = Lalitha Krishna&lt;br /&gt;
| studio         =&lt;br /&gt;
| distributor    = &lt;br /&gt;
| released       = {{Film date|1989}}&lt;br /&gt;
| runtime        = 123 minutes (without cuts), 92 minutes (with cuts)&lt;br /&gt;
| country        = India&lt;br /&gt;
| language       = Hindi&lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Siddheshwari&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (Hindi: सिद्देश्वरी) is a 1989 [[Hindi]] [[documentary]] directed film by [[Mani Kaul]]. It is a cinematic portrait of [[Siddheshwari Devi]], a [[Hindustani classical music]] singer from [[Varanasi]], [[India]].&amp;lt;ref&amp;gt;{{cite web|url=https://www.imdb.com/title/tt0232641/?ref_=ttfc_fc_tt|publisher=[[IMDb]]|title= &amp;#039;&amp;#039;Siddheshwari&amp;#039;&amp;#039;|accessdate=2 July 2015}}&amp;lt;/ref&amp;gt; It was produced by the [[Films Division of India]]. The film was awarded the National Award for the Best Documentary for that year in [[India]].&amp;lt;ref&amp;gt;{{cite web|url=http://filmsdivision.org/the-fd-zone/111th-edition-mani-kauls-siddheshwari.html|publisher=Films Division|title=111th Edition – Mani Kaul’s &amp;#039;&amp;#039;Siddheshwari&amp;#039;&amp;#039;|accessdate=2 July 2015}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Synopsis==&lt;br /&gt;
Although the film defies a linear plot structure, it begins with a bilingual scrolling text in Hindi and English that indicates the dominant thematic that film is knitted with. The narrative meanders between the biographic moments of [[Siddheshwari Devi]]&amp;#039;s life, that describes her relationship with her guru and her benefactor, intertwined with the mythic history of [[thumri]] and [[tappa]] as a musical form located in the medieval [[ghats]], gullies and mansions of [[Varanasi]]. For Mani Kaul this film, was a “poetic documentary,” &amp;lt;ref&amp;gt;https://www.anilcherukupalli.com/blog/2005/11/an-interview-with-mani-kaul&amp;lt;/ref&amp;gt; in an interview he says: “in my own way, I have tried to bring poetry, documentary and fiction together. We would call it non-linear narrative.” &amp;lt;ref&amp;gt;https://www.courtisane.be/sites/default/files/Cahier%20-%20The%20Rambling%20Figures%20of%20Mani%20Kaul.pdf&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Cast==&lt;br /&gt;
&lt;br /&gt;
*[[Mita Vasisht]] | Siddheshwari&lt;br /&gt;
*Muhar Biswas | Siddeshwari as a Child&lt;br /&gt;
*Ranjana Srivastava | Rajeshwari Devi&lt;br /&gt;
*Shravani Mukherjee | Kamala&lt;br /&gt;
*Pandit Narayan Misra | Siyaji Maharaj&lt;br /&gt;
&lt;br /&gt;
==Crew==&lt;br /&gt;
&lt;br /&gt;
*&amp;#039;&amp;#039;Director&amp;#039;&amp;#039; - [[Mani Kaul]]&lt;br /&gt;
*&amp;#039;&amp;#039;Story&amp;#039;&amp;#039; - [[Mani Kaul]]&lt;br /&gt;
*&amp;#039;&amp;#039;Screenplay&amp;#039;&amp;#039; - [[Mani Kaul]]&lt;br /&gt;
*&amp;#039;&amp;#039;Producer&amp;#039;&amp;#039; - [[Films Division]]&lt;br /&gt;
*&amp;#039;&amp;#039;Cinematographer&amp;#039;&amp;#039; - Piyush Shah&lt;br /&gt;
&lt;br /&gt;
==Critical Appreciation==&lt;br /&gt;
Srikanth Srinivisan wrote in &amp;#039;&amp;#039;[[The Hindu]]&amp;#039;&amp;#039; that in &amp;#039;&amp;#039;Siddheshwari&amp;#039;&amp;#039;, instead of simply presenting biographical details or passively documenting the singer&amp;#039;s artistry, Kaul turns the genre of cine-profile inside out, amalgamating literary, theatrical, musical and cinematic forms together to construct an experience of music. &amp;quot;The sprawling film blends multiple timelines, realities and geographies to sketch a unique portrait of the artist,&amp;quot; he wrote.&amp;lt;ref&amp;gt;{{cite web|url=http://filmsdivision.org/the-fd-zone/111th-edition-mani-kauls-siddheshwari.html|title=Outtakes – Mani Kaul|author=Srikanth Srinivasan|date=9 April 2013|publisher=[[The Hindu]]|accessdate=2 July 2015}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
In a review for &amp;#039;&amp;#039;[[The New York Times]]&amp;#039;&amp;#039;, Caryn James compared the film  with an abstract painting, &amp;quot;wildly open to interpretation&amp;quot;. &amp;#039;&amp;#039;Siddheshwari&amp;#039;&amp;#039; is &amp;quot;beautifully photographed but impenetrable,&amp;quot; he wrote.&amp;lt;ref&amp;gt;{{cite web|url=https://www.nytimes.com/movie/review?res=9C0CE3DA1131F933A0575AC0A966958260|title=A Modernist Approach to Biography|author=Caryn James|date=30 September 1990|publisher=[[The New York Times]]|accessdate=2 July 2015}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Legacy ==&lt;br /&gt;
In 2014, critic [[Mark Cousins (film critic)|Mark Cousins]] and filmmaker [[John Akomfrah]] voted for &amp;#039;&amp;#039;Siddheshwari&amp;#039;&amp;#039; on &amp;#039;&amp;#039;[[Sight &amp;amp; Sound]]&amp;#039;&amp;#039;&amp;lt;nowiki/&amp;gt;&amp;#039;s list of &amp;quot;The Greatest Documentaries of All Time&amp;quot;, with the former describing the film as &amp;quot;[[Luchino Visconti|Visconti]] meets [[Satyajit Ray]]&amp;quot;.&amp;lt;ref&amp;gt;{{Cite web|url=https://www.bfi.org.uk/sight-sound-magazine/greatest-docs-full-poll/#/?poll=combined&amp;amp;voter=23f01c|title=The Greatest Documentaries of All Time – all the votes {{!}} Sight &amp;amp; Sound {{!}} BFI|website=www.bfi.org.uk|access-date=2019-03-10}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
This film has been categorized by [[Amrit Gangar]] as a Cinema of Prayoga film.&amp;lt;ref&amp;gt;{{Cite web|title = THEIR EXPERIMENTS WITH TRUTH «  The Big Indian Picture|url = http://thebigindianpicture.com/2013/06/their-experiments-with-truth/|accessdate = 2019-07-10}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*{{IMDb title|0232641}}&lt;br /&gt;
&lt;br /&gt;
{{Mani Kaul}}&lt;br /&gt;
&lt;br /&gt;
[[Category:Indian films]]&lt;br /&gt;
[[Category:Indian avant-garde and experimental films]]&lt;br /&gt;
[[Category:Films directed by Mani Kaul]]&lt;br /&gt;
[[Category:1980s avant-garde and experimental films]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{{1980s-Hindi-film-stub}}&lt;/div&gt;</summary>
		<author><name>&gt;Aspects</name></author>
	</entry>
</feed>