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	<title>Satya Hegde - Revision history</title>
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	<updated>2026-08-17T12:30:37Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<title>FranklynDavitt2: quick update</title>
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		<updated>2026-02-11T07:13:28Z</updated>

		<summary type="html">&lt;p&gt;quick update&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:43, 11 February 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot;&gt;Line 11:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| death_place   =  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| death_place   =  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| nationality   = [[India]]n&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| other_names   =  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| other_names   =  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| occupation    = [[Cinematographer]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| occupation    = [[Cinematographer]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot;&gt;Line 19:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Satya Hegde&#039;&#039;&#039; (born 17 May 1975) is an Indian cinematographer who works in [[Cinema of Karnataka|Kannada cinema]]. He made his debut with &#039;&#039;Taali Kattuva Shubhavele&#039;&#039; in 2002. Following this, he worked in over 20 films and received critical praise for his work in &#039;&#039;[[Duniya (2007 film)|Duniya]]&#039;&#039; (2007) and &#039;&#039;[[Myna (film)|Myna]]&#039;&#039; (2013), along with his collaborations with [[Duniya Soori|Suri]].&amp;lt;ref name=&quot;tnie1&quot;&amp;gt;{{cite news |author= Sharadhaa A. |title= Sandalwood too gets a boost with cinematography |url= http://www.newindianexpress.com/entertainment/reviews/article1518615.ece |newspaper= The New Indian Express |date= 27 March 2013 |accessdate= 10 March 2015}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Satya Hegde&#039;&#039;&#039; (born 17 May 1975) is an Indian cinematographer who works in [[Cinema of Karnataka|Kannada cinema]]. He made his debut with &#039;&#039;Taali Kattuva Shubhavele&#039;&#039; in 2002. Following this, he worked in over 20 films and received critical praise for his work in &#039;&#039;[[Duniya (2007 film)|Duniya]]&#039;&#039; (2007) and &#039;&#039;[[Myna (film)|Myna]]&#039;&#039; (2013), along with his collaborations with [[Duniya Soori|Suri]].&amp;lt;ref name=&quot;tnie1&quot;&amp;gt;{{cite news |author= Sharadhaa A. |title= Sandalwood too gets a boost with cinematography |url= http://www.newindianexpress.com/entertainment/reviews/article1518615.ece &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|archive-url= https://web.archive.org/web/20130331022203/http://newindianexpress.com/entertainment/reviews/article1518615.ece |url-status= dead |archive-date= 31 March 2013 &lt;/ins&gt;|newspaper= The New Indian Express |date= 27 March 2013 |accessdate= 10 March 2015}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Early life==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Early life==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Satya Hegde was born on 17 May 1975 to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a [[Brahmin]] family of &lt;/del&gt;Parameshwar Hegde and Savithri in [[Haliyal]], [[Uttara Kannada]], [[Karnataka]]. He completed his schooling from Carmel High School, Haliyal in 1989. Following this, he was sent to [[Sanduru]] to complete his [[Pre-university course]] by his father who then wanted him to pursue a career in [[Computer science]]. Due to his poor scores during the course, he was persuaded by his brother to obtain a [[diploma]]. Having decided to choose cinematography as the subject specialization at the Sri Jayachamarajendra Polytechnic, [[Bangalore]], Hegde obtained the diploma in cinematography in 1995.&amp;lt;ref name=&quot;th1&quot;&amp;gt;{{cite news |author= Shivakumar S. |title= In the eyes of the lens |url= http://www.thehindu.com/features/friday-review/cinematographer-satya-hegde/article6338637.ece |newspaper= The Hindu |date= 21 August 2014 |accessdate= 10 March 2015}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Satya Hegde was born on 17 May 1975 to Parameshwar Hegde and Savithri in [[Haliyal]], [[Uttara Kannada]], [[Karnataka]]. He completed his schooling from Carmel High School, Haliyal in 1989. Following this, he was sent to [[Sanduru]] to complete his [[Pre-university course]] by his father who then wanted him to pursue a career in [[Computer science]]. Due to his poor scores during the course, he was persuaded by his brother to obtain a [[diploma]]. Having decided to choose cinematography as the subject specialization at the Sri Jayachamarajendra Polytechnic, [[Bangalore]], Hegde obtained the diploma in cinematography in 1995.&amp;lt;ref name=&quot;th1&quot;&amp;gt;{{cite news |author= Shivakumar S. |title= In the eyes of the lens |url= http://www.thehindu.com/features/friday-review/cinematographer-satya-hegde/article6338637.ece |newspaper= The Hindu |date= 21 August 2014 |accessdate= 10 March 2015}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Career==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Career==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hegde began his career as a cinematographer assisting [[B. C. Gowrishankar]], a popular cinematographer of the time. He also &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;worked with &lt;/del&gt;Ashok Kashyap, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;  &lt;/del&gt;P.Rajan, H.C.Venu, P.K.H. Das,Surendranath Begur and [[Krishna (cinematographer)|Krishna]]. During the time, he worked in making [[corporate video]]s, [[documentary film]]s, [[television advertisement]]s and in [[soap opera]]s such as &#039;&#039;Ankura&#039;&#039; and &#039;&#039;Swarnarekhe&#039;&#039;. He worked as a camera operator and an assistant cinematographer in the [[Kannada language]] films &#039;&#039;[[Sparsha (film)|Sparsha]]&#039;&#039; (2000), &#039;&#039;[[Parva (2002 film)|Parva]]&#039;&#039; (2002) and &#039;&#039;[[H2O (2002 film)|H2O]]&#039;&#039;.&amp;lt;ref&amp;gt;{{cite web |title= Cinematographer - Satya Hegde |url= http://www.geocities.ws/infinitifilms/kannada/cameraman.html |website= geocities.ws |accessdate= 11 March 2015}}&amp;lt;/ref&amp;gt; In the same year, he started out as an independent cinematographer in films with the film &#039;&#039;Taali Kattuva Shubhavele&#039;&#039;. He then worked in the 2005 releases &#039;&#039;Yashwanth&#039;&#039; and &#039;&#039;Masala&#039;&#039;, both of which failed to perform commercially. Following this, Hegde worked with Ashok Kashyap in a [[soap opera]] before returning to films with the 2007 film &#039;&#039;[[Duniya (2007 film)|Duniya]]&#039;&#039; for which he won praise for his work from critics.&amp;lt;ref name=&quot;th1&quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Hegde began his career as a cinematographer assisting [[B. C. Gowrishankar]], a popular cinematographer of the time. He also &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;assisted [[&lt;/ins&gt;Ashok Kashyap&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;P. Rajan&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;H. C. Venu&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;P. K. H. Das&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Surendranath Begur&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]], &lt;/ins&gt;and [[Krishna (cinematographer)|Krishna]]. During the time, he worked in making [[corporate video]]s, [[documentary film]]s, [[television advertisement]]s and in [[soap opera]]s such as &#039;&#039;Ankura&#039;&#039; and &#039;&#039;Swarnarekhe&#039;&#039;. He worked as a camera operator and an assistant cinematographer in the [[Kannada language]] films &#039;&#039;[[Sparsha (film)|Sparsha]]&#039;&#039; (2000), &#039;&#039;[[Parva (2002 film)|Parva]]&#039;&#039; (2002) and &#039;&#039;[[H2O (2002 film)|H2O]]&#039;&#039;.&amp;lt;ref&amp;gt;{{cite web |title= Cinematographer - Satya Hegde |url= http://www.geocities.ws/infinitifilms/kannada/cameraman.html |website= geocities.ws |accessdate= 11 March 2015}}&amp;lt;/ref&amp;gt; In the same year, he started out as an independent cinematographer in films with the film &#039;&#039;Taali Kattuva Shubhavele&#039;&#039;. He then worked in the 2005 releases &#039;&#039;Yashwanth&#039;&#039; and &#039;&#039;Masala&#039;&#039;, both of which failed to perform commercially. Following this, Hegde worked with Ashok Kashyap in a [[soap opera]] before returning to films with the 2007 film &#039;&#039;[[Duniya (2007 film)|Duniya]]&#039;&#039; for which he won praise for his work from critics.&amp;lt;ref name=&quot;th1&quot;/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His work in &amp;#039;&amp;#039;[[Myna (film)|Myna]]&amp;#039;&amp;#039; (2013), that was shot mostly outdoors with simulated lighting won him praise.&amp;lt;ref name=&amp;quot;tnie1&amp;quot;/&amp;gt; He then worked in &amp;#039;&amp;#039;[[Gajakesari]]&amp;#039;&amp;#039; (2014) collaborating with [[Krishna (cinematographer)|Krishna]], a cinematographer himself, as the director. He received praise for his work in &amp;#039;&amp;#039;[[Rhaatee]]&amp;#039;&amp;#039;, with critics calling it a &amp;quot;visual poetry&amp;quot;; it involved frames of [[Bangalore]] and Muthathi forest.&amp;lt;ref&amp;gt;{{cite news |title= Movie Review: Rhaatee |url= https://bangaloremirror.indiatimes.com/entertainment/reviews/Movie-Review-Rhaatee/articleshow/46637727.cms |newspaper= Bangalore Mirror |date= 20 March 2015 |accessdate= 6 April 2015}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web |title= It&amp;#039;s a domination of camera over script |url= https://in.newshub.org/s-domination-camera-over-script-13974197.html |website= newshub.org |date= 23 March 2015 |accessdate= 6 April 2015}}&amp;lt;/ref&amp;gt; For his work in &amp;#039;&amp;#039;Rhaatee&amp;#039;&amp;#039;, he was awarded the [[Karnataka State Film Award for Best Cinematographer|Best Cinematographer]] at the [[2014 Karnataka State Film Awards]].&amp;lt;ref&amp;gt;{{cite web|last1=Khajane|first1=Muralidhara|title=Film awards: a balance between main and independent film-making streams|url=http://www.thehindu.com/news/cities/bangalore/film-awards-a-balance-between-main-and-independent-filmmaking-streams/article8230707.ece|work=The Hindu|date=13 February 2016}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His work in &amp;#039;&amp;#039;[[Myna (film)|Myna]]&amp;#039;&amp;#039; (2013), that was shot mostly outdoors with simulated lighting won him praise.&amp;lt;ref name=&amp;quot;tnie1&amp;quot;/&amp;gt; He then worked in &amp;#039;&amp;#039;[[Gajakesari]]&amp;#039;&amp;#039; (2014) collaborating with [[Krishna (cinematographer)|Krishna]], a cinematographer himself, as the director. He received praise for his work in &amp;#039;&amp;#039;[[Rhaatee]]&amp;#039;&amp;#039;, with critics calling it a &amp;quot;visual poetry&amp;quot;; it involved frames of [[Bangalore]] and Muthathi forest.&amp;lt;ref&amp;gt;{{cite news |title= Movie Review: Rhaatee |url= https://bangaloremirror.indiatimes.com/entertainment/reviews/Movie-Review-Rhaatee/articleshow/46637727.cms |newspaper= Bangalore Mirror |date= 20 March 2015 |accessdate= 6 April 2015}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web |title= It&amp;#039;s a domination of camera over script |url= https://in.newshub.org/s-domination-camera-over-script-13974197.html |website= newshub.org |date= 23 March 2015 |accessdate= 6 April 2015}}&amp;lt;/ref&amp;gt; For his work in &amp;#039;&amp;#039;Rhaatee&amp;#039;&amp;#039;, he was awarded the [[Karnataka State Film Award for Best Cinematographer|Best Cinematographer]] at the [[2014 Karnataka State Film Awards]].&amp;lt;ref&amp;gt;{{cite web|last1=Khajane|first1=Muralidhara|title=Film awards: a balance between main and independent film-making streams|url=http://www.thehindu.com/news/cities/bangalore/film-awards-a-balance-between-main-and-independent-filmmaking-streams/article8230707.ece|work=The Hindu|date=13 February 2016}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l99&quot;&gt;Line 99:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 98:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|rowspan=&amp;quot;2&amp;quot;| 2011&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|rowspan=&amp;quot;2&amp;quot;| 2011&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &amp;#039;&amp;#039;[[Sanju Weds Geetha]]&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &amp;#039;&amp;#039;[[Sanju Weds Geetha]]&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Nagashekar&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Nagashekar&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| SIIMA Award for Best Cinematographer&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| SIIMA Award for Best Cinematographer&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l159&quot;&gt;Line 159:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 158:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &amp;#039;&amp;#039;[[Amar (2019 film)|Amar]]&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &amp;#039;&amp;#039;[[Amar (2019 film)|Amar]]&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Nagashekar&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Nagashekar&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| rowspan=&quot;3&quot; |2020&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| &#039;&#039;[[Butterfly (upcoming film)|Butterfly]]&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| [[Ramesh Aravind]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| &#039;&#039;[[Paris Paris]]&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Ramesh Aravind&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Tamil film&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| &#039;&#039;[[Act 1978]]&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2023&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2024&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| A. P. Arjun&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| A. P. Arjun&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Tamil film&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l197&quot;&gt;Line 197:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 212:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:People from Uttara Kannada]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:People from Uttara Kannada]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Kannada film cinematographers]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Kannada film cinematographers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Kannada Brahmins]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Cinematographers from Karnataka]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Cinematographers from Karnataka]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Karnataka State Film Award winners]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;

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&lt;/table&gt;</summary>
		<author><name>FranklynDavitt2</name></author>
	</entry>
	<entry>
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&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{short description|Indian cinematographer (born 1975)}}&lt;br /&gt;
{{Use dmy dates|date=December 2019}}&lt;br /&gt;
{{Use Indian English|date=December 2019}}&lt;br /&gt;
{{Infobox person&lt;br /&gt;
| name          = Satya Hegde&lt;br /&gt;
| image         = &lt;br /&gt;
| caption       = &lt;br /&gt;
| birth_name    = &lt;br /&gt;
| birth_date    = {{Birth date and age|1975|05|17|df=yes}}&lt;br /&gt;
| birth_place   = [[Haliyal]], [[Uttara Kannada]], [[Karnataka]], [[India]]&lt;br /&gt;
| death_date    = &lt;br /&gt;
| death_place   = &lt;br /&gt;
| nationality   = [[India]]n&lt;br /&gt;
| other_names   = &lt;br /&gt;
| occupation    = [[Cinematographer]]&lt;br /&gt;
| years_active  = 2002–present&lt;br /&gt;
| known_for     = &lt;br /&gt;
| notable_works =&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Satya Hegde&amp;#039;&amp;#039;&amp;#039; (born 17 May 1975) is an Indian cinematographer who works in [[Cinema of Karnataka|Kannada cinema]]. He made his debut with &amp;#039;&amp;#039;Taali Kattuva Shubhavele&amp;#039;&amp;#039; in 2002. Following this, he worked in over 20 films and received critical praise for his work in &amp;#039;&amp;#039;[[Duniya (2007 film)|Duniya]]&amp;#039;&amp;#039; (2007) and &amp;#039;&amp;#039;[[Myna (film)|Myna]]&amp;#039;&amp;#039; (2013), along with his collaborations with [[Duniya Soori|Suri]].&amp;lt;ref name=&amp;quot;tnie1&amp;quot;&amp;gt;{{cite news |author= Sharadhaa A. |title= Sandalwood too gets a boost with cinematography |url= http://www.newindianexpress.com/entertainment/reviews/article1518615.ece |newspaper= The New Indian Express |date= 27 March 2013 |accessdate= 10 March 2015}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Early life==&lt;br /&gt;
Satya Hegde was born on 17 May 1975 to a [[Brahmin]] family of Parameshwar Hegde and Savithri in [[Haliyal]], [[Uttara Kannada]], [[Karnataka]]. He completed his schooling from Carmel High School, Haliyal in 1989. Following this, he was sent to [[Sanduru]] to complete his [[Pre-university course]] by his father who then wanted him to pursue a career in [[Computer science]]. Due to his poor scores during the course, he was persuaded by his brother to obtain a [[diploma]]. Having decided to choose cinematography as the subject specialization at the Sri Jayachamarajendra Polytechnic, [[Bangalore]], Hegde obtained the diploma in cinematography in 1995.&amp;lt;ref name=&amp;quot;th1&amp;quot;&amp;gt;{{cite news |author= Shivakumar S. |title= In the eyes of the lens |url= http://www.thehindu.com/features/friday-review/cinematographer-satya-hegde/article6338637.ece |newspaper= The Hindu |date= 21 August 2014 |accessdate= 10 March 2015}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Career==&lt;br /&gt;
Hegde began his career as a cinematographer assisting [[B. C. Gowrishankar]], a popular cinematographer of the time. He also worked with Ashok Kashyap,   P.Rajan, H.C.Venu, P.K.H. Das,Surendranath Begur and [[Krishna (cinematographer)|Krishna]]. During the time, he worked in making [[corporate video]]s, [[documentary film]]s, [[television advertisement]]s and in [[soap opera]]s such as &amp;#039;&amp;#039;Ankura&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Swarnarekhe&amp;#039;&amp;#039;. He worked as a camera operator and an assistant cinematographer in the [[Kannada language]] films &amp;#039;&amp;#039;[[Sparsha (film)|Sparsha]]&amp;#039;&amp;#039; (2000), &amp;#039;&amp;#039;[[Parva (2002 film)|Parva]]&amp;#039;&amp;#039; (2002) and &amp;#039;&amp;#039;[[H2O (2002 film)|H2O]]&amp;#039;&amp;#039;.&amp;lt;ref&amp;gt;{{cite web |title= Cinematographer - Satya Hegde |url= http://www.geocities.ws/infinitifilms/kannada/cameraman.html |website= geocities.ws |accessdate= 11 March 2015}}&amp;lt;/ref&amp;gt; In the same year, he started out as an independent cinematographer in films with the film &amp;#039;&amp;#039;Taali Kattuva Shubhavele&amp;#039;&amp;#039;. He then worked in the 2005 releases &amp;#039;&amp;#039;Yashwanth&amp;#039;&amp;#039; and &amp;#039;&amp;#039;Masala&amp;#039;&amp;#039;, both of which failed to perform commercially. Following this, Hegde worked with Ashok Kashyap in a [[soap opera]] before returning to films with the 2007 film &amp;#039;&amp;#039;[[Duniya (2007 film)|Duniya]]&amp;#039;&amp;#039; for which he won praise for his work from critics.&amp;lt;ref name=&amp;quot;th1&amp;quot;/&amp;gt;&lt;br /&gt;
&lt;br /&gt;
His work in &amp;#039;&amp;#039;[[Myna (film)|Myna]]&amp;#039;&amp;#039; (2013), that was shot mostly outdoors with simulated lighting won him praise.&amp;lt;ref name=&amp;quot;tnie1&amp;quot;/&amp;gt; He then worked in &amp;#039;&amp;#039;[[Gajakesari]]&amp;#039;&amp;#039; (2014) collaborating with [[Krishna (cinematographer)|Krishna]], a cinematographer himself, as the director. He received praise for his work in &amp;#039;&amp;#039;[[Rhaatee]]&amp;#039;&amp;#039;, with critics calling it a &amp;quot;visual poetry&amp;quot;; it involved frames of [[Bangalore]] and Muthathi forest.&amp;lt;ref&amp;gt;{{cite news |title= Movie Review: Rhaatee |url= https://bangaloremirror.indiatimes.com/entertainment/reviews/Movie-Review-Rhaatee/articleshow/46637727.cms |newspaper= Bangalore Mirror |date= 20 March 2015 |accessdate= 6 April 2015}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite web |title= It&amp;#039;s a domination of camera over script |url= https://in.newshub.org/s-domination-camera-over-script-13974197.html |website= newshub.org |date= 23 March 2015 |accessdate= 6 April 2015}}&amp;lt;/ref&amp;gt; For his work in &amp;#039;&amp;#039;Rhaatee&amp;#039;&amp;#039;, he was awarded the [[Karnataka State Film Award for Best Cinematographer|Best Cinematographer]] at the [[2014 Karnataka State Film Awards]].&amp;lt;ref&amp;gt;{{cite web|last1=Khajane|first1=Muralidhara|title=Film awards: a balance between main and independent film-making streams|url=http://www.thehindu.com/news/cities/bangalore/film-awards-a-balance-between-main-and-independent-filmmaking-streams/article8230707.ece|work=The Hindu|date=13 February 2016}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Filmography==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
! Year&lt;br /&gt;
! Film&lt;br /&gt;
! Director&lt;br /&gt;
! Notes&lt;br /&gt;
|-&lt;br /&gt;
| 2000&lt;br /&gt;
| &amp;#039;&amp;#039;[[Sparsha (film)|Sparsha]]&amp;#039;&amp;#039;&lt;br /&gt;
|rowspan=&amp;quot;2&amp;quot;| [[Sunil Kumar Desai]]&lt;br /&gt;
| Assistant cinematographer&lt;br /&gt;
|-&lt;br /&gt;
|rowspan=&amp;quot;3&amp;quot;| 2002&lt;br /&gt;
| &amp;#039;&amp;#039;[[Parva (2002 film)|Parva]]&amp;#039;&amp;#039;&lt;br /&gt;
| Assistant cinematographer&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;[[H2O (2002 film)|H2O]]&amp;#039;&amp;#039;&lt;br /&gt;
| N. Lokanath&amp;lt;br&amp;gt;Rajaram&lt;br /&gt;
| Assistant cinematographer&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;Taali Kattuva Shubhavele&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|rowspan=&amp;quot;2&amp;quot;| 2005&lt;br /&gt;
| &amp;#039;&amp;#039;Yashwanth&amp;#039;&amp;#039;&lt;br /&gt;
|rowspan=&amp;quot;2&amp;quot;| [[Dayal Padmanabhan]]&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;[[Masala (2005 film)|Masala]]&amp;#039;&amp;#039;&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|rowspan=&amp;quot;2&amp;quot;| 2007&lt;br /&gt;
| &amp;#039;&amp;#039;[[Duniya (2007 film)|Duniya]]&amp;#039;&amp;#039;&lt;br /&gt;
| [[Duniya Soori|Suri]]&lt;br /&gt;
| Suvarna Film Award for Best Cinematographer &amp;lt;br&amp;gt; Kasturi Film Award for Best Cinematographer &amp;lt;br&amp;gt; Cinegandha Award for Best Cinematographer&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;Ee Preethi Onthara&amp;#039;&amp;#039;&lt;br /&gt;
| Subramanya Thememane&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| 2008&lt;br /&gt;
| &amp;#039;&amp;#039;[[Inthi Ninna Preethiya]]&amp;#039;&amp;#039;&lt;br /&gt;
|  Suri&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|rowspan=&amp;quot;4&amp;quot;| 2009&lt;br /&gt;
| &amp;#039;&amp;#039;[[Ambari (film)|Ambari]]&amp;#039;&amp;#039;&lt;br /&gt;
| [[A. P. Arjun]]&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;[[Junglee (2009 film)|Junglee]]&amp;#039;&amp;#039;&lt;br /&gt;
| Suri&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;[[Manasaare]]&amp;#039;&amp;#039;&lt;br /&gt;
| [[Yogaraj Bhat]]&lt;br /&gt;
| Zee Kannada Film Award for Best Cinematographer&amp;lt;br/&amp;gt;Innovative Film Award for Best Cinematographer&amp;lt;ref&amp;gt;{{cite web|title=Innovative Film Awards, star studded, star oriented|url=http://chitratara.com/show-content.php?id=1884&amp;amp;ptype=News&amp;amp;title=INNOVATIVE%20FILM%20AWARDS%20?STAR%20STUDDED%20STAR%20ORIENTED!|archiveurl=https://web.archive.org/web/20131220193929/http://chitratara.com/show-content.php?id=1884&amp;amp;ptype=News&amp;amp;title=INNOVATIVE%20FILM%20AWARDS%20%3FSTAR%20STUDDED%20STAR%20ORIENTED%21|archivedate=20 December 2013|publisher=chitratara.com|date=3 May 2010|accessdate=28 January 2017|url-status=dead}}&amp;lt;/ref&amp;gt;&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;[[Gokula (film)|Gokula]]&amp;#039;&amp;#039;&lt;br /&gt;
| [[Prakash (film director)|Prakash]]&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| 2010&lt;br /&gt;
| &amp;#039;&amp;#039;[[Jackie (2010 film)|Jackie]]&amp;#039;&amp;#039;&lt;br /&gt;
| Suri&lt;br /&gt;
| Suvarna Film Award for Best Cinematographer&lt;br /&gt;
|-&lt;br /&gt;
|rowspan=&amp;quot;2&amp;quot;| 2011&lt;br /&gt;
| &amp;#039;&amp;#039;[[Sanju Weds Geetha]]&amp;#039;&amp;#039;&lt;br /&gt;
| Nagashekar&lt;br /&gt;
| SIIMA Award for Best Cinematographer&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;[[Hudugaru]]&amp;#039;&amp;#039;&lt;br /&gt;
| K. Madesh&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|rowspan=&amp;quot;2&amp;quot;| 2012&lt;br /&gt;
| &amp;#039;&amp;#039;[[Shiva (2012 film)|Shiva]]&amp;#039;&amp;#039;&lt;br /&gt;
| [[Om Prakash Rao]]&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;[[Anna Bond]]&amp;#039;&amp;#039;&lt;br /&gt;
| Suri&lt;br /&gt;
| Nominated—SIIMA Award for Best Cinematographer&lt;br /&gt;
|-&lt;br /&gt;
| 2013&lt;br /&gt;
| &amp;#039;&amp;#039;[[Myna (film)|Myna]]&amp;#039;&amp;#039;&lt;br /&gt;
| Nagashekar&lt;br /&gt;
| Nominated—SIIMA Award for Best Cinematographer&lt;br /&gt;
|-&lt;br /&gt;
|rowspan=&amp;quot;2&amp;quot;| 2014&lt;br /&gt;
| &amp;#039;&amp;#039;[[Gajakesari]]&amp;#039;&amp;#039;&lt;br /&gt;
| [[Krishna (cinematographer)|Krishna]]&lt;br /&gt;
| Nominated—SIIMA Award for Best Cinematographer&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;[[6-5=2 Hindi|6-5=2]]&amp;#039;&amp;#039;&lt;br /&gt;
| Bharat Jain&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|rowspan=&amp;quot;3&amp;quot;| 2015&lt;br /&gt;
| &amp;#039;&amp;#039;[[Rhaatee]]&amp;#039;&amp;#039;&lt;br /&gt;
| A. P. Arjun&lt;br /&gt;
| [[Karnataka State Film Award for Best Cinematographer]]&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;[[Aatagara]]&amp;#039;&amp;#039;&lt;br /&gt;
| [[K. M. Chaitanya]]&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;[[Kendasampige]]&amp;#039;&amp;#039;&lt;br /&gt;
| Suri&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|rowspan=&amp;quot;2&amp;quot;| 2016&lt;br /&gt;
| &amp;#039;&amp;#039;[[Doddmane Hudga]]&amp;#039;&amp;#039;&lt;br /&gt;
| Suri&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| &amp;#039;&amp;#039;[[U Turn (2016 film)|U Turn]]&amp;#039;&amp;#039;&lt;br /&gt;
| [[Pawan Kumar (director)|Pawan Kumar]]&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
|rowspan=&amp;quot;1&amp;quot;| 2017&lt;br /&gt;
| &amp;#039;&amp;#039;[[Maasthi Gudi]]&amp;#039;&amp;#039;&lt;br /&gt;
| Nagashekar&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| 2019&lt;br /&gt;
| &amp;#039;&amp;#039;[[Amar (2019 film)|Amar]]&amp;#039;&amp;#039;&lt;br /&gt;
| Nagashekar&lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| 2021&lt;br /&gt;
| &amp;#039;&amp;#039;[[100 (2021 film)|100]]&amp;#039;&amp;#039;&lt;br /&gt;
| [[Ramesh Aravind]]&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| 2023&lt;br /&gt;
| &amp;#039;&amp;#039;[[Martin (2023 film)|Martin]]&amp;#039;&amp;#039;&lt;br /&gt;
| A. P. Arjun&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| {{TBA}}&lt;br /&gt;
| &amp;#039;&amp;#039;[[Butterfly (upcoming film)|Butterfly]]&amp;#039;&amp;#039;&lt;br /&gt;
| Ramesh Aravind&lt;br /&gt;
|&lt;br /&gt;
|-&lt;br /&gt;
| {{TBA}}&lt;br /&gt;
| &amp;#039;&amp;#039;[[Paris Paris]]&amp;#039;&amp;#039;&lt;br /&gt;
| Ramesh Aravind&lt;br /&gt;
| Tamil film&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
{{reflist}}&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
* {{Official website|http://www.satyahegde.com/}}&lt;br /&gt;
* {{IMDb name|4148000}}&lt;br /&gt;
&lt;br /&gt;
{{authority control}}&lt;br /&gt;
&lt;br /&gt;
{{DEFAULTSORT:Hegde, Satya}}&lt;br /&gt;
[[Category:1975 births]]&lt;br /&gt;
[[Category:Living people]]&lt;br /&gt;
[[Category:People from Uttara Kannada]]&lt;br /&gt;
[[Category:Kannada film cinematographers]]&lt;br /&gt;
[[Category:Kannada Brahmins]]&lt;br /&gt;
[[Category:Cinematographers from Karnataka]]&lt;/div&gt;</summary>
		<author><name>Ajay Kumar</name></author>
	</entry>
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