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	<id>https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Sevasadanam</id>
	<title>Sevasadanam - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://en.bharatpedia.org/w/index.php?action=history&amp;feed=atom&amp;title=Sevasadanam"/>
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	<updated>2026-10-23T13:32:30Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Sevasadanam&amp;diff=457378&amp;oldid=prev</id>
		<title>Renaldo97D: updated article based on references and added references for consistency</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Sevasadanam&amp;diff=457378&amp;oldid=prev"/>
		<updated>2026-01-10T00:31:32Z</updated>

		<summary type="html">&lt;p&gt;updated article based on references and added references for consistency&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:01, 10 January 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name           = Sevasadanam&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| name           = Sevasadanam&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| image          = Sevasadanam 1938.jpg&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| image          = Sevasadanam 1938.jpg&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| native_name    = {{Infobox name module|Tamil|சேவாசதனம்}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption        = Poster&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| caption        = Poster&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| director       = [[K. Subrahmanyam]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| director       = [[K. Subrahmanyam]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot;&gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          =  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          =  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Sevasadanam&#039;&#039;&#039;&#039;&#039; ({{Translation|House of Service}}) is a 1938 Indian [[Tamil language|Tamil]]-language [[Drama (film and television)|drama film]] directed by [[K. Subrahmanyam]]. It is one of the early Tamil films to be set in a contemporary social setting and to advocate reformist social policies. This was the first film for [[M. S. Subbulakshmi]].&amp;lt;ref name=&quot;A&quot;&amp;gt;{{cite web|url=http://www.hinduonnet.com/2000/07/10/stories/09100224.htm|title=The stamp of honour|work=[[The Hindu]]|date=10 July 2000|access-date=20 January 2017|url-status=usurped|archive-url=https://web.archive.org/web/20160806041332/http://www.thehindu.com/2000/07/10/stories/09100224.htm|archive-date=6 August 2016}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;B&quot;&amp;gt;{{cite book | first=S. Theodore| last=Baskaran | author-link=S. Theodore Baskaran | year= 1996| title=The eye of the serpent: an introduction to Tamil cinema | publisher= East West Books| location= Chennai| pages=15 | url=https://books.google.com/books?id=PhFlAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;C&quot;&amp;gt;{{cite book | first=Yves| last= Thoraval| year= 2000| title= The cinemas of India | publisher= Macmillan | location= India| pages=37 | isbn= 0-333-93410-5|url=https://books.google.com/books?id=-OpkAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;D&quot;&amp;gt;{{cite book | first1= Ashish | last1=Rajadhyaksha| first2=Paul  |last2=Willemen| year= 1994| title= Encyclopaedia of Indian cinema | publisher= British Film Institute| pages=259 | isbn=0-85170-455-7|url=https://books.google.com/books?id=nOZkAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;E&quot;&amp;gt;{{cite book | last=Film News Anandan| language= ta| year= 2004 | title=Sadhanaigal padaitha Tamil Thiraipada Varalaaru | publisher=Sivagami Publications| location= Chennai| pages=28:14}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Sevasadanam&#039;&#039;&#039;&#039;&#039; ({{Translation|House of Service}}) is a 1938 Indian [[Tamil language|Tamil]]-language [[Drama (film and television)|drama film]] directed by [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;K. Subramanyam|&lt;/ins&gt;K. Subrahmanyam]]. It is one of the early Tamil films to be set in a contemporary social setting and to advocate reformist social policies. This was the first film for [[M. S. Subbulakshmi&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] and the Tamil debut of Telugu actress [[S. Varalakshmi&lt;/ins&gt;]].&amp;lt;ref name=&quot;A&quot;&amp;gt;{{cite web|url=http://www.hinduonnet.com/2000/07/10/stories/09100224.htm|title=The stamp of honour|work=[[The Hindu]]|date=10 July 2000|access-date=20 January 2017|url-status=usurped|archive-url=https://web.archive.org/web/20160806041332/http://www.thehindu.com/2000/07/10/stories/09100224.htm|archive-date=6 August 2016}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;B&quot;&amp;gt;{{cite book | first=S. Theodore| last=Baskaran | author-link=S. Theodore Baskaran | year= 1996| title=The eye of the serpent: an introduction to Tamil cinema | publisher= East West Books| location= Chennai| pages=15 | url=https://books.google.com/books?id=PhFlAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;C&quot;&amp;gt;{{cite book | first=Yves| last= Thoraval| year= 2000| title= The cinemas of India | publisher= Macmillan | location= India| pages=37 | isbn= 0-333-93410-5|url=https://books.google.com/books?id=-OpkAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;D&quot;&amp;gt;{{cite book | first1= Ashish | last1=Rajadhyaksha| first2=Paul  |last2=Willemen| year= 1994| title= Encyclopaedia of Indian cinema | publisher= British Film Institute| pages=259 | isbn=0-85170-455-7|url=https://books.google.com/books?id=nOZkAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;E&quot;&amp;gt;{{cite book | last=Film News Anandan| language= ta| year= 2004 | title=Sadhanaigal padaitha Tamil Thiraipada Varalaaru | publisher=Sivagami Publications| location= Chennai| pages=28:14}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Plot ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Plot ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;An abused wife Sumathi ([[M. S. Subbulakshmi]]) &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;is driven out of her house by husband and later forced into prostitution. Later she reforms her ways and devotes her life to running an institution for the children of prostitutes.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;An abused wife Sumathi ([[M. S. Subbulakshmi]]) is driven out of her house by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;her &lt;/ins&gt;husband and later forced into prostitution. Later she reforms her ways and devotes her life to running an institution for the children of prostitutes.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Production ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Production ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the success of &#039;&#039;[[Balayogini]]&#039;&#039; (1937), director Subramanyam was encouraged to make more socially oriented films. In 1938 he decided to make a film version of [[Premchand]]&#039;s novel &#039;&#039;[[Bazaar-e-Husn]]&#039;&#039;. While &#039;&#039;Balayogini&#039;&#039; was about the travails of widows, &#039;&#039;Sevasadanam&#039;&#039; dealt with domestic abuse, prostitution and women&#039;s liberation. Subramanyam wrote the screenplay himself and made the film under his Madras United Artists Corporation &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Banner&lt;/del&gt;.&amp;lt;ref name=&quot;C&quot; /&amp;gt;&amp;lt;ref name=&quot;D&quot; /&amp;gt; The completed film was 18,900 feet in length with a run time of 210 minutes.&amp;lt;ref name=&quot;D&quot; /&amp;gt;&amp;lt;ref name=&quot;E&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After the success of &#039;&#039;[[Balayogini]]&#039;&#039; (1937), director Subramanyam was encouraged to make more socially oriented films. In 1938 he decided to make a film version of [[Premchand]]&#039;s novel &#039;&#039;[[Bazaar-e-Husn]]&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;and bought the rights for {{INR}}4,000 (worth {{INR}}7.2 million in 2021 prices)&lt;/ins&gt;. While &#039;&#039;Balayogini&#039;&#039; was about the travails of widows, &#039;&#039;Sevasadanam&#039;&#039; dealt with domestic abuse, prostitution and women&#039;s liberation. Subramanyam wrote the screenplay himself and made the film under his Madras United Artists Corporation &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;banner&lt;/ins&gt;.&amp;lt;ref name=&quot;C&quot; /&amp;gt;&amp;lt;ref name=&quot;D&quot; /&amp;gt; The completed film was 18,900 feet in length with a run time of 210 minutes.&amp;lt;ref name=&quot;D&quot; /&amp;gt;&amp;lt;ref name=&quot;E&quot; /&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Cast ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Cast ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[M. S. Subbulakshmi]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;– &lt;/del&gt;Sumathi&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[M. S. Subbulakshmi]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;- &lt;/ins&gt;Sumathi&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[F. G. Natesa Iyer]] -Eashwara Iyer&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[F. G. Natesa Iyer]] - Eashwara Iyer&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[S. Varalakshmi]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*[[S. Varalakshmi]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*S. G. Pattu Iyer&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*S. G. Pattu Iyer&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l47&quot;&gt;Line 47:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 46:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As was the case with &amp;#039;&amp;#039;Balayogini&amp;#039;&amp;#039;, conservative Hindus were upset with &amp;#039;&amp;#039;Sevasadanam&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;G&amp;quot;&amp;gt;{{cite book | first=Gautam| last= Kaul| year= 1998| title= Cinema and the Indian freedom struggle: covering the subcontinent | publisher= Sterling Publishers| pages=84 | isbn= 81-207-2116-0|url=https://books.google.com/books?id=WNxkAAAAMAAJ}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As was the case with &amp;#039;&amp;#039;Balayogini&amp;#039;&amp;#039;, conservative Hindus were upset with &amp;#039;&amp;#039;Sevasadanam&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;G&amp;quot;&amp;gt;{{cite book | first=Gautam| last= Kaul| year= 1998| title= Cinema and the Indian freedom struggle: covering the subcontinent | publisher= Sterling Publishers| pages=84 | isbn= 81-207-2116-0|url=https://books.google.com/books?id=WNxkAAAAMAAJ}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The veteran Marxist leader [[N. Sankaraiah]], has described Seva Sadhanam as an &quot;unusual film&quot; for choosing the subject of marriages between young girls and old men (which had social sanction). According to him, the film successfully &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;broughout &lt;/del&gt;the &quot;sufferings of the girl&quot; and the &quot;mental agony of the aged husband&quot;. Sankariah particularly appreciated Natesa Iyer&#039;s performance in the role of the old man, which he said &quot; was impressive&quot;. Tamil film critic and historian Aranthai Narayanan observes in his book &#039;&#039;Thamizh Cinemavin Kathai&#039;&#039; (The Story of Tamil Cinema) that &quot;Seva Sadhanam proved a turning point in the history of Tamil cinema. In the climax, the aged husband, now a totally changed man, was shown as casting aside with utter contempt his `sacred thread&#039;, which symbolises his Brahmin superiority. It came as a  stunning blow to the then Brahmin orthodoxy.&quot;&amp;lt;ref&amp;gt;{{cite news | url=http://www.frontlineonnet.com/fl2114/stories/20040716001508200.htm | last=Vishwanathan | first=S. | title=A progressive film maker; Tribute to K.Subramanian | volume=21 | issue=14 | date=3–16 July 2004 | work=Frontline | publisher=Hindu Publications | location=Chennai, Tamil Nadu}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The veteran Marxist leader [[N. Sankaraiah]], has described Seva Sadhanam as an &quot;unusual film&quot; for choosing the subject of marriages between young girls and old men (which had social sanction). According to him, the film successfully &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;brought out &lt;/ins&gt;the &quot;sufferings of the girl&quot; and the &quot;mental agony of the aged husband&quot;. Sankariah particularly appreciated Natesa Iyer&#039;s performance in the role of the old man, which he said &quot; was impressive&quot;. Tamil film critic and historian Aranthai Narayanan observes in his book &#039;&#039;Thamizh Cinemavin Kathai&#039;&#039; (The Story of Tamil Cinema) that &quot;Seva Sadhanam proved a turning point in the history of Tamil cinema. In the climax, the aged husband, now a totally changed man, was shown as casting aside with utter contempt his `sacred thread&#039;, which symbolises his Brahmin superiority. It came as a  stunning blow to the then Brahmin orthodoxy.&quot;&amp;lt;ref&amp;gt;{{cite news | url=http://www.frontlineonnet.com/fl2114/stories/20040716001508200.htm | last=Vishwanathan | first=S. | title=A progressive film maker; Tribute to K.Subramanian | volume=21 | issue=14 | date=3–16 July 2004 | work=Frontline | publisher=Hindu Publications | location=Chennai, Tamil Nadu}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Availability ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Availability ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l60&quot;&gt;Line 60:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 59:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== External links ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== External links ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{IMDb title|0274825|Sevasadan}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* {{IMDb title|0274825|Sevasadan}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* http://www.dhingana.com/maa-ramanan-song-sevasadanam-tamil-oldies-399aa31&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{usurped|1=[https://archive.today/20130805103009/&lt;/ins&gt;http://www.dhingana.com/maa-ramanan-song-sevasadanam-tamil-oldies-399aa31 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Article title]}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Film India Magazine 1938 at [https://archive.org/stream/filmindia193804unse#page/n37/mode/2up Archive.org]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Film India Magazine 1938 at [https://archive.org/stream/filmindia193804unse#page/n37/mode/2up Archive.org]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l66&quot;&gt;Line 66:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 65:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Adaptations of works by Premchand]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Adaptations of works by Premchand]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1930s Tamil-language films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1930s Tamil-language films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:1938 Indian films]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films scored by Papanasam Sivan]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films scored by Papanasam Sivan]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Lost &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Indian films]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Lost Indian drama films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:&lt;/del&gt;Indian drama films]]&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1938 drama films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1938 drama films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian black-and-white films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian black-and-white films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1938 lost films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1938 lost films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Lost drama films]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films directed by K. Subramanyam]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films directed by K. Subramanyam]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films based on works by Premchand]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films based on works by Premchand]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Tamil-language Indian films]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Renaldo97D</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Sevasadanam&amp;diff=317875&amp;oldid=prev</id>
		<title>UpdateBot: robot: Update article (please report if you notice any mistake or error in this edit)</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Sevasadanam&amp;diff=317875&amp;oldid=prev"/>
		<updated>2022-06-24T13:06:42Z</updated>

		<summary type="html">&lt;p&gt;robot: Update article (please &lt;a href=&quot;/wiki/User_talk:UpdateBot&quot; title=&quot;User talk:UpdateBot&quot;&gt;report&lt;/a&gt; if you notice any mistake or error in this edit)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:36, 24 June 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot;&gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 22:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          =  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| gross          =  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Sevasadanam&#039;&#039;&#039;&#039;&#039; ({{Translation|House of Service}}) is a 1938 Indian [[Tamil language|Tamil-language&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;[[Drama (film and television)|drama film]] directed by [[K. Subrahmanyam]]. It is one of the early Tamil films to be set in a contemporary social setting and to advocate reformist social policies. This was the first film for [[M. S. Subbulakshmi]].&amp;lt;ref name=&quot;A&quot;&amp;gt;{{cite web|url=http://www.hinduonnet.com/2000/07/10/stories/09100224.htm|title=The stamp of honour|work=[[The Hindu]]|date=10 July 2000|access-date=20 January 2017|archive-url=https://web.archive.org/web/20160806041332/http://www.thehindu.com/2000/07/10/stories/09100224.htm|archive-date=6 August 2016}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;B&quot;&amp;gt;{{cite book | first=S. Theodore| last=Baskaran | author-link=S. Theodore Baskaran | year= 1996| title=The eye of the serpent: an introduction to Tamil cinema | publisher= East West Books| location= Chennai| pages=15 | url=https://books.google.com/books?id=PhFlAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;C&quot;&amp;gt;{{cite book | first=Yves| last= Thoraval| year= 2000| title= The cinemas of India | publisher= Macmillan | location= India| pages=37 | isbn= 0-333-93410-5|url=https://books.google.com/books?id=-OpkAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;D&quot;&amp;gt;{{cite book | first1= Ashish | last1=Rajadhyaksha| first2=Paul  |last2=Willemen| year= 1994| title= Encyclopaedia of Indian cinema | publisher= British Film Institute| pages=259 | isbn=0-85170-455-7|url=https://books.google.com/books?id=nOZkAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;E&quot;&amp;gt;{{cite book | last=Film News Anandan| language= ta| year= 2004 | title=Sadhanaigal padaitha Tamil Thiraipada Varalaaru | publisher=Sivagami Publications| location= Chennai| pages=28:14}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;Sevasadanam&#039;&#039;&#039;&#039;&#039; ({{Translation|House of Service}}) is a 1938 Indian [[Tamil language|Tamil&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;-language [[Drama (film and television)|drama film]] directed by [[K. Subrahmanyam]]. It is one of the early Tamil films to be set in a contemporary social setting and to advocate reformist social policies. This was the first film for [[M. S. Subbulakshmi]].&amp;lt;ref name=&quot;A&quot;&amp;gt;{{cite web|url=http://www.hinduonnet.com/2000/07/10/stories/09100224.htm|title=The stamp of honour|work=[[The Hindu]]|date=10 July 2000|access-date=20 January 2017&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|url-status=usurped&lt;/ins&gt;|archive-url=https://web.archive.org/web/20160806041332/http://www.thehindu.com/2000/07/10/stories/09100224.htm|archive-date=6 August 2016}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;B&quot;&amp;gt;{{cite book | first=S. Theodore| last=Baskaran | author-link=S. Theodore Baskaran | year= 1996| title=The eye of the serpent: an introduction to Tamil cinema | publisher= East West Books| location= Chennai| pages=15 | url=https://books.google.com/books?id=PhFlAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;C&quot;&amp;gt;{{cite book | first=Yves| last= Thoraval| year= 2000| title= The cinemas of India | publisher= Macmillan | location= India| pages=37 | isbn= 0-333-93410-5|url=https://books.google.com/books?id=-OpkAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;D&quot;&amp;gt;{{cite book | first1= Ashish | last1=Rajadhyaksha| first2=Paul  |last2=Willemen| year= 1994| title= Encyclopaedia of Indian cinema | publisher= British Film Institute| pages=259 | isbn=0-85170-455-7|url=https://books.google.com/books?id=nOZkAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;E&quot;&amp;gt;{{cite book | last=Film News Anandan| language= ta| year= 2004 | title=Sadhanaigal padaitha Tamil Thiraipada Varalaaru | publisher=Sivagami Publications| location= Chennai| pages=28:14}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Plot ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Plot ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l50&quot;&gt;Line 50:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 50:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Availability ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Availability ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;No print of &#039;&#039;Sevasadanam&#039;&#039; is known to survive, making it a [[lost film]]. While K. Subrahmanyam&#039;s family only have a few surviving photographs related to the film in their possession, the complete set of 78 rpm gramophone records in their original envelopes has survived in the collection of musicologist [[V. A. K. Ranga Rao]] in Chennai.&amp;lt;ref&amp;gt;{{cite book | title=M. S. Subbulakshmi: The Definitive Biography | publisher=Aleph Book Company | last=George | first=T. J. S. | author-link=T. J. S. George | year=2016 | &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;page&lt;/del&gt;=99 | isbn=978-93-84067-60-1 | orig-&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;year&lt;/del&gt;=2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;No print of &#039;&#039;Sevasadanam&#039;&#039; is known to survive, making it a [[lost film]]. While K. Subrahmanyam&#039;s family only have a few surviving photographs related to the film in their possession, the complete set of 78 rpm gramophone records in their original envelopes has survived in the collection of musicologist [[V. A. K. Ranga Rao]] in Chennai.&amp;lt;ref&amp;gt;{{cite book | title=M. S. Subbulakshmi: The Definitive Biography | publisher=Aleph Book Company | last=George | first=T. J. S. | author-link=T. J. S. George | year=2016 | &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pages&lt;/ins&gt;=99 | isbn=978-93-84067-60-1 | orig-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;date&lt;/ins&gt;=2004}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See also ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== See also ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l64&quot;&gt;Line 64:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 64:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1938 films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1938 films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Indian films]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Tamil-language films]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Adaptations of works by Premchand]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Adaptations of works by Premchand]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1930s Tamil-language films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1930s Tamil-language films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Films scored by Papanasam Sivan]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Lost Indian films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Lost Indian films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian drama films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Indian drama films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l75&quot;&gt;Line 75:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 74:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Lost drama films]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Lost drama films]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films directed by K. Subramanyam]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Films directed by K. Subramanyam]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Films based on works by Premchand]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>UpdateBot</name></author>
	</entry>
	<entry>
		<id>https://en.bharatpedia.org/w/index.php?title=Sevasadanam&amp;diff=149072&amp;oldid=prev</id>
		<title>imported&gt;Kailash29792 at 08:24, 7 July 2021</title>
		<link rel="alternate" type="text/html" href="https://en.bharatpedia.org/w/index.php?title=Sevasadanam&amp;diff=149072&amp;oldid=prev"/>
		<updated>2021-07-07T08:24:04Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{short description|1938 Indian Tamil film by Krishnaswami Subramanyam}}&lt;br /&gt;
{{Use dmy dates|date=November 2015}}&lt;br /&gt;
{{Use Indian English|date=November 2015}}&lt;br /&gt;
{{Infobox film&lt;br /&gt;
| name           = Sevasadanam&lt;br /&gt;
| image          = Sevasadanam 1938.jpg&lt;br /&gt;
| native_name    = {{Infobox name module|Tamil|சேவாசதனம்}}&lt;br /&gt;
| caption        = Poster&lt;br /&gt;
| director       = [[K. Subrahmanyam]]&lt;br /&gt;
| producer       = K. Subrahmanyam&lt;br /&gt;
| writer         = [[Premchand]]&amp;lt;br /&amp;gt;K. Subramanyam&lt;br /&gt;
| starring       = [[M. S. Subbulakshmi]]&amp;lt;br /&amp;gt;[[F. G. Natesa Iyer]]&amp;lt;br /&amp;gt;S. G. Pattu Iyer&amp;lt;br /&amp;gt;[[S. Varalakshmi]]&lt;br /&gt;
| music          = [[Papanasam Sivan]]&lt;br /&gt;
| cinematography = Sailen Bose&amp;lt;br /&amp;gt;Ellappa&amp;lt;br /&amp;gt;Rama Rao&lt;br /&gt;
| editing        = Dharam Veer Singh&lt;br /&gt;
| distributor    = &lt;br /&gt;
| released       = {{Film date|df=y|1938|5|2}}&lt;br /&gt;
| runtime        = 210 minutes&lt;br /&gt;
| country        = India&lt;br /&gt;
| language       = Tamil&lt;br /&gt;
| budget         = &lt;br /&gt;
| gross          = &lt;br /&gt;
}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Sevasadanam&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; ({{Translation|House of Service}}) is a 1938 Indian [[Tamil language|Tamil-language]] [[Drama (film and television)|drama film]] directed by [[K. Subrahmanyam]]. It is one of the early Tamil films to be set in a contemporary social setting and to advocate reformist social policies. This was the first film for [[M. S. Subbulakshmi]].&amp;lt;ref name=&amp;quot;A&amp;quot;&amp;gt;{{cite web|url=http://www.hinduonnet.com/2000/07/10/stories/09100224.htm|title=The stamp of honour|work=[[The Hindu]]|date=10 July 2000|access-date=20 January 2017|archive-url=https://web.archive.org/web/20160806041332/http://www.thehindu.com/2000/07/10/stories/09100224.htm|archive-date=6 August 2016}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;B&amp;quot;&amp;gt;{{cite book | first=S. Theodore| last=Baskaran | author-link=S. Theodore Baskaran | year= 1996| title=The eye of the serpent: an introduction to Tamil cinema | publisher= East West Books| location= Chennai| pages=15 | url=https://books.google.com/books?id=PhFlAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;C&amp;quot;&amp;gt;{{cite book | first=Yves| last= Thoraval| year= 2000| title= The cinemas of India | publisher= Macmillan | location= India| pages=37 | isbn= 0-333-93410-5|url=https://books.google.com/books?id=-OpkAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;D&amp;quot;&amp;gt;{{cite book | first1= Ashish | last1=Rajadhyaksha| first2=Paul  |last2=Willemen| year= 1994| title= Encyclopaedia of Indian cinema | publisher= British Film Institute| pages=259 | isbn=0-85170-455-7|url=https://books.google.com/books?id=nOZkAAAAMAAJ}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&amp;quot;E&amp;quot;&amp;gt;{{cite book | last=Film News Anandan| language= ta| year= 2004 | title=Sadhanaigal padaitha Tamil Thiraipada Varalaaru | publisher=Sivagami Publications| location= Chennai| pages=28:14}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Plot ==&lt;br /&gt;
An abused wife Sumathi ([[M. S. Subbulakshmi]])  is driven out of her house by husband and later forced into prostitution. Later she reforms her ways and devotes her life to running an institution for the children of prostitutes.&lt;br /&gt;
&lt;br /&gt;
== Production ==&lt;br /&gt;
After the success of &amp;#039;&amp;#039;[[Balayogini]]&amp;#039;&amp;#039; (1937), director Subramanyam was encouraged to make more socially oriented films. In 1938 he decided to make a film version of [[Premchand]]&amp;#039;s novel &amp;#039;&amp;#039;[[Bazaar-e-Husn]]&amp;#039;&amp;#039;. While &amp;#039;&amp;#039;Balayogini&amp;#039;&amp;#039; was about the travails of widows, &amp;#039;&amp;#039;Sevasadanam&amp;#039;&amp;#039; dealt with domestic abuse, prostitution and women&amp;#039;s liberation. Subramanyam wrote the screenplay himself and made the film under his Madras United Artists Corporation Banner.&amp;lt;ref name=&amp;quot;C&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;D&amp;quot; /&amp;gt; The completed film was 18,900 feet in length with a run time of 210 minutes.&amp;lt;ref name=&amp;quot;D&amp;quot; /&amp;gt;&amp;lt;ref name=&amp;quot;E&amp;quot; /&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Cast ==&lt;br /&gt;
*[[M. S. Subbulakshmi]] – Sumathi&lt;br /&gt;
*[[F. G. Natesa Iyer]] -Eashwara Iyer&lt;br /&gt;
*[[S. Varalakshmi]]&lt;br /&gt;
*S. G. Pattu Iyer&lt;br /&gt;
*[[Kumari Kamala]]&lt;br /&gt;
*&amp;quot;Jolly&amp;quot; Kittu Iyer&lt;br /&gt;
*Jayalakshmi&lt;br /&gt;
*Ram Pyari&lt;br /&gt;
&lt;br /&gt;
== Reception ==&lt;br /&gt;
&amp;#039;&amp;#039;Sevasadanam&amp;#039;&amp;#039; was released on 2 May 1938. It was a critical and commercial success.&amp;lt;ref name=&amp;quot;E&amp;quot; /&amp;gt; [[Ananda Vikatan]] favourably reviewed the film on 8 May 1938:&lt;br /&gt;
&lt;br /&gt;
{{Cquote | We should always expect somethings from Subramaniam&amp;#039;s direction – for instance depiction of social ills.. If we have to say only two words about this talkie based on Premchand&amp;#039;s story it is – Go see (it).&amp;lt;ref name=&amp;quot;F&amp;quot;&amp;gt;{{cite book | last=Arandhai Narayanan| language= ta| year= 2008 | title=Arambakala Tamil Cinema (1931–41) | publisher=Vijaya Publications| location= Chennai| pages=26}}&amp;lt;/ref&amp;gt;}}&lt;br /&gt;
&lt;br /&gt;
As was the case with &amp;#039;&amp;#039;Balayogini&amp;#039;&amp;#039;, conservative Hindus were upset with &amp;#039;&amp;#039;Sevasadanam&amp;#039;&amp;#039;.&amp;lt;ref name=&amp;quot;G&amp;quot;&amp;gt;{{cite book | first=Gautam| last= Kaul| year= 1998| title= Cinema and the Indian freedom struggle: covering the subcontinent | publisher= Sterling Publishers| pages=84 | isbn= 81-207-2116-0|url=https://books.google.com/books?id=WNxkAAAAMAAJ}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The veteran Marxist leader [[N. Sankaraiah]], has described Seva Sadhanam as an &amp;quot;unusual film&amp;quot; for choosing the subject of marriages between young girls and old men (which had social sanction). According to him, the film successfully broughout the &amp;quot;sufferings of the girl&amp;quot; and the &amp;quot;mental agony of the aged husband&amp;quot;. Sankariah particularly appreciated Natesa Iyer&amp;#039;s performance in the role of the old man, which he said &amp;quot; was impressive&amp;quot;. Tamil film critic and historian Aranthai Narayanan observes in his book &amp;#039;&amp;#039;Thamizh Cinemavin Kathai&amp;#039;&amp;#039; (The Story of Tamil Cinema) that &amp;quot;Seva Sadhanam proved a turning point in the history of Tamil cinema. In the climax, the aged husband, now a totally changed man, was shown as casting aside with utter contempt his `sacred thread&amp;#039;, which symbolises his Brahmin superiority. It came as a  stunning blow to the then Brahmin orthodoxy.&amp;quot;&amp;lt;ref&amp;gt;{{cite news | url=http://www.frontlineonnet.com/fl2114/stories/20040716001508200.htm | last=Vishwanathan | first=S. | title=A progressive film maker; Tribute to K.Subramanian | volume=21 | issue=14 | date=3–16 July 2004 | work=Frontline | publisher=Hindu Publications | location=Chennai, Tamil Nadu}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Availability ==&lt;br /&gt;
No print of &amp;#039;&amp;#039;Sevasadanam&amp;#039;&amp;#039; is known to survive, making it a [[lost film]]. While K. Subrahmanyam&amp;#039;s family only have a few surviving photographs related to the film in their possession, the complete set of 78 rpm gramophone records in their original envelopes has survived in the collection of musicologist [[V. A. K. Ranga Rao]] in Chennai.&amp;lt;ref&amp;gt;{{cite book | title=M. S. Subbulakshmi: The Definitive Biography | publisher=Aleph Book Company | last=George | first=T. J. S. | author-link=T. J. S. George | year=2016 | page=99 | isbn=978-93-84067-60-1 | orig-year=2004}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== See also ==&lt;br /&gt;
* [[Tamil films of the 1930s]]&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
{{Reflist |2}}&lt;br /&gt;
&lt;br /&gt;
== External links ==&lt;br /&gt;
* {{IMDb title|0274825|Sevasadan}}&lt;br /&gt;
* http://www.dhingana.com/maa-ramanan-song-sevasadanam-tamil-oldies-399aa31&lt;br /&gt;
*Film India Magazine 1938 at [https://archive.org/stream/filmindia193804unse#page/n37/mode/2up Archive.org]&lt;br /&gt;
&lt;br /&gt;
[[Category:1938 films]]&lt;br /&gt;
[[Category:Indian films]]&lt;br /&gt;
[[Category:Tamil-language films]]&lt;br /&gt;
[[Category:Adaptations of works by Premchand]]&lt;br /&gt;
[[Category:1930s Tamil-language films]]&lt;br /&gt;
[[Category:Lost Indian films]]&lt;br /&gt;
[[Category:Indian drama films]]&lt;br /&gt;
[[Category:1938 drama films]]&lt;br /&gt;
[[Category:Indian black-and-white films]]&lt;br /&gt;
[[Category:1938 lost films]]&lt;br /&gt;
[[Category:Lost drama films]]&lt;br /&gt;
[[Category:Films directed by K. Subramanyam]]&lt;/div&gt;</summary>
		<author><name>imported&gt;Kailash29792</name></author>
	</entry>
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