imported>Ser Amantio di Nicolao: Moving from Category:Janya Ragas to Category:Janya ragas using Cat-a-lot

2021-08-28T09:14:02Z

Moving from Category:Janya Ragas to Category:Janya ragas using Cat-a-lot

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{{more citations needed|date=July 2020}}
{{Use dmy dates|date=July 2020}}
{{Use Indian English|date=July 2020}}
{{Infobox ragam
| name = Saveri
| synonym =
| image_name =
| image_alt =
| mela =
| chakra =
| type =
| arohanam = {{svaraC|S|R1|M1|P|D1|S'}}
| avarohanam = {{svaraC|S'|N3|D1|P|M1|G3|R1|S}}
| jeeva =
| chhaya =
| nyasa =
| vishesha =
| equivalent =
| similar =
}}
{{Carnatic}}
'''Saveri''' (pronounced sāvēri) is a [[Carnatic music]] [[raga]]m. This raga is a [[janya]] of the 15th [[Melakarta]] raga [[Mayamalavagowla]]. This raga brings out [[rasa (aesthetics)|karuna rasa]], i.e. it brings mood of compassion.<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref>

==Structure and Lakshana==
[[File:Karnataka Shuddha Saveri scale.svg|thumb|right|300px|Ascending scale with Shadjam at C]]
[[File:Mayamalavagowla scale.svg|thumb|right|300px|Descending scale with Shadjam at C]]

This ragam is an ''Audava-Sampurna'' ragam (five notes in the ascending scale and seven notes in the descending scale).

*[[Arohana|{{IAST|ārohaṇa}}]]: {{svaraC|S|R1|M1|P|D1|S'|foot=yes}}
*[[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S'|N3|D1|P|M1|G3|R1|S|foot=yes}}

The notes are ''shuddha rishabham, shuddha madhyamam'' and ''shuddha dhaivatam'' in ascending scale and ''kakali nishadam, shuddha dhaivatam, shuddha madhyamam, antara gandharam'' and ''shuddha rishabham'' in descent. The two [[swara]]s which give the raga such a characteristic are R (Rishabham) and D (Dhaivatham).

==Select compositions==

*''Sarasuda'', a ''[[varnam]]'' composed by Kotavasal Venkatarama Iyer, set to ''Adi [[Tala (music)|tala]]''
*''Sankari Sankuru'', ''Durusuga'' and ''Janani Natajana'' composed by [[Shyama Sastri]]
*''Bhavayaami Raghuraamam (first raga used in this ragamalika)'', ''Anjaneya Raghuraamam'', ''Paripahi Ganadhipa'', ''Pahimam Sripadmanabha'' and ''Devi Pavane (Navarathri third day krithi)'' by [[Swathi Thirunal Rama Varma|Maharaja Swathi Thirunal]]
*''Rama Bana'', ''Tulasi Jagajjanani'' and ''Daridapu Leka'' – Adi Tala composed by [[Thyagaraja]]
*''Kari Kalabha Mukham'' in Tisra Ekam composed by [[Muthuswamy Dikshitar]]
*''Sri Rajagopala'' in Adi composed by [[Muthuswamy Dikshitar]]
*Etu Namminavo Manasa by [[Patnam Subramania Iyer]]
*''Pahimam Girithanaye'' and ''Somapoma'' composed by [[Irayimman Thampi]]
*''Velayya Daya'' composed by [[Koteeswara Iyer]]
*''Murugu Muruga'' by [[Periyasaamy Thooran]]
*''Parakumadade'',''Barayya Venkataramana'', ''Venkataramanane baro by [[Purandaradasa]]
*''Bhasurangi Bale'' and ''Hemopameyaangi'' two padams by [[Swathi Thirunal]]
*''Janakasutha'' a Geetham
Kapali iruka, muruga Muzhumathi by Papanasam sivan

== Related rāgams ==
This section covers the theoretical and scientific aspect of this rāgam.

=== Scale similarities ===
*''[[Karnataka Shuddha Saveri]]'' is a pentatonic scale which has a symmetric descending scale as the ascending scale, which is same as the ascending scale of ''Saveri'', while ''Saveri'' has a ''[[sampurna raga|sampurna]]'' descending scale. Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure is S R1 M1 P D1 S : S D1 P M1 R1 S
*''[[Malahari]]'' is a ''audava-shadava'' scale (5 notes in ascending and 6 in descending scale) that resembles ''Saveri''.<ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref> Its ascending scale has ''shuddha madhyamam'' in place of ''antara gandharam'', while the ''nishadham'' is dropped in descending scale. Its ''{{IAST|ārohaṇa-avarohaṇa}}'' structure is S R1 M1 P D1 S : S D1 P M1 G3 R1 S

==Notes==
{{notelist|30em}}

==References==
{{reflist}}

{{Melakarta ragas|state=collapsed}}
{{Janya|state=collapsed}}

[[Category:Janya ragas]]

Saveri - Revision history

imported>Ser Amantio di Nicolao: Moving from Category:Janya Ragas to Category:Janya ragas using Cat-a-lot