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	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Shunyasampadane</id>
	<title>Shunyasampadane - Revision history</title>
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	<updated>2026-11-15T15:48:14Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.6</generator>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Shunyasampadane&amp;diff=263707&amp;oldid=prev</id>
		<title>-&gt;Mossyflowers: /* 20th-century editions */</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Shunyasampadane&amp;diff=263707&amp;oldid=prev"/>
		<updated>2021-12-17T05:16:07Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;20th-century editions&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:46, 17 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot;&gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 3.|| Gummalapurada Siddalinga|| || Comprises 1439 vacanas&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 3.|| Gummalapurada Siddalinga|| || Comprises 1439 vacanas&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 4.|| Guluru Siddaviranna || 16th c|| Comprises 1543 vacanas&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| 4.|| Guluru Siddaviranna &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;or Guluru Siddaveereshvara &lt;/ins&gt;|| 16th c|| Comprises 1543 vacanas&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| 5.|| Dr. GV Jaya Rajashekhar|| 2003 || Comprises 780 vacanas&amp;lt;ref&amp;gt;{{cite book |last1=Jaya Rajashekhar |first1=G.V |title=Shunyasampadane:Anusandhana |date=2008 |publisher=Basava Samithi |location=Bengaluru |page=iii |edition=1}}&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot;&gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 30:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Basavaraju, L, ed. 1969. Shivaganaprasadi Mahadevayyana Prabhudevara Shoonyasampadane. Chitradurga: Shri Brahanmatha Samsthana.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Basavaraju, L, ed. 1969. Shivaganaprasadi Mahadevayyana Prabhudevara Shoonyasampadane. Chitradurga: Shri Brahanmatha Samsthana.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Vidyashankar, S., and G.S. Siddalingaiah, eds. 1998. Halageyaryana Shoonaysampadane. Bangalore: Priyadarshini Prakashana.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Vidyashankar, S., and G.S. Siddalingaiah, eds. 1998. Halageyaryana Shoonaysampadane. Bangalore: Priyadarshini Prakashana.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Nandimath, S.C., L.M.A. Menezes, and R.C. Hiremath, eds. 1965. [Gūḷūra Siddhavīrēśvara’s] Śūnyasaṃpādane: Volume I to V. Dharawar: Karnatak University. (It contains the original text and its English translation)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Jaya Rajashekhar, G.V., eds. 2003. Prabhudevara Shoonyasampadane. Bangalore: Siri Prakashana.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Jaya Rajashekhar, G.V., eds. 2003. Prabhudevara Shoonyasampadane. Bangalore: Siri Prakashana.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>-&gt;Mossyflowers</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Shunyasampadane&amp;diff=172283&amp;oldid=prev</id>
		<title>imported&gt;Ira Leviton: Fixed typos found with Wikipedia:Typo_Team/moss.</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Shunyasampadane&amp;diff=172283&amp;oldid=prev"/>
		<updated>2021-08-15T15:36:49Z</updated>

		<summary type="html">&lt;p&gt;Fixed typos found with &lt;a href=&quot;https://en.bharatpedia.org/wiki/Bharatpedia:Typo_Team/moss&quot; class=&quot;extiw&quot; title=&quot;wikipedia:Typo Team/moss&quot;&gt;Wikipedia:Typo_Team/moss&lt;/a&gt;.&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 21:06, 15 August 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=January 2020}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use dmy dates|date=January 2020}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=January 2020}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Use Indian English|date=January 2020}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Shunyasampadane&#039;&#039;&#039; [[Kannada|(Kannada:]] ಶೂನ್ಯಸಂಪಾದನೆ &#039;&#039;Śūnyasampādane&#039;&#039;) is an anthology of poems in the [[Kannada language]] that includes the vachanas and dialogues of several [[Lingayatism|Lingayat]] saints.  It is an important part of the holy scriptures of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lingayats&lt;/del&gt;.The word Shunyasampadane can be roughly translated as &quot;the acquisition of nothing&quot; in which Shunya translates to &quot;[[nothingness]]&quot;, &quot;void&quot; or &quot;empty&quot;. The more precise translation is &#039;the Graduated Attainment of the Divine Void&#039;. It is part of the important concepts associated with enlightenment in the Indian traditions.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Shunyasampadane&#039;&#039;&#039; [[Kannada|(Kannada:]] ಶೂನ್ಯಸಂಪಾದನೆ &#039;&#039;Śūnyasampādane&#039;&#039;) is an anthology of poems in the [[Kannada language]] that includes the vachanas and dialogues of several [[Lingayatism|Lingayat]] saints.  It is an important part of the holy scriptures of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lingayats&lt;/ins&gt;. The word Shunyasampadane can be roughly translated as &quot;the acquisition of nothing&quot; in which Shunya translates to &quot;[[nothingness]]&quot;, &quot;void&quot; or &quot;empty&quot;. The more precise translation is &#039;the Graduated Attainment of the Divine Void&#039;. It is part of the important concepts associated with enlightenment in the Indian traditions.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A record of the dialogues of various saints, the Shoonya Sampadane is a collection of [[vachana]]s of the important [[vacanakara]]s of the 12th century. The story follows the life and times of the holy mystic Allama Prabhu along his way to Kalyana city to meet Basava and the other Shivasharanas. The editors of the Shoonya Sampadane have woven through narrative the vachanas into a cohesive structure around an available or a new story. There are a total of five versions of the Shoonya Sampadane, of which the first four were composed between 15th and 16th century. The fourth version was &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(re)&lt;/del&gt;edited and printed by P.G. Halakatti in 1930. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;And the &lt;/del&gt;last version was edited and printed by Dr.GV Jaya Rajashekhar in 2003.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A record of the dialogues of various saints, the Shoonya Sampadane is a collection of [[vachana]]s of the important [[vacanakara]]s of the 12th century. The story follows the life and times of the holy mystic Allama Prabhu along his way to Kalyana city to meet Basava and the other Shivasharanas. The editors of the Shoonya Sampadane have woven through narrative the vachanas into a cohesive structure around an available or a new story. There are a total of five versions of the Shoonya Sampadane, of which the first four were composed between 15th and 16th century. The fourth version was edited and printed by P.G. Halakatti in 1930. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The &lt;/ins&gt;last version was edited and printed by Dr. GV Jaya Rajashekhar in 2003.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Editions==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Editions==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is accepted today that there are a total of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;fivecShoonya &lt;/del&gt;Sampadane works. Mahadevayya was the first one to compose a Shoonya Sampadane in early-15th century. He collated the vachanas of some of the major vachana composers as a series of dramatic narratives. Subsequently, others revised and re-presented his work. In early-16th century, Haligeya Deva, or his student Kenchavirannodeyaru, compiled the second version, adding a new section on Siddharama’s initiation at the hands of Chennabasava. A third version was produced around later by Gummalapurada Siddhalingayati, who mainly added more vachanas to each of the sections, as well as adding new episodes to the debates. The fourth version of the Shoonya Sampadane was edited by Goolur Siddhaveera. The Fifth and the latest version of Shoonya Sampadane was edited by Dr.GV Jaya Rajashekhar. All five versions follow a basic pattern, but make recognisable changes in interpretations both in terms of selection of the vachanas and composition of incidents.&amp;lt;ref&amp;gt;{{cite book |last1=Vidyashankar |first1=S. |last2=Siddalingaiah |first2=G.S. |title=Halageyaryana Shunyasampadane |date=1998 |publisher=Priyadarshini Prakashana |location=Bangalore |page=i-xxvii}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web |title=SHUNYASAMPADANE |url=http://www.shastriyakannada.org/DataBase/KannwordHTMLS/CLASSICAL%20KANNADA%20LITERATURE%20HTML/SHUNYASAMPADANE%20HTML.htm |accessdate=19 June 2020}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book |last1=Jaya Rajashekhar |first1=G.V |title=Shunyasampadane:Anusandhana |date=2018 |publisher=Siri Prakashana |location=Bengaluru |page=iii |edition=2}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is accepted today that there are a total of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;five Shoonya &lt;/ins&gt;Sampadane works. Mahadevayya was the first one to compose a Shoonya Sampadane in early-15th century. He collated the vachanas of some of the major vachana composers as a series of dramatic narratives. Subsequently, others revised and re-presented his work. In early-16th century, Haligeya Deva, or his student Kenchavirannodeyaru, compiled the second version, adding a new section on Siddharama’s initiation at the hands of Chennabasava. A third version was produced around later by Gummalapurada Siddhalingayati, who mainly added more vachanas to each of the sections, as well as adding new episodes to the debates. The fourth version of the Shoonya Sampadane was edited by Goolur Siddhaveera. The Fifth and the latest version of Shoonya Sampadane was edited by Dr.GV Jaya Rajashekhar. All five versions follow a basic pattern, but make recognisable changes in interpretations both in terms of selection of the vachanas and composition of incidents. &amp;lt;ref&amp;gt;{{cite book |last1=Vidyashankar |first1=S. |last2=Siddalingaiah |first2=G.S. |title=Halageyaryana Shunyasampadane |date=1998 |publisher=Priyadarshini Prakashana |location=Bangalore |page=i-xxvii}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web |title=SHUNYASAMPADANE |url=http://www.shastriyakannada.org/DataBase/KannwordHTMLS/CLASSICAL%20KANNADA%20LITERATURE%20HTML/SHUNYASAMPADANE%20HTML.htm |accessdate=19 June 2020}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book |last1=Jaya Rajashekhar |first1=G.V |title=Shunyasampadane:Anusandhana |date=2018 |publisher=Siri Prakashana |location=Bengaluru |page=iii |edition=2}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l63&quot;&gt;Line 63:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 63:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{India-lit-stub}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{India-lit-stub}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{en-Wikipedia}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Ira Leviton</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Shunyasampadane&amp;diff=94257&amp;oldid=prev</id>
		<title>CleanupBot: clean up, add source tag</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Shunyasampadane&amp;diff=94257&amp;oldid=prev"/>
		<updated>2021-06-02T04:27:44Z</updated>

		<summary type="html">&lt;p&gt;clean up, add source tag&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:57, 2 June 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot;&gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Editions==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Editions==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is accepted today that there are a total of fivecShoonya Sampadane works. Mahadevayya was the first one to compose a Shoonya Sampadane in early-15th century. He collated the vachanas of some of the major vachana composers as a series of dramatic narratives. Subsequently, others revised and re-presented his work. In early-16th century, Haligeya Deva, or his student Kenchavirannodeyaru, compiled the second version, adding a new section on Siddharama’s initiation at the hands of Chennabasava. A third version was produced around later by Gummalapurada Siddhalingayati, who mainly added more vachanas to each of the sections, as well as adding new episodes to the debates. The fourth version of the Shoonya Sampadane was edited by Goolur Siddhaveera. The Fifth and the latest version of Shoonya Sampadane was edited by Dr.GV Jaya Rajashekhar. All five versions follow a basic pattern, but make recognisable changes in interpretations both in terms of selection of the vachanas and composition of incidents. &amp;lt;ref&amp;gt;{{cite book |last1=Vidyashankar |first1=S. |last2=Siddalingaiah |first2=G.S. |title=Halageyaryana Shunyasampadane |date=1998 |publisher=Priyadarshini Prakashana |location=Bangalore |page=i-xxvii}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web |title=SHUNYASAMPADANE |url=http://www.shastriyakannada.org/DataBase/KannwordHTMLS/CLASSICAL%20KANNADA%20LITERATURE%20HTML/SHUNYASAMPADANE%20HTML.htm |accessdate=19 June 2020}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book |last1=Jaya Rajashekhar |first1=G.V |title=Shunyasampadane:Anusandhana |date=2018 |publisher=Siri Prakashana |location=Bengaluru |page=iii |edition=2}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is accepted today that there are a total of fivecShoonya Sampadane works. Mahadevayya was the first one to compose a Shoonya Sampadane in early-15th century. He collated the vachanas of some of the major vachana composers as a series of dramatic narratives. Subsequently, others revised and re-presented his work. In early-16th century, Haligeya Deva, or his student Kenchavirannodeyaru, compiled the second version, adding a new section on Siddharama’s initiation at the hands of Chennabasava. A third version was produced around later by Gummalapurada Siddhalingayati, who mainly added more vachanas to each of the sections, as well as adding new episodes to the debates. The fourth version of the Shoonya Sampadane was edited by Goolur Siddhaveera. The Fifth and the latest version of Shoonya Sampadane was edited by Dr.GV Jaya Rajashekhar. All five versions follow a basic pattern, but make recognisable changes in interpretations both in terms of selection of the vachanas and composition of incidents.&amp;lt;ref&amp;gt;{{cite book |last1=Vidyashankar |first1=S. |last2=Siddalingaiah |first2=G.S. |title=Halageyaryana Shunyasampadane |date=1998 |publisher=Priyadarshini Prakashana |location=Bangalore |page=i-xxvii}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web |title=SHUNYASAMPADANE |url=http://www.shastriyakannada.org/DataBase/KannwordHTMLS/CLASSICAL%20KANNADA%20LITERATURE%20HTML/SHUNYASAMPADANE%20HTML.htm |accessdate=19 June 2020}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book |last1=Jaya Rajashekhar |first1=G.V |title=Shunyasampadane:Anusandhana |date=2018 |publisher=Siri Prakashana |location=Bengaluru |page=iii |edition=2}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{| class=&amp;quot;wikitable&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l63&quot;&gt;Line 63:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 63:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{India-lit-stub}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{India-lit-stub}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{en-Wikipedia}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>CleanupBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Shunyasampadane&amp;diff=55955&amp;oldid=prev</id>
		<title>106.51.27.175 at 06:56, 1 May 2021</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Shunyasampadane&amp;diff=55955&amp;oldid=prev"/>
		<updated>2021-05-01T06:56:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Lingayatism}}&lt;br /&gt;
{{morefootnotes|date=January 2020}}&lt;br /&gt;
{{Use dmy dates|date=January 2020}}&lt;br /&gt;
{{Use Indian English|date=January 2020}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Shunyasampadane&amp;#039;&amp;#039;&amp;#039; [[Kannada|(Kannada:]] ಶೂನ್ಯಸಂಪಾದನೆ &amp;#039;&amp;#039;Śūnyasampādane&amp;#039;&amp;#039;) is an anthology of poems in the [[Kannada language]] that includes the vachanas and dialogues of several [[Lingayatism|Lingayat]] saints.  It is an important part of the holy scriptures of lingayats.The word Shunyasampadane can be roughly translated as &amp;quot;the acquisition of nothing&amp;quot; in which Shunya translates to &amp;quot;[[nothingness]]&amp;quot;, &amp;quot;void&amp;quot; or &amp;quot;empty&amp;quot;. The more precise translation is &amp;#039;the Graduated Attainment of the Divine Void&amp;#039;. It is part of the important concepts associated with enlightenment in the Indian traditions.  &lt;br /&gt;
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A record of the dialogues of various saints, the Shoonya Sampadane is a collection of [[vachana]]s of the important [[vacanakara]]s of the 12th century. The story follows the life and times of the holy mystic Allama Prabhu along his way to Kalyana city to meet Basava and the other Shivasharanas. The editors of the Shoonya Sampadane have woven through narrative the vachanas into a cohesive structure around an available or a new story. There are a total of five versions of the Shoonya Sampadane, of which the first four were composed between 15th and 16th century. The fourth version was (re)edited and printed by P.G. Halakatti in 1930. And the last version was edited and printed by Dr.GV Jaya Rajashekhar in 2003.&lt;br /&gt;
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==Editions==&lt;br /&gt;
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It is accepted today that there are a total of fivecShoonya Sampadane works. Mahadevayya was the first one to compose a Shoonya Sampadane in early-15th century. He collated the vachanas of some of the major vachana composers as a series of dramatic narratives. Subsequently, others revised and re-presented his work. In early-16th century, Haligeya Deva, or his student Kenchavirannodeyaru, compiled the second version, adding a new section on Siddharama’s initiation at the hands of Chennabasava. A third version was produced around later by Gummalapurada Siddhalingayati, who mainly added more vachanas to each of the sections, as well as adding new episodes to the debates. The fourth version of the Shoonya Sampadane was edited by Goolur Siddhaveera. The Fifth and the latest version of Shoonya Sampadane was edited by Dr.GV Jaya Rajashekhar. All five versions follow a basic pattern, but make recognisable changes in interpretations both in terms of selection of the vachanas and composition of incidents. &amp;lt;ref&amp;gt;{{cite book |last1=Vidyashankar |first1=S. |last2=Siddalingaiah |first2=G.S. |title=Halageyaryana Shunyasampadane |date=1998 |publisher=Priyadarshini Prakashana |location=Bangalore |page=i-xxvii}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web |title=SHUNYASAMPADANE |url=http://www.shastriyakannada.org/DataBase/KannwordHTMLS/CLASSICAL%20KANNADA%20LITERATURE%20HTML/SHUNYASAMPADANE%20HTML.htm |accessdate=19 June 2020}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite book |last1=Jaya Rajashekhar |first1=G.V |title=Shunyasampadane:Anusandhana |date=2018 |publisher=Siri Prakashana |location=Bengaluru |page=iii |edition=2}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
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! Sl. No. !! Composer !! Date !! Information&lt;br /&gt;
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| 1.|| Shivaganaprasadi Mahadevayya|| late-14 / early-15th c || Comprises 1012 vacanas&amp;lt;ref&amp;gt;{{cite book |last1=Nandimath |first1=S.C. |last2=Menezes |first2=L.M.A. |last3=Hiremath |first3=R.C. |title=[Gūḷūra Siddhavīrēśvara&amp;#039;s] Śūnyasaṃpādane: Volume I |date=1965 |publisher=Karnatak University |location=Dharawar}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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| 2.|| Halageyadeva|| 1530&amp;lt;ref&amp;gt;{{cite book |last1=Vidyashankar |first1=S. |last2=Siddalingaiah |first2=G.S. |title=Halageyaryana Shunyasampadane |date=1998 |publisher=Priyadarshini Prakashana |location=Bangalore |page=xxvi}}&amp;lt;/ref&amp;gt;|| Comprises 1599 vacanas&lt;br /&gt;
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| 3.|| Gummalapurada Siddalinga|| || Comprises 1439 vacanas&lt;br /&gt;
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| 4.|| Guluru Siddaviranna || 16th c|| Comprises 1543 vacanas&lt;br /&gt;
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| 5.|| Dr. GV Jaya Rajashekhar|| 2003 || Comprises 780 vacanas&amp;lt;ref&amp;gt;{{cite book |last1=Jaya Rajashekhar |first1=G.V |title=Shunyasampadane:Anusandhana |date=2008 |publisher=Basava Samithi |location=Bengaluru |page=iii |edition=1}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==20th-century editions==&lt;br /&gt;
*Halakatti, P.G., ed. 1930. Guluru Siddavirana Shoonyasampadane.&lt;br /&gt;
*Basavaraju, L, ed. 1969. Shivaganaprasadi Mahadevayyana Prabhudevara Shoonyasampadane. Chitradurga: Shri Brahanmatha Samsthana.&lt;br /&gt;
*Vidyashankar, S., and G.S. Siddalingaiah, eds. 1998. Halageyaryana Shoonaysampadane. Bangalore: Priyadarshini Prakashana.&lt;br /&gt;
*Jaya Rajashekhar, G.V., eds. 2003. Prabhudevara Shoonyasampadane. Bangalore: Siri Prakashana.&lt;br /&gt;
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==Further reading==&lt;br /&gt;
* Nandimath, S.C., L.M.A. Menezes, and R.C. Hiremath, eds. 1965. [Gūḷūra Siddhavīrēśvara’s] Śūnyasaṃpādane: Volume I. Dharawar: Karnatak University.&lt;br /&gt;
* Bhoosanuramath, S.S., and Armando Menezes, eds. 1968. [Gūḷūra Siddhavīrēśvara’s] Śūnyasaṃpādane: Volume II. Dharawar: Karnatak University.&lt;br /&gt;
*Bhoosanuramath, S.S., and Armando Menezes, eds. 1969. [Gūḷūra Siddhavīrēśvara’s] Śūnyasaṃpādane: Volume III. Dharawar: Karnatak University.&lt;br /&gt;
* Jaya Rajashekhar, G.V, ed 1992. Shoonyasampadaneyalli Sthri pathragalu, Bangalore: Basava Samithi.&lt;br /&gt;
* Sri Kumarswamiji. 1993a. “The Genesis of Shunya Sampadane –I.” In Veerashaivism: Comparative Study of Allama Prabhu and Basava, Shunyasampadhane and Vachanshastra, edited by S. Munavalli. Dharwad.&lt;br /&gt;
* Sri Kumarswamiji. 1993b. Veerashaivism: Comparative Study of Allama Prabhu and Basava, Shunyasampadhane and Vachanshastra. Edited by S. Munavalli. Dharwad.&lt;br /&gt;
*Ayyappapanicker, K. 1997. &amp;#039;&amp;#039;Medieval Indian Literature: Surveys and selections.&amp;#039;&amp;#039; New Delhi: Sahitya Akademi.&lt;br /&gt;
* Jaya Rajashekhar, G.V, ed. 1998. Shoonyasampadaneya Sangraha,Bangalore:Kannada Sahithya Parishad.&lt;br /&gt;
*Ullagaddi, Saroja. &amp;quot;Shoonya Sampadane.&amp;quot; http://www.vsna-tx.org/2007/WaniMarch07-1.pdf&lt;br /&gt;
* Jaya Rajashekhar, G.V, ed 2010. Shoonyasampadaneya sharaniyaru, Bhalki: Basava Dharma Prachara Samsthe,Hiremath Samsthana.&lt;br /&gt;
* Jaya Rajashekhar, G.V, ed. 2013. Shoonyasampadaneya Antharangada Drushyagalu, Bhalki: Basava Dharma Prachara Samsthe,Hiremath Samsthana.&lt;br /&gt;
* “The Genesis of Shunya Sampadane I - Welcome to Spiritual World of Veerashaiva’s.” n.d. Accessed December 16, 2014. http://www.virashaiva.com/the-genesis-of-shunya-sampadane-i/.&lt;br /&gt;
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==References and notes==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
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[[Category:Lingayatism]]&lt;br /&gt;
[[Category:Kannada literature]]&lt;br /&gt;
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{{karnataka-stub}}&lt;br /&gt;
{{Lingayat-stub}}&lt;br /&gt;
{{India-lit-stub}}&lt;br /&gt;
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