Shuddha Saveri - Revision history

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			{{Use British English\|date=November 2011}}
			{{Use dmy dates\|date=October 2021}}
			{{Carnatic}}
	{{Infobox ragam		{{Infobox ragam
	\| name = Shuddha Saveri		\| name = Shuddha Saveri
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	\| similar =		\| similar =
	}}		}}
	~~{{Use British English\|date=November 2011}}~~
	~~{{Use dmy dates\|date=November 2011}}~~		'''Shuddha Saveri''' or '''śuddha sāveri''' is a [[raga]]m in [[Carnatic music]] (musical scale of South Indian classical music) and [[Yakshagana]] music. It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''[[janya]]'' rāgam (derived scale)of the Melakarta ragam Dhīraśaṅkarābharaṇaṃ which is 29th Melakarta raga. In [[Hindustani music]] it is called ''[[Durga (raga)\|Durga]]''.<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref> According to the school of [[Muthuswami Dikshitar]], this rāgam is called ''Devakriya''.<ref name="ragas" /><ref name="raganidhi" /> ''[[Karnataka Shuddha Saveri]]'', a janya rāgam of 1st ''[[melakarta]]'' ''[[Kanakangi]]'', is called ''Shuddha Saveri'' by the Dikshitar school.<ref name="raganidhi" />
	~~{{Carnatic}}~~
	'''Shuddha Saveri''' or '''śuddha sāveri''' is a [[~~rāga~~]]m in [[Carnatic music]] (musical scale of South Indian classical music) and [[Yakshagana]] music. It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''[[janya]]'' rāgam (derived scale)of the Melakarta ragam Dhīraśaṅkarābharaṇaṃ which is 29th Melakarta raga. In [[Hindustani music]] it is called ''[[Durga (raga)\|Durga]]''.<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref> According to the school of [[Muthuswami Dikshitar]], this rāgam is called ''Devakriya''.<ref name="ragas" /><ref name="raganidhi" /> ''[[Karnataka Shuddha Saveri]]'', a janya rāgam of 1st ''[[melakarta]]'' ''[[Kanakangi]]'', is called ''Shuddha Saveri'' by the Dikshitar school.<ref name="raganidhi" />

	== Structure and Lakshana ==		== Structure and Lakshana ==
	[[Image:ShuddhaSaveri scale.svg\|thumb\|right\|300px\|''Shuddha Saveri'' scale with ''shadjam'' at C]]		[[Image:ShuddhaSaveri scale.svg\|thumb\|right\|300px\|''Shuddha Saveri'' scale with ''shadjam'' at C]]

	''Shuddha Saveri'' is a symmetric rāgam that does not contain ''gāndhāram'' or ''nishādam''. It is a pentatonic scale (''audava-audava'' ragam in Carnatic music classification – audava meaning 'of 5'). Its ''{{IAST\|ārohaṇa-avarohaṇa}}'' structure (ascending and descending scale) is as follows (see [[Swara#~~Swaras~~ in Carnatic music\|''swaras'' in Carnatic music]] for details on below notation and terms):		''Shuddha Saveri'' is a symmetric rāgam that does not contain ''gāndhāram'' or ''nishādam''. It is a pentatonic scale (''audava-audava'' ragam in Carnatic music classification – audava meaning 'of 5'). Its ''{{IAST\|ārohaṇa-avarohaṇa}}'' structure (ascending and descending scale) is as follows (see [[Swara#Svaras in Carnatic music\|''swaras'' in Carnatic music]] for details on below notation and terms):
	* [[Arohana\|{{IAST\|ārohaṇa}}]] : {{svaraC\|S\|R2\|M1\|P\|D2\|S'\|foot=yes}}		* [[Arohana\|{{IAST\|ārohaṇa}}]] : {{svaraC\|S\|R2\|M1\|P\|D2\|S'\|foot=yes}}
	* [[Avarohana\|{{IAST\|avarohaṇa}}]] : {{svaraC\|S'\|D2\|P\|M1\|R2\|S\|foot=yes}}		* [[Avarohana\|{{IAST\|avarohaṇa}}]] : {{svaraC\|S'\|D2\|P\|M1\|R2\|S\|foot=yes}}
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	== Popular compositions ==		== Popular compositions ==
	Here are some popular ''[[~~kriti~~]]s'' composed in ''Shuddha Saveri''.		Here are some popular ''[[Kriti (music)\|kritis]]'' composed in ''Shuddha Saveri''.<ref>{{cite web
			\|url=https://www.thehindu.com/features/metroplus//article59796102.ece
			\|title=Joyful Suddha Saveri}}</ref>
	* ''Darinē telusukonṭi'' and ''Kālaharaṇamēla rā harē'' by [[Tyagaraja]] in [[Telugu language\|Telugu]]		* ''Darinē telusukonṭi'' and ''Kālaharaṇamēla rā harē'' by [[Tyagaraja]] in [[Telugu language\|Telugu]]
	* ''Taye tripura sundari'' by [[Periyasaamy Thooran]]		* ''Taye tripura sundari'' by [[Periyasaamy Thooran]]
	* ''Janani pahi sada (Navarathri 7th Day krithi)'' by [[Swathi Thirunal]]		* ''Janani pahi sada (Navarathri 7th Day krithi)'' by [[Swathi Thirunal]]
	''Ānalekara'', which is set to this rāgam, is one of the first few ''[[geetam]]s'' (very short compositions) taught to beginners.		''Ānalekara'', by [[Purandara Dasa]] which is set to this rāgam, is one of the first few ''[[geetam]]s'' (very short compositions) taught to beginners.
			* ''Dharma Shravana'' By [[Purandara Dasa]]
			* ''Ee Muddu Krishnana'' By [[Vadiraja Tirtha]]
	* ''Shri guruguha tarayashu mam'' by [[Muthuswami Dikshitar]]		* ''Shri guruguha tarayashu mam'' by [[Muthuswami Dikshitar]]
	* ''sarvajīva dayākarī'' by [[Oothukkadu Venkata Kavi]] is also popular		* ''sarvajīva dayākarī'' by [[Oothukkadu Venkata Kavi]] is also popular
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	* ''shankara gangadhara shrikantha'' and ''shrimat simhasaneshvari'' by [[Muthiah Bhagavatar]]		* ''shankara gangadhara shrikantha'' and ''shrimat simhasaneshvari'' by [[Muthiah Bhagavatar]]
	* ''Veedhula Veedhula'' by [[Annamacharya]]		* ''Veedhula Veedhula'' by [[Annamacharya]]
	* ''Ada Pogona '' By [[Sripadaraja]]		* ''Ada Pogona'', ''Elladi Bande'' By [[Sripadaraja]]
	* ''Hyange Madalayya '' By [[Gopala Dasa]]		* ''Hyange Madalayya '' By [[Gopala Dasa]]
			*Sadhasiva kumara by pabanasamsivan

	== Film Songs ==		== Film Songs ==
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	\|[[Kalyana Parisu]]		\|[[Kalyana Parisu]]
	\|[[A. M. Rajah]]		\|[[A. M. Rajah]]
	\|[[ A. M. Rajah]], [[P. Susheela]]		\|[[A. M. Rajah]], [[P. Susheela]]
	\|-		\|-
	\|Manjal Mugam		\|Manjal Mugam
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	\|Aadiyile Perukkeduthu Aadivarum		\|Aadiyile Perukkeduthu Aadivarum
	\|Radha (1973)		\|Radha (1973)
	\|[[M. S. Viswanathan]]		\|rowspan=2\|[[M. S. Viswanathan]]
			\|-
			\|Swararaaga
			(Ragamalika:ShuddhaSaveri,Shivaranjani)
			\|[[Andha 7 Naatkal]]
			\|[[P. Jayachandran]], [[Vani Jairam]]
	\|-		\|-
	\|Poonthendral Kaatrraga		\|Poonthendral Kaatrraga
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	\|Rettai Killigal		\|Rettai Killigal
	\|[[Ore Oru Gramathiley]]		\|[[Ore Oru Gramathiley]]
	\|[[K.J. Yesudas]], [[K.S. ~~Chitra~~]]		\|[[K.J. Yesudas]], [[K. S. Chithra]]
	\|-		\|-
	\|Malargalil Adum ilamai		\|Malargalil Adum ilamai
	\|[[Kalyanaraman (1979 film)\|Kalyanaraman]]		\|[[Kalyanaraman (1979 film)\|Kalyanaraman]]
	\|[[S. P. Sailaja]]		\|[[S. P. Sailaja]]
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	\|Sithakathi pookale		\|Sithakathi pookale
	\|[[Rajakumaran (film)\|Rajakumaran]]		\|[[Rajakumaran (film)\|Rajakumaran]]
	\|[[S. P. Balasubrahmanyam]], [[K.S. ~~Chitra~~]]		\|[[S. P. Balasubrahmanyam]], [[K. S. Chithra]]
	\|-		\|-
	\|Nattu Vacha Roja		\|Nattu Vacha Roja
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	\|Garuda Garuda		\|Garuda Garuda
	\|[[Natpukkaga]]		\|[[Natpukkaga]]
	~~\|rowspan="2"~~\|[[Deva (composer)\|Deva]]		\|[[Deva (composer)\|Deva]]
	\|Krishnaraj, [[Sujatha Mohan\|Sujatha]]		\|Krishnaraj, [[Sujatha Mohan\|Sujatha]]
	\|-
	~~\| Semeena Vinmeena~~
	~~\|[[Anantha Poongatre]]~~
	~~\|[[Hariharan (singer)\|Hariharan]]~~
	\|-		\|-
	\|O Maha Zeeya		\|O Maha Zeeya
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	* ''[[Arabhi\|Ārabhi]]'' is a rāgam which has the ascending scale of ''Shuddha Saveri'' and descending scale of ''Sankarabharanam''. Its {{IAST\|ārohaṇa-avarohaṇa}} structure is S R2 M1 P D2 S : S N3 D2 P M1 G3 R2 S		* ''[[Arabhi\|Ārabhi]]'' is a rāgam which has the ascending scale of ''Shuddha Saveri'' and descending scale of ''Sankarabharanam''. Its {{IAST\|ārohaṇa-avarohaṇa}} structure is S R2 M1 P D2 S : S N3 D2 P M1 G3 R2 S
	* ''[[Devagandhari#In Carnatic music\|Devagāndhāri]]'' is a rāgam which has the ascending scale of Shuddha Saveri and descending scale of ''Shankarabharanam''. Its {{IAST\|ārohaṇa-avarohaṇa}} structure is S R2 M1 P D2 S : S N3 D2 P M1 G3 R2 S (there are differences in intonation, swara phrases, prayoga, bhava and rasa between this rāgam and Ārabhi, though scale notation in simple terms are same)		* ''[[Devagandhari#In Carnatic music\|Devagāndhāri]]'' is a rāgam which has the ascending scale of Shuddha Saveri and descending scale of ''Shankarabharanam''. Its {{IAST\|ārohaṇa-avarohaṇa}} structure is S R2 M1 P D2 S : S N3 D2 P M1 G3 R2 S (there are differences in intonation, swara phrases, prayoga, bhava and rasa between this rāgam and Ārabhi, though scale notation in simple terms are same)
	* ''Janaranjani'' is a rāgam which has the ascending scale of ''Shankarabharanam'' and descending scale of ''Shuddha Saveri''. Its {{IAST\|ārohaṇa-avarohaṇa}} structure is S R2 G3 M1 P D2 N3 S : S D2 P M1 R2 S		* ''Janaranjani'' is a rāgam which has the ascending scale of ''Shankarabharanam'' and descending scale of ''Shuddha Saveri''. Its {{IAST\|ārohaṇa-avarohaṇa}} structure is S R2 G3 M1 P D2 N3 P S : S D2 P M1 R2 S
	* ''[[Karnataka Shuddha Saveri]]'' of Dikshitar school has ''Shuddha Rishabham'' in place of ''Chatushruti Rishabham'' and ''Shuddha Dhaivatam'' in place of ''Chatushruti Dhaivatam''. Its {{IAST\|ārohaṇa-avarohaṇa}} structure is S R1 M1 P D1 S : S D1 P M1 R1 S.		* ''[[Karnataka Shuddha Saveri]]'' of Dikshitar school has ''Shuddha Rishabham'' in place of ''Chatushruti Rishabham'' and ''Shuddha Dhaivatam'' in place of ''Chatushruti Dhaivatam''. Its {{IAST\|ārohaṇa-avarohaṇa}} structure is S R1 M1 P D1 S : S D1 P M1 R1 S.

imported>Ser Amantio di Nicolao: Moving from Category:Janya Ragas to Category:Janya ragas using Cat-a-lot

2021-08-28T09:14:02Z

Moving from Category:Janya Ragas to Category:Janya ragas using Cat-a-lot

New page

{{Infobox ragam
| name = Shuddha Saveri
| synonym =
| image_name =
| image_alt =
| mela =
| chakra =
| type =
| arohanam = {{svaraC|S|R2|M1|P|D2|S'}}
| avarohanam = {{svaraC|S'|D2|P|M1|R2|S}}
| jeeva =
| chhaya =
| nyasa =
| vishesha =
| equivalent =
| similar =
}}
{{Use British English|date=November 2011}}
{{Use dmy dates|date=November 2011}}
{{Carnatic}}
'''Shuddha Saveri''' or '''śuddha sāveri''' is a [[rāga]]m in [[Carnatic music]] (musical scale of South Indian classical music) and [[Yakshagana]] music. It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale). It is a ''[[janya]]'' rāgam (derived scale)of the Melakarta ragam Dhīraśaṅkarābharaṇaṃ which is 29th Melakarta raga. In [[Hindustani music]] it is called ''[[Durga (raga)|Durga]]''.<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref> According to the school of [[Muthuswami Dikshitar]], this rāgam is called ''Devakriya''.<ref name="ragas" /><ref name="raganidhi" /> ''[[Karnataka Shuddha Saveri]]'', a janya rāgam of 1st ''[[melakarta]]'' ''[[Kanakangi]]'', is called ''Shuddha Saveri'' by the Dikshitar school.<ref name="raganidhi" />

== Structure and Lakshana ==
[[Image:ShuddhaSaveri scale.svg|thumb|right|300px|''Shuddha Saveri'' scale with ''shadjam'' at C]]

''Shuddha Saveri'' is a symmetric rāgam that does not contain ''gāndhāram'' or ''nishādam''. It is a pentatonic scale (''audava-audava'' ragam in Carnatic music classification – audava meaning 'of 5'). Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure (ascending and descending scale) is as follows (see [[Swara#Swaras in Carnatic music|''swaras'' in Carnatic music]] for details on below notation and terms):
* [[Arohana|{{IAST|ārohaṇa}}]] : {{svaraC|S|R2|M1|P|D2|S'|foot=yes}}
* [[Avarohana|{{IAST|avarohaṇa}}]] : {{svaraC|S'|D2|P|M1|R2|S|foot=yes}}

It is a scale that uses the following variants of the ''swaras'' – ''chatushruti rishabham, shuddha madhyamam, panchamam'' and ''chatushruti dhaivatam''.

''Shuddha Saveri'' is considered a ''janya'' rāgam of ''[[Dheerasankarabharanam|Sankarabharanam]]'', the 29th ''melakarta'' rāgam,<ref name="raganidhi" /> though it can be derived from other melakarta rāgams, ''[[Kharaharapriya]]'', ''[[Gourimanohari]]'' or ''[[Harikambhoji]]'', by dropping both ''gāndhāram'' and ''nishādam''.

== Popular compositions ==
Here are some popular ''[[kriti]]s'' composed in ''Shuddha Saveri''.
* ''Darinē telusukonṭi'' and ''Kālaharaṇamēla rā harē'' by [[Tyagaraja]] in [[Telugu language|Telugu]]
* ''Taye tripura sundari'' by [[Periyasaamy Thooran]]
* ''Janani pahi sada (Navarathri 7th Day krithi)'' by [[Swathi Thirunal]]
''Ānalekara'', which is set to this rāgam, is one of the first few ''[[geetam]]s'' (very short compositions) taught to beginners.
* ''Shri guruguha tarayashu mam'' by [[Muthuswami Dikshitar]]
* ''sarvajīva dayākarī'' by [[Oothukkadu Venkata Kavi]] is also popular
* ''kamala-vilochani'' by Hari Sundareswara sharma
* ''shankara gangadhara shrikantha'' and ''shrimat simhasaneshvari'' by [[Muthiah Bhagavatar]]
* ''Veedhula Veedhula'' by [[Annamacharya]]
* ''Ada Pogona '' By [[Sripadaraja]]
* ''Hyange Madalayya '' By [[Gopala Dasa]]

== Film Songs ==
=== Language:[[Tamil language|Tamil]] ===
{| class="wikitable"
!style="background:#DB7093" |Song
!style="background:#DB7093" |Movie
!style="background:#DB7093" |Composer
!style="background:#DB7093" |Singer
|-
|Sithaye Ye Sithaye
|[[Sivakavi]]
|[[Papanasam Sivan]]
|[[M. K. Thyagaraja Bhagavathar]]
|-
|Vaadikkai Maranthathum
|[[Kalyana Parisu]]
|[[A. M. Rajah]]
|[[ A. M. Rajah]], [[P. Susheela]]
|-
|Manjal Mugam
|[[Karnan (1964 film)|Karnan]]
|[[Viswanathan–Ramamoorthy]]
|rowspan=2|[[P. Susheela]]
|-
|Aadiyile Perukkeduthu Aadivarum
|Radha (1973)
|[[M. S. Viswanathan]]
|-
|Poonthendral Kaatrraga
|Aval Oru Kavarimaan
|R. Ramanujam
|Malaysia V. Sarangapani, [[P. Susheela]]
|-
|Radha Radha Nee Enge
|[[Meendum Kokila]]
|rowspan="12"|[[Illayaraja]]
|[[S. P. Balasubrahmanyam]], [[S. Janaki]]
|-
|Kovilmani Osai
|[[Kizhakke Pogum Rail]]
|[[Malaysia Vasudevan]], [[S. Janaki]]
|-
|Kadhal Mayakam
|[[Pudhumai Penn (1984 film)|Pudhumai Penn]]
|[[P. Jayachandran]],Sunandha
|-
|Rettai Killigal
|[[Ore Oru Gramathiley]]
|[[K.J. Yesudas]], [[K.S. Chitra]]
|-
|Malargalil Adum ilamai
|[[Kalyanaraman (1979 film)|Kalyanaraman]]
|[[S. P. Sailaja]]
|-
|Asai Kiliyey Naan Solli
|[[Theertha Karaiyinile]]
|[[Mano (singer)|Mano]]
|-
|Sithakathi pookale
|[[Rajakumaran (film)|Rajakumaran]]
|[[S. P. Balasubrahmanyam]], [[K.S. Chitra]]
|-
|Nattu Vacha Roja
|[[Aranmanai Kili]]
|[[P. Susheela]]
|-
|Manamagale Manamagale
|[[Thevar Magan]]
|[[Minmini]], [[Swarnalatha]],Sindhuja
|-
|Sandiyare Sandiyare
|[[Virumaandi]]
|[[Shreya Ghoshal]]
|-
|Manasaoram
|Ayyan
|[[Sriram Parthasarathy]], [[Sadhana Sargam]]
|-
|Maanada Kodi
|[[Muthal Vasantham]]
|rowspan="2"|[[S. Janaki]]
|-
|Unakagave Naan Uyir Vazhigiren
|Rasigan Oru Rasigai
|[[Raveendran]]
|-
|En uyir Thozhiye
|[[Kangalal Kaidhu Sei]]
|[[A. R. Rahman]]
|[[Unni Menon]], [[Chinmayi]]
|-
|Sollitharavaa Sollitharavaa
|[[Majaa]]
|[[Vidyasagar (composer)|Vidyasagar]]
|[[Madhu Balakrishnan]], [[Sadhana Sargam]]
|-
|Athikaalaiyil Sevalai
|[[Nee Varuvai Ena]]
|[[S. A. Rajkumar]]
|[[P. Unnikrishnan]], [[Sujatha Mohan|Sujatha]]
|-
|Nadhiyoram
|[[Alexander (1996 film)|Alexander]]
|rowspan=2|[[Karthik Raja]]
|[[P. Unnikrishnan]], [[Bhavatharini]]
|-
|Un Perai Sonnale
|[[Dumm Dumm Dumm]]
|[[P. Unnikrishnan]], [[Sadhana Sargam]]
|-
|Garuda Garuda
|[[Natpukkaga]]
|rowspan="2"|[[Deva (composer)|Deva]]
|Krishnaraj, [[Sujatha Mohan|Sujatha]]
|-
| Semeena Vinmeena
|[[Anantha Poongatre]]
|[[Hariharan (singer)|Hariharan]]
|-
|O Maha Zeeya
|[[Thamizh Padam]]
|[[Kannan (music director)|Kannan]]
|[[Hariharan (singer)|Hariharan]], [[Shweta Mohan|Shweta]]
|}

== Related rāgams ==
This section covers the theoretical and scientific aspect of this rāgam.

=== ''Graha bhedam'' ===
''Shuddha Saveri's'' notes when shifted using ''[[Graha bhedam]]'', yields 4 other major pentatonic rāgams, namely, ''[[Mohanam]]'', ''[[Hindolam]]'', ''[[Madhyamavati]]'' and ''[[Udayaravichandrika]]'' (also known as ''Shuddha Dhanyasi''). ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam. See ''[[Graha bhedam#Mohanam|Graha bhedam on Mohanam]]'' for more details and illustration of this concept.

=== Scale similarities ===
* ''[[Salaga Bhairavi|Sālaga Bhairavi]]'' is a rāgam which has the ascending scale of ''Shuddha Saveri'' and descending scale of ''Kharaharapriya''. Its {{IAST|ārohaṇa-avarohaṇa}} structure is S R2 M1 P D2 S : S N2 D2 P M1 G2 R2 S
* ''[[Yadukulakamboji|Yadhukula Kambhoji]]'' is a rāgam which has the ascending scale of ''Shuddha Saveri'' and descending scale of ''Harikambhoji''. Its {{IAST|ārohaṇa-avarohaṇa}} structure is S R2 M1 P D2 S : S N2 D2 P M1 G3 R2 S
* ''[[Arabhi|Ārabhi]]'' is a rāgam which has the ascending scale of ''Shuddha Saveri'' and descending scale of ''Sankarabharanam''. Its {{IAST|ārohaṇa-avarohaṇa}} structure is S R2 M1 P D2 S : S N3 D2 P M1 G3 R2 S
* ''[[Devagandhari#In Carnatic music|Devagāndhāri]]'' is a rāgam which has the ascending scale of Shuddha Saveri and descending scale of ''Shankarabharanam''. Its {{IAST|ārohaṇa-avarohaṇa}} structure is S R2 M1 P D2 S : S N3 D2 P M1 G3 R2 S (there are differences in intonation, swara phrases, prayoga, bhava and rasa between this rāgam and Ārabhi, though scale notation in simple terms are same)
* ''Janaranjani'' is a rāgam which has the ascending scale of ''Shankarabharanam'' and descending scale of ''Shuddha Saveri''. Its {{IAST|ārohaṇa-avarohaṇa}} structure is S R2 G3 M1 P D2 N3 S : S D2 P M1 R2 S
* ''[[Karnataka Shuddha Saveri]]'' of Dikshitar school has ''Shuddha Rishabham'' in place of ''Chatushruti Rishabham'' and ''Shuddha Dhaivatam'' in place of ''Chatushruti Dhaivatam''. Its {{IAST|ārohaṇa-avarohaṇa}} structure is S R1 M1 P D1 S : S D1 P M1 R1 S.

==Notes==
{{notelist|30em}}

== References ==
{{reflist}}

{{Melakarta ragas|state=collapsed}}
{{Janya}}

[[Category:Janya ragas]]