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	<title>Shesher Kabita - Revision history</title>
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	<updated>2026-08-18T14:48:43Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<title>JessDudley8515: formatting fix</title>
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		<updated>2025-11-05T21:13:54Z</updated>

		<summary type="html">&lt;p&gt;formatting fix&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:43, 6 November 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{short description|1929 novel by Rabindranath Tagore}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Use dmy dates|date=June 2025}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Use Indian English|date=June 2025}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox book&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Infobox book&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- |italic title = (see above) --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;!-- |italic title = (see above) --&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l29&quot;&gt;Line 29:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 32:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The novel recounts the love story of Amit Ray living in [[Kolkata]] in the 1920s. Though he is a barrister educated at [[Oxford]] his main interest lies in literature. Never afraid to speak his mind, he is always ready to challenge society&#039;s pre-established knowledge and rules regarding literature, equal rights and so on. While vacationing in Shillong, he comes upon a governess named Labanya in a minor car accident. Amit&#039;s &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;iconoclastism &lt;/del&gt;meets Labannya&#039;s sincere simplicity through a series of dialogues and poems that they write for each other.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The novel recounts the love story of Amit Ray living in [[Kolkata]] in the 1920s. Though he is a barrister educated at [[Oxford]] his main interest lies in literature. Never afraid to speak his mind, he is always ready to challenge society&#039;s pre-established knowledge and rules regarding literature, equal rights and so on. While vacationing in Shillong, he comes upon a governess named Labanya in a minor car accident. Amit&#039;s &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;iconoclasm &lt;/ins&gt;meets Labannya&#039;s sincere simplicity through a series of dialogues and poems that they write for each other.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The novel also contains a self-reference of significance in Bengali literature. By the late 1920s, more than a decade after his [[Nobel Prize in Literature|Nobel Prize]], Tagore had become a towering presence in Bengal, and was facing criticism:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The novel also contains a self-reference of significance in Bengali literature. By the late 1920s, more than a decade after his [[Nobel Prize in Literature|Nobel Prize]], Tagore had become a towering presence in Bengal, and was facing criticism:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l44&quot;&gt;Line 44:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 47:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Adaptations==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Adaptations==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;The 1981 Soviet-Russian film &lt;/del&gt;&#039;&#039;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Could One Imagine?&lt;/del&gt;]]&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; (Russian: Вам и не снилось…, romanized: &#039;&#039;{{not a typo|Vam i ne snilos}}&#039;&#039;), also released as &#039;&#039;Love &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lies,&#039;&#039; contains a song called “Последняя поэма” (The last poem) that is partially based on a letter from Labannya. The author of the poem is &lt;/del&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Adelina Adalis&lt;/del&gt;]].&amp;lt;ref&amp;gt;{{Cite web|url=https://&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lyricstranslate&lt;/del&gt;.com/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;en&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;poslednyaya&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;poema-poslednyaya&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;poema&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;last-poem.html&lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;title&lt;/del&gt;=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Irina Otieva - Последняя поэма (Poslednyaya poema) lyrics + English translation&lt;/del&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;Shesher Kabita&lt;/ins&gt;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(1953) directed by [[Madhu Bose]] and starring &lt;/ins&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Nirmal Kumar&lt;/ins&gt;]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;as Amit Roy &lt;/ins&gt;and [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Dipti Roy&lt;/ins&gt;]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;as Labanya&lt;/ins&gt;.&amp;lt;ref&amp;gt;{{Cite web &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|title=শেষের কবিতা (১৯৫৩) &lt;/ins&gt;|url=https://&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;banglacinema100&lt;/ins&gt;.com/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;movie-details&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ZVVGRWNHMDFhWHBrU1ZaS2FrRlpTa01yWVdwM1VUMDk= |access&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;date=2025&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;11&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;05 &lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;website&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;banglacinema100.com&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;A &lt;/del&gt;film &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Shesher Kabita&lt;/del&gt;&#039;&#039;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;adaptation of the book&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;was &lt;/del&gt;released &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in 2013. It was directed by [[Suman Mukhopadhyay]] &lt;/del&gt;and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;starred [[Konkona Sen Sharma]] as &lt;/del&gt;Labannya &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and &lt;/del&gt;[[&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Rahul Bose&lt;/del&gt;]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;as Amit Ray&lt;/del&gt;.&amp;lt;ref&amp;gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;cite news|last=Mukherjee|first=Roshini|title=Rahul Bose &amp;amp; Konkona Sen in Shesher Kabita&lt;/del&gt;|url=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http&lt;/del&gt;://&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;articles.timesofindia.indiatimes&lt;/del&gt;.com/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2012-01-12/news-interviews&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;30619532_1_konkona&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sen&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;sharma&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;rahul&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;bose&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;love-story|archive-url=https://web&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;archive.org/web/20130509234021/http://articles.timesofindia.indiatimes.com/2012-01-12/news-interviews/30619532_1_konkona-sen-sharma-rahul-bose-love-story&lt;/del&gt;|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;url-status&lt;/del&gt;=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dead|archive&lt;/del&gt;-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;date=May 9, 2013|accessdate=January 19, 2012|newspaper=[[The Times of India]]|date=January 12, 2012&lt;/del&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* The 1981 Soviet-Russian &lt;/ins&gt;film &#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Could One Imagine?]]&lt;/ins&gt;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; (Russian: Вам и не снилось…&lt;/ins&gt;,&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; romanized: &#039;&#039;{{not a typo|Vam i ne snilos}}&#039;&#039;)&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;also &lt;/ins&gt;released &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;as &#039;&#039;Love &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Lies,&#039;&#039; contains a song called &quot;Последняя поэма&quot; (The last poem) that is partially based on a letter from &lt;/ins&gt;Labannya&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. The author of the poem is &lt;/ins&gt;[[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Adelina Adalis&lt;/ins&gt;]].&amp;lt;ref&amp;gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cite web&lt;/ins&gt;|url=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/ins&gt;://&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lyricstranslate&lt;/ins&gt;.com/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;en&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;poslednyaya&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;poema&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;poslednyaya&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;poema&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;last&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;poem&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;html&lt;/ins&gt;|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;title&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Irina Otieva &lt;/ins&gt;- &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Последняя поэма (Poslednyaya poema) lyrics + English translation&lt;/ins&gt;}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;full radio play of &lt;/del&gt;&#039;&#039;Shesher Kabita&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;is available on YouTube&lt;/del&gt;. It was &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;performed at the lawn of Sir. P.C. Mitter&#039;s heritage house on Elgin Road on 1 April 2012&lt;/del&gt;.&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/del&gt;https://&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;www&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;youtube&lt;/del&gt;.com/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;watch?v&lt;/del&gt;=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;H5GnUisldN0 YouTube Video of April 1, 2012 performance at Sir&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;P&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;C&lt;/del&gt;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Mitter&#039;s heritage house&lt;/del&gt;.]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &lt;/ins&gt;A &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;film &lt;/ins&gt;&#039;&#039;Shesher Kabita&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, adaptation of the book, was released in 2013&lt;/ins&gt;. It was &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;directed by [[Suman Mukhopadhyay]] and starred [[Konkona Sen Sharma]] as Labannya and [[Rahul Bose]] as Amit Ray&lt;/ins&gt;.&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{cite news|last=Mukherjee|first=Roshini|title=Rahul Bose &amp;amp; Konkona Sen in Shesher Kabita|url=&lt;/ins&gt;https://&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;timesofindia&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;indiatimes&lt;/ins&gt;.com/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;entertainment/regional/news-interviews/Rahul-Bose-Konkona-Sen-in-Shesher-Kabita/articleshow/11458903.cms|archive-url&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://web.archive&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;org/web/20130509234021/http://articles&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;timesofindia&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;indiatimes&lt;/ins&gt;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;com/2012-01-12/news-interviews/30619532_1_konkona-sen-sharma-rahul-bose-love-story|url-status=live|archive-date=9 May 2013|access-date=19 January 2012|newspaper=[[The Times of India]&lt;/ins&gt;]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|date=12 January 2012}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Poem Of An Ending&#039;&#039;, a stage adaptation &lt;/del&gt;of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tagore&#039;s &lt;/del&gt;&#039;&#039;Shesher Kabita&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/del&gt;was &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;staged by Theatreworms Productions, New Delhi (Directed by Kaushik Bose &amp;amp; Durba Ghose) &lt;/del&gt;at &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Panna Bharat Ram Theatre Festival, &lt;/del&gt;on &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;27 December 2018&lt;/del&gt;.&amp;lt;ref&amp;gt;[https://www.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;hindustantimes&lt;/del&gt;.com/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;art-and-culture/tagore-&lt;/del&gt;s&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;-masterpiece-shesher-kobita-adapted-staged-in-delhi/story-X79E12wAcAW2RhD9FTpXCJ&lt;/del&gt;.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;html Tagore’s masterpiece Shesher Kobita adapted, staged in Delhi&lt;/del&gt;]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* A full radio play &lt;/ins&gt;of &#039;&#039;Shesher Kabita&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;is available on YouTube. It &lt;/ins&gt;was &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;performed &lt;/ins&gt;at &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the lawn of Sir. P.C. Mitter&#039;s heritage house on Elgin Road &lt;/ins&gt;on &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1 April 2012&lt;/ins&gt;.&amp;lt;ref&amp;gt;[https://www.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;youtube&lt;/ins&gt;.com/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;watch?v=H5GnUisldN0 YouTube Video of 1 April 2012 performance at Sir. P.C. Mitter&#039;&lt;/ins&gt;s &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;heritage house&lt;/ins&gt;.]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;[[Shesher Golpo]]&#039;&#039; an extension of the novel was released in July 2019. The film directed by Jiit Chakraborty, had [[Soumitra Chatterjee]] as &#039;Amit Ray&#039; and [[Mamata Shankar]] as &#039;Labanya&#039;.&amp;lt;ref&amp;gt;{{cite news|url=https://timesofindia.indiatimes.com/entertainment/bengali/movies/news/mamata-shankar-thrilled-to-play-labanya/articleshow/70127915.cms|title=Mamata Shankar thrilled to play Labanya|newspaper=[[The Times of India]]|date=8 July 2019}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &#039;&#039;Poem Of An Ending&#039;&#039;, a stage adaptation of Tagore&#039;s &#039;&#039;Shesher Kabita&#039;&#039;, was staged by Theatreworms Productions, New Delhi (Directed by Kaushik Bose &amp;amp; Durba Ghose) at Panna Bharat Ram Theatre Festival, on 27 December 2018.&amp;lt;ref&amp;gt;[https://www.hindustantimes.com/art-and-culture/tagore-s-masterpiece-shesher-kobita-adapted-staged-in-delhi/story-X79E12wAcAW2RhD9FTpXCJ.html Tagore’s masterpiece Shesher Kobita adapted, staged in Delhi]&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* &lt;/ins&gt;&#039;&#039;[[Shesher Golpo]]&#039;&#039; an extension of the novel was released in July 2019. The film directed by Jiit Chakraborty, had [[Soumitra Chatterjee]] as &#039;Amit Ray&#039; and [[Mamata Shankar]] as &#039;Labanya&#039;.&amp;lt;ref&amp;gt;{{cite news|url=https://timesofindia.indiatimes.com/entertainment/bengali/movies/news/mamata-shankar-thrilled-to-play-labanya/articleshow/70127915.cms|title=Mamata Shankar thrilled to play Labanya|newspaper=[[The Times of India]]|date=8 July 2019}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;==External links==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*[https://amargitanjali.com/tag/%e0%a6%b6%e0%a7%87%e0%a6%b7%e0%a7%87%e0%a6%b0-%e0%a6%95%e0%a6%ac%e0%a6%bf%e0%a6%a4%e0%a6%be/ শেষের কবিতা সমগ্র]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Rabindranath Tagore}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Rabindranath Tagore}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;

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		<author><name>JessDudley8515</name></author>
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	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Shesher_Kabita&amp;diff=329560&amp;oldid=prev</id>
		<title>UpdateBot: robot: Update article (please report if you notice any mistake or error in this edit)</title>
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		<updated>2022-04-16T14:42:24Z</updated>

		<summary type="html">&lt;p&gt;robot: Update article (please &lt;a href=&quot;/wiki/User_talk:UpdateBot&quot; title=&quot;User talk:UpdateBot&quot;&gt;report&lt;/a&gt; if you notice any mistake or error in this edit)&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:12, 16 April 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l26&quot;&gt;Line 26:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 26:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| followed_by      =  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| followed_by      =  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Shesher Kabita&#039;&#039;&#039;&#039;&#039; (Bengali: শেষের কবিতা) is a novel by [[Rabindranath Tagore]]. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;The novel was serialised in 1928, from [[Bhadra]] to [[Choitro]] in the magazine &#039;&#039;Probashi&#039;&#039;, and was published in book form the following year. It has been translated into English as &#039;&#039;The Last Poem&#039;&#039; (translator Anandita Mukhopadhyay) and &#039;&#039;Farewell song&#039;&#039; (translator Radha Chakravarty).{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;clarification needed&lt;/del&gt;|date=March 2021}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Shesher Kabita&#039;&#039;&#039;&#039;&#039; (Bengali: শেষের কবিতা) is a novel by [[Rabindranath Tagore]]. The novel was serialised in 1928, from [[Bhadra]] to [[Choitro]] in the magazine &#039;&#039;Probashi&#039;&#039;, and was published in book form the following year. It has been translated into English as &#039;&#039;The Last Poem&#039;&#039; (translator Anandita Mukhopadhyay) and &#039;&#039;Farewell song&#039;&#039; (translator Radha Chakravarty).{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;clarify&lt;/ins&gt;|date=March 2021}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Synopsis==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l33&quot;&gt;Line 33:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 33:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The novel also contains a self-reference of significance in Bengali literature. By the late 1920s, more than a decade after his [[Nobel Prize in Literature|Nobel Prize]], Tagore had become a towering presence in Bengal, and was facing criticism:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The novel also contains a self-reference of significance in Bengali literature. By the late 1920s, more than a decade after his [[Nobel Prize in Literature|Nobel Prize]], Tagore had become a towering presence in Bengal, and was facing criticism:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:A younger group of writers were trying to escape from the penumbra of Rabindranath, often by tilting at him and his work. In 1928 he decided to call a meeting of writers at Jorasanko and hear them debate the issues.&amp;lt;ref&amp;gt;Krishna Dutta and [[W. Andrew Robinson|Andrew Robinson]], &amp;#039;&amp;#039;Rabindranath Tagore: The Myriad-minded Man&amp;#039;&amp;#039;, p. 281&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:A younger group of writers were trying to escape from the penumbra of Rabindranath, often by tilting at him and his work. In 1928 he decided to call a meeting of writers at Jorasanko and hear them debate the issues.&amp;lt;ref&amp;gt;Krishna Dutta and [[W. Andrew Robinson|Andrew Robinson]], &amp;#039;&amp;#039;Rabindranath Tagore: The Myriad-minded Man&amp;#039;&amp;#039;, p. 281&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Shortly after this meeting, while writing this novel, Tagore has Amit railing against a much revered poet, whose name turns out to be Rabi Thakur - &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Rabi is a common short form of Rabindranath, and Thakur is the original Bengali for Tagore. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Amit remarks: &quot;Poets must live for at most five years. ... Our severest complaint against Rabi Thakur is that like [[William Wordsworth|Wordsworth]], he is illicitly staying alive.&quot;&amp;lt;ref&amp;gt;Shesher Kabita, p.15 1389(bangAbda), 1982. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;(Add +2 to page numbers on 1391 and later editions)&amp;lt;/ref&amp;gt; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;These remarks aroused much mirth among the reading public, but the novel is also a serious attempt at demonstrating his versatility, at age 67.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Shortly after this meeting, while writing this novel, Tagore has Amit railing against a much revered poet, whose name turns out to be Rabi Thakur - Rabi is a common short form of Rabindranath, and Thakur is the original Bengali for Tagore. Amit remarks: &quot;Poets must live for at most five years. ... Our severest complaint against Rabi Thakur is that like [[William Wordsworth|Wordsworth]], he is illicitly staying alive.&quot;&amp;lt;ref&amp;gt;Shesher Kabita, p.15 1389(bangAbda), 1982. (Add +2 to page numbers on 1391 and later editions)&amp;lt;/ref&amp;gt; These remarks aroused much mirth among the reading public, but the novel is also a serious attempt at demonstrating his versatility, at age 67.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Even the theme was novel - after building up their affair and obtaining the blessings of Labannya&#039;s employer Jogmayadevi (Labannya served as her daughter&#039;s governess but they shared a very close relationship and she was considered Labannya&#039;s real guardian), the lovers decide to marry other suitors, without the air of tragedy. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;In the text, the reason appears to be that they feel that daily chores of living together will kill the purity of their romance:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Even the theme was novel - after building up their affair and obtaining the blessings of Labannya&#039;s employer Jogmayadevi (Labannya served as her daughter&#039;s governess but they shared a very close relationship and she was considered Labannya&#039;s real guardian), the lovers decide to marry other suitors, without the air of tragedy. In the text, the reason appears to be that they feel that daily chores of living together will kill the purity of their romance:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:Most barbarians equate marriage with the union, and look upon the real union thereafter with contempt.&amp;lt;ref&amp;gt;Shesher Kabita, p. 108&amp;lt;/ref&amp;gt;... ketakI and I - our love is like water in my &#039;&#039;kalsi&#039;&#039; (jug) ; I fill it each morning, and use it all day long. But Labannya&#039;s love is like a vast lake, not to be brought home, but into which my mind can immerse itself.&amp;lt;ref&amp;gt;Shesher Kabita, p. 179&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:Most barbarians equate marriage with the union, and look upon the real union thereafter with contempt.&amp;lt;ref&amp;gt;Shesher Kabita, p. 108&amp;lt;/ref&amp;gt;... ketakI and I - our love is like water in my &#039;&#039;kalsi&#039;&#039; (jug); I fill it each morning, and use it all day long. But Labannya&#039;s love is like a vast lake, not to be brought home, but into which my mind can immerse itself.&amp;lt;ref&amp;gt;Shesher Kabita, p. 179&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;However, this surface text is subject to many interpretations. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;Rabindranath biographer [[Krishna Kripalini]], writes in the foreword of his translation of Shesher Kabita (&#039;&#039;Farewell my Friend&#039;&#039;, London 1946):  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;However, this surface text is subject to many interpretations. Rabindranath biographer [[Krishna Kripalini]], writes in the foreword of his translation of Shesher Kabita (&#039;&#039;Farewell my Friend&#039;&#039;, London 1946):&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:[Labannya] releases [Amit Ray] own submerged depth of sincerity, which he finds hard to adjust to...  The struggle makes him a curiously pathetic figure... The tragedy is understood by the girl who releases &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;him from his troth and disappears from his life.&amp;lt;ref&amp;gt;[http://www.cse.iitk.ac.in/~amit/books/thakur--shesher-kabita-bn.html Book Excerptise: Shesher Kabita] (transcribed excerpts with translations)&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:[Labannya] releases [Amit Ray] own submerged depth of sincerity, which he finds hard to adjust to...  The struggle makes him a curiously pathetic figure... The tragedy is understood by the girl who releases him from his troth and disappears from his life.&amp;lt;ref&amp;gt;[http://www.cse.iitk.ac.in/~amit/books/thakur--shesher-kabita-bn.html Book Excerptise: Shesher Kabita] (transcribed excerpts with translations)&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The poem &amp;quot;Nirjharini&amp;quot; from the book was later published as a separate poem in the collection of poems known as &amp;#039;&amp;#039;Mohua&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The poem &amp;quot;Nirjharini&amp;quot; from the book was later published as a separate poem in the collection of poems known as &amp;#039;&amp;#039;Mohua&amp;#039;&amp;#039;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l50&quot;&gt;Line 50:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 50:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A full radio play of &amp;#039;&amp;#039;Shesher Kabita&amp;#039;&amp;#039; is available on YouTube. It was performed at the lawn of Sir. P.C. Mitter&amp;#039;s heritage house on Elgin Road on 1 April 2012.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=H5GnUisldN0 YouTube Video of April 1, 2012 performance at Sir. P.C. Mitter&amp;#039;s heritage house.]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;A full radio play of &amp;#039;&amp;#039;Shesher Kabita&amp;#039;&amp;#039; is available on YouTube. It was performed at the lawn of Sir. P.C. Mitter&amp;#039;s heritage house on Elgin Road on 1 April 2012.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=H5GnUisldN0 YouTube Video of April 1, 2012 performance at Sir. P.C. Mitter&amp;#039;s heritage house.]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Poem Of An Ending&#039;&#039;, a stage adaptation of Tagore&#039;s &#039;&#039;Shesher Kabita&#039;&#039;, was staged by Theatreworms Productions, New Delhi (Directed by Kaushik Bose &amp;amp; Durba Ghose) at Panna Bharat Ram Theatre Festival, on 27 December 2018.&amp;lt;ref&amp;gt;[https://www.hindustantimes.com/art-and-culture/tagore-s-masterpiece-shesher-kobita-adapted-staged-in-delhi/story-X79E12wAcAW2RhD9FTpXCJ.html  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;Poem Of An Ending&#039;&#039;, a stage adaptation of Tagore&#039;s &#039;&#039;Shesher Kabita&#039;&#039;, was staged by Theatreworms Productions, New Delhi (Directed by Kaushik Bose &amp;amp; Durba Ghose) at Panna Bharat Ram Theatre Festival, on 27 December 2018.&amp;lt;ref&amp;gt;[https://www.hindustantimes.com/art-and-culture/tagore-s-masterpiece-shesher-kobita-adapted-staged-in-delhi/story-X79E12wAcAW2RhD9FTpXCJ.html Tagore’s masterpiece Shesher Kobita adapted, staged in Delhi]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Tagore’s masterpiece Shesher Kobita adapted, staged in Delhi]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;[[Shesher Golpo]]&amp;#039;&amp;#039; an extension of the novel was released in July 2019. The film directed by Jiit Chakraborty, had [[Soumitra Chatterjee]] as &amp;#039;Amit Ray&amp;#039; and [[Mamata Shankar]] as &amp;#039;Labanya&amp;#039;.&amp;lt;ref&amp;gt;{{cite news|url=https://timesofindia.indiatimes.com/entertainment/bengali/movies/news/mamata-shankar-thrilled-to-play-labanya/articleshow/70127915.cms|title=Mamata Shankar thrilled to play Labanya|newspaper=[[The Times of India]]|date=8 July 2019}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;[[Shesher Golpo]]&amp;#039;&amp;#039; an extension of the novel was released in July 2019. The film directed by Jiit Chakraborty, had [[Soumitra Chatterjee]] as &amp;#039;Amit Ray&amp;#039; and [[Mamata Shankar]] as &amp;#039;Labanya&amp;#039;.&amp;lt;ref&amp;gt;{{cite news|url=https://timesofindia.indiatimes.com/entertainment/bengali/movies/news/mamata-shankar-thrilled-to-play-labanya/articleshow/70127915.cms|title=Mamata Shankar thrilled to play Labanya|newspaper=[[The Times of India]]|date=8 July 2019}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l57&quot;&gt;Line 57:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 56:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;link&lt;/del&gt;==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;links&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[https://amargitanjali.com/tag/%e0%a6%b6%e0%a7%87%e0%a6%b7%e0%a7%87%e0%a6%b0-%e0%a6%95%e0%a6%ac%e0%a6%bf%e0%a6%a4%e0%a6%be/ শেষের কবিতা সমগ্র]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[https://amargitanjali.com/tag/%e0%a6%b6%e0%a7%87%e0%a6%b7%e0%a7%87%e0%a6%b0-%e0%a6%95%e0%a6%ac%e0%a6%bf%e0%a6%a4%e0%a6%be/ শেষের কবিতা সমগ্র]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Rabindranath Tagore}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Rabindranath Tagore}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>UpdateBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Shesher_Kabita&amp;diff=262923&amp;oldid=prev</id>
		<title>-&gt;Grapple X: rm apostrophe per MOS:DECADE</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Shesher_Kabita&amp;diff=262923&amp;oldid=prev"/>
		<updated>2021-11-02T13:48:25Z</updated>

		<summary type="html">&lt;p&gt;rm apostrophe per &lt;a href=&quot;/w/index.php?title=MOS:DECADE&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;MOS:DECADE (page does not exist)&quot;&gt;MOS:DECADE&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Infobox book&lt;br /&gt;
&amp;lt;!-- |italic title = (see above) --&amp;gt;&lt;br /&gt;
| name             = Shesher Kabita&lt;br /&gt;
| image            =  Shesher Kabita front cover.jpg&lt;br /&gt;
| caption    = &amp;#039;&amp;#039;Shesher Kabita&amp;#039;&amp;#039; book front cover&lt;br /&gt;
| author           = Rabindranath Tagore&lt;br /&gt;
| title_orig       = শেষের কবিতা&amp;lt;ref&amp;gt;shesher kabita&amp;lt;/ref&amp;gt;&lt;br /&gt;
| translator       = Kripalini (1946)&lt;br /&gt;
| illustrator      = &lt;br /&gt;
| cover_artist     = &lt;br /&gt;
| country          = India&lt;br /&gt;
| language         = [[Bengali language|Bengali]]&lt;br /&gt;
| series           = &lt;br /&gt;
| subject          = &lt;br /&gt;
| genre            = Novel&lt;br /&gt;
| publisher        = &lt;br /&gt;
| pub_date         = 1929&lt;br /&gt;
| english_pub_date = 1946 (first publication)&lt;br /&gt;
| media_type       = &lt;br /&gt;
| pages            = &lt;br /&gt;
| isbn             = &lt;br /&gt;
| oclc             = &lt;br /&gt;
| dewey            = &lt;br /&gt;
| congress         = &lt;br /&gt;
| preceded_by      = &lt;br /&gt;
| followed_by      = &lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Shesher Kabita&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (Bengali: শেষের কবিতা) is a novel by [[Rabindranath Tagore]].  The novel was serialised in 1928, from [[Bhadra]] to [[Choitro]] in the magazine &amp;#039;&amp;#039;Probashi&amp;#039;&amp;#039;, and was published in book form the following year. It has been translated into English as &amp;#039;&amp;#039;The Last Poem&amp;#039;&amp;#039; (translator Anandita Mukhopadhyay) and &amp;#039;&amp;#039;Farewell song&amp;#039;&amp;#039; (translator Radha Chakravarty).{{clarification needed|date=March 2021}}&lt;br /&gt;
&lt;br /&gt;
==Synopsis==&lt;br /&gt;
The novel recounts the love story of Amit Ray living in [[Kolkata]] in the 1920s. Though he is a barrister educated at [[Oxford]] his main interest lies in literature. Never afraid to speak his mind, he is always ready to challenge society&amp;#039;s pre-established knowledge and rules regarding literature, equal rights and so on. While vacationing in Shillong, he comes upon a governess named Labanya in a minor car accident. Amit&amp;#039;s iconoclastism meets Labannya&amp;#039;s sincere simplicity through a series of dialogues and poems that they write for each other.&lt;br /&gt;
&lt;br /&gt;
The novel also contains a self-reference of significance in Bengali literature. By the late 1920s, more than a decade after his [[Nobel Prize in Literature|Nobel Prize]], Tagore had become a towering presence in Bengal, and was facing criticism:&lt;br /&gt;
:A younger group of writers were trying to escape from the penumbra of Rabindranath, often by tilting at him and his work. In 1928 he decided to call a meeting of writers at Jorasanko and hear them debate the issues.&amp;lt;ref&amp;gt;Krishna Dutta and [[W. Andrew Robinson|Andrew Robinson]], &amp;#039;&amp;#039;Rabindranath Tagore: The Myriad-minded Man&amp;#039;&amp;#039;, p. 281&amp;lt;/ref&amp;gt;&lt;br /&gt;
Shortly after this meeting, while writing this novel, Tagore has Amit railing against a much revered poet, whose name turns out to be Rabi Thakur -  Rabi is a common short form of Rabindranath, and Thakur is the original Bengali for Tagore.  Amit remarks: &amp;quot;Poets must live for at most five years. ... Our severest complaint against Rabi Thakur is that like [[William Wordsworth|Wordsworth]], he is illicitly staying alive.&amp;quot;&amp;lt;ref&amp;gt;Shesher Kabita, p.15 1389(bangAbda), 1982.  (Add +2 to page numbers on 1391 and later editions)&amp;lt;/ref&amp;gt;  These remarks aroused much mirth among the reading public, but the novel is also a serious attempt at demonstrating his versatility, at age 67.&lt;br /&gt;
&lt;br /&gt;
Even the theme was novel - after building up their affair and obtaining the blessings of Labannya&amp;#039;s employer Jogmayadevi (Labannya served as her daughter&amp;#039;s governess but they shared a very close relationship and she was considered Labannya&amp;#039;s real guardian), the lovers decide to marry other suitors, without the air of tragedy.  In the text, the reason appears to be that they feel that daily chores of living together will kill the purity of their romance: &lt;br /&gt;
:Most barbarians equate marriage with the union, and look upon the real union thereafter with contempt.&amp;lt;ref&amp;gt;Shesher Kabita, p. 108&amp;lt;/ref&amp;gt;... ketakI and I - our love is like water in my &amp;#039;&amp;#039;kalsi&amp;#039;&amp;#039; (jug) ; I fill it each morning, and use it all day long. But Labannya&amp;#039;s love is like a vast lake, not to be brought home, but into which my mind can immerse itself.&amp;lt;ref&amp;gt;Shesher Kabita, p. 179&amp;lt;/ref&amp;gt;&lt;br /&gt;
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However, this surface text is subject to many interpretations.  Rabindranath biographer [[Krishna Kripalini]], writes in the foreword of his translation of Shesher Kabita (&amp;#039;&amp;#039;Farewell my Friend&amp;#039;&amp;#039;, London 1946): &lt;br /&gt;
:[Labannya] releases [Amit Ray] own submerged depth of sincerity, which he finds hard to adjust to...  The struggle makes him a curiously pathetic figure... The tragedy is understood by the girl who releases  him from his troth and disappears from his life.&amp;lt;ref&amp;gt;[http://www.cse.iitk.ac.in/~amit/books/thakur--shesher-kabita-bn.html Book Excerptise: Shesher Kabita] (transcribed excerpts with translations)&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The poem &amp;quot;Nirjharini&amp;quot; from the book was later published as a separate poem in the collection of poems known as &amp;#039;&amp;#039;Mohua&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
==Adaptations==&lt;br /&gt;
The 1981 Soviet-Russian film &amp;#039;&amp;#039;[[Could One Imagine?]]&amp;#039;&amp;#039; (Russian: Вам и не снилось…, romanized: &amp;#039;&amp;#039;{{not a typo|Vam i ne snilos}}&amp;#039;&amp;#039;), also released as &amp;#039;&amp;#039;Love and Lies,&amp;#039;&amp;#039; contains a song called “Последняя поэма” (The last poem) that is partially based on a letter from Labannya. The author of the poem is [[Adelina Adalis]].&amp;lt;ref&amp;gt;{{Cite web|url=https://lyricstranslate.com/en/poslednyaya-poema-poslednyaya-poema-last-poem.html|title=Irina Otieva - Последняя поэма (Poslednyaya poema) lyrics + English translation}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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A film &amp;#039;&amp;#039;Shesher Kabita&amp;#039;&amp;#039;, adaptation of the book, was released in 2013. It was directed by [[Suman Mukhopadhyay]] and starred [[Konkona Sen Sharma]] as Labannya and [[Rahul Bose]] as Amit Ray.&amp;lt;ref&amp;gt;{{cite news|last=Mukherjee|first=Roshini|title=Rahul Bose &amp;amp; Konkona Sen in Shesher Kabita|url=http://articles.timesofindia.indiatimes.com/2012-01-12/news-interviews/30619532_1_konkona-sen-sharma-rahul-bose-love-story|archive-url=https://web.archive.org/web/20130509234021/http://articles.timesofindia.indiatimes.com/2012-01-12/news-interviews/30619532_1_konkona-sen-sharma-rahul-bose-love-story|url-status=dead|archive-date=May 9, 2013|accessdate=January 19, 2012|newspaper=[[The Times of India]]|date=January 12, 2012}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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A full radio play of &amp;#039;&amp;#039;Shesher Kabita&amp;#039;&amp;#039; is available on YouTube. It was performed at the lawn of Sir. P.C. Mitter&amp;#039;s heritage house on Elgin Road on 1 April 2012.&amp;lt;ref&amp;gt;[https://www.youtube.com/watch?v=H5GnUisldN0 YouTube Video of April 1, 2012 performance at Sir. P.C. Mitter&amp;#039;s heritage house.]&amp;lt;/ref&amp;gt;&lt;br /&gt;
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&amp;#039;&amp;#039;Poem Of An Ending&amp;#039;&amp;#039;, a stage adaptation of Tagore&amp;#039;s &amp;#039;&amp;#039;Shesher Kabita&amp;#039;&amp;#039;, was staged by Theatreworms Productions, New Delhi (Directed by Kaushik Bose &amp;amp; Durba Ghose) at Panna Bharat Ram Theatre Festival, on 27 December 2018.&amp;lt;ref&amp;gt;[https://www.hindustantimes.com/art-and-culture/tagore-s-masterpiece-shesher-kobita-adapted-staged-in-delhi/story-X79E12wAcAW2RhD9FTpXCJ.html &lt;br /&gt;
Tagore’s masterpiece Shesher Kobita adapted, staged in Delhi]&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;[[Shesher Golpo]]&amp;#039;&amp;#039; an extension of the novel was released in July 2019. The film directed by Jiit Chakraborty, had [[Soumitra Chatterjee]] as &amp;#039;Amit Ray&amp;#039; and [[Mamata Shankar]] as &amp;#039;Labanya&amp;#039;.&amp;lt;ref&amp;gt;{{cite news|url=https://timesofindia.indiatimes.com/entertainment/bengali/movies/news/mamata-shankar-thrilled-to-play-labanya/articleshow/70127915.cms|title=Mamata Shankar thrilled to play Labanya|newspaper=[[The Times of India]]|date=8 July 2019}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==References==&lt;br /&gt;
&amp;lt;references/&amp;gt;&lt;br /&gt;
==External link==&lt;br /&gt;
*[https://amargitanjali.com/tag/%e0%a6%b6%e0%a7%87%e0%a6%b7%e0%a7%87%e0%a6%b0-%e0%a6%95%e0%a6%ac%e0%a6%bf%e0%a6%a4%e0%a6%be/ শেষের কবিতা সমগ্র]&lt;br /&gt;
{{Rabindranath Tagore}}&lt;br /&gt;
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{{authority control}}&lt;br /&gt;
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[[Category:Novels by Rabindranath Tagore]]&lt;br /&gt;
[[Category:1929 novels]]&lt;br /&gt;
[[Category:Indian Bengali-language novels]]&lt;/div&gt;</summary>
		<author><name>-&gt;Grapple X</name></author>
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